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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15CB57 it is the complementary color #EA34A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15CB57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15CB57 shade: #1ACB52, #2BDD65, #3CEF78, #4DFF8B and #5EFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15CB57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15CB57 shade: #15CB57, #04B944, #00A731, #00951E and #00830B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15CB57 shade: #15CB57, #15CB26, #35CB15, #66CB15 and #97CB15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15CB57 shade: #15CB57, #15CB88, #15CBB9, #15ABCB and #157ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15CB57 shade matches the following richer shades: #15CB57 and #03DD52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15CB57 shade: #15CB57, #27B85C, #39A661, #4B9466 and #5D826B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15CB57 shade: #36CB15, #15CB24, #15CB54, #15CB85 and #15CBB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15CB57 shade: #0D8037, #11A547, #15CB57, #21E769 and #47EB82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15CB57 shade: #15CB57, #1567CB and #CB151E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15CB57 shade: #15CB57, #5415CB and #CB5415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15CB57 shade: #15CB57, #1567CB, #CB158B and #CB7915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15CB57 shade: #15CB57, #1530CB, #CB158B and #CBAF15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

Complementary color

CMYK 0 / 78 / 28 / 8

HEX #EA34A8

RGB 234 52 168

HSL 321.76, 0.81%, 0.56%

LAB 54.84, 76.18, -20.16

 

CMYK 87 / 0 / 60 / 20

HEX #1ACB52

RGB 26 203 82

HSL 138.98, 0.77%, 0.45%

LAB 71.92, -66.02, 47.93

 

CMYK 81 / 0 / 54 / 13

HEX #2BDD65

RGB 43 221 101

HSL 139.55, 0.72%, 0.52%

LAB 77.97, -67.67, 46.4

 

CMYK 75 / 0 / 50 / 6

HEX #3CEF78

RGB 60 239 120

HSL 140.11, 0.85%, 0.59%

LAB 83.99, -68.83, 44.87

 

CMYK 70 / 0 / 45 / 0

HEX #4DFF8B

RGB 77 255 139

HSL 140.9, 1%, 0.65%

LAB 89.38, -68.94, 42.62

 

CMYK 63 / 0 / 38 / 0

HEX #5EFF9E

RGB 94 255 158

HSL 143.85, 1%, 0.68%

LAB 90.03, -62.91, 34.24

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 98 / 0 / 63 / 27

HEX #04B944

RGB 4 185 68

HSL 141.22, 0.96%, 0.37%

LAB 65.86, -63.37, 47.2

 

CMYK 100 / 0 / 71 / 35

HEX #00A731

RGB 0 167 49

HSL 137.6, 1%, 0.33%

LAB 59.76, -60.17, 48.55

 

CMYK 100 / 0 / 80 / 42

HEX #00951E

RGB 0 149 30

HSL 132.08, 1%, 0.29%

LAB 53.59, -56.42, 49.25

 

CMYK 100 / 0 / 92 / 49

HEX #00830B

RGB 0 131 11

HSL 125.04, 1%, 0.26%

LAB 47.31, -52.16, 48.59

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 90 / 0 / 81 / 20

HEX #15CB26

RGB 21 203 38

HSL 125.6, 0.81%, 0.44%

LAB 71.56, -70.36, 63.93

 

CMYK 74 / 0 / 90 / 20

HEX #35CB15

RGB 53 203 21

HSL 109.45, 0.81%, 0.44%

LAB 71.91, -67.52, 68.15

 

CMYK 50 / 0 / 90 / 20

HEX #66CB15

RGB 102 203 21

HSL 93.3, 0.81%, 0.44%

LAB 73.28, -56.26, 69.86

 

CMYK 26 / 0 / 90 / 20

HEX #97CB15

RGB 151 203 21

HSL 77.14, 0.81%, 0.44%

LAB 75.67, -39.29, 72.81

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 90 / 0 / 33 / 20

HEX #15CB88

RGB 21 203 136

HSL 157.91, 0.81%, 0.44%

LAB 72.66, -57.13, 21.95

 

CMYK 90 / 0 / 9 / 20

HEX #15CBB9

RGB 21 203 185

HSL 174.07, 0.81%, 0.44%

LAB 73.79, -44.99, -2.76

 

CMYK 90 / 16 / 0 / 20

HEX #15ABCB

RGB 21 171 203

HSL 190.55, 0.81%, 0.44%

LAB 64.64, -24.47, -26.41

 

CMYK 90 / 40 / 0 / 20

HEX #157ACB

RGB 21 122 203

HSL 206.7, 0.81%, 0.44%

LAB 49.97, 3.05, -49.41

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 99 / 0 / 63 / 13

HEX #03DD52

RGB 3 221 82

HSL 141.74, 0.97%, 0.44%

LAB 77.48, -72.58, 54.25

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 79 / 0 / 50 / 28

HEX #27B85C

RGB 39 184 92

HSL 141.93, 0.65%, 0.44%

LAB 66.12, -57.04, 36.22

 

