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Color name
HEX #15E9B5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15E9B5 it is the complementary color #EA164A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15E9B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15E9B5 shade: #1AE9B0, #2BFBC3, #3CFFD6, #4DFFE9 and #5EFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15E9B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15E9B5 shade: #15E9B5, #04D7A2, #00C58F, #00B37C and #00A169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15E9B5 shade: #15E9B5, #15E97C, #15E943, #21E915 and #5AE915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15E9B5 shade: #15E9B5, #15E4E9, #15ABE9, #1572E9 and #1538E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15E9B5 shade matches the following richer shades: #15E9B5 and #01FDBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15E9B5 shade: #15E9B5, #2AD4AA, #3EC0A0, #53AB95 and #68968B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15E9B5 shade: #15E943, #15E97B, #15E9B4, #15E5E9 and #15ADE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15E9B5 shade: #0E9D7A, #12C398, #15E9B5, #3BECC1 and #61F0CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15E9B5 shade: #15E9B5, #1520E9 and #E95F15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15E9B5 shade: #15E9B5, #B415E9 and #E9B415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15E9B5 shade: #15E9B5, #1520E9, #E9154A and #E9DE15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15E9B5 shade: #15E9B5, #4A15E9, #E9154A and #B4E915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

Complementary color

CMYK 0 / 91 / 68 / 8

HEX #EA164A

RGB 234 22 74

HSL 345.28, 0.83%, 0.5%

LAB 50.17, 74.72, 29.65

 

CMYK 89 / 0 / 24 / 9

HEX #1AE9B0

RGB 26 233 176

HSL 163.48, 0.82%, 0.51%

LAB 82.72, -59.11, 14.88

 

CMYK 83 / 0 / 22 / 2

HEX #2BFBC3

RGB 43 251 195

HSL 163.85, 0.96%, 0.58%

LAB 88.66, -60.44, 13.43

 

CMYK 76 / 0 / 16 / 0

HEX #3CFFD6

RGB 60 255 214

HSL 167.38, 1%, 0.62%

LAB 90.48, -55.96, 6.23

 

CMYK 70 / 0 / 9 / 0

HEX #4DFFE9

RGB 77 255 233

HSL 172.58, 1%, 0.65%

LAB 91.23, -49.27, -2.49

 

CMYK 63 / 0 / 1 / 0

HEX #5EFFFC

RGB 94 255 252

HSL 178.88, 1%, 0.68%

LAB 92.1, -41.98, -11

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 98 / 0 / 25 / 16

HEX #04D7A2

RGB 4 215 162

HSL 164.93, 0.96%, 0.43%

LAB 76.82, -56.39, 13.94

 

CMYK 100 / 0 / 27 / 23

HEX #00C58F

RGB 0 197 143

HSL 163.55, 1%, 0.39%

LAB 70.81, -54.16, 15.66

 

CMYK 100 / 0 / 31 / 30

HEX #00B37C

RGB 0 179 124

HSL 161.56, 1%, 0.35%

LAB 64.72, -51.74, 17.47

 

CMYK 100 / 0 / 35 / 37

HEX #00A169

RGB 0 161 105

HSL 159.13, 1%, 0.32%

LAB 58.52, -49.24, 19.38

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 91 / 0 / 47 / 9

HEX #15E97C

RGB 21 233 124

HSL 149.15, 0.83%, 0.5%

LAB 81.78, -69.74, 40.08

 

CMYK 91 / 0 / 71 / 9

HEX #15E943

RGB 21 233 67

HSL 133.02, 0.83%, 0.5%

LAB 81.2, -76.82, 64.16

 

CMYK 86 / 0 / 91 / 9

HEX #21E915

RGB 33 233 21

HSL 116.6, 0.83%, 0.5%

LAB 81.1, -78.48, 75.83

 

CMYK 61 / 0 / 91 / 9

HEX #5AE915

RGB 90 233 21

HSL 100.47, 0.83%, 0.5%

LAB 82.11, -69.74, 77.09

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 91 / 2 / 0 / 9

HEX #15E4E9

RGB 21 228 233

HSL 181.42, 0.83%, 0.5%

LAB 82.66, -42.15, -15.28

 

CMYK 91 / 27 / 0 / 9

HEX #15ABE9

RGB 21 171 233

HSL 197.55, 0.83%, 0.5%

LAB 65.88, -14.09, -41.03

 

CMYK 91 / 51 / 0 / 9

HEX #1572E9

RGB 21 114 233

HSL 213.68, 0.83%, 0.5%

LAB 49.59, 19.72, -66.99

 

CMYK 91 / 76 / 0 / 9

HEX #1538E9

RGB 21 56 233

HSL 230.09, 0.83%, 0.5%

LAB 35.73, 55.54, -89.71

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 100 / 0 / 25 / 1

HEX #01FDBF

RGB 1 253 191

HSL 165.24, 0.99%, 0.5%

LAB 88.93, -63.92, 15.83

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 80 / 0 / 20 / 17

HEX #2AD4AA

RGB 42 212 170

HSL 165.18, 0.67%, 0.5%

LAB 76.36, -51.18, 9.07

 

