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Color name
HEX #1699B9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1699B9 it is the complementary color #E96646. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1699B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1699B9 shade: #1B99B4, #2CABC7, #3DBDDA, #4ECFED and #5FE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1699B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1699B9 shade: #1699B9, #0587A6, #007593, #006380 and #00516D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1699B9 shade: #159ABB, #156EBB, #1541BB, #1615BB and #4315BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1699B9 shade: #159ABB, #156EBB, #1541BB and #1515BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1699B9 shade matches the following richer shades: #159ABB and #05A4CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1699B9 shade: #159ABB, #2690AA, #378699, #487B88 and #597177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1699B9 shade: #15BB81, #15BBAD, #159CBB, #1570BB and #1544BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1699B9 shade: #0D5D71, #117C96, #159ABB, #1AB9E0 and #3BC6E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1699B9 shade: #1699B9, #5515BB and #BB9715

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1699B9 shade: #1699B9, #BB159C and #9CBB15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1699B9 shade: #1699B9, #5515BB, #BB3415 and #7BBB15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1699B9 shade: #1699B9, #8615BB, #BB3415 and #4ABB15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 17 / 0 / 27

HEX #1699B9

RGB 22 153 185

HSL 191.78, 0.79%, 0.41%

LAB 58.47, -21.23, -25.83

 

Complementary color

CMYK 0 / 56 / 70 / 9

HEX #E96646

RGB 233 102 70

HSL 11.78, 0.79%, 0.59%

LAB 59.22, 48.77, 42.64

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B4

RGB 27 153 180

HSL 190.59, 0.74%, 0.41%

LAB 58.33, -22.59, -23.21

 

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

CMYK 72 / 13 / 0 / 15

HEX #3DBDDA

RGB 61 189 218

HSL 191.08, 0.68%, 0.55%

LAB 71.18, -25.15, -24.57

 

CMYK 67 / 13 / 0 / 7

HEX #4ECFED

RGB 78 207 237

HSL 191.32, 0.82%, 0.62%

LAB 77.5, -26, -25.15

 

CMYK 63 / 12 / 0 / 0

HEX #5FE1FF

RGB 95 225 255

HSL 191.25, 1%, 0.69%

LAB 83.71, -26.97, -25.21

 

CMYK 88 / 17 / 0 / 27

HEX #1699B9

RGB 22 153 185

HSL 191.78, 0.79%, 0.41%

LAB 58.47, -21.23, -25.83

 

CMYK 97 / 19 / 0 / 35

HEX #0587A6

RGB 5 135 166

HSL 191.55, 0.94%, 0.34%

LAB 51.97, -19.14, -25.02

 

CMYK 100 / 20 / 0 / 42

HEX #007593

RGB 0 117 147

HSL 192.24, 1%, 0.29%

LAB 45.4, -16.44, -24.07

 

CMYK 100 / 23 / 0 / 50

HEX #006380

RGB 0 99 128

HSL 193.59, 1%, 0.25%

LAB 38.69, -13.41, -23.07

 

CMYK 100 / 26 / 0 / 57

HEX #00516D

RGB 0 81 109

HSL 195.41, 1%, 0.21%

LAB 31.78, -10.21, -22.08

 

CMYK 89 / 18 / 0 / 27

HEX #159ABB

RGB 21 154 187

HSL 191.93, 0.8%, 0.41%

LAB 58.84, -21.12, -26.38

 

CMYK 89 / 41 / 0 / 27

HEX #156EBB

RGB 21 110 187

HSL 207.83, 0.8%, 0.41%

LAB 45.5, 4.26, -47.35

 

CMYK 89 / 65 / 0 / 27

HEX #1541BB

RGB 21 65 187

HSL 224.1, 0.8%, 0.41%

LAB 32.98, 33.79, -67.64

 

CMYK 88 / 89 / 0 / 27

HEX #1615BB

RGB 22 21 187

HSL 240.36, 0.8%, 0.41%

LAB 24.62, 57.5, -81.47

 

CMYK 64 / 89 / 0 / 27

HEX #4315BB

RGB 67 21 187

HSL 256.63, 0.8%, 0.41%

LAB 27.62, 59.65, -76.4

 

CMYK 89 / 18 / 0 / 27

HEX #159ABB

RGB 21 154 187

HSL 191.93, 0.8%, 0.41%

LAB 58.84, -21.12, -26.38

 

CMYK 89 / 41 / 0 / 27

HEX #156EBB

RGB 21 110 187

HSL 207.83, 0.8%, 0.41%

LAB 45.5, 4.26, -47.35

 

CMYK 89 / 65 / 0 / 27

HEX #1541BB

RGB 21 65 187

HSL 224.1, 0.8%, 0.41%

LAB 32.98, 33.79, -67.64

 

CMYK 89 / 89 / 0 / 27

HEX #1515BB

RGB 21 21 187

HSL 240, 0.8%, 0.41%

LAB 24.59, 57.48, -81.53

 

CMYK 89 / 18 / 0 / 27

HEX #159ABB

RGB 21 154 187

HSL 191.93, 0.8%, 0.41%

LAB 58.84, -21.12, -26.38

 

