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Color name
HEX #1664DF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1664DF it is the complementary color #E99B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1664DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1664DF shade: #1B64DA, #2C76ED, #3D88FF, #4E9AFF and #5FACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1664DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1664DF shade: #1664DF, #0552CC, #0040B9, #002EA6 and #001C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1664DF shade: #1663DE, #162DDE, #3416DE, #6A16DE and #A016DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1664DF shade: #1663DE, #162DDE and #1616DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1664DF shade matches the following richer shades: #1663DE and #025FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1664DF shade: #1663DE, #2968CA, #3D6CB7, #5171A3 and #65758F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1664DF shade: #16D1DE, #169BDE, #1666DE, #1630DE and #3016DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1664DF shade: #0E4293, #1253B9, #1663DE, #337AEA and #5892EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1664DF shade: #1664DF, #B616DE and #B6DE16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1664DF shade: #1664DF, #DE1666 and #66DE16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1664DF shade: #1664DF, #B616DE, #DE8E16 and #3EDE16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1664DF shade: #1664DF, #DE16CA, #DE8E16 and #16DE2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 55 / 0 / 13

HEX #1664DF

RGB 22 100 223

HSL 216.72, 0.82%, 0.48%

LAB 45.1, 24.87, -68.64

 

Complementary color

CMYK 0 / 33 / 86 / 9

HEX #E99B20

RGB 233 155 32

HSL 36.72, 0.82%, 0.52%

LAB 70.09, 20.33, 68.87

 

CMYK 88 / 54 / 0 / 15

HEX #1B64DA

RGB 27 100 218

HSL 217.07, 0.78%, 0.48%

LAB 44.81, 23.2, -66.25

 

CMYK 81 / 50 / 0 / 7

HEX #2C76ED

RGB 44 118 237

HSL 216.99, 0.84%, 0.55%

LAB 51.39, 20.21, -66.29

 

CMYK 76 / 47 / 0 / 0

HEX #3D88FF

RGB 61 136 255

HSL 216.8, 1%, 0.62%

LAB 57.87, 17.36, -65.79

 

CMYK 69 / 40 / 0 / 0

HEX #4E9AFF

RGB 78 154 255

HSL 214.24, 1%, 0.65%

LAB 63.3, 8.7, -57.06

 

CMYK 63 / 33 / 0 / 0

HEX #5FACFF

RGB 95 172 255

HSL 211.13, 1%, 0.69%

LAB 68.87, 0.99, -48.21

 

CMYK 90 / 55 / 0 / 13

HEX #1664DF

RGB 22 100 223

HSL 216.72, 0.82%, 0.48%

LAB 45.1, 24.87, -68.64

 

CMYK 98 / 60 / 0 / 20

HEX #0552CC

RGB 5 82 204

HSL 216.78, 0.95%, 0.41%

LAB 38.6, 28.59, -68.37

 

CMYK 100 / 65 / 0 / 27

HEX #0040B9

RGB 0 64 185

HSL 219.24, 1%, 0.36%

LAB 32.19, 32.88, -67.77

 

CMYK 100 / 72 / 0 / 35

HEX #002EA6

RGB 0 46 166

HSL 223.37, 1%, 0.33%

LAB 25.88, 37.3, -66.81

 

CMYK 100 / 81 / 0 / 42

HEX #001C93

RGB 0 28 147

HSL 228.57, 1%, 0.29%

LAB 19.79, 41.23, -65.28

 

CMYK 90 / 55 / 0 / 13

HEX #1663DE

RGB 22 99 222

HSL 216.9, 0.82%, 0.48%

LAB 44.76, 25.13, -68.63

 

CMYK 90 / 80 / 0 / 13

HEX #162DDE

RGB 22 45 222

HSL 233.1, 0.82%, 0.48%

LAB 32.53, 57.71, -88.75

 

CMYK 77 / 90 / 0 / 13

HEX #3416DE

RGB 52 22 222

HSL 249, 0.82%, 0.48%

LAB 30.83, 67.69, -91.54

 

CMYK 52 / 90 / 0 / 13

HEX #6A16DE

RGB 106 22 222

HSL 265.2, 0.82%, 0.48%

LAB 35.81, 71.13, -83.12

 

CMYK 28 / 90 / 0 / 13

HEX #A016DE

RGB 160 22 222

HSL 281.4, 0.82%, 0.48%

LAB 43.24, 77.21, -70.64

 

CMYK 90 / 55 / 0 / 13

HEX #1663DE

RGB 22 99 222

HSL 216.9, 0.82%, 0.48%

LAB 44.76, 25.13, -68.63

 

CMYK 90 / 80 / 0 / 13

HEX #162DDE

RGB 22 45 222

HSL 233.1, 0.82%, 0.48%

LAB 32.53, 57.71, -88.75

 

CMYK 90 / 90 / 0 / 13

HEX #1616DE

RGB 22 22 222

HSL 240, 0.82%, 0.48%

LAB 29.46, 66.87, -93.86

 

CMYK 90 / 55 / 0 / 13

HEX #1663DE

RGB 22 99 222

HSL 216.9, 0.82%, 0.48%

LAB 44.76, 25.13, -68.63

 

CMYK 99 / 61 / 0 / 5

HEX #025FF2

RGB 2 95 242

HSL 216.75, 0.98%, 0.48%

LAB 45.09, 34.78, -79.37

 

CMYK 90 / 55 / 0 / 13

HEX #1663DE

RGB 22 99 222

HSL 216.9, 0.82%, 0.48%

LAB 44.76, 25.13, -68.63

 

