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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #167BCA it is the complementary color #E98435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #167BCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #167BCA shade: #1B7BC5, #2C8DD8, #3D9FEB, #4EB1FE and #5FC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #167BCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #167BCA shade: #167BCA, #0569B7, #0057A4, #004591 and #00337E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #167BCA shade: #167BC9, #164AC9, #161AC9, #4216C9 and #7316C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #167BCA shade: #167BC9, #164AC9, #161AC9 and #1616C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #167BCA shade matches the following richer shades: #167BC9 and #047DDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #167BCA shade: #167BC9, #2878B7, #3A76A5, #4C7493 and #5F7281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #167BCA shade: #16C9B8, #16ACC9, #167CC9, #164CC9 and #161CC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #167BCA shade: #0E4D7F, #1264A4, #167BC9, #2390E6 and #48A3EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #167BCA shade: #167BCA, #8816C9 and #C3C916

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #167BCA shade: #167BCA, #C9167C and #7CC916

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #167BCA shade: #167BCA, #8816C9, #C96416 and #58C916

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #167BCA shade: #167BCA, #BD16C9, #C96416 and #22C916

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 39 / 0 / 21

HEX #167BCA

RGB 22 123 202

HSL 206.33, 0.8%, 0.44%

LAB 50.22, 2.11, -48.44

 

Complementary color

CMYK 0 / 43 / 77 / 9

HEX #E98435

RGB 233 132 53

HSL 26.33, 0.8%, 0.56%

LAB 65.03, 33.08, 56.97

 

CMYK 86 / 38 / 0 / 23

HEX #1B7BC5

RGB 27 123 197

HSL 206.12, 0.76%, 0.44%

LAB 50.01, 0.52, -45.9

 

CMYK 80 / 35 / 0 / 15

HEX #2C8DD8

RGB 44 141 216

HSL 206.16, 0.69%, 0.51%

LAB 56.63, -1.66, -46.15

 

CMYK 74 / 32 / 0 / 8

HEX #3D9FEB

RGB 61 159 235

HSL 206.21, 0.81%, 0.58%

LAB 63.17, -3.4, -46.34

 

CMYK 69 / 30 / 0 / 0

HEX #4EB1FE

RGB 78 177 254

HSL 206.25, 0.99%, 0.65%

LAB 69.63, -4.81, -46.51

 

CMYK 63 / 24 / 0 / 0

HEX #5FC3FF

RGB 95 195 255

HSL 202.5, 1%, 0.69%

LAB 75.25, -11.64, -38.22

 

CMYK 89 / 39 / 0 / 21

HEX #167BCA

RGB 22 123 202

HSL 206.33, 0.8%, 0.44%

LAB 50.22, 2.11, -48.44

 

CMYK 97 / 43 / 0 / 28

HEX #0569B7

RGB 5 105 183

HSL 206.29, 0.95%, 0.37%

LAB 43.59, 5.07, -48.09

 

CMYK 100 / 47 / 0 / 36

HEX #0057A4

RGB 0 87 164

HSL 208.17, 1%, 0.32%

LAB 36.92, 8.78, -47.59

 

CMYK 100 / 52 / 0 / 43

HEX #004591

RGB 0 69 145

HSL 211.45, 1%, 0.28%

LAB 30.16, 12.98, -47.03

 

CMYK 100 / 60 / 0 / 51

HEX #00337E

RGB 0 51 126

HSL 215.71, 1%, 0.25%

LAB 23.25, 17.53, -46.44

 

CMYK 89 / 39 / 0 / 21

HEX #167BC9

RGB 22 123 201

HSL 206.15, 0.8%, 0.44%

LAB 50.16, 1.72, -47.96

 

CMYK 89 / 63 / 0 / 21

HEX #164AC9

RGB 22 74 201

HSL 222.57, 0.8%, 0.44%

LAB 36.53, 33.31, -70.01

 

CMYK 89 / 87 / 0 / 21

HEX #161AC9

RGB 22 26 201

HSL 238.66, 0.8%, 0.44%

LAB 27.09, 59.7, -85.61

 

CMYK 67 / 89 / 0 / 21

HEX #4216C9

RGB 66 22 201

HSL 254.75, 0.8%, 0.44%

LAB 29.28, 62.93, -81.9

 

CMYK 43 / 89 / 0 / 21

HEX #7316C9

RGB 115 22 201

HSL 271.17, 0.8%, 0.44%

LAB 34.87, 67.31, -72.47

 

CMYK 89 / 39 / 0 / 21

HEX #167BC9

RGB 22 123 201

HSL 206.15, 0.8%, 0.44%

LAB 50.16, 1.72, -47.96

 

CMYK 89 / 63 / 0 / 21

HEX #164AC9

RGB 22 74 201

HSL 222.57, 0.8%, 0.44%

LAB 36.53, 33.31, -70.01

 

CMYK 89 / 87 / 0 / 21

HEX #161AC9

RGB 22 26 201

HSL 238.66, 0.8%, 0.44%

LAB 27.09, 59.7, -85.61

 

CMYK 89 / 89 / 0 / 21

HEX #1616C9

RGB 22 22 201

HSL 240, 0.8%, 0.44%

LAB 26.62, 61.11, -86.39

 

CMYK 89 / 39 / 0 / 21

HEX #167BC9

RGB 22 123 201

HSL 206.15, 0.8%, 0.44%

LAB 50.16, 1.72, -47.96

 

CMYK 98 / 43 / 0 / 14

HEX #047DDC

RGB 4 125 220

HSL 206.39, 0.96%, 0.44%

LAB 51.68, 7.16, -56.31

 

CMYK 89 / 39 / 0 / 21

HEX #167BC9

RGB 22 123 201

HSL 206.15, 0.8%, 0.44%

LAB 50.16, 1.72, -47.96

 

