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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1697ED it is the complementary color #E96812. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1697ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1697ED shade: #1B97E8, #2CA9FB, #3DBBFF, #4ECDFF and #5FDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1697ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1697ED shade: #1697ED, #0585DA, #0073C7, #0061B4 and #004FA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1697ED shade: #1697ED, #165DED, #1623ED, #4316ED and #7D16ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1697ED shade: #1697ED, #165DED, #1623ED and #1616ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1697ED shade matches the following richer shades: #1697ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1697ED shade: #1697ED, #2A93D9, #3F8FC5, #538BB0 and #67879C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1697ED shade: #16EDD0, #16D0ED, #1697ED, #165EED and #1624ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1697ED shade: #0C68A5, #0F80CB, #1697ED, #3CA8F0 and #63B9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1697ED shade: #1697ED, #9716ED and #EDED16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1697ED shade: #1697ED, #ED1697 and #97ED16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1697ED shade: #1697ED, #9716ED, #ED6C16 and #6CED16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1697ED shade: #1697ED, #D816ED, #ED6C16 and #2CED16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

Complementary color

CMYK 0 / 55 / 92 / 9

HEX #E96812

RGB 233 104 18

HSL 24, 0.86%, 0.49%

LAB 59.22, 46.24, 64.35

 

CMYK 88 / 35 / 0 / 9

HEX #1B97E8

RGB 27 151 232

HSL 203.71, 0.82%, 0.51%

LAB 60.06, -2.93, -49.64

 

CMYK 82 / 33 / 0 / 2

HEX #2CA9FB

RGB 44 169 251

HSL 203.77, 0.96%, 0.58%

LAB 66.43, -5.15, -49.98

 

CMYK 76 / 27 / 0 / 0

HEX #3DBBFF

RGB 61 187 255

HSL 201.03, 1%, 0.62%

LAB 72.06, -12.07, -43.26

 

CMYK 69 / 20 / 0 / 0

HEX #4ECDFF

RGB 78 205 255

HSL 196.95, 1%, 0.65%

LAB 77.58, -19.46, -34.65

 

CMYK 63 / 13 / 0 / 0

HEX #5FDFFF

RGB 95 223 255

HSL 192, 1%, 0.69%

LAB 83.14, -25.98, -26.07

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 98 / 39 / 0 / 15

HEX #0585DA

RGB 5 133 218

HSL 203.94, 0.96%, 0.44%

LAB 53.89, 1.53, -51.65

 

CMYK 100 / 42 / 0 / 22

HEX #0073C7

RGB 0 115 199

HSL 205.33, 1%, 0.39%

LAB 47.48, 4.98, -51.11

 

CMYK 100 / 46 / 0 / 29

HEX #0061B4

RGB 0 97 180

HSL 207.67, 1%, 0.35%

LAB 40.97, 8.8, -50.54

 

CMYK 100 / 51 / 0 / 37

HEX #004FA1

RGB 0 79 161

HSL 210.56, 1%, 0.32%

LAB 34.32, 12.9, -49.99

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 91 / 61 / 0 / 7

HEX #165DED

RGB 22 93 237

HSL 220.19, 0.86%, 0.51%

LAB 44.4, 34.73, -77.7

 

CMYK 91 / 85 / 0 / 7

HEX #1623ED

RGB 22 35 237

HSL 236.37, 0.86%, 0.51%

LAB 32.89, 66.59, -96.71

 

CMYK 72 / 91 / 0 / 7

HEX #4316ED

RGB 67 22 237

HSL 252.56, 0.86%, 0.51%

LAB 33.73, 72.16, -95.25

 

CMYK 47 / 91 / 0 / 7

HEX #7D16ED

RGB 125 22 237

HSL 268.74, 0.86%, 0.51%

LAB 39.66, 76.24, -85.24

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 91 / 61 / 0 / 7

HEX #165DED

RGB 22 93 237

HSL 220.19, 0.86%, 0.51%

LAB 44.4, 34.73, -77.7

 

CMYK 91 / 85 / 0 / 7

HEX #1623ED

RGB 22 35 237

HSL 236.37, 0.86%, 0.51%

LAB 32.89, 66.59, -96.71

 

CMYK 91 / 91 / 0 / 7

HEX #1616ED

RGB 22 22 237

HSL 240, 0.86%, 0.51%

LAB 31.48, 70.85, -99.06

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 81 / 32 / 0 / 15

HEX #2A93D9

RGB 42 147 217

HSL 204, 0.7%, 0.51%

LAB 58.39, -4.98, -43.93

 

