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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16437D it is the complementary color #E9BC82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16437D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16437D shade: #1B4378, #2C558B, #3D679E, #4E79B1 and #5F8BC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16437D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16437D shade: #16437D, #05316A, #001F57, #000D44 and #000031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16437D shade: #16437D, #16277D, #20167D, #3C167D and #58167D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16437D shade: #16437D, #16277D and #16167D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16437D shade matches the following richer shades: #16437D and #0A4189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16437D shade: #16437D, #224471, #2E4665, #3A4759 and #46494D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16437D shade: #167B7D, #16607D, #16447D, #16297D and #1E167D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16437D shade: #091D37, #0F305A, #16437D, #1C56A0 and #2269C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16437D shade: #16437D, #63167D and #6E7D16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16437D shade: #16437D, #7D1644 and #447D16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16437D shade: #16437D, #63167D, #7D4F16 and #307D16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16437D shade: #16437D, #7D1678, #7D4F16 and #167D1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

Complementary color

CMYK 0 / 19 / 44 / 9

HEX #E9BC82

RGB 233 188 130

HSL 33.79, 0.7%, 0.71%

LAB 78.98, 8.79, 35.41

 

CMYK 78 / 44 / 0 / 53

HEX #1B4378

RGB 27 67 120

HSL 214.19, 0.63%, 0.29%

LAB 28.39, 6.07, -34.33

 

CMYK 68 / 39 / 0 / 45

HEX #2C558B

RGB 44 85 139

HSL 214.11, 0.52%, 0.36%

LAB 35.78, 4.24, -34.27

 

CMYK 61 / 35 / 0 / 38

HEX #3D679E

RGB 61 103 158

HSL 214.02, 0.44%, 0.43%

LAB 43.01, 2.93, -34.23

 

CMYK 56 / 32 / 0 / 31

HEX #4E79B1

RGB 78 121 177

HSL 213.94, 0.39%, 0.5%

LAB 50.06, 1.94, -34.21

 

CMYK 52 / 29 / 0 / 23

HEX #5F8BC4

RGB 95 139 196

HSL 213.86, 0.46%, 0.57%

LAB 56.96, 1.17, -34.22

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 95 / 54 / 0 / 58

HEX #05316A

RGB 5 49 106

HSL 213.86, 0.91%, 0.22%

LAB 21.09, 10.52, -37.16

 

CMYK 100 / 64 / 0 / 66

HEX #001F57

RGB 0 31 87

HSL 218.62, 1%, 0.17%

LAB 13.64, 14.96, -36.73

 

CMYK 100 / 81 / 0 / 73

HEX #000D44

RGB 0 13 68

HSL 228.53, 1%, 0.13%

LAB 6.37, 19.59, -35.55

 

CMYK 100 / 100 / 0 / 81

HEX #000031

RGB 0 0 49

HSL 240, 1%, 0.1%

LAB 2, 14.08, -28.82

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 82 / 69 / 0 / 51

HEX #16277D

RGB 22 39 125

HSL 230.1, 0.7%, 0.29%

LAB 20.45, 27.17, -50.37

 

CMYK 74 / 82 / 0 / 51

HEX #20167D

RGB 32 22 125

HSL 245.83, 0.7%, 0.29%

LAB 17.28, 38.55, -55.58

 

CMYK 52 / 82 / 0 / 51

HEX #3C167D

RGB 60 22 125

HSL 262.14, 0.7%, 0.29%

LAB 20.1, 41.81, -50.82

 

CMYK 30 / 82 / 0 / 51

HEX #58167D

RGB 88 22 125

HSL 278.45, 0.7%, 0.29%

LAB 24.09, 46.42, -44.14

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 82 / 69 / 0 / 51

HEX #16277D

RGB 22 39 125

HSL 230.1, 0.7%, 0.29%

LAB 20.45, 27.17, -50.37

 

CMYK 82 / 82 / 0 / 51

HEX #16167D

RGB 22 22 125

HSL 240, 0.7%, 0.29%

LAB 16.63, 37.8, -56.68

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 93 / 53 / 0 / 46

HEX #0A4189

RGB 10 65 137

HSL 214.02, 0.86%, 0.29%

LAB 28.52, 12.92, -44.75

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 70 / 40 / 0 / 56

HEX #224471

RGB 34 68 113

HSL 214.18, 0.54%, 0.29%

LAB 28.56, 3.75, -29.63

 

