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Color name
HEX #15C059

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15C059 it is the complementary color #EA3FA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15C059. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15C059 shade: #1AC054, #2BD267, #3CE47A, #4DF68D and #5EFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15C059. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15C059 shade: #15C059, #04AE46, #009C33, #008A20 and #00780D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15C059 shade: #15C059, #15C02B, #2DC015, #5BC015 and #8AC015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15C059 shade: #15C059, #15C087, #15C0B5, #159DC0 and #156FC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15C059 shade matches the following richer shades: #15C059 and #04D256

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15C059 shade: #15C059, #26AF5D, #389E60, #498C64 and #5A7B67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15C059 shade: #2FC015, #15C029, #15C057, #15C084 and #15C0B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15C059 shade: #0D7637, #119B48, #15C059, #19E56A and #3FE982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15C059 shade: #15C059, #155CC0 and #C01518

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15C059 shade: #15C059, #5715C0 and #C05715

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15C059 shade: #15C059, #155CC0, #C0157F and #C07915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15C059 shade: #15C059, #1529C0, #C0157F and #C0AC15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

Complementary color

CMYK 0 / 73 / 29 / 8

HEX #EA3FA6

RGB 234 63 166

HSL 323.86, 0.8%, 0.58%

LAB 55.89, 72.76, -17.39

 

CMYK 86 / 0 / 56 / 25

HEX #1AC054

RGB 26 192 84

HSL 140.96, 0.76%, 0.43%

LAB 68.43, -62.25, 42.9

 

CMYK 80 / 0 / 51 / 18

HEX #2BD267

RGB 43 210 103

HSL 141.56, 0.66%, 0.5%

LAB 74.56, -63.75, 41.29

 

CMYK 74 / 0 / 46 / 11

HEX #3CE47A

RGB 60 228 122

HSL 142.14, 0.76%, 0.56%

LAB 80.66, -64.78, 39.72

 

CMYK 69 / 0 / 43 / 4

HEX #4DF68D

RGB 77 246 141

HSL 142.72, 0.9%, 0.63%

LAB 86.71, -65.46, 38.22

 

CMYK 63 / 0 / 37 / 0

HEX #5EFFA0

RGB 94 255 160

HSL 144.6, 1%, 0.68%

LAB 90.06, -62.56, 33.29

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 98 / 0 / 60 / 32

HEX #04AE46

RGB 4 174 70

HSL 143.29, 0.96%, 0.35%

LAB 62.29, -59.7, 42.2

 

CMYK 100 / 0 / 67 / 39

HEX #009C33

RGB 0 156 51

HSL 139.62, 1%, 0.31%

LAB 56.1, -56.62, 43.78

 

CMYK 100 / 0 / 77 / 46

HEX #008A20

RGB 0 138 32

HSL 133.91, 1%, 0.27%

LAB 49.84, -52.97, 44.86

 

CMYK 100 / 0 / 89 / 53

HEX #00780D

RGB 0 120 13

HSL 126.5, 1%, 0.24%

LAB 43.45, -48.8, 44.75

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 89 / 0 / 78 / 25

HEX #15C02B

RGB 21 192 43

HSL 127.72, 0.8%, 0.42%

LAB 68.05, -66.89, 59.11

 

CMYK 77 / 0 / 89 / 25

HEX #2DC015

RGB 45 192 21

HSL 111.58, 0.8%, 0.42%

LAB 68.25, -65.42, 64.96

 

CMYK 53 / 0 / 89 / 25

HEX #5BC015

RGB 91 192 21

HSL 95.44, 0.8%, 0.42%

LAB 69.45, -55.41, 66.47

 

CMYK 28 / 0 / 89 / 25

HEX #8AC015

RGB 138 192 21

HSL 78.95, 0.8%, 0.42%

LAB 71.66, -39.45, 69.2

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 89 / 0 / 30 / 25

HEX #15C087

RGB 21 192 135

HSL 160, 0.8%, 0.42%

LAB 69.19, -53.23, 17.72

 

CMYK 89 / 0 / 6 / 25

HEX #15C0B5

RGB 21 192 181

HSL 176.14, 0.8%, 0.42%

LAB 70.31, -41.34, -5.71

 

CMYK 89 / 18 / 0 / 25

HEX #159DC0

RGB 21 157 192

HSL 192.28, 0.8%, 0.42%

LAB 59.96, -20.98, -27.48

 

