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Color name
HEX #167764

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #167764 it is the complementary color #E9889B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #167764. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #167764 shade: #1B775F, #2C8972, #3D9B85, #4EAD98 and #5FBFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #167764. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #167764 shade: #167764, #056551, #00533E, #00412B and #002F18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #167764 shade: #167865, #16784A, #167830, #167816 and #317816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #167764 shade: #167865, #167178, #165678, #163C78 and #162178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #167764 shade matches the following richer shades: #167865 and #0A846C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #167764 shade: #167865, #216D5E, #2D6157, #385650 and #444A49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #167764 shade: #167830, #16784A, #167864, #167278 and #165778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #167764 shade: #09322A, #0F5548, #167865, #1C9B82 and #22BE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #167764 shade: #167764, #161678 and #783D16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #167764 shade: #167764, #641678 and #786416

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #167764 shade: #167764, #161678, #781629 and #787816

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #167764 shade: #167764, #331678, #781629 and #5B7816

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 16 / 53

HEX #167764

RGB 22 119 100

HSL 168.25, 0.69%, 0.28%

LAB 44.64, -31.57, 2.82

 

Complementary color

CMYK 0 / 42 / 33 / 9

HEX #E9889B

RGB 233 136 155

HSL 348.25, 0.69%, 0.72%

LAB 67.5, 39.15, 6.1

 

CMYK 77 / 0 / 20 / 53

HEX #1B775F

RGB 27 119 95

HSL 164.35, 0.63%, 0.29%

LAB 44.59, -32.32, 5.74

 

CMYK 68 / 0 / 17 / 46

HEX #2C8972

RGB 44 137 114

HSL 165.16, 0.51%, 0.35%

LAB 51.43, -32.89, 4.45

 

CMYK 61 / 0 / 14 / 39

HEX #3D9B85

RGB 61 155 133

HSL 165.96, 0.44%, 0.42%

LAB 58.16, -33.16, 3.32

 

CMYK 55 / 0 / 12 / 32

HEX #4EAD98

RGB 78 173 152

HSL 166.74, 0.38%, 0.49%

LAB 64.78, -33.26, 2.31

 

CMYK 50 / 0 / 10 / 25

HEX #5FBFAB

RGB 95 191 171

HSL 167.5, 0.43%, 0.56%

LAB 71.31, -33.26, 1.4

 

CMYK 82 / 0 / 16 / 53

HEX #167764

RGB 22 119 100

HSL 168.25, 0.69%, 0.28%

LAB 44.64, -31.57, 2.82

 

CMYK 95 / 0 / 20 / 60

HEX #056551

RGB 5 101 81

HSL 167.5, 0.91%, 0.21%

LAB 37.72, -30.28, 4.31

 

CMYK 100 / 0 / 25 / 67

HEX #00533E

RGB 0 83 62

HSL 164.82, 1%, 0.16%

LAB 30.72, -28.01, 6.14

 

CMYK 100 / 0 / 34 / 75

HEX #00412B

RGB 0 65 43

HSL 159.69, 1%, 0.13%

LAB 23.52, -25.18, 8.23

 

CMYK 100 / 0 / 49 / 82

HEX #002F18

RGB 0 47 24

HSL 150.64, 1%, 0.09%

LAB 16, -22.1, 10.57

 

CMYK 82 / 0 / 16 / 53

HEX #167865

RGB 22 120 101

HSL 168.37, 0.69%, 0.28%

LAB 45, -31.75, 2.75

 

CMYK 82 / 0 / 38 / 53

HEX #16784A

RGB 22 120 74

HSL 151.84, 0.69%, 0.28%

LAB 44.37, -38.55, 17.74

 

CMYK 82 / 0 / 60 / 53

HEX #167830

RGB 22 120 48

HSL 135.92, 0.69%, 0.28%

LAB 43.97, -43.26, 31.47

 

CMYK 82 / 0 / 82 / 53

HEX #167816

RGB 22 120 22

HSL 120, 0.69%, 0.28%

LAB 43.74, -46.03, 42.49

 

CMYK 59 / 0 / 82 / 53

HEX #317816

RGB 49 120 22

HSL 103.47, 0.69%, 0.28%

LAB 44.44, -40.23, 43.39

 

CMYK 82 / 0 / 16 / 53

HEX #167865

RGB 22 120 101

HSL 168.37, 0.69%, 0.28%

LAB 45, -31.75, 2.75

 

CMYK 82 / 6 / 0 / 53

HEX #167178

RGB 22 113 120

HSL 184.29, 0.69%, 0.28%

LAB 43.27, -22.4, -11.19

 

CMYK 82 / 28 / 0 / 53

HEX #165678

RGB 22 86 120

HSL 200.82, 0.69%, 0.28%

LAB 34.36, -7, -24.89

 

CMYK 82 / 50 / 0 / 53

HEX #163C78

RGB 22 60 120

HSL 216.73, 0.69%, 0.28%

LAB 26.03, 10.28, -38.11

 

CMYK 82 / 73 / 0 / 53

HEX #162178

RGB 22 33 120

HSL 233.27, 0.69%, 0.28%

LAB 18.43, 29.28, -50.51

 

CMYK 82 / 0 / 16 / 53

HEX #167865

RGB 22 120 101

HSL 168.37, 0.69%, 0.28%

LAB 45, -31.75, 2.75

 

CMYK 92 / 0 / 18 / 48

HEX #0A846C

RGB 10 132 108

HSL 168.2, 0.86%, 0.28%

LAB 49.07, -36.19, 4.47

 

