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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15EED9 it is the complementary color #EA1126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15EED9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15EED9 shade: #1AEED4, #2BFFE7, #3CFFFA, #4DFFFF and #5EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15EED9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15EED9 shade: #15EED9, #04DCC6, #00CAB3, #00B8A0 and #00A68D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15EED9 shade: #16EDD8, #16ED9E, #16ED64, #16ED2A and #3CED16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15EED9 shade: #16EDD8, #16C8ED, #168EED, #1654ED and #161AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15EED9 shade matches the following richer shades: #16EDD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15EED9 shade: #16EDD8, #2AD9C8, #3FC5B8, #53B0A7 and #679C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15EED9 shade: #16ED65, #16ED9E, #16EDD8, #16C9ED and #1690ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15EED9 shade: #0CA596, #0FCBB9, #16EDD8, #3CF0DF and #63F3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15EED9 shade: #15EED9, #2C16ED and #ED8216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15EED9 shade: #15EED9, #D816ED and #EDD816

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15EED9 shade: #15EED9, #2C16ED, #ED162C and #D8ED16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15EED9 shade: #15EED9, #6C16ED, #ED162C and #97ED16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 9 / 7

HEX #15EED9

RGB 21 238 217

HSL 174.19, 0.86%, 0.51%

LAB 85.16, -50.98, -3.12

 

Complementary color

CMYK 0 / 93 / 84 / 8

HEX #EA1126

RGB 234 17 38

HSL 354.19, 0.86%, 0.49%

LAB 49.54, 74.12, 49.42

 

CMYK 89 / 0 / 11 / 7

HEX #1AEED4

RGB 26 238 212

HSL 172.64, 0.86%, 0.52%

LAB 85.06, -52.11, -0.64

 

CMYK 83 / 0 / 9 / 0

HEX #2BFFE7

RGB 43 255 231

HSL 173.21, 1%, 0.58%

LAB 90.69, -53.09, -2.29

 

CMYK 76 / 0 / 2 / 0

HEX #3CFFFA

RGB 60 255 250

HSL 178.46, 1%, 0.62%

LAB 91.41, -46.61, -11.07

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 91 / 0 / 9 / 7

HEX #15EED9

RGB 21 238 217

HSL 174.19, 0.86%, 0.51%

LAB 85.16, -50.98, -3.12

 

CMYK 98 / 0 / 10 / 14

HEX #04DCC6

RGB 4 220 198

HSL 173.89, 0.96%, 0.44%

LAB 79.21, -49.16, -1.81

 

CMYK 100 / 0 / 11 / 21

HEX #00CAB3

RGB 0 202 179

HSL 173.17, 1%, 0.4%

LAB 73.22, -46.96, -0.36

 

CMYK 100 / 0 / 13 / 28

HEX #00B8A0

RGB 0 184 160

HSL 172.17, 1%, 0.36%

LAB 67.14, -44.61, 1.16

 

CMYK 100 / 0 / 15 / 35

HEX #00A68D

RGB 0 166 141

HSL 170.96, 1%, 0.33%

LAB 60.95, -42.22, 2.74

 

CMYK 91 / 0 / 9 / 7

HEX #16EDD8

RGB 22 237 216

HSL 174.14, 0.86%, 0.51%

LAB 84.84, -50.8, -3.06

 

CMYK 91 / 0 / 33 / 7

HEX #16ED9E

RGB 22 237 158

HSL 157.95, 0.86%, 0.51%

LAB 83.55, -64.72, 25.35

 

CMYK 91 / 0 / 58 / 7

HEX #16ED64

RGB 22 237 100

HSL 141.77, 0.86%, 0.51%

LAB 82.73, -74.45, 52.47

 

CMYK 91 / 0 / 82 / 7

HEX #16ED2A

RGB 22 237 42

HSL 125.58, 0.86%, 0.51%

LAB 82.33, -79.53, 72.82

 

CMYK 75 / 0 / 91 / 7

HEX #3CED16

RGB 60 237 22

HSL 109.4, 0.86%, 0.51%

LAB 82.69, -76.51, 77.17

 

CMYK 91 / 0 / 9 / 7

HEX #16EDD8

RGB 22 237 216

HSL 174.14, 0.86%, 0.51%

LAB 84.84, -50.8, -3.06

 

CMYK 91 / 16 / 0 / 7

HEX #16C8ED

RGB 22 200 237

HSL 190.33, 0.86%, 0.51%

LAB 74.57, -27.71, -29.72

 

CMYK 91 / 40 / 0 / 7

HEX #168EED

RGB 22 142 237

HSL 206.51, 0.86%, 0.51%

LAB 57.69, 3.98, -56.19

 

CMYK 91 / 65 / 0 / 7

HEX #1654ED

RGB 22 84 237

HSL 222.7, 0.86%, 0.51%

LAB 42.19, 40.42, -81.31

 

CMYK 91 / 89 / 0 / 7

HEX #161AED

RGB 22 26 237

HSL 238.88, 0.86%, 0.51%

LAB 31.86, 69.7, -98.43

 

CMYK 91 / 0 / 9 / 7

HEX #16EDD8

RGB 22 237 216

HSL 174.14, 0.86%, 0.51%

LAB 84.84, -50.8, -3.06

 

CMYK 91 / 0 / 9 / 7

HEX #16EDD8

RGB 22 237 216

HSL 174.14, 0.86%, 0.51%

LAB 84.84, -50.8, -3.06

 

CMYK 81 / 0 / 8 / 15

HEX #2AD9C8

RGB 42 217 200

HSL 174.17, 0.7%, 0.51%

LAB 78.63, -45.48, -3.69

 

