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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16563C it is the complementary color #E9A9C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16563C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16563C shade: #1B5637, #2C684A, #3D7A5D, #4E8C70 and #5F9E83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16563C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16563C shade: #16563C, #054429, #003216, #002003 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16563C shade: #15553B, #15552A, #155519, #235515 and #345515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16563C shade: #15553B, #15554C, #154C55, #153B55 and #152A55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16563C shade matches the following richer shades: #15553B, #0D5D3D and #04663E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16563C shade: #15553B, #1E4C39, #274338, #2F3B36 and #383234

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16563C shade: #155519, #155529, #15553A, #15554B and #154D55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16563C shade: #05130D, #0D3424, #15553B, #1E7552 and #269669

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16563C shade: #16563C, #152355 and #552115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16563C shade: #16563C, #3A1555 and #553A15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16563C shade: #16563C, #152355, #551530 and #554715

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16563C shade: #16563C, #1B1555, #551530 and #4F5515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 30 / 66

HEX #16563C

RGB 22 86 60

HSL 155.63, 0.59%, 0.21%

LAB 32.15, -27.01, 9.45

 

Complementary color

CMYK 0 / 27 / 16 / 9

HEX #E9A9C3

RGB 233 169 195

HSL 335.63, 0.59%, 0.79%

LAB 75.85, 27.33, -3.93

 

CMYK 69 / 0 / 36 / 66

HEX #1B5637

RGB 27 86 55

HSL 148.47, 0.52%, 0.22%

LAB 32.18, -27.19, 12.6

 

CMYK 58 / 0 / 29 / 59

HEX #2C684A

RGB 44 104 74

HSL 150, 0.41%, 0.29%

LAB 39.46, -27.26, 11.14

 

CMYK 50 / 0 / 24 / 52

HEX #3D7A5D

RGB 61 122 93

HSL 151.48, 0.33%, 0.36%

LAB 46.58, -27.12, 9.89

 

CMYK 44 / 0 / 20 / 45

HEX #4E8C70

RGB 78 140 112

HSL 152.9, 0.28%, 0.43%

LAB 53.54, -26.9, 8.78

 

CMYK 40 / 0 / 17 / 38

HEX #5F9E83

RGB 95 158 131

HSL 154.29, 0.25%, 0.5%

LAB 60.36, -26.66, 7.78

 

CMYK 74 / 0 / 30 / 66

HEX #16563C

RGB 22 86 60

HSL 155.63, 0.59%, 0.21%

LAB 32.15, -27.01, 9.45

 

CMYK 93 / 0 / 40 / 73

HEX #054429

RGB 5 68 41

HSL 154.29, 0.86%, 0.14%

LAB 24.72, -26.24, 11.18

 

CMYK 100 / 0 / 56 / 80

HEX #003216

RGB 0 50 22

HSL 146.4, 1%, 0.1%

LAB 17.17, -23.87, 13.41

 

CMYK 100 / 0 / 91 / 87

HEX #002003

RGB 0 32 3

HSL 125.63, 1%, 0.06%

LAB 9.32, -18.33, 12.36

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 75 / 0 / 31 / 67

HEX #15553B

RGB 21 85 59

HSL 155.63, 0.6%, 0.21%

LAB 31.74, -26.98, 9.5

 

CMYK 75 / 0 / 51 / 67

HEX #15552A

RGB 21 85 42

HSL 139.69, 0.6%, 0.21%

LAB 31.4, -30.75, 19.38

 

CMYK 75 / 0 / 71 / 67

HEX #155519

RGB 21 85 25

HSL 123.75, 0.6%, 0.21%

LAB 31.18, -33.38, 28.38

 

CMYK 59 / 0 / 75 / 67

HEX #235515

RGB 35 85 21

HSL 106.88, 0.6%, 0.21%

LAB 31.6, -30.14, 30.85

 

CMYK 39 / 0 / 75 / 67

HEX #345515

RGB 52 85 21

HSL 90.94, 0.6%, 0.21%

LAB 32.44, -23.97, 31.99

 

CMYK 75 / 0 / 31 / 67

HEX #15553B

RGB 21 85 59

HSL 155.63, 0.6%, 0.21%

LAB 31.74, -26.98, 9.5

 

CMYK 75 / 0 / 11 / 67

HEX #15554C

RGB 21 85 76

HSL 171.56, 0.6%, 0.21%

LAB 32.21, -22.19, -0.53

 

CMYK 75 / 11 / 0 / 67

HEX #154C55

RGB 21 76 85

HSL 188.44, 0.6%, 0.21%

LAB 29.37, -14.24, -10.51

 

CMYK 75 / 31 / 0 / 67

HEX #153B55

RGB 21 59 85

HSL 204.38, 0.6%, 0.21%

LAB 23.48, -3.63, -19.59

 

CMYK 75 / 51 / 0 / 67

HEX #152A55

RGB 21 42 85

HSL 220.31, 0.6%, 0.21%

LAB 17.79, 8.36, -28.62

 

CMYK 75 / 0 / 31 / 67

HEX #15553B

RGB 21 85 59

HSL 155.63, 0.6%, 0.21%

LAB 31.74, -26.98, 9.5

 

CMYK 86 / 0 / 34 / 64

HEX #0D5D3D

RGB 13 93 61

HSL 156, 0.75%, 0.21%

LAB 34.5, -31.3, 12.04

 

CMYK 96 / 0 / 39 / 60

HEX #04663E

RGB 4 102 62

HSL 155.51, 0.92%, 0.21%

LAB 37.62, -35.74, 15.65

 

