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Color name
HEX #15D95C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15D95C it is the complementary color #EA26A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15D95C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15D95C shade: #1AD957, #2BEB6A, #3CFD7D, #4DFF90 and #5EFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15D95C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15D95C shade: #15D95C, #04C749, #00B536, #00A323 and #009110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15D95C shade: #15DA5C, #15DA27, #38DA15, #6DDA15 and #A2DA15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15D95C shade: #15DA5C, #15DA91, #15DAC6, #15B8DA and #1583DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15D95C shade matches the following richer shades: #15DA5C and #02ED57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15D95C shade: #15DA5C, #28C662, #3CB367, #4F9F6C and #638C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15D95C shade: #39DA15, #15DA25, #15DA5A, #15DA8E and #15DAC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15D95C shade: #0E8F3C, #11B44C, #15DA5C, #2EEA72 and #54EE8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15D95C shade: #15D95C, #156EDA and #DA151F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15D95C shade: #15D95C, #5A15DA and #DA5A15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15D95C shade: #15D95C, #156EDA, #DA1595 and #DA8115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15D95C shade: #15D95C, #1533DA, #DA1595 and #DABC15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 58 / 15

HEX #15D95C

RGB 21 217 92

HSL 141.73, 0.82%, 0.47%

LAB 76.41, -69.42, 48.64

 

Complementary color

CMYK 0 / 84 / 30 / 8

HEX #EA26A3

RGB 234 38 163

HSL 321.73, 0.82%, 0.53%

LAB 53.52, 78.87, -19.24

 

CMYK 88 / 0 / 60 / 15

HEX #1AD957

RGB 26 217 87

HSL 139.16, 0.79%, 0.48%

LAB 76.4, -69.74, 50.87

 

CMYK 82 / 0 / 55 / 8

HEX #2BEB6A

RGB 43 235 106

HSL 139.69, 0.83%, 0.55%

LAB 82.36, -71.47, 49.37

 

CMYK 76 / 0 / 51 / 1

HEX #3CFD7D

RGB 60 253 125

HSL 140.21, 0.98%, 0.61%

LAB 88.3, -72.73, 47.85

 

CMYK 70 / 0 / 44 / 0

HEX #4DFF90

RGB 77 255 144

HSL 142.58, 1%, 0.65%

LAB 89.45, -68.14, 40.29

 

CMYK 63 / 0 / 36 / 0

HEX #5EFFA3

RGB 94 255 163

HSL 145.71, 1%, 0.68%

LAB 90.11, -62.03, 31.86

 

CMYK 90 / 0 / 58 / 15

HEX #15D95C

RGB 21 217 92

HSL 141.73, 0.82%, 0.47%

LAB 76.41, -69.42, 48.64

 

CMYK 98 / 0 / 63 / 22

HEX #04C749

RGB 4 199 73

HSL 141.23, 0.96%, 0.4%

LAB 70.42, -67.03, 50.16

 

CMYK 100 / 0 / 70 / 29

HEX #00B536

RGB 0 181 54

HSL 137.9, 1%, 0.35%

LAB 64.41, -63.86, 51.48

 

CMYK 100 / 0 / 79 / 36

HEX #00A323

RGB 0 163 35

HSL 132.88, 1%, 0.32%

LAB 58.34, -60.18, 52.21

 

CMYK 100 / 0 / 89 / 43

HEX #009110

RGB 0 145 16

HSL 126.62, 1%, 0.28%

LAB 52.16, -56.05, 51.78

 

CMYK 90 / 0 / 58 / 15

HEX #15DA5C

RGB 21 218 92

HSL 141.62, 0.82%, 0.47%

LAB 76.72, -69.73, 49.01

 

CMYK 90 / 0 / 82 / 15

HEX #15DA27

RGB 21 218 39

HSL 125.48, 0.82%, 0.47%

LAB 76.34, -74.52, 68.08

 