CMYK 68 / 0 / 7 / 23

HEX #3FC5B8

RGB 63 197 184

HSL 174.18, 0.54%, 0.51%

LAB 72.53, -38.65, -4.01

 

CMYK 53 / 0 / 5 / 31

HEX #53B0A7

RGB 83 176 167

HSL 174.19, 0.37%, 0.51%

LAB 66.27, -29.78, -3.82

 

CMYK 34 / 0 / 3 / 39

HEX #679C97

RGB 103 156 151

HSL 174.34, 0.21%, 0.51%

LAB 60.69, -18.67, -2.98

 

CMYK 91 / 0 / 57 / 7

HEX #16ED65

RGB 22 237 101

HSL 142.05, 0.86%, 0.51%

LAB 82.74, -74.32, 52.04

 

CMYK 91 / 0 / 33 / 7

HEX #16ED9E

RGB 22 237 158

HSL 157.95, 0.86%, 0.51%

LAB 83.55, -64.72, 25.35

 

CMYK 91 / 0 / 9 / 7

HEX #16EDD8

RGB 22 237 216

HSL 174.14, 0.86%, 0.51%

LAB 84.84, -50.8, -3.06

 

CMYK 91 / 15 / 0 / 7

HEX #16C9ED

RGB 22 201 237

HSL 190.05, 0.86%, 0.51%

LAB 74.86, -28.2, -29.27

 

CMYK 91 / 39 / 0 / 7

HEX #1690ED

RGB 22 144 237

HSL 205.95, 0.86%, 0.51%

LAB 58.26, 2.79, -55.28

 

CMYK 93 / 0 / 9 / 35

HEX #0CA596

RGB 12 165 150

HSL 174.12, 0.86%, 0.35%

LAB 60.95, -38.75, -2.32

 

CMYK 93 / 0 / 9 / 20

HEX #0FCBB9

RGB 15 203 185

HSL 174.26, 0.86%, 0.43%

LAB 73.75, -45.25, -2.82

 

CMYK 91 / 0 / 9 / 7

HEX #16EDD8

RGB 22 237 216

HSL 174.14, 0.86%, 0.51%

LAB 84.84, -50.8, -3.06

 

CMYK 75 / 0 / 7 / 6

HEX #3CF0DF

RGB 60 240 223

HSL 174.33, 0.86%, 0.59%

LAB 86.31, -47.45, -4.53

 

CMYK 59 / 0 / 6 / 5

HEX #63F3E5

RGB 99 243 229

HSL 174.17, 0.86%, 0.67%

LAB 88.17, -41.79, -4.85

 

CMYK 91 / 0 / 9 / 7

HEX #15EED9

RGB 21 238 217

HSL 174.19, 0.86%, 0.51%

LAB 85.16, -50.98, -3.12

 

CMYK 81 / 91 / 0 / 7

HEX #2C16ED

RGB 44 22 237

HSL 246.14, 0.86%, 0.51%

LAB 32.31, 71.31, -97.66

 

CMYK 0 / 45 / 91 / 7

HEX #ED8216

RGB 237 130 22

HSL 30.14, 0.86%, 0.51%

LAB 64.98, 34.92, 67.73

 

CMYK 91 / 0 / 9 / 7

HEX #15EED9

RGB 21 238 217

HSL 174.19, 0.86%, 0.51%

LAB 85.16, -50.98, -3.12

 

CMYK 9 / 91 / 0 / 7

HEX #D816ED

RGB 216 22 237

HSL 294.14, 0.86%, 0.51%

LAB 53.26, 87.93, -62.48

 

CMYK 0 / 9 / 91 / 7

HEX #EDD816

RGB 237 216 22

HSL 54.14, 0.86%, 0.51%

LAB 85.59, -9.87, 83.2

 

CMYK 91 / 0 / 9 / 7

HEX #15EED9

RGB 21 238 217

HSL 174.19, 0.86%, 0.51%

LAB 85.16, -50.98, -3.12

 

CMYK 81 / 91 / 0 / 7

HEX #2C16ED

RGB 44 22 237

HSL 246.14, 0.86%, 0.51%

LAB 32.31, 71.31, -97.66

 

CMYK 0 / 91 / 81 / 7

HEX #ED162C

RGB 237 22 44

HSL 353.86, 0.86%, 0.51%

LAB 50.41, 74.41, 47.33

 

CMYK 9 / 0 / 91 / 7

HEX #D8ED16

RGB 216 237 22

HSL 65.86, 0.86%, 0.51%

LAB 89.5, -28.82, 85.52

 

CMYK 91 / 0 / 9 / 7

HEX #15EED9

RGB 21 238 217

HSL 174.19, 0.86%, 0.51%

LAB 85.16, -50.98, -3.12

 

CMYK 54 / 91 / 0 / 7

HEX #6C16ED

RGB 108 22 237

HSL 264, 0.86%, 0.51%

LAB 37.62, 74.74, -88.68

 

CMYK 0 / 91 / 81 / 7

HEX #ED162C

RGB 237 22 44

HSL 353.86, 0.86%, 0.51%

LAB 50.41, 74.41, 47.33

 

CMYK 36 / 0 / 91 / 7

HEX #97ED16

RGB 151 237 22

HSL 84, 0.86%, 0.51%

LAB 85.61, -53.56, 80.77

 

Description

Color code: HEX #15EED9 | qconv.com Color code: HEX #15EED9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 238 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 238 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 9 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 9% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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