CMYK 82 / 0 / 16 / 53

HEX #167865

RGB 22 120 101

HSL 168.37, 0.69%, 0.28%

LAB 45, -31.75, 2.75

 

CMYK 70 / 0 / 14 / 57

HEX #216D5E

RGB 33 109 94

HSL 168.16, 0.54%, 0.28%

LAB 41.33, -26.91, 1.66

 

CMYK 54 / 0 / 10 / 62

HEX #2D6157

RGB 45 97 87

HSL 168.46, 0.37%, 0.28%

LAB 37.47, -20.14, 0.38

 

CMYK 35 / 0 / 7 / 66

HEX #385650

RGB 56 86 80

HSL 168, 0.21%, 0.28%

LAB 34.14, -12.63, -0.06

 

CMYK 8 / 0 / 1 / 71

HEX #444A49

RGB 68 74 73

HSL 170, 0.04%, 0.28%

LAB 30.9, -2.66, -0.25

 

CMYK 82 / 0 / 60 / 53

HEX #167830

RGB 22 120 48

HSL 135.92, 0.69%, 0.28%

LAB 43.97, -43.26, 31.47

 

CMYK 82 / 0 / 38 / 53

HEX #16784A

RGB 22 120 74

HSL 151.84, 0.69%, 0.28%

LAB 44.37, -38.55, 17.74

 

CMYK 82 / 0 / 17 / 53

HEX #167864

RGB 22 120 100

HSL 167.76, 0.69%, 0.28%

LAB 44.97, -32.03, 3.31

 

CMYK 82 / 5 / 0 / 53

HEX #167278

RGB 22 114 120

HSL 183.67, 0.69%, 0.28%

LAB 43.6, -22.92, -10.7

 

CMYK 82 / 28 / 0 / 53

HEX #165778

RGB 22 87 120

HSL 200.2, 0.69%, 0.28%

LAB 34.69, -7.61, -24.38

 

CMYK 82 / 0 / 16 / 80

HEX #09322A

RGB 9 50 42

HSL 168.29, 0.69%, 0.12%

LAB 17.95, -16.31, 1.04

 

CMYK 82 / 0 / 15 / 67

HEX #0F5548

RGB 15 85 72

HSL 168.86, 0.7%, 0.2%

LAB 31.96, -24.3, 1.62

 

CMYK 82 / 0 / 16 / 53

HEX #167865

RGB 22 120 101

HSL 168.37, 0.69%, 0.28%

LAB 45, -31.75, 2.75

 

CMYK 82 / 0 / 16 / 39

HEX #1C9B82

RGB 28 155 130

HSL 168.19, 0.69%, 0.36%

LAB 57.37, -38.85, 3.79

 

CMYK 82 / 0 / 16 / 25

HEX #22BE9F

RGB 34 190 159

HSL 168.08, 0.7%, 0.44%

LAB 69.23, -45.62, 4.77

 

CMYK 82 / 0 / 16 / 53

HEX #167764

RGB 22 119 100

HSL 168.25, 0.69%, 0.28%

LAB 44.64, -31.57, 2.82

 

CMYK 82 / 82 / 0 / 53

HEX #161678

RGB 22 22 120

HSL 240, 0.69%, 0.28%

LAB 16.01, 36.08, -54.51

 

CMYK 0 / 49 / 82 / 53

HEX #783D16

RGB 120 61 22

HSL 23.88, 0.69%, 0.28%

LAB 32.68, 22.72, 34.12

 

CMYK 82 / 0 / 16 / 53

HEX #167764

RGB 22 119 100

HSL 168.25, 0.69%, 0.28%

LAB 44.64, -31.57, 2.82

 

CMYK 17 / 82 / 0 / 53

HEX #641678

RGB 100 22 120

HSL 287.76, 0.69%, 0.28%

LAB 25.68, 47.67, -38.29

 

CMYK 0 / 17 / 82 / 53

HEX #786416

RGB 120 100 22

HSL 47.76, 0.69%, 0.28%

LAB 43.01, -0.44, 43.83

 

CMYK 82 / 0 / 16 / 53

HEX #167764

RGB 22 119 100

HSL 168.25, 0.69%, 0.28%

LAB 44.64, -31.57, 2.82

 

CMYK 82 / 82 / 0 / 53

HEX #161678

RGB 22 22 120

HSL 240, 0.69%, 0.28%

LAB 16.01, 36.08, -54.51

 

CMYK 0 / 82 / 66 / 53

HEX #781629

RGB 120 22 41

HSL 348.37, 0.69%, 0.28%

LAB 25.94, 42.22, 14.98

 

CMYK 0 / 0 / 82 / 53

HEX #787816

RGB 120 120 22

HSL 60, 0.69%, 0.28%

LAB 48.86, -11.77, 49.08

 

CMYK 82 / 0 / 16 / 53

HEX #167764

RGB 22 119 100

HSL 168.25, 0.69%, 0.28%

LAB 44.64, -31.57, 2.82

 

CMYK 58 / 82 / 0 / 53

HEX #331678

RGB 51 22 120

HSL 257.76, 0.69%, 0.28%

LAB 18.51, 39.11, -50.29

 

CMYK 0 / 82 / 66 / 53

HEX #781629

RGB 120 22 41

HSL 348.37, 0.69%, 0.28%

LAB 25.94, 42.22, 14.98

 

CMYK 24 / 0 / 82 / 53

HEX #5B7816

RGB 91 120 22

HSL 77.76, 0.69%, 0.28%

LAB 46.6, -24.87, 46.19

 

Description

Color code: HEX #167764 | qconv.com Color code: HEX #167764 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 119 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 119 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 16 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 16% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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