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Color name
HEX #15DADA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15DADA it is the complementary color #EA2525. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15DADA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15DADA shade: #1ADAD5, #2BECE8, #3CFEFB, #4DFFFF and #5EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15DADA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15DADA shade: #15DADA, #04C8C7, #00B6B4, #00A4A1 and #00928E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15DADA shade: #15DADA, #15DAA5, #15DA70, #15DA3B and #25DA15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15DADA shade: #15DADA, #15A5DA, #1570DA, #153BDA and #1515DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15DADA shade matches the following richer shades: #15DADA and #02EDED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15DADA shade: #15DADA, #28C6C6, #3CB3B3, #4F9F9F and #638C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15DADA shade: #15DA71, #15DAA5, #15DADA, #15A5DA and #1571DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15DADA shade: #0E8F8F, #11B4B4, #15DADA, #2EEAEA and #54EEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15DADA shade: #15DADA, #3C15DA and #DA8B15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15DADA shade: #15DADA, #DA15DA and #DADA15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15DADA shade: #15DADA, #3C15DA, #DA1515 and #B2DA15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15DADA shade: #15DADA, #7715DA, #DA1515 and #77DA15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

Complementary color

CMYK 0 / 84 / 84 / 8

HEX #EA2525

RGB 234 37 37

HSL 0, 0.82%, 0.53%

LAB 50.63, 70.95, 50.88

 

CMYK 88 / 0 / 2 / 15

HEX #1ADAD5

RGB 26 218 213

HSL 178.44, 0.79%, 0.48%

LAB 79.14, -43.33, -9.91

 

CMYK 82 / 0 / 2 / 7

HEX #2BECE8

RGB 43 236 232

HSL 178.76, 0.84%, 0.55%

LAB 85.16, -44.76, -10.98

 

CMYK 76 / 0 / 1 / 0

HEX #3CFEFB

RGB 60 254 251

HSL 179.07, 0.99%, 0.62%

LAB 91.15, -45.9, -11.97

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 98 / 0 / 0 / 22

HEX #04C8C7

RGB 4 200 199

HSL 179.69, 0.96%, 0.4%

LAB 73.19, -40.23, -11.25

 

CMYK 100 / 0 / 1 / 29

HEX #00B6B4

RGB 0 182 180

HSL 179.34, 1%, 0.36%

LAB 67.09, -37.93, -9.96

 

CMYK 100 / 0 / 2 / 36

HEX #00A4A1

RGB 0 164 161

HSL 178.9, 1%, 0.32%

LAB 60.89, -35.48, -8.61

 

CMYK 100 / 0 / 3 / 43

HEX #00928E

RGB 0 146 142

HSL 178.36, 1%, 0.29%

LAB 54.56, -32.99, -7.22

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 90 / 0 / 24 / 15

HEX #15DAA5

RGB 21 218 165

HSL 163.86, 0.82%, 0.47%

LAB 77.89, -56.22, 13.86

 

CMYK 90 / 0 / 49 / 15

HEX #15DA70

RGB 21 218 112

HSL 147.72, 0.82%, 0.47%

LAB 76.96, -66.81, 39.85

 

CMYK 90 / 0 / 73 / 15

HEX #15DA3B

RGB 21 218 59

HSL 131.57, 0.82%, 0.47%

LAB 76.45, -73.2, 62.11

 

CMYK 83 / 0 / 90 / 15

HEX #25DA15

RGB 37 218 21

HSL 115.13, 0.82%, 0.47%

LAB 76.43, -73.96, 71.9

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 90 / 24 / 0 / 15

HEX #15A5DA

RGB 21 165 218

HSL 196.14, 0.82%, 0.47%

LAB 63.45, -16.15, -36.56

 

CMYK 90 / 49 / 0 / 15

HEX #1570DA

RGB 21 112 218

HSL 212.28, 0.82%, 0.47%

LAB 48.02, 15.16, -61.07

 

CMYK 90 / 73 / 0 / 15

HEX #153BDA

RGB 21 59 218

HSL 228.43, 0.82%, 0.47%

LAB 34.7, 48.8, -82.85

 