CMYK 68 / 0 / 17 / 25

HEX #3EC0A0

RGB 62 192 160

HSL 165.23, 0.51%, 0.5%

LAB 70.36, -42.82, 5.91

 

CMYK 51 / 0 / 13 / 33

HEX #53AB95

RGB 83 171 149

HSL 165, 0.35%, 0.5%

LAB 64.27, -31.93, 3.26

 

CMYK 31 / 0 / 7 / 41

HEX #68968B

RGB 104 150 139

HSL 165.65, 0.18%, 0.5%

LAB 58.62, -18.05, 0.81

 

CMYK 91 / 0 / 71 / 9

HEX #15E943

RGB 21 233 67

HSL 133.02, 0.83%, 0.5%

LAB 81.2, -76.82, 64.16

 

CMYK 91 / 0 / 47 / 9

HEX #15E97B

RGB 21 233 123

HSL 148.87, 0.83%, 0.5%

LAB 81.77, -69.9, 40.55

 

CMYK 91 / 0 / 23 / 9

HEX #15E9B4

RGB 21 233 180

HSL 165, 0.83%, 0.5%

LAB 82.77, -58.41, 12.86

 

CMYK 91 / 2 / 0 / 9

HEX #15E5E9

RGB 21 229 233

HSL 181.13, 0.83%, 0.5%

LAB 82.96, -42.59, -14.83

 

CMYK 91 / 26 / 0 / 9

HEX #15ADE9

RGB 21 173 233

HSL 196.98, 0.83%, 0.5%

LAB 66.47, -15.17, -40.11

 

CMYK 91 / 0 / 22 / 38

HEX #0E9D7A

RGB 14 157 122

HSL 165.31, 0.84%, 0.34%

LAB 57.67, -42.89, 8.73

 

CMYK 91 / 0 / 22 / 24

HEX #12C398

RGB 18 195 152

HSL 165.42, 0.83%, 0.42%

LAB 70.47, -50.54, 10.33

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 75 / 0 / 18 / 7

HEX #3BECC1

RGB 59 236 193

HSL 165.42, 0.82%, 0.58%

LAB 84.37, -53.52, 8.38

 

CMYK 60 / 0 / 15 / 6

HEX #61F0CD

RGB 97 240 205

HSL 165.31, 0.83%, 0.66%

LAB 86.64, -46.71, 5.47

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 91 / 86 / 0 / 9

HEX #1520E9

RGB 21 32 233

HSL 236.89, 0.83%, 0.5%

LAB 31.98, 66.57, -95.96

 

CMYK 0 / 59 / 91 / 9

HEX #E95F15

RGB 233 95 21

HSL 20.94, 0.83%, 0.5%

LAB 57.62, 50.47, 62.45

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 23 / 91 / 0 / 9

HEX #B415E9

RGB 180 21 233

HSL 285, 0.83%, 0.5%

LAB 47.14, 82.1, -70.42

 

CMYK 0 / 23 / 91 / 9

HEX #E9B415

RGB 233 180 21

HSL 45, 0.83%, 0.5%

LAB 76.08, 6.89, 75.96

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 91 / 86 / 0 / 9

HEX #1520E9

RGB 21 32 233

HSL 236.89, 0.83%, 0.5%

LAB 31.98, 66.57, -95.96

 

CMYK 0 / 91 / 68 / 9

HEX #E9154A

RGB 233 21 74

HSL 345, 0.83%, 0.5%

LAB 49.92, 74.6, 29.3

 

CMYK 0 / 5 / 91 / 9

HEX #E9DE15

RGB 233 222 21

HSL 56.89, 0.83%, 0.5%

LAB 86.81, -14.56, 84.13

 

CMYK 91 / 0 / 22 / 9

HEX #15E9B5

RGB 21 233 181

HSL 165.28, 0.83%, 0.5%

LAB 82.79, -58.17, 12.37

 

CMYK 68 / 91 / 0 / 9

HEX #4A15E9

RGB 74 21 233

HSL 255, 0.83%, 0.5%

LAB 33.72, 71.75, -92.98

 

CMYK 0 / 91 / 68 / 9

HEX #E9154A

RGB 233 21 74

HSL 345, 0.83%, 0.5%

LAB 49.92, 74.6, 29.3

 

CMYK 23 / 0 / 91 / 9

HEX #B4E915

RGB 180 233 21

HSL 75, 0.83%, 0.5%

LAB 86.02, -41.32, 81.9

 

Description

Color code: HEX #15E9B5 | qconv.com Color code: HEX #15E9B5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 233 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 233 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 22% 9% C M Y K

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Provide designers and agencies with accurate color values.

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