CMYK 74 / 0 / 90 / 15

HEX #38DA15

RGB 56 218 21

HSL 109.34, 0.82%, 0.47%

LAB 76.7, -71.55, 72.24

 

CMYK 50 / 0 / 90 / 15

HEX #6DDA15

RGB 109 218 21

HSL 93.2, 0.82%, 0.47%

LAB 78.14, -59.71, 74.02

 

CMYK 26 / 0 / 90 / 15

HEX #A2DA15

RGB 162 218 21

HSL 77.06, 0.82%, 0.47%

LAB 80.67, -41.66, 77.14

 

CMYK 90 / 0 / 58 / 15

HEX #15DA5C

RGB 21 218 92

HSL 141.62, 0.82%, 0.47%

LAB 76.72, -69.73, 49.01

 

CMYK 90 / 0 / 33 / 15

HEX #15DA91

RGB 21 218 145

HSL 157.77, 0.82%, 0.47%

LAB 77.49, -60.68, 23.81

 

CMYK 90 / 0 / 9 / 15

HEX #15DAC6

RGB 21 218 198

HSL 173.91, 0.82%, 0.47%

LAB 78.68, -47.78, -2.57

 

CMYK 90 / 16 / 0 / 15

HEX #15B8DA

RGB 21 184 218

HSL 190.36, 0.82%, 0.47%

LAB 69.11, -26.04, -27.79

 

CMYK 90 / 40 / 0 / 15

HEX #1583DA

RGB 21 131 218

HSL 206.5, 0.82%, 0.47%

LAB 53.44, 3.33, -52.36

 

CMYK 90 / 0 / 58 / 15

HEX #15DA5C

RGB 21 218 92

HSL 141.62, 0.82%, 0.47%

LAB 76.72, -69.73, 49.01

 

CMYK 99 / 0 / 63 / 7

HEX #02ED57

RGB 2 237 87

HSL 141.7, 0.98%, 0.47%

LAB 82.52, -76.73, 57.8

 

CMYK 90 / 0 / 58 / 15

HEX #15DA5C

RGB 21 218 92

HSL 141.62, 0.82%, 0.47%

LAB 76.72, -69.73, 49.01

 

CMYK 80 / 0 / 51 / 22

HEX #28C662

RGB 40 198 98

HSL 142.03, 0.66%, 0.47%

LAB 70.68, -60.8, 38.91

 

CMYK 66 / 0 / 42 / 30

HEX #3CB367

RGB 60 179 103

HSL 141.68, 0.5%, 0.47%

LAB 65.11, -50.07, 29.36

 

CMYK 50 / 0 / 32 / 38

HEX #4F9F6C

RGB 79 159 108

HSL 141.75, 0.34%, 0.47%

LAB 59.47, -36.44, 19.28

 

CMYK 29 / 0 / 19 / 45

HEX #638C72

RGB 99 140 114

HSL 141.95, 0.17%, 0.47%

LAB 54.68, -19.89, 9.4

 

CMYK 74 / 0 / 90 / 15

HEX #39DA15

RGB 57 218 21

HSL 109.04, 0.82%, 0.47%

LAB 76.72, -71.4, 72.26

 

CMYK 90 / 0 / 83 / 15

HEX #15DA25

RGB 21 218 37

HSL 124.87, 0.82%, 0.47%

LAB 76.34, -74.62, 68.58

 

CMYK 90 / 0 / 59 / 15

HEX #15DA5A

RGB 21 218 90

HSL 141.02, 0.82%, 0.47%

LAB 76.7, -69.99, 49.89

 

CMYK 90 / 0 / 35 / 15

HEX #15DA8E

RGB 21 218 142

HSL 156.85, 0.82%, 0.47%

LAB 77.43, -61.3, 25.3

 

CMYK 90 / 0 / 11 / 15

HEX #15DAC3

RGB 21 218 195

HSL 172.99, 0.82%, 0.47%

LAB 78.6, -48.6, -1.08

 

