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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1695E8 it is the complementary color #E96A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1695E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1695E8 shade: #1B95E3, #2CA7F6, #3DB9FF, #4ECBFF and #5FDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1695E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1695E8 shade: #1695E8, #0583D5, #0071C2, #005FAF and #004D9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1695E8 shade: #1595E9, #155CE9, #1523E9, #4015E9 and #7915E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1695E8 shade: #1595E9, #155CE9, #1523E9 and #1515E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1695E8 shade matches the following richer shades: #1595E9 and #019AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1695E8 shade: #1595E9, #2A91D4, #3E8DC0, #5388AB and #688496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1695E8 shade: #15E9C9, #15D0E9, #1598E9, #155FE9 and #1527E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1695E8 shade: #0E659D, #127DC3, #1595E9, #3BA6EC and #61B7F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1695E8 shade: #1695E8, #9115E9 and #E9E515

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1695E8 shade: #1695E8, #E91598 and #98E915

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1695E8 shade: #1695E8, #9115E9, #E96615 and #6DE915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1695E8 shade: #1695E8, #D015E9, #E96615 and #2EE915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 36 / 0 / 9

HEX #1695E8

RGB 22 149 232

HSL 203.71, 0.83%, 0.5%

LAB 59.43, -2.03, -50.65

 

Complementary color

CMYK 0 / 55 / 90 / 9

HEX #E96A17

RGB 233 106 23

HSL 23.71, 0.83%, 0.5%

LAB 59.61, 45.36, 63.3

 

CMYK 88 / 34 / 0 / 11

HEX #1B95E3

RGB 27 149 227

HSL 203.4, 0.79%, 0.5%

LAB 59.23, -3.62, -48.19

 

CMYK 82 / 32 / 0 / 4

HEX #2CA7F6

RGB 44 167 246

HSL 203.47, 0.92%, 0.57%

LAB 65.61, -5.8, -48.54

 

CMYK 76 / 27 / 0 / 0

HEX #3DB9FF

RGB 61 185 255

HSL 201.65, 1%, 0.62%

LAB 71.49, -10.99, -44.15

 

CMYK 69 / 20 / 0 / 0

HEX #4ECBFF

RGB 78 203 255

HSL 197.63, 1%, 0.65%

LAB 77.01, -18.43, -35.53

 

CMYK 63 / 13 / 0 / 0

HEX #5FDDFF

RGB 95 221 255

HSL 192.75, 1%, 0.69%

LAB 82.58, -25, -26.94

 

CMYK 91 / 36 / 0 / 9

HEX #1695E8

RGB 22 149 232

HSL 203.71, 0.83%, 0.5%

LAB 59.43, -2.03, -50.65

 

CMYK 98 / 38 / 0 / 16

HEX #0583D5

RGB 5 131 213

HSL 203.65, 0.95%, 0.43%

LAB 53.02, 0.81, -50.21

 

CMYK 100 / 42 / 0 / 24

HEX #0071C2

RGB 0 113 194

HSL 205.05, 1%, 0.38%

LAB 46.59, 4.24, -49.66

 

CMYK 100 / 46 / 0 / 31

HEX #005FAF

RGB 0 95 175

HSL 207.43, 1%, 0.34%

LAB 40.05, 8.06, -49.08

 

CMYK 100 / 51 / 0 / 39

HEX #004D9C

RGB 0 77 156

HSL 210.38, 1%, 0.31%

LAB 33.37, 12.15, -48.52

 

CMYK 91 / 36 / 0 / 9

HEX #1595E9

RGB 21 149 233

HSL 203.77, 0.83%, 0.5%

LAB 59.47, -1.7, -51.14

 

CMYK 91 / 61 / 0 / 9

HEX #155CE9

RGB 21 92 233

HSL 219.91, 0.83%, 0.5%

LAB 43.8, 33.82, -76.42

 

CMYK 91 / 85 / 0 / 9

HEX #1523E9

RGB 21 35 233

HSL 236.04, 0.83%, 0.5%

LAB 32.36, 65.43, -95.32

 

CMYK 73 / 91 / 0 / 9

HEX #4015E9

RGB 64 21 233

HSL 252.17, 0.83%, 0.5%

LAB 32.94, 71.26, -94.3

 

CMYK 48 / 91 / 0 / 9

HEX #7915E9

RGB 121 21 233

HSL 268.3, 0.83%, 0.5%

LAB 38.7, 75.18, -84.58

 

CMYK 91 / 36 / 0 / 9

HEX #1595E9

RGB 21 149 233

HSL 203.77, 0.83%, 0.5%

LAB 59.47, -1.7, -51.14

 

CMYK 91 / 61 / 0 / 9

HEX #155CE9

RGB 21 92 233

HSL 219.91, 0.83%, 0.5%

LAB 43.8, 33.82, -76.42

 

CMYK 91 / 85 / 0 / 9

HEX #1523E9

RGB 21 35 233

HSL 236.04, 0.83%, 0.5%

LAB 32.36, 65.43, -95.32

 

CMYK 91 / 91 / 0 / 9

HEX #1515E9

RGB 21 21 233

HSL 240, 0.83%, 0.5%

LAB 30.83, 70.06, -97.87

 

CMYK 91 / 36 / 0 / 9

HEX #1595E9

RGB 21 149 233

HSL 203.77, 0.83%, 0.5%

LAB 59.47, -1.7, -51.14

 

CMYK 100 / 39 / 0 / 1

HEX #019AFD

RGB 1 154 253

HSL 203.57, 0.99%, 0.5%

LAB 61.83, 2.26, -58.39

 

CMYK 91 / 36 / 0 / 9

HEX #1595E9

RGB 21 149 233

HSL 203.77, 0.83%, 0.5%

LAB 59.47, -1.7, -51.14

 