CMYK 68 / 27 / 0 / 23

HEX #3F8FC5

RGB 63 143 197

HSL 204.18, 0.54%, 0.51%

LAB 56.81, -7.09, -35.12

 

CMYK 53 / 21 / 0 / 31

HEX #538BB0

RGB 83 139 176

HSL 203.87, 0.37%, 0.51%

LAB 55.52, -7.77, -25.12

 

CMYK 34 / 13 / 0 / 39

HEX #67879C

RGB 103 135 156

HSL 203.77, 0.21%, 0.51%

LAB 54.67, -5.94, -14.83

 

CMYK 91 / 0 / 12 / 7

HEX #16EDD0

RGB 22 237 208

HSL 171.91, 0.86%, 0.51%

LAB 84.63, -52.93, 0.84

 

CMYK 91 / 12 / 0 / 7

HEX #16D0ED

RGB 22 208 237

HSL 188.09, 0.86%, 0.51%

LAB 76.92, -31.61, -26.11

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 91 / 60 / 0 / 7

HEX #165EED

RGB 22 94 237

HSL 219.91, 0.86%, 0.51%

LAB 44.65, 34.09, -77.28

 

CMYK 91 / 85 / 0 / 7

HEX #1624ED

RGB 22 36 237

HSL 236.09, 0.86%, 0.51%

LAB 33.02, 66.2, -96.49

 

CMYK 93 / 37 / 0 / 35

HEX #0C68A5

RGB 12 104 165

HSL 203.92, 0.86%, 0.35%

LAB 42.3, -1.21, -39.57

 

CMYK 93 / 37 / 0 / 20

HEX #0F80CB

RGB 15 128 203

HSL 203.94, 0.86%, 0.43%

LAB 51.67, -0.89, -46.7

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 75 / 30 / 0 / 6

HEX #3CA8F0

RGB 60 168 240

HSL 204, 0.86%, 0.59%

LAB 65.95, -6.87, -44.71

 

CMYK 59 / 24 / 0 / 5

HEX #63B9F3

RGB 99 185 243

HSL 204.17, 0.86%, 0.67%

LAB 72.11, -9.28, -36.63

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 36 / 91 / 0 / 7

HEX #9716ED

RGB 151 22 237

HSL 276, 0.86%, 0.51%

LAB 43.16, 79, -79.35

 

CMYK 0 / 0 / 91 / 7

HEX #EDED16

RGB 237 237 22

HSL 60, 0.86%, 0.51%

LAB 91.07, -20.18, 87.42

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 0 / 91 / 36 / 7

HEX #ED1697

RGB 237 22 151

HSL 324, 0.86%, 0.51%

LAB 52.74, 80.86, -13.25

 

CMYK 36 / 0 / 91 / 7

HEX #97ED16

RGB 151 237 22

HSL 84, 0.86%, 0.51%

LAB 85.61, -53.56, 80.77

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 36 / 91 / 0 / 7

HEX #9716ED

RGB 151 22 237

HSL 276, 0.86%, 0.51%

LAB 43.16, 79, -79.35

 

CMYK 0 / 54 / 91 / 7

HEX #ED6C16

RGB 237 108 22

HSL 24, 0.86%, 0.51%

LAB 60.59, 45.89, 64.56

 

CMYK 54 / 0 / 91 / 7

HEX #6CED16

RGB 108 237 22

HSL 96, 0.86%, 0.51%

LAB 83.87, -66.66, 78.63

 

CMYK 91 / 36 / 0 / 7

HEX #1697ED

RGB 22 151 237

HSL 204, 0.86%, 0.51%

LAB 60.26, -1.33, -52.08

 

CMYK 9 / 91 / 0 / 7

HEX #D816ED

RGB 216 22 237

HSL 294.14, 0.86%, 0.51%

LAB 53.26, 87.93, -62.48

 

CMYK 0 / 54 / 91 / 7

HEX #ED6C16

RGB 237 108 22

HSL 24, 0.86%, 0.51%

LAB 60.59, 45.89, 64.56

 

CMYK 81 / 0 / 91 / 7

HEX #2CED16

RGB 44 237 22

HSL 113.86, 0.86%, 0.51%

LAB 82.47, -78.52, 76.89

 

Description

Color code: HEX #1697ED | qconv.com Color code: HEX #1697ED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 151 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 151 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 36 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 36% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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