CMYK 90 / 0 / 58 / 44

HEX #0E8F3C

RGB 14 143 60

HSL 141.4, 0.82%, 0.31%

LAB 51.91, -50.4, 34.82

 

CMYK 91 / 0 / 58 / 29

HEX #11B44C

RGB 17 180 76

HSL 141.72, 0.83%, 0.39%

LAB 64.39, -60.14, 41.87

 

CMYK 90 / 0 / 58 / 15

HEX #15DA5C

RGB 21 218 92

HSL 141.62, 0.82%, 0.47%

LAB 76.72, -69.73, 49.01

 

CMYK 80 / 0 / 51 / 8

HEX #2EEA72

RGB 46 234 114

HSL 141.7, 0.82%, 0.55%

LAB 82.19, -69.72, 45.44

 

CMYK 65 / 0 / 42 / 7

HEX #54EE8B

RGB 84 238 139

HSL 141.43, 0.82%, 0.63%

LAB 84.43, -61.69, 36.28

 

CMYK 90 / 0 / 58 / 15

HEX #15D95C

RGB 21 217 92

HSL 141.73, 0.82%, 0.47%

LAB 76.41, -69.42, 48.64

 

CMYK 90 / 50 / 0 / 15

HEX #156EDA

RGB 21 110 218

HSL 212.89, 0.82%, 0.47%

LAB 47.46, 16.44, -61.97

 

CMYK 0 / 90 / 86 / 15

HEX #DA151F

RGB 218 21 31

HSL 356.95, 0.82%, 0.47%

LAB 46.37, 69.44, 48.88

 

CMYK 90 / 0 / 58 / 15

HEX #15D95C

RGB 21 217 92

HSL 141.73, 0.82%, 0.47%

LAB 76.41, -69.42, 48.64

 

CMYK 59 / 90 / 0 / 15

HEX #5A15DA

RGB 90 21 218

HSL 261.02, 0.82%, 0.47%

LAB 33.5, 69.1, -84.7

 

CMYK 0 / 59 / 90 / 15

HEX #DA5A15

RGB 218 90 21

HSL 21.02, 0.82%, 0.47%

LAB 54.31, 47.29, 58.97

 

CMYK 90 / 0 / 58 / 15

HEX #15D95C

RGB 21 217 92

HSL 141.73, 0.82%, 0.47%

LAB 76.41, -69.42, 48.64

 

CMYK 90 / 50 / 0 / 15

HEX #156EDA

RGB 21 110 218

HSL 212.89, 0.82%, 0.47%

LAB 47.46, 16.44, -61.97

 

CMYK 0 / 90 / 32 / 15

HEX #DA1595

RGB 218 21 149

HSL 321.02, 0.82%, 0.47%

LAB 49.02, 76.77, -18.05

 

CMYK 0 / 41 / 90 / 15

HEX #DA8115

RGB 218 129 21

HSL 32.89, 0.82%, 0.47%

LAB 62.22, 27.6, 64.79

 

CMYK 90 / 0 / 58 / 15

HEX #15D95C

RGB 21 217 92

HSL 141.73, 0.82%, 0.47%

LAB 76.41, -69.42, 48.64

 

CMYK 90 / 77 / 0 / 15

HEX #1533DA

RGB 21 51 218

HSL 230.86, 0.82%, 0.47%

LAB 33.11, 53.3, -85.48

 

CMYK 0 / 90 / 32 / 15

HEX #DA1595

RGB 218 21 149

HSL 321.02, 0.82%, 0.47%

LAB 49.02, 76.77, -18.05

 

CMYK 0 / 14 / 90 / 15

HEX #DABC15

RGB 218 188 21

HSL 50.86, 0.82%, 0.47%

LAB 76.63, -3.81, 75.74

 

Description

Color code: HEX #15D95C | qconv.com Color code: HEX #15D95C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 217 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 217 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 58% 15% C M Y K

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Provide designers and agencies with accurate color values.

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