CMYK 78 / 34 / 0 / 28

HEX #2878B7

RGB 40 120 183

HSL 206.43, 0.64%, 0.44%

LAB 48.64, -1.75, -40.01

 

CMYK 65 / 28 / 0 / 35

HEX #3A76A5

RGB 58 118 165

HSL 206.36, 0.48%, 0.44%

LAB 47.72, -4.35, -30.96

 

CMYK 48 / 21 / 0 / 42

HEX #4C7493

RGB 76 116 147

HSL 206.2, 0.32%, 0.44%

LAB 47.15, -5.08, -21.2

 

CMYK 26 / 12 / 0 / 49

HEX #5F7281

RGB 95 114 129

HSL 206.47, 0.15%, 0.44%

LAB 47.04, -3.36, -10.58

 

CMYK 89 / 0 / 8 / 21

HEX #16C9B8

RGB 22 201 184

HSL 174.3, 0.8%, 0.44%

LAB 73.16, -44.36, -3.15

 

CMYK 89 / 14 / 0 / 21

HEX #16ACC9

RGB 22 172 201

HSL 189.72, 0.8%, 0.44%

LAB 64.88, -25.6, -24.93

 

CMYK 89 / 38 / 0 / 21

HEX #167CC9

RGB 22 124 201

HSL 205.81, 0.8%, 0.44%

LAB 50.46, 1.12, -47.49

 

CMYK 89 / 62 / 0 / 21

HEX #164CC9

RGB 22 76 201

HSL 221.9, 0.8%, 0.44%

LAB 37.03, 32.01, -69.18

 

CMYK 89 / 86 / 0 / 21

HEX #161CC9

RGB 22 28 201

HSL 237.99, 0.8%, 0.44%

LAB 27.35, 58.93, -85.19

 

CMYK 89 / 39 / 0 / 50

HEX #0E4D7F

RGB 14 77 127

HSL 206.55, 0.8%, 0.28%

LAB 31.65, 0.78, -33.51

 

CMYK 89 / 39 / 0 / 36

HEX #1264A4

RGB 18 100 164

HSL 206.3, 0.8%, 0.36%

LAB 41.09, 1.26, -40.9

 

CMYK 89 / 39 / 0 / 21

HEX #167BC9

RGB 22 123 201

HSL 206.15, 0.8%, 0.44%

LAB 50.16, 1.72, -47.96

 

CMYK 85 / 37 / 0 / 10

HEX #2390E6

RGB 35 144 230

HSL 206.46, 0.8%, 0.52%

LAB 58.05, 0.95, -51.71

 

CMYK 69 / 30 / 0 / 8

HEX #48A3EA

RGB 72 163 234

HSL 206.3, 0.79%, 0.6%

LAB 64.57, -4.54, -43.56

 

CMYK 89 / 39 / 0 / 21

HEX #167BCA

RGB 22 123 202

HSL 206.33, 0.8%, 0.44%

LAB 50.22, 2.11, -48.44

 

CMYK 32 / 89 / 0 / 21

HEX #8816C9

RGB 136 22 201

HSL 278.21, 0.8%, 0.44%

LAB 37.89, 69.92, -67.41

 

CMYK 3 / 0 / 89 / 21

HEX #C3C916

RGB 195 201 22

HSL 62.01, 0.8%, 0.44%

LAB 78.13, -20.3, 75.89

 

CMYK 89 / 39 / 0 / 21

HEX #167BCA

RGB 22 123 202

HSL 206.33, 0.8%, 0.44%

LAB 50.22, 2.11, -48.44

 

CMYK 0 / 89 / 38 / 21

HEX #C9167C

RGB 201 22 124

HSL 325.81, 0.8%, 0.44%

LAB 44.87, 70.39, -9.46

 

CMYK 38 / 0 / 89 / 21

HEX #7CC916

RGB 124 201 22

HSL 85.81, 0.8%, 0.44%

LAB 73.62, -48.37, 70.36

 

CMYK 89 / 39 / 0 / 21

HEX #167BCA

RGB 22 123 202

HSL 206.33, 0.8%, 0.44%

LAB 50.22, 2.11, -48.44

 

CMYK 32 / 89 / 0 / 21

HEX #8816C9

RGB 136 22 201

HSL 278.21, 0.8%, 0.44%

LAB 37.89, 69.92, -67.41

 

CMYK 0 / 50 / 89 / 21

HEX #C96416

RGB 201 100 22

HSL 26.15, 0.8%, 0.44%

LAB 53.59, 35.84, 56.95

 

CMYK 56 / 0 / 89 / 21

HEX #58C916

RGB 88 201 22

HSL 97.88, 0.8%, 0.44%

LAB 72.17, -59.43, 68.55

 

CMYK 89 / 39 / 0 / 21

HEX #167BCA

RGB 22 123 202

HSL 206.33, 0.8%, 0.44%

LAB 50.22, 2.11, -48.44

 

CMYK 6 / 89 / 0 / 21

HEX #BD16C9

RGB 189 22 201

HSL 295.98, 0.8%, 0.44%

LAB 46.46, 77.95, -53.12

 

CMYK 0 / 50 / 89 / 21

HEX #C96416

RGB 201 100 22

HSL 26.15, 0.8%, 0.44%

LAB 53.59, 35.84, 56.95

 

CMYK 83 / 0 / 89 / 21

HEX #22C916

RGB 34 201 22

HSL 115.98, 0.8%, 0.44%

LAB 70.99, -69.4, 67.08

 

Description

Color code: HEX #167BCA | qconv.com Color code: HEX #167BCA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 123 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 123 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 39 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 39% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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