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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15DABB it is the complementary color #EA2544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15DABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15DABB shade: #1ADAB6, #2BECC9, #3CFEDC, #4DFFEF and #5EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15DABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15DABB shade: #15DABB, #04C8A8, #00B695, #00A482 and #00926F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15DABB shade: #15DABB, #15DA86, #15DA51, #15DA1C and #43DA15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15DABB shade: #15DABB, #15C4DA, #158FDA, #155ADA and #1525DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15DABB shade matches the following richer shades: #15DABB and #02EDC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15DABB shade: #15DABB, #28C6AD, #3CB3A0, #4F9F93 and #638C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15DABB shade: #15DA50, #15DA84, #15DAB9, #15C6DA and #1592DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15DABB shade: #0E8F7A, #11B49A, #15DABB, #2EEACC and #54EED5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15DABB shade: #15DABB, #1C15DA and #DA6A15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15DABB shade: #15DABB, #B915DA and #DAB915

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15DABB shade: #15DABB, #1C15DA, #DA1536 and #D3DA15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15DABB shade: #15DABB, #5715DA, #DA1536 and #98DA15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

Complementary color

CMYK 0 / 84 / 71 / 8

HEX #EA2544

RGB 234 37 68

HSL 350.56, 0.82%, 0.53%

LAB 50.96, 71.93, 34.19

 

CMYK 88 / 0 / 17 / 15

HEX #1ADAB6

RGB 26 218 182

HSL 168.75, 0.79%, 0.48%

LAB 78.31, -51.78, 5.44

 

CMYK 82 / 0 / 15 / 7

HEX #2BECC9

RGB 43 236 201

HSL 169.12, 0.84%, 0.55%

LAB 84.34, -53.07, 4.11

 

CMYK 76 / 0 / 13 / 0

HEX #3CFEDC

RGB 60 254 220

HSL 169.48, 0.99%, 0.62%

LAB 90.33, -54.08, 2.91

 

CMYK 70 / 0 / 6 / 0

HEX #4DFFEF

RGB 77 255 239

HSL 174.61, 1%, 0.65%

LAB 91.38, -47.72, -5.37

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 98 / 0 / 16 / 22

HEX #04C8A8

RGB 4 200 168

HSL 170.2, 0.96%, 0.4%

LAB 72.34, -48.97, 4.32

 

CMYK 100 / 0 / 18 / 29

HEX #00B695

RGB 0 182 149

HSL 169.12, 1%, 0.36%

LAB 66.23, -46.75, 5.91

 

CMYK 100 / 0 / 21 / 36

HEX #00A482

RGB 0 164 130

HSL 167.56, 1%, 0.32%

LAB 60.04, -44.35, 7.59

 

CMYK 100 / 0 / 24 / 43

HEX #00926F

RGB 0 146 111

HSL 165.62, 1%, 0.29%

LAB 53.71, -41.9, 9.35

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 90 / 0 / 39 / 15

HEX #15DA86

RGB 21 218 134

HSL 154.42, 0.82%, 0.47%

LAB 77.29, -62.9, 29.24

 

CMYK 90 / 0 / 63 / 15

HEX #15DA51

RGB 21 218 81

HSL 138.27, 0.82%, 0.47%

LAB 76.62, -71.07, 53.72

 

CMYK 90 / 0 / 87 / 15

HEX #15DA1C

RGB 21 218 28

HSL 122.13, 0.82%, 0.47%

LAB 76.31, -75.01, 70.52

 

CMYK 69 / 0 / 90 / 15

HEX #43DA15

RGB 67 218 21

HSL 105.99, 0.82%, 0.47%

LAB 76.91, -69.71, 72.51

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 90 / 10 / 0 / 15

HEX #15C4DA

RGB 21 196 218

HSL 186.7, 0.82%, 0.47%

LAB 72.69, -31.94, -22.31

 

CMYK 90 / 34 / 0 / 15

HEX #158FDA

RGB 21 143 218

HSL 202.84, 0.82%, 0.47%

LAB 56.94, -3.81, -46.79

 

CMYK 90 / 59 / 0 / 15

HEX #155ADA

RGB 21 90 218

HSL 218.98, 0.82%, 0.47%

LAB 42.05, 29.38, -70.76

 

CMYK 90 / 83 / 0 / 15

HEX #1525DA

RGB 21 37 218

HSL 235.13, 0.82%, 0.47%

LAB 30.75, 60.19, -89.41

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 99 / 0 / 16 / 7

HEX #02EDC8

RGB 2 237 200

HSL 170.55, 0.98%, 0.47%

LAB 84.36, -55.59, 4.63

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 80 / 0 / 13 / 22

HEX #28C6AD

RGB 40 198 173

HSL 170.51, 0.66%, 0.47%

LAB 72.13, -44.78, 1.35

 