CMYK 89 / 42 / 0 / 25

HEX #156FC0

RGB 21 111 192

HSL 208.42, 0.8%, 0.42%

LAB 46.09, 5.6, -49.29

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 98 / 0 / 59 / 18

HEX #04D256

RGB 4 210 86

HSL 143.88, 0.96%, 0.42%

LAB 74.06, -68.77, 48.58

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 78 / 0 / 47 / 31

HEX #26AF5D

RGB 38 175 93

HSL 144.09, 0.64%, 0.42%

LAB 63.23, -53.81, 32.06

 

CMYK 65 / 0 / 39 / 38

HEX #389E60

RGB 56 158 96

HSL 143.53, 0.48%, 0.42%

LAB 58.17, -43.79, 23.97

 

CMYK 48 / 0 / 29 / 45

HEX #498C64

RGB 73 140 100

HSL 144.18, 0.31%, 0.42%

LAB 53.05, -30.92, 14.92

 

CMYK 27 / 0 / 16 / 52

HEX #5A7B67

RGB 90 123 103

HSL 143.64, 0.15%, 0.42%

LAB 48.66, -16.24, 7.16

 

CMYK 76 / 0 / 89 / 25

HEX #2FC015

RGB 47 192 21

HSL 110.88, 0.8%, 0.42%

LAB 68.28, -65.12, 65

 

CMYK 89 / 0 / 79 / 25

HEX #15C029

RGB 21 192 41

HSL 127.02, 0.8%, 0.42%

LAB 68.03, -67.02, 59.73

 

CMYK 89 / 0 / 55 / 25

HEX #15C057

RGB 21 192 87

HSL 143.16, 0.8%, 0.42%

LAB 68.42, -62.2, 41.45

 

CMYK 89 / 0 / 31 / 25

HEX #15C084

RGB 21 192 132

HSL 158.95, 0.8%, 0.42%

LAB 69.13, -53.91, 19.25

 

CMYK 89 / 0 / 7 / 25

HEX #15C0B2

RGB 21 192 178

HSL 175.09, 0.8%, 0.42%

LAB 70.23, -42.2, -4.19

 

CMYK 89 / 0 / 53 / 54

HEX #0D7637

RGB 13 118 55

HSL 144, 0.8%, 0.26%

LAB 43.24, -42.48, 26.89

 

CMYK 89 / 0 / 54 / 39

HEX #119B48

RGB 17 155 72

HSL 143.91, 0.8%, 0.34%

LAB 56.12, -52.43, 33.87

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 89 / 0 / 54 / 10

HEX #19E56A

RGB 25 229 106

HSL 143.82, 0.8%, 0.5%

LAB 80.34, -71.01, 46.89

 

CMYK 73 / 0 / 44 / 9

HEX #3FE982

RGB 63 233 130

HSL 143.65, 0.79%, 0.58%

LAB 82.35, -64.8, 37.96

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 89 / 52 / 0 / 25

HEX #155CC0

RGB 21 92 192

HSL 215.09, 0.8%, 0.42%

LAB 40.6, 17.86, -58.12

 

CMYK 0 / 89 / 88 / 25

HEX #C01518

RGB 192 21 24

HSL 358.95, 0.8%, 0.42%

LAB 40.91, 62.49, 45.57

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 55 / 89 / 0 / 25

HEX #5715C0

RGB 87 21 192

HSL 263.16, 0.8%, 0.42%

LAB 30.32, 62.57, -74.82

 

CMYK 0 / 55 / 89 / 25

HEX #C05715

RGB 192 87 21

HSL 23.16, 0.8%, 0.42%

LAB 49.59, 38.85, 53.59

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 89 / 52 / 0 / 25

HEX #155CC0

RGB 21 92 192

HSL 215.09, 0.8%, 0.42%

LAB 40.6, 17.86, -58.12

 

CMYK 0 / 89 / 34 / 25

HEX #C0157F

RGB 192 21 127

HSL 322.81, 0.8%, 0.42%

LAB 43.17, 68.83, -14.04

 

CMYK 0 / 37 / 89 / 25

HEX #C07915

RGB 192 121 21

HSL 35.09, 0.8%, 0.42%

LAB 57.01, 20.78, 59.35

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 89 / 79 / 0 / 25

HEX #1529C0

RGB 21 41 192

HSL 232.98, 0.8%, 0.42%

LAB 28.25, 50.06, -78.4

 

CMYK 0 / 89 / 34 / 25

HEX #C0157F

RGB 192 21 127

HSL 322.81, 0.8%, 0.42%

LAB 43.17, 68.83, -14.04

 

CMYK 0 / 10 / 89 / 25

HEX #C0AC15

RGB 192 172 21

HSL 52.98, 0.8%, 0.42%

LAB 70.01, -6.89, 69.54

 

Description

Color code: HEX #15C059 | qconv.com Color code: HEX #15C059 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 192 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 192 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 54 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 54% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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