CMYK 66 / 0 / 42 / 35

HEX #39A661

RGB 57 166 97

HSL 142.02, 0.49%, 0.44%

LAB 60.79, -46.63, 26.88

 

CMYK 49 / 0 / 31 / 42

HEX #4B9466

RGB 75 148 102

HSL 142.19, 0.33%, 0.44%

LAB 55.72, -33.7, 17.47

 

CMYK 28 / 0 / 18 / 49

HEX #5D826B

RGB 93 130 107

HSL 142.7, 0.17%, 0.44%

LAB 51.1, -18.12, 8.32

 

CMYK 73 / 0 / 90 / 20

HEX #36CB15

RGB 54 203 21

HSL 109.12, 0.81%, 0.44%

LAB 71.93, -67.36, 68.17

 

CMYK 90 / 0 / 82 / 20

HEX #15CB24

RGB 21 203 36

HSL 124.95, 0.81%, 0.44%

LAB 71.55, -70.47, 64.45

 

CMYK 90 / 0 / 59 / 20

HEX #15CB54

RGB 21 203 84

HSL 140.77, 0.81%, 0.44%

LAB 71.9, -66.11, 46.99

 

CMYK 90 / 0 / 34 / 20

HEX #15CB85

RGB 21 203 133

HSL 156.92, 0.81%, 0.44%

LAB 72.6, -57.76, 23.46

 

CMYK 90 / 0 / 11 / 20

HEX #15CBB5

RGB 21 203 181

HSL 172.75, 0.81%, 0.44%

LAB 73.68, -46.1, -0.76

 

CMYK 90 / 0 / 57 / 50

HEX #0D8037

RGB 13 128 55

HSL 141.91, 0.82%, 0.28%

LAB 46.71, -46.06, 31.13

 

CMYK 90 / 0 / 57 / 35

HEX #11A547

RGB 17 165 71

HSL 141.89, 0.81%, 0.36%

LAB 59.42, -55.95, 38.36

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 86 / 0 / 55 / 9

HEX #21E769

RGB 33 231 105

HSL 141.82, 0.8%, 0.52%

LAB 81.01, -71.22, 48.18

 

CMYK 70 / 0 / 45 / 8

HEX #47EB82

RGB 71 235 130

HSL 141.59, 0.8%, 0.6%

LAB 83.11, -64.31, 38.96

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 90 / 49 / 0 / 20

HEX #1567CB

RGB 21 103 203

HSL 212.97, 0.81%, 0.44%

LAB 44.48, 15.04, -58.22

 

CMYK 0 / 90 / 85 / 20

HEX #CB151E

RGB 203 21 30

HSL 357.03, 0.81%, 0.44%

LAB 43.25, 65.52, 45.49

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 59 / 90 / 0 / 20

HEX #5415CB

RGB 84 21 203

HSL 260.77, 0.81%, 0.44%

LAB 31.19, 65, -79.85

 

CMYK 0 / 59 / 90 / 20

HEX #CB5415

RGB 203 84 21

HSL 20.77, 0.81%, 0.44%

LAB 50.79, 44.53, 55.28

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 90 / 49 / 0 / 20

HEX #1567CB

RGB 21 103 203

HSL 212.97, 0.81%, 0.44%

LAB 44.48, 15.04, -58.22

 

CMYK 0 / 90 / 32 / 20

HEX #CB158B

RGB 203 21 139

HSL 321.1, 0.81%, 0.44%

LAB 45.77, 72.51, -17.24

 

CMYK 0 / 40 / 90 / 20

HEX #CB7915

RGB 203 121 21

HSL 32.97, 0.81%, 0.44%

LAB 58.44, 25.53, 61.07

 

CMYK 90 / 0 / 57 / 20

HEX #15CB57

RGB 21 203 87

HSL 141.76, 0.81%, 0.44%

LAB 71.93, -65.71, 45.65

 

CMYK 90 / 76 / 0 / 20

HEX #1530CB

RGB 21 48 203

HSL 231.1, 0.81%, 0.44%

LAB 30.84, 49.93, -80.55

 

CMYK 0 / 90 / 32 / 20

HEX #CB158B

RGB 203 21 139

HSL 321.1, 0.81%, 0.44%

LAB 45.77, 72.51, -17.24

 

CMYK 0 / 14 / 90 / 20

HEX #CBAF15

RGB 203 175 21

HSL 50.77, 0.81%, 0.44%

LAB 71.83, -3.6, 71.41

 

Description

Color code: HEX #15CB57 | qconv.com Color code: HEX #15CB57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 203 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 203 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 57 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 57% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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