CMYK 66 / 0 / 11 / 30

HEX #3CB3A0

RGB 60 179 160

HSL 170.42, 0.5%, 0.47%

LAB 66.32, -37.36, 0.05

 

CMYK 50 / 0 / 8 / 38

HEX #4F9F93

RGB 79 159 147

HSL 171, 0.34%, 0.47%

LAB 60.4, -27.55, -1.28

 

CMYK 29 / 0 / 4 / 45

HEX #638C86

RGB 99 140 134

HSL 171.22, 0.17%, 0.47%

LAB 55.21, -15.46, -1.35

 

CMYK 90 / 0 / 63 / 15

HEX #15DA50

RGB 21 218 80

HSL 137.97, 0.82%, 0.47%

LAB 76.61, -71.18, 54.14

 

CMYK 90 / 0 / 39 / 15

HEX #15DA84

RGB 21 218 132

HSL 153.81, 0.82%, 0.47%

LAB 77.26, -63.29, 30.22

 

CMYK 90 / 0 / 15 / 15

HEX #15DAB9

RGB 21 218 185

HSL 169.95, 0.82%, 0.47%

LAB 78.35, -51.26, 3.89

 

CMYK 90 / 9 / 0 / 15

HEX #15C6DA

RGB 21 198 218

HSL 186.09, 0.82%, 0.47%

LAB 73.29, -32.89, -21.4

 

CMYK 90 / 33 / 0 / 15

HEX #1592DA

RGB 21 146 218

HSL 201.93, 0.82%, 0.47%

LAB 57.83, -5.55, -45.39

 

CMYK 90 / 0 / 15 / 44

HEX #0E8F7A

RGB 14 143 122

HSL 170.23, 0.82%, 0.31%

LAB 53.11, -36.89, 2.18

 

CMYK 91 / 0 / 14 / 29

HEX #11B49A

RGB 17 180 154

HSL 170.43, 0.83%, 0.39%

LAB 65.82, -43.91, 2.56

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 80 / 0 / 13 / 8

HEX #2EEACC

RGB 46 234 204

HSL 170.43, 0.82%, 0.55%

LAB 83.85, -51.24, 1.84

 

CMYK 65 / 0 / 11 / 7

HEX #54EED5

RGB 84 238 213

HSL 170.26, 0.82%, 0.63%

LAB 85.93, -46.09, 0.2

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 87 / 90 / 0 / 15

HEX #1C15DA

RGB 28 21 218

HSL 242.13, 0.82%, 0.47%

LAB 29.02, 66.2, -92.28

 

CMYK 0 / 51 / 90 / 15

HEX #DA6A15

RGB 218 106 21

HSL 25.89, 0.82%, 0.47%

LAB 57.34, 39.54, 61.17

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 15 / 90 / 0 / 15

HEX #B915DA

RGB 185 21 218

HSL 289.95, 0.82%, 0.47%

LAB 46.86, 80.23, -62.29

 

CMYK 0 / 15 / 90 / 15

HEX #DAB915

RGB 218 185 21

HSL 49.95, 0.82%, 0.47%

LAB 75.86, -2.25, 75.14

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 87 / 90 / 0 / 15

HEX #1C15DA

RGB 28 21 218

HSL 242.13, 0.82%, 0.47%

LAB 29.02, 66.2, -92.28

 

CMYK 0 / 90 / 75 / 15

HEX #DA1536

RGB 218 21 54

HSL 349.95, 0.82%, 0.47%

LAB 46.59, 70.07, 36.54

 

CMYK 3 / 0 / 90 / 15

HEX #D3DA15

RGB 211 218 21

HSL 62.13, 0.82%, 0.47%

LAB 83.99, -21.87, 81.19

 

CMYK 90 / 0 / 14 / 15

HEX #15DABB

RGB 21 218 187

HSL 170.56, 0.82%, 0.47%

LAB 78.4, -50.74, 2.89

 

CMYK 60 / 90 / 0 / 15

HEX #5715DA

RGB 87 21 218

HSL 260.1, 0.82%, 0.47%

LAB 33.19, 68.88, -85.23

 

CMYK 0 / 90 / 75 / 15

HEX #DA1536

RGB 218 21 54

HSL 349.95, 0.82%, 0.47%

LAB 46.59, 70.07, 36.54

 

CMYK 30 / 0 / 90 / 15

HEX #98DA15

RGB 152 218 21

HSL 80.1, 0.82%, 0.47%

LAB 80.11, -45.41, 76.45

 

Description

Color code: HEX #15DABB | qconv.com Color code: HEX #15DABB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 218 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 218 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 14 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 14% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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