CMYK 54 / 31 / 0 / 60

HEX #2E4665

RGB 46 70 101

HSL 213.82, 0.37%, 0.29%

LAB 29.16, 0.66, -21

 

CMYK 35 / 20 / 0 / 65

HEX #3A4759

RGB 58 71 89

HSL 214.84, 0.21%, 0.29%

LAB 29.73, -0.25, -12.36

 

CMYK 9 / 5 / 0 / 70

HEX #46494D

RGB 70 73 77

HSL 214.29, 0.05%, 0.29%

LAB 30.89, -0.3, -2.81

 

CMYK 82 / 2 / 0 / 51

HEX #167B7D

RGB 22 123 125

HSL 181.17, 0.7%, 0.29%

LAB 46.73, -25.89, -8.96

 

CMYK 82 / 23 / 0 / 51

HEX #16607D

RGB 22 96 125

HSL 196.89, 0.7%, 0.29%

LAB 37.87, -11.14, -22.49

 

CMYK 82 / 46 / 0 / 51

HEX #16447D

RGB 22 68 125

HSL 213.2, 0.7%, 0.29%

LAB 28.86, 6.8, -36.71

 

CMYK 82 / 67 / 0 / 51

HEX #16297D

RGB 22 41 125

HSL 228.93, 0.7%, 0.29%

LAB 20.97, 25.79, -49.52

 

CMYK 76 / 82 / 0 / 51

HEX #1E167D

RGB 30 22 125

HSL 244.66, 0.7%, 0.29%

LAB 17.13, 38.38, -55.82

 

CMYK 84 / 47 / 0 / 78

HEX #091D37

RGB 9 29 55

HSL 213.91, 0.72%, 0.13%

LAB 10.65, 2.88, -19.31

 

CMYK 83 / 47 / 0 / 65

HEX #0F305A

RGB 15 48 90

HSL 213.6, 0.71%, 0.21%

LAB 19.86, 5.18, -28.65

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 83 / 46 / 0 / 37

HEX #1C56A0

RGB 28 86 160

HSL 213.64, 0.7%, 0.37%

LAB 36.82, 9.56, -45.34

 

CMYK 83 / 46 / 0 / 24

HEX #2269C3

RGB 34 105 195

HSL 213.54, 0.7%, 0.45%

LAB 44.78, 11.56, -53.11

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 21 / 82 / 0 / 51

HEX #63167D

RGB 99 22 125

HSL 284.85, 0.7%, 0.29%

LAB 25.88, 48.49, -41.15

 

CMYK 12 / 0 / 82 / 51

HEX #6E7D16

RGB 110 125 22

HSL 68.74, 0.7%, 0.29%

LAB 49.54, -19.04, 49.37

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 0 / 82 / 46 / 51

HEX #7D1644

RGB 125 22 68

HSL 333.2, 0.7%, 0.29%

LAB 27.71, 45.94, -0.68

 

CMYK 46 / 0 / 82 / 51

HEX #447D16

RGB 68 125 22

HSL 93.2, 0.7%, 0.29%

LAB 46.91, -36.23, 46

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 21 / 82 / 0 / 51

HEX #63167D

RGB 99 22 125

HSL 284.85, 0.7%, 0.29%

LAB 25.88, 48.49, -41.15

 

CMYK 0 / 37 / 82 / 51

HEX #7D4F16

RGB 125 79 22

HSL 33.2, 0.7%, 0.29%

LAB 37.86, 14.41, 39.31

 

CMYK 62 / 0 / 82 / 51

HEX #307D16

RGB 48 125 22

HSL 104.85, 0.7%, 0.29%

LAB 46.11, -42.42, 44.96

 

CMYK 82 / 46 / 0 / 51

HEX #16437D

RGB 22 67 125

HSL 213.79, 0.7%, 0.29%

LAB 28.55, 7.49, -37.21

 

CMYK 0 / 82 / 4 / 51

HEX #7D1678

RGB 125 22 120

HSL 302.91, 0.7%, 0.29%

LAB 30.13, 52.92, -30.92

 

CMYK 0 / 37 / 82 / 51

HEX #7D4F16

RGB 125 79 22

HSL 33.2, 0.7%, 0.29%

LAB 37.86, 14.41, 39.31

 

CMYK 82 / 0 / 78 / 51

HEX #167D1B

RGB 22 125 27

HSL 122.91, 0.7%, 0.29%

LAB 45.52, -47.32, 42.47

 

Description

Color code: HEX #16437D | qconv.com Color code: HEX #16437D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 67 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 67 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 46 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 46% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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