CMYK 90 / 90 / 0 / 15

HEX #1515DA

RGB 21 21 218

HSL 240, 0.82%, 0.47%

LAB 28.79, 66.07, -92.67

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 99 / 0 / 0 / 7

HEX #02EDED

RGB 2 237 237

HSL 180, 0.98%, 0.47%

LAB 85.35, -45.44, -13.37

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 80 / 0 / 0 / 22

HEX #28C6C6

RGB 40 198 198

HSL 180, 0.66%, 0.47%

LAB 72.84, -37.78, -11.21

 

CMYK 66 / 0 / 0 / 30

HEX #3CB3B3

RGB 60 179 179

HSL 180, 0.5%, 0.47%

LAB 66.87, -32.11, -9.67

 

CMYK 50 / 0 / 0 / 38

HEX #4F9F9F

RGB 79 159 159

HSL 180, 0.34%, 0.47%

LAB 60.75, -24.37, -7.54

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 90 / 0 / 48 / 15

HEX #15DA71

RGB 21 218 113

HSL 148.02, 0.82%, 0.47%

LAB 76.98, -66.65, 39.38

 

CMYK 90 / 0 / 24 / 15

HEX #15DAA5

RGB 21 218 165

HSL 163.86, 0.82%, 0.47%

LAB 77.89, -56.22, 13.86

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 90 / 24 / 0 / 15

HEX #15A5DA

RGB 21 165 218

HSL 196.14, 0.82%, 0.47%

LAB 63.45, -16.15, -36.56

 

CMYK 90 / 48 / 0 / 15

HEX #1571DA

RGB 21 113 218

HSL 211.98, 0.82%, 0.47%

LAB 48.3, 14.53, -60.61

 

CMYK 90 / 0 / 0 / 44

HEX #0E8F8F

RGB 14 143 143

HSL 180, 0.82%, 0.31%

LAB 53.73, -30.59, -9.03

 

CMYK 91 / 0 / 0 / 29

HEX #11B4B4

RGB 17 180 180

HSL 180, 0.83%, 0.39%

LAB 66.56, -36.41, -10.74

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 80 / 0 / 0 / 8

HEX #2EEAEA

RGB 46 234 234

HSL 180, 0.82%, 0.55%

LAB 84.67, -43.08, -12.77

 

CMYK 65 / 0 / 0 / 7

HEX #54EEEE

RGB 84 238 238

HSL 180, 0.82%, 0.63%

LAB 86.61, -39.55, -11.92

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 72 / 90 / 0 / 15

HEX #3C15DA

RGB 60 21 218

HSL 251.88, 0.82%, 0.47%

LAB 30.78, 67.27, -89.3

 

CMYK 0 / 36 / 90 / 15

HEX #DA8B15

RGB 218 139 21

HSL 35.94, 0.82%, 0.47%

LAB 64.5, 22.25, 66.5

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 0 / 90 / 0 / 15

HEX #DA15DA

RGB 218 21 218

HSL 300, 0.82%, 0.47%

LAB 52.4, 85.51, -53.09

 

CMYK 0 / 0 / 90 / 15

HEX #DADA15

RGB 218 218 21

HSL 60, 0.82%, 0.47%

LAB 84.54, -18.92, 81.85

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 72 / 90 / 0 / 15

HEX #3C15DA

RGB 60 21 218

HSL 251.88, 0.82%, 0.47%

LAB 30.78, 67.27, -89.3

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 18 / 0 / 90 / 15

HEX #B2DA15

RGB 178 218 21

HSL 72.18, 0.82%, 0.47%

LAB 81.65, -35.41, 78.35

 

CMYK 90 / 0 / 0 / 15

HEX #15DADA

RGB 21 218 218

HSL 180, 0.82%, 0.47%

LAB 79.25, -42.11, -12.41

 

CMYK 45 / 90 / 0 / 15

HEX #7715DA

RGB 119 21 218

HSL 269.85, 0.82%, 0.47%

LAB 36.97, 71.7, -78.86

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 45 / 0 / 90 / 15

HEX #77DA15

RGB 119 218 21

HSL 90.15, 0.82%, 0.47%

LAB 78.53, -56.7, 74.51

 

Description

Color code: HEX #15DADA | qconv.com Color code: HEX #15DADA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 218 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 218 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 0% 15% C M Y K

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Provide designers and agencies with accurate color values.

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