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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15E4CF it is the complementary color #EA1B30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15E4CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15E4CF shade: #1AE4CA, #2BF6DD, #3CFFF0, #4DFFFF and #5EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15E4CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15E4CF shade: #15E4CF, #04D2BC, #00C0A9, #00AE96 and #009C83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15E4CF shade: #15E4CF, #15E497, #15E45F, #15E427 and #3AE415

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15E4CF shade: #15E4CF, #15C1E4, #1589E4, #1551E4 and #1519E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15E4CF shade matches the following richer shades: #15E4CF and #01F8DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15E4CF shade: #15E4CF, #29D0BF, #3DBCAF, #51A89F and #66938F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15E4CF shade: #15E45D, #15E495, #15E4CC, #15C5E4 and #158EE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15E4CF shade: #0E998B, #11BEAD, #15E4CF, #36ECD9 and #5CEFE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15E4CF shade: #15E4CF, #2615E4 and #E47915

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15E4CF shade: #15E4CF, #CC15E4 and #E4CC15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15E4CF shade: #15E4CF, #2615E4, #E4152D and #D3E415

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15E4CF shade: #15E4CF, #6415E4, #E4152D and #95E415

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

Complementary color

CMYK 0 / 88 / 79 / 8

HEX #EA1B30

RGB 234 27 48

HSL 353.91, 0.83%, 0.51%

LAB 50.08, 73.05, 44.65

 

CMYK 89 / 0 / 11 / 11

HEX #1AE4CA

RGB 26 228 202

HSL 172.28, 0.8%, 0.5%

LAB 81.82, -50.64, -0.09

 

CMYK 83 / 0 / 10 / 4

HEX #2BF6DD

RGB 43 246 221

HSL 172.61, 0.92%, 0.57%

LAB 87.8, -52.01, -1.33

 

CMYK 76 / 0 / 6 / 0

HEX #3CFFF0

RGB 60 255 240

HSL 175.38, 1%, 0.62%

LAB 91.13, -49.32, -6.29

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 98 / 0 / 10 / 18

HEX #04D2BC

RGB 4 210 188

HSL 173.59, 0.96%, 0.42%

LAB 75.92, -47.72, -1.27

 

CMYK 100 / 0 / 12 / 25

HEX #00C0A9

RGB 0 192 169

HSL 172.81, 1%, 0.38%

LAB 69.87, -45.51, 0.19

 

CMYK 100 / 0 / 14 / 32

HEX #00AE96

RGB 0 174 150

HSL 171.72, 1%, 0.34%

LAB 63.73, -43.14, 1.74

 

CMYK 100 / 0 / 16 / 39

HEX #009C83

RGB 0 156 131

HSL 170.38, 1%, 0.31%

LAB 57.48, -40.72, 3.35

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 91 / 0 / 34 / 11

HEX #15E497

RGB 21 228 151

HSL 157.68, 0.83%, 0.49%

LAB 80.67, -63.02, 25.03

 

CMYK 91 / 0 / 58 / 11

HEX #15E45F

RGB 21 228 95

HSL 141.45, 0.83%, 0.49%

LAB 79.88, -72.41, 51.36

 

CMYK 91 / 0 / 83 / 11

HEX #15E427

RGB 21 228 39

HSL 125.22, 0.83%, 0.49%

LAB 79.5, -77.28, 70.96

 

CMYK 75 / 0 / 91 / 11

HEX #3AE415

RGB 58 228 21

HSL 109.28, 0.83%, 0.49%

LAB 79.86, -74.2, 74.92

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 91 / 15 / 0 / 11

HEX #15C1E4

RGB 21 193 228

HSL 190.14, 0.83%, 0.49%

LAB 72.16, -27.23, -28.55

 

CMYK 91 / 40 / 0 / 11

HEX #1589E4

RGB 21 137 228

HSL 206.38, 0.83%, 0.49%

LAB 55.74, 3.53, -54.3

 

CMYK 91 / 64 / 0 / 11

HEX #1551E4

RGB 21 81 228

HSL 222.61, 0.83%, 0.49%

LAB 40.65, 38.95, -78.76

 

CMYK 91 / 89 / 0 / 11

HEX #1519E4

RGB 21 25 228

HSL 238.84, 0.83%, 0.49%

LAB 30.54, 67.56, -95.51

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 100 / 0 / 10 / 3

HEX #01F8DF

RGB 1 248 223

HSL 173.93, 0.99%, 0.49%

LAB 88.19, -54.01, -1.82

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 80 / 0 / 8 / 18

HEX #29D0BF

RGB 41 208 191

HSL 173.89, 0.67%, 0.49%

LAB 75.67, -44.13, -3.22

 