CMYK 80 / 49 / 0 / 21

HEX #2968CA

RGB 41 104 202

HSL 216.52, 0.66%, 0.48%

LAB 45.13, 15.57, -56.57

 

CMYK 67 / 41 / 0 / 28

HEX #3D6CB7

RGB 61 108 183

HSL 216.89, 0.5%, 0.48%

LAB 45.82, 8.65, -44.44

 

CMYK 50 / 31 / 0 / 36

HEX #5171A3

RGB 81 113 163

HSL 216.59, 0.34%, 0.48%

LAB 47.24, 2.96, -30.45

 

CMYK 29 / 18 / 0 / 44

HEX #65758F

RGB 101 117 143

HSL 217.14, 0.17%, 0.48%

LAB 48.85, 0.44, -16.1

 

CMYK 90 / 6 / 0 / 13

HEX #16D1DE

RGB 22 209 222

HSL 183.9, 0.82%, 0.48%

LAB 76.71, -36.78, -18.38

 

CMYK 90 / 30 / 0 / 13

HEX #169BDE

RGB 22 155 222

HSL 200.1, 0.82%, 0.48%

LAB 60.68, -9.16, -43.12

 

CMYK 90 / 54 / 0 / 13

HEX #1666DE

RGB 22 102 222

HSL 216, 0.82%, 0.48%

LAB 45.56, 23.19, -67.32

 

CMYK 90 / 78 / 0 / 13

HEX #1630DE

RGB 22 48 222

HSL 232.2, 0.82%, 0.48%

LAB 33.05, 56.21, -87.89

 

CMYK 78 / 90 / 0 / 13

HEX #3016DE

RGB 48 22 222

HSL 247.8, 0.82%, 0.48%

LAB 30.58, 67.54, -91.95

 

CMYK 90 / 55 / 0 / 42

HEX #0E4293

RGB 14 66 147

HSL 216.54, 0.83%, 0.32%

LAB 29.65, 16.68, -49.06

 

CMYK 90 / 55 / 0 / 27

HEX #1253B9

RGB 18 83 185

HSL 216.65, 0.82%, 0.4%

LAB 37.51, 20.86, -59.05

 

CMYK 90 / 55 / 0 / 13

HEX #1663DE

RGB 22 99 222

HSL 216.9, 0.82%, 0.48%

LAB 44.76, 25.13, -68.63

 

CMYK 78 / 48 / 0 / 8

HEX #337AEA

RGB 51 122 234

HSL 216.72, 0.81%, 0.56%

LAB 52.47, 17.25, -62.86

 

CMYK 63 / 39 / 0 / 7

HEX #5892EE

RGB 88 146 238

HSL 216.8, 0.82%, 0.64%

LAB 60.61, 9.22, -51.98

 

CMYK 90 / 55 / 0 / 13

HEX #1664DF

RGB 22 100 223

HSL 216.72, 0.82%, 0.48%

LAB 45.1, 24.87, -68.64

 

CMYK 18 / 90 / 0 / 13

HEX #B616DE

RGB 182 22 222

HSL 288, 0.82%, 0.48%

LAB 46.7, 80.31, -64.86

 

CMYK 18 / 0 / 90 / 13

HEX #B6DE16

RGB 182 222 22

HSL 72, 0.82%, 0.48%

LAB 83.04, -35.61, 79.42

 

CMYK 90 / 55 / 0 / 13

HEX #1664DF

RGB 22 100 223

HSL 216.72, 0.82%, 0.48%

LAB 45.1, 24.87, -68.64

 

CMYK 0 / 90 / 54 / 13

HEX #DE1666

RGB 222 22 102

HSL 336, 0.82%, 0.48%

LAB 48.34, 73.42, 9.66

 

CMYK 54 / 0 / 90 / 13

HEX #66DE16

RGB 102 222 22

HSL 96, 0.82%, 0.48%

LAB 79.11, -63.06, 74.58

 

CMYK 90 / 55 / 0 / 13

HEX #1664DF

RGB 22 100 223

HSL 216.72, 0.82%, 0.48%

LAB 45.1, 24.87, -68.64

 

CMYK 18 / 90 / 0 / 13

HEX #B616DE

RGB 182 22 222

HSL 288, 0.82%, 0.48%

LAB 46.7, 80.31, -64.86

 

CMYK 0 / 36 / 90 / 13

HEX #DE8E16

RGB 222 142 22

HSL 36, 0.82%, 0.48%

LAB 65.7, 22.37, 67.39

 

CMYK 72 / 0 / 90 / 13

HEX #3EDE16

RGB 62 222 22

HSL 108, 0.82%, 0.48%

LAB 78.07, -71.77, 73.28

 

CMYK 90 / 55 / 0 / 13

HEX #1664DF

RGB 22 100 223

HSL 216.72, 0.82%, 0.48%

LAB 45.1, 24.87, -68.64

 

CMYK 0 / 90 / 9 / 13

HEX #DE16CA

RGB 222 22 202

HSL 306, 0.82%, 0.48%

LAB 52.25, 83.83, -44.12

 

CMYK 0 / 36 / 90 / 13

HEX #DE8E16

RGB 222 142 22

HSL 36, 0.82%, 0.48%

LAB 65.7, 22.37, 67.39

 

CMYK 90 / 0 / 81 / 13

HEX #16DE2A

RGB 22 222 42

HSL 126, 0.82%, 0.48%

LAB 77.63, -75.41, 68.49

 

Description

Color code: HEX #1664DF | qconv.com Color code: HEX #1664DF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 100 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 100 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 55 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 55% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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