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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16319C it is the complementary color #E9CE63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16319C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16319C shade: #1B3197, #2C43AA, #3D55BD, #4E67D0 and #5F79E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16319C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16319C shade: #16319C, #051F89, #000D76, #000063 and #000050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16319C shade: #16319C, #1F169C, #43169C, #67169C and #8B169C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16319C shade: #16319C and #16169C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16319C shade matches the following richer shades: #16319C and #0728AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16319C shade: #16319C, #24398D, #33427F, #414B70 and #505362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16319C shade: #167A9C, #16579C, #16339C, #1D169C and #40169C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16319C shade: #0B1A53, #112578, #16319C, #1B3CC0 and #254ADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16319C shade: #16319C, #99169C and #689C16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16319C shade: #16319C, #9C1633 and #339C16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16319C shade: #16319C, #99169C, #9C7F16 and #189C16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16319C shade: #16319C, #9C1676, #9C7F16 and #169C3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

Complementary color

CMYK 0 / 12 / 58 / 9

HEX #E9CE63

RGB 233 206 99

HSL 47.91, 0.75%, 0.65%

LAB 83.11, -3.27, 55.71

 

CMYK 82 / 68 / 0 / 41

HEX #1B3197

RGB 27 49 151

HSL 229.35, 0.7%, 0.35%

LAB 25.76, 30.95, -57.86

 

CMYK 74 / 61 / 0 / 33

HEX #2C43AA

RGB 44 67 170

HSL 229.05, 0.59%, 0.42%

LAB 32.81, 27.98, -57.78

 

CMYK 68 / 55 / 0 / 26

HEX #3D55BD

RGB 61 85 189

HSL 228.75, 0.51%, 0.49%

LAB 39.85, 25.54, -57.53

 

CMYK 63 / 50 / 0 / 18

HEX #4E67D0

RGB 78 103 208

HSL 228.46, 0.58%, 0.56%

LAB 46.81, 23.55, -57.23

 

CMYK 58 / 47 / 0 / 11

HEX #5F79E3

RGB 95 121 227

HSL 228.18, 0.7%, 0.63%

LAB 53.66, 21.9, -56.93

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 96 / 77 / 0 / 46

HEX #051F89

RGB 5 31 137

HSL 228.18, 0.93%, 0.28%

LAB 19.3, 36.03, -59.85

 

CMYK 100 / 89 / 0 / 54

HEX #000D76

RGB 0 13 118

HSL 233.39, 1%, 0.23%

LAB 13.2, 39.09, -57.9

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 100 / 100 / 0 / 69

HEX #000050

RGB 0 0 80

HSL 240, 1%, 0.16%

LAB 5.23, 32.43, -45.83

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 80 / 86 / 0 / 39

HEX #1F169C

RGB 31 22 156

HSL 244.03, 0.75%, 0.35%

LAB 21.08, 48.29, -68.66

 

CMYK 57 / 86 / 0 / 39

HEX #43169C

RGB 67 22 156

HSL 260.15, 0.75%, 0.35%

LAB 24.22, 51.14, -63.36

 

CMYK 34 / 86 / 0 / 39

HEX #67169C

RGB 103 22 156

HSL 276.27, 0.75%, 0.35%

LAB 29.05, 55.82, -55.24

 

CMYK 11 / 86 / 0 / 39

HEX #8B169C

RGB 139 22 156

HSL 292.39, 0.75%, 0.35%

LAB 34.93, 61.83, -45.43

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 86 / 86 / 0 / 39

HEX #16169C

RGB 22 22 156

HSL 240, 0.75%, 0.35%

LAB 20.61, 47.88, -69.44

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 96 / 76 / 0 / 33

HEX #0728AA

RGB 7 40 170

HSL 227.85, 0.92%, 0.35%

LAB 25.15, 42.67, -70.43

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 74 / 60 / 0 / 45

HEX #24398D

RGB 36 57 141

HSL 228, 0.59%, 0.35%

LAB 27.36, 22.65, -49.06

 

CMYK 60 / 48 / 0 / 50

HEX #33427F

RGB 51 66 127

HSL 228.16, 0.43%, 0.35%

LAB 29.74, 13.84, -36.47

 