CMYK 68 / 0 / 7 / 26

HEX #3DBCAF

RGB 61 188 175

HSL 173.86, 0.51%, 0.49%

LAB 69.51, -37.29, -3.54

 

CMYK 52 / 0 / 5 / 34

HEX #51A89F

RGB 81 168 159

HSL 173.79, 0.35%, 0.49%

LAB 63.56, -28.41, -3.38

 

CMYK 31 / 0 / 3 / 42

HEX #66938F

RGB 102 147 143

HSL 174.67, 0.18%, 0.49%

LAB 57.73, -16.14, -2.8

 

CMYK 91 / 0 / 59 / 11

HEX #15E45D

RGB 21 228 93

HSL 140.87, 0.83%, 0.49%

LAB 79.86, -72.66, 52.22

 

CMYK 91 / 0 / 35 / 11

HEX #15E495

RGB 21 228 149

HSL 157.1, 0.83%, 0.49%

LAB 80.64, -63.43, 26.01

 

CMYK 91 / 0 / 11 / 11

HEX #15E4CC

RGB 21 228 204

HSL 173.04, 0.83%, 0.49%

LAB 81.84, -50.34, -1.13

 

CMYK 91 / 14 / 0 / 11

HEX #15C5E4

RGB 21 197 228

HSL 188.99, 0.83%, 0.49%

LAB 73.35, -29.21, -26.73

 

CMYK 91 / 38 / 0 / 11

HEX #158EE4

RGB 21 142 228

HSL 204.93, 0.83%, 0.49%

LAB 57.18, 0.54, -52

 

CMYK 91 / 0 / 9 / 40

HEX #0E998B

RGB 14 153 139

HSL 173.96, 0.83%, 0.33%

LAB 56.82, -36.48, -2.15

 

CMYK 91 / 0 / 9 / 25

HEX #11BEAD

RGB 17 190 173

HSL 174.1, 0.84%, 0.41%

LAB 69.44, -42.94, -2.61

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 77 / 0 / 8 / 7

HEX #36ECD9

RGB 54 236 217

HSL 173.74, 0.83%, 0.57%

LAB 84.89, -47.95, -3.49

 

CMYK 62 / 0 / 6 / 6

HEX #5CEFE0

RGB 92 239 224

HSL 173.88, 0.82%, 0.65%

LAB 86.7, -42.47, -4.41

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 83 / 91 / 0 / 11

HEX #2615E4

RGB 38 21 228

HSL 244.93, 0.83%, 0.49%

LAB 30.76, 69.08, -95.12

 

CMYK 0 / 47 / 91 / 11

HEX #E47915

RGB 228 121 21

HSL 28.99, 0.83%, 0.49%

LAB 61.85, 35.9, 65.12

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 11 / 91 / 0 / 11

HEX #CC15E4

RGB 204 21 228

HSL 293.04, 0.83%, 0.49%

LAB 50.66, 84.78, -61.7

 

CMYK 0 / 11 / 91 / 11

HEX #E4CC15

RGB 228 204 21

HSL 53.04, 0.83%, 0.49%

LAB 81.69, -7.69, 80.02

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 83 / 91 / 0 / 11

HEX #2615E4

RGB 38 21 228

HSL 244.93, 0.83%, 0.49%

LAB 30.76, 69.08, -95.12

 

CMYK 0 / 91 / 80 / 11

HEX #E4152D

RGB 228 21 45

HSL 353.04, 0.83%, 0.49%

LAB 48.54, 72.31, 44.34

 

CMYK 7 / 0 / 91 / 11

HEX #D3E415

RGB 211 228 21

HSL 64.93, 0.83%, 0.49%

LAB 86.7, -26.65, 83.3

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 56 / 91 / 0 / 11

HEX #6415E4

RGB 100 21 228

HSL 262.9, 0.83%, 0.49%

LAB 35.69, 72.24, -86.78

 

CMYK 0 / 91 / 80 / 11

HEX #E4152D

RGB 228 21 45

HSL 353.04, 0.83%, 0.49%

LAB 48.54, 72.31, 44.34

 

CMYK 35 / 0 / 91 / 11

HEX #95E415

RGB 149 228 21

HSL 82.9, 0.83%, 0.49%

LAB 82.88, -50.65, 78.64

 

Description

Color code: HEX #15E4CF | qconv.com Color code: HEX #15E4CF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 228 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 228 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 9 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 9% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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