CMYK 80 / 32 / 0 / 17

HEX #2A91D4

RGB 42 145 212

HSL 203.65, 0.67%, 0.5%

LAB 57.56, -5.64, -42.44

 

CMYK 68 / 27 / 0 / 25

HEX #3E8DC0

RGB 62 141 192

HSL 203.54, 0.51%, 0.5%

LAB 55.97, -7.81, -33.61

 

CMYK 51 / 20 / 0 / 33

HEX #5388AB

RGB 83 136 171

HSL 203.86, 0.35%, 0.5%

LAB 54.44, -7.59, -23.93

 

CMYK 31 / 12 / 0 / 41

HEX #688496

RGB 104 132 150

HSL 203.48, 0.18%, 0.5%

LAB 53.65, -5.5, -12.89

 

CMYK 91 / 0 / 14 / 9

HEX #15E9C9

RGB 21 233 201

HSL 170.94, 0.83%, 0.5%

LAB 83.26, -53.18, 2.53

 

CMYK 91 / 11 / 0 / 9

HEX #15D0E9

RGB 21 208 233

HSL 187.08, 0.83%, 0.5%

LAB 76.77, -32.92, -24.19

 

CMYK 91 / 35 / 0 / 9

HEX #1598E9

RGB 21 152 233

HSL 202.92, 0.83%, 0.5%

LAB 60.34, -3.45, -49.76

 

CMYK 91 / 59 / 0 / 9

HEX #155FE9

RGB 21 95 233

HSL 219.06, 0.83%, 0.5%

LAB 44.56, 31.89, -75.18

 

CMYK 91 / 83 / 0 / 9

HEX #1527E9

RGB 21 39 233

HSL 234.91, 0.83%, 0.5%

LAB 32.91, 63.79, -94.41

 

CMYK 91 / 36 / 0 / 38

HEX #0E659D

RGB 14 101 157

HSL 203.5, 0.84%, 0.34%

LAB 40.95, -2.41, -36.97

 

CMYK 91 / 36 / 0 / 24

HEX #127DC3

RGB 18 125 195

HSL 203.73, 0.83%, 0.42%

LAB 50.38, -2.02, -44.19

 

CMYK 91 / 36 / 0 / 9

HEX #1595E9

RGB 21 149 233

HSL 203.77, 0.83%, 0.5%

LAB 59.47, -1.7, -51.14

 

CMYK 75 / 30 / 0 / 7

HEX #3BA6EC

RGB 59 166 236

HSL 203.73, 0.82%, 0.58%

LAB 65.17, -7.25, -43.75

 

CMYK 60 / 24 / 0 / 6

HEX #61B7F0

RGB 97 183 240

HSL 203.92, 0.83%, 0.66%

LAB 71.35, -9.49, -36.18

 

CMYK 91 / 36 / 0 / 9

HEX #1695E8

RGB 22 149 232

HSL 203.71, 0.83%, 0.5%

LAB 59.43, -2.03, -50.65

 

CMYK 38 / 91 / 0 / 9

HEX #9115E9

RGB 145 21 233

HSL 275.09, 0.83%, 0.5%

LAB 41.91, 77.68, -79.18

 

CMYK 0 / 2 / 91 / 9

HEX #E9E515

RGB 233 229 21

HSL 58.87, 0.83%, 0.5%

LAB 88.65, -17.99, 85.54

 

CMYK 91 / 36 / 0 / 9

HEX #1695E8

RGB 22 149 232

HSL 203.71, 0.83%, 0.5%

LAB 59.43, -2.03, -50.65

 

CMYK 0 / 91 / 35 / 9

HEX #E91598

RGB 233 21 152

HSL 322.92, 0.83%, 0.5%

LAB 51.98, 80.23, -15.08

 

CMYK 35 / 0 / 91 / 9

HEX #98E915

RGB 152 233 21

HSL 82.92, 0.83%, 0.5%

LAB 84.49, -51.62, 80.02

 

CMYK 91 / 36 / 0 / 9

HEX #1695E8

RGB 22 149 232

HSL 203.71, 0.83%, 0.5%

LAB 59.43, -2.03, -50.65

 

CMYK 38 / 91 / 0 / 9

HEX #9115E9

RGB 145 21 233

HSL 275.09, 0.83%, 0.5%

LAB 41.91, 77.68, -79.18

 

CMYK 0 / 56 / 91 / 9

HEX #E96615

RGB 233 102 21

HSL 22.92, 0.83%, 0.5%

LAB 58.86, 47.23, 63.32

 

CMYK 53 / 0 / 91 / 9

HEX #6DE915

RGB 109 233 21

HSL 95.09, 0.83%, 0.5%

LAB 82.69, -65.04, 77.8

 

CMYK 91 / 36 / 0 / 9

HEX #1695E8

RGB 22 149 232

HSL 203.71, 0.83%, 0.5%

LAB 59.43, -2.03, -50.65

 

CMYK 11 / 91 / 0 / 9

HEX #D015E9

RGB 208 21 233

HSL 292.92, 0.83%, 0.5%

LAB 51.64, 86.19, -62.9

 

CMYK 0 / 56 / 91 / 9

HEX #E96615

RGB 233 102 21

HSL 22.92, 0.83%, 0.5%

LAB 58.86, 47.23, 63.32

 

CMYK 80 / 0 / 91 / 9

HEX #2EE915

RGB 46 233 21

HSL 112.92, 0.83%, 0.5%

LAB 81.24, -77.21, 76.01

 

Description

Color code: HEX #1695E8 | qconv.com Color code: HEX #1695E8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 149 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 149 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 36 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 36% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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