CMYK 75 / 0 / 31 / 67

HEX #15553B

RGB 21 85 59

HSL 155.63, 0.6%, 0.21%

LAB 31.74, -26.98, 9.5

 

CMYK 61 / 0 / 25 / 70

HEX #1E4C39

RGB 30 76 57

HSL 155.22, 0.43%, 0.21%

LAB 28.75, -21.04, 6.62

 

CMYK 42 / 0 / 16 / 74

HEX #274338

RGB 39 67 56

HSL 156.43, 0.26%, 0.21%

LAB 25.95, -13.58, 3.36

 

CMYK 20 / 0 / 8 / 77

HEX #2F3B36

RGB 47 59 54

HSL 155, 0.11%, 0.21%

LAB 23.67, -6.2, 1.45

 

CMYK 0 / 11 / 7 / 78

HEX #383234

RGB 56 50 52

HSL 340, 0.06%, 0.21%

LAB 21.47, 3.11, -0.3

 

CMYK 75 / 0 / 71 / 67

HEX #155519

RGB 21 85 25

HSL 123.75, 0.6%, 0.21%

LAB 31.18, -33.38, 28.38

 

CMYK 75 / 0 / 52 / 67

HEX #155529

RGB 21 85 41

HSL 138.75, 0.6%, 0.21%

LAB 31.39, -30.94, 19.95

 

CMYK 75 / 0 / 32 / 67

HEX #15553A

RGB 21 85 58

HSL 154.69, 0.6%, 0.21%

LAB 31.72, -27.23, 10.09

 

CMYK 75 / 0 / 12 / 67

HEX #15554B

RGB 21 85 75

HSL 170.63, 0.6%, 0.21%

LAB 32.18, -22.49, 0.06

 

CMYK 75 / 9 / 0 / 67

HEX #154D55

RGB 21 77 85

HSL 187.5, 0.6%, 0.21%

LAB 29.72, -14.82, -9.98

 

CMYK 74 / 0 / 32 / 93

HEX #05130D

RGB 5 19 13

HSL 154.29, 0.58%, 0.05%

LAB 4.76, -5.44, 1.58

 

CMYK 75 / 0 / 31 / 80

HEX #0D3424

RGB 13 52 36

HSL 155.38, 0.6%, 0.13%

LAB 18.67, -18.35, 6.19

 

CMYK 75 / 0 / 31 / 67

HEX #15553B

RGB 21 85 59

HSL 155.63, 0.6%, 0.21%

LAB 31.74, -26.98, 9.5

 

CMYK 74 / 0 / 30 / 54

HEX #1E7552

RGB 30 117 82

HSL 155.86, 0.59%, 0.29%

LAB 43.67, -34.29, 12.14

 

CMYK 75 / 0 / 30 / 41

HEX #269669

RGB 38 150 105

HSL 155.89, 0.6%, 0.37%

LAB 55.32, -41.77, 15.07

 

CMYK 74 / 0 / 30 / 66

HEX #16563C

RGB 22 86 60

HSL 155.63, 0.59%, 0.21%

LAB 32.15, -27.01, 9.45

 

CMYK 75 / 59 / 0 / 67

HEX #152355

RGB 21 35 85

HSL 226.88, 0.6%, 0.21%

LAB 15.58, 13.57, -32.19

 

CMYK 0 / 61 / 75 / 67

HEX #552115

RGB 85 33 21

HSL 11.25, 0.6%, 0.21%

LAB 20.33, 23.26, 19.81

 

CMYK 74 / 0 / 30 / 66

HEX #16563C

RGB 22 86 60

HSL 155.63, 0.59%, 0.21%

LAB 32.15, -27.01, 9.45

 

CMYK 32 / 75 / 0 / 67

HEX #3A1555

RGB 58 21 85

HSL 274.69, 0.6%, 0.21%

LAB 15.96, 30.97, -31.38

 

CMYK 0 / 32 / 75 / 67

HEX #553A15

RGB 85 58 21

HSL 34.69, 0.6%, 0.21%

LAB 26.77, 7.81, 26.97

 

CMYK 74 / 0 / 30 / 66

HEX #16563C

RGB 22 86 60

HSL 155.63, 0.59%, 0.21%

LAB 32.15, -27.01, 9.45

 

CMYK 75 / 59 / 0 / 67

HEX #152355

RGB 21 35 85

HSL 226.88, 0.6%, 0.21%

LAB 15.58, 13.57, -32.19

 

CMYK 0 / 75 / 44 / 67

HEX #551530

RGB 85 21 48

HSL 334.69, 0.6%, 0.21%

LAB 18.72, 31.87, -1.04

 

CMYK 0 / 16 / 75 / 67

HEX #554715

RGB 85 71 21

HSL 46.88, 0.6%, 0.21%

LAB 30.62, -0.39, 31

 

CMYK 74 / 0 / 30 / 66

HEX #16563C

RGB 22 86 60

HSL 155.63, 0.59%, 0.21%

LAB 32.15, -27.01, 9.45

 

CMYK 68 / 75 / 0 / 67

HEX #1B1555

RGB 27 21 85

HSL 245.63, 0.6%, 0.21%

LAB 12.12, 24.64, -37.8

 

CMYK 0 / 75 / 44 / 67

HEX #551530

RGB 85 21 48

HSL 334.69, 0.6%, 0.21%

LAB 18.72, 31.87, -1.04

 

CMYK 7 / 0 / 75 / 67

HEX #4F5515

RGB 79 85 21

HSL 65.63, 0.6%, 0.21%

LAB 34.42, -11.74, 34.64

 

Description

Color code: HEX #16563C | qconv.com Color code: HEX #16563C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 86 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 86 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 30 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 30% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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