CMYK 98 / 20 / 0 / 20

HEX #05A4CC

RGB 5 164 204

HSL 192.06, 0.95%, 0.41%

LAB 62.46, -21.12, -30.34

 

CMYK 89 / 18 / 0 / 27

HEX #159ABB

RGB 21 154 187

HSL 191.93, 0.8%, 0.41%

LAB 58.84, -21.12, -26.38

 

CMYK 78 / 15 / 0 / 33

HEX #2690AA

RGB 38 144 170

HSL 191.82, 0.63%, 0.41%

LAB 55.34, -20.22, -22.09

 

CMYK 64 / 12 / 0 / 40

HEX #378699

RGB 55 134 153

HSL 191.63, 0.47%, 0.41%

LAB 52.02, -17.98, -17.33

 

CMYK 47 / 10 / 0 / 47

HEX #487B88

RGB 72 123 136

HSL 192.19, 0.31%, 0.41%

LAB 48.66, -13.41, -12.41

 

CMYK 25 / 5 / 0 / 53

HEX #597177

RGB 89 113 119

HSL 192, 0.14%, 0.41%

LAB 46, -7.29, -6.22

 

CMYK 89 / 0 / 31 / 27

HEX #15BB81

RGB 21 187 129

HSL 159.04, 0.8%, 0.41%

LAB 67.49, -52.68, 18.6

 

CMYK 89 / 0 / 7 / 27

HEX #15BBAD

RGB 21 187 173

HSL 174.94, 0.8%, 0.41%

LAB 68.55, -41.43, -3.93

 

CMYK 89 / 17 / 0 / 27

HEX #159CBB

RGB 21 156 187

HSL 191.2, 0.8%, 0.41%

LAB 59.46, -22.17, -25.44

 

CMYK 89 / 40 / 0 / 27

HEX #1570BB

RGB 21 112 187

HSL 207.11, 0.8%, 0.41%

LAB 46.09, 3.01, -46.4

 

CMYK 89 / 64 / 0 / 27

HEX #1544BB

RGB 21 68 187

HSL 223.01, 0.8%, 0.41%

LAB 33.73, 31.82, -66.4

 

CMYK 88 / 18 / 0 / 56

HEX #0D5D71

RGB 13 93 113

HSL 192, 0.79%, 0.25%

LAB 36.19, -14.76, -17.73

 

CMYK 89 / 17 / 0 / 41

HEX #117C96

RGB 17 124 150

HSL 191.73, 0.8%, 0.33%

LAB 47.93, -18.3, -21.92

 

CMYK 89 / 18 / 0 / 27

HEX #159ABB

RGB 21 154 187

HSL 191.93, 0.8%, 0.41%

LAB 58.84, -21.12, -26.38

 

CMYK 88 / 17 / 0 / 12

HEX #1AB9E0

RGB 26 185 224

HSL 191.82, 0.79%, 0.49%

LAB 69.68, -24.3, -30.19

 

CMYK 75 / 15 / 0 / 9

HEX #3BC6E8

RGB 59 198 232

HSL 191.79, 0.79%, 0.57%

LAB 74.28, -25.51, -27.42

 

CMYK 88 / 17 / 0 / 27

HEX #1699B9

RGB 22 153 185

HSL 191.78, 0.79%, 0.41%

LAB 58.47, -21.23, -25.83

 

CMYK 55 / 89 / 0 / 27

HEX #5515BB

RGB 85 21 187

HSL 263.13, 0.8%, 0.41%

LAB 29.55, 61.17, -73.14

 

CMYK 0 / 19 / 89 / 27

HEX #BB9715

RGB 187 151 21

HSL 46.99, 0.8%, 0.41%

LAB 63.96, 2.07, 64.56

 

CMYK 88 / 17 / 0 / 27

HEX #1699B9

RGB 22 153 185

HSL 191.78, 0.79%, 0.41%

LAB 58.47, -21.23, -25.83

 

CMYK 0 / 89 / 17 / 27

HEX #BB159C

RGB 187 21 156

HSL 311.2, 0.8%, 0.41%

LAB 43.51, 71.21, -31.26

 

CMYK 17 / 0 / 89 / 27

HEX #9CBB15

RGB 156 187 21

HSL 71.2, 0.8%, 0.41%

LAB 71.33, -29.96, 69.39

 

CMYK 88 / 17 / 0 / 27

HEX #1699B9

RGB 22 153 185

HSL 191.78, 0.79%, 0.41%

LAB 58.47, -21.23, -25.83

 

CMYK 55 / 89 / 0 / 27

HEX #5515BB

RGB 85 21 187

HSL 263.13, 0.8%, 0.41%

LAB 29.55, 61.17, -73.14

 

CMYK 0 / 72 / 89 / 27

HEX #BB3415

RGB 187 52 21

HSL 11.2, 0.8%, 0.41%

LAB 42.88, 52.55, 48.04

 

CMYK 34 / 0 / 89 / 27

HEX #7BBB15

RGB 123 187 21

HSL 83.13, 0.8%, 0.41%

LAB 69.