CMYK 42 / 33 / 0 / 56

HEX #414B70

RGB 65 75 112

HSL 227.23, 0.27%, 0.35%

LAB 32.54, 6.39, -22.6

 

CMYK 18 / 15 / 0 / 62

HEX #505362

RGB 80 83 98

HSL 230, 0.1%, 0.35%

LAB 35.55, 2.35, -9.09

 

CMYK 86 / 22 / 0 / 39

HEX #167A9C

RGB 22 122 156

HSL 195.22, 0.75%, 0.35%

LAB 47.61, -14.66, -25.93

 

CMYK 86 / 44 / 0 / 39

HEX #16579C

RGB 22 87 156

HSL 210.9, 0.75%, 0.35%

LAB 36.72, 6.74, -43.11

 

CMYK 86 / 67 / 0 / 39

HEX #16339C

RGB 22 51 156

HSL 227.01, 0.75%, 0.35%

LAB 26.56, 31.16, -59.61

 

CMYK 81 / 86 / 0 / 39

HEX #1D169C

RGB 29 22 156

HSL 243.13, 0.75%, 0.35%

LAB 20.96, 48.19, -68.85

 

CMYK 59 / 86 / 0 / 39

HEX #40169C

RGB 64 22 156

HSL 258.81, 0.75%, 0.35%

LAB 23.88, 50.83, -63.92

 

CMYK 87 / 69 / 0 / 67

HEX #0B1A53

RGB 11 26 83

HSL 227.5, 0.77%, 0.18%

LAB 12.19, 18.11, -36.38

 

CMYK 86 / 69 / 0 / 53

HEX #112578

RGB 17 37 120

HSL 228.35, 0.75%, 0.27%

LAB 19.22, 26.12, -49.22

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 86 / 69 / 0 / 25

HEX #1B3CC0

RGB 27 60 192

HSL 228, 0.75%, 0.43%

LAB 32.41, 39.2, -71.5

 

CMYK 83 / 67 / 0 / 13

HEX #254ADF

RGB 37 74 223

HSL 228.06, 0.74%, 0.51%

LAB 38.93, 42.33, -78.72

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 2 / 86 / 0 / 39

HEX #99169C

RGB 153 22 156

HSL 298.66, 0.75%, 0.35%

LAB 37.38, 64.41, -41.36

 

CMYK 33 / 0 / 86 / 39

HEX #689C16

RGB 104 156 22

HSL 83.28, 0.75%, 0.35%

LAB 58.77, -36.52, 57.33

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 0 / 86 / 67 / 39

HEX #9C1633

RGB 156 22 51

HSL 347.01, 0.75%, 0.35%

LAB 33.73, 53.38, 19.91

 

CMYK 67 / 0 / 86 / 39

HEX #339C16

RGB 51 156 22

HSL 107.01, 0.75%, 0.35%

LAB 56.62, -52.81, 54.61

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 2 / 86 / 0 / 39

HEX #99169C

RGB 153 22 156

HSL 298.66, 0.75%, 0.35%

LAB 37.38, 64.41, -41.36

 

CMYK 0 / 19 / 86 / 39

HEX #9C7F16

RGB 156 127 22

HSL 47.01, 0.75%, 0.35%

LAB 54.35, 1.16, 55.17

 

CMYK 85 / 0 / 86 / 39

HEX #189C16

RGB 24 156 22

HSL 119.1, 0.75%, 0.35%

LAB 56.12, -57.19, 53.97

 

CMYK 86 / 69 / 0 / 39

HEX #16319C

RGB 22 49 156

HSL 227.91, 0.75%, 0.35%

LAB 26.06, 32.49, -60.43

 

CMYK 0 / 86 / 24 / 39

HEX #9C1676

RGB 156 22 118

HSL 317.01, 0.75%, 0.35%

LAB 35.89, 59.53, -20.22

 

CMYK 0 / 19 / 86 / 39

HEX #9C7F16

RGB 156 127 22

HSL 47.01, 0.75%, 0.35%

LAB 54.35, 1.16, 55.17

 

CMYK 86 / 0 / 62 / 39

HEX #169C3C

RGB 22 156 60

HSL 137.01, 0.75%, 0.35%

LAB 56.36, -54.05, 40.05

 

Description

Color code: HEX #16319C | qconv.com Color code: HEX #16319C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 49 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 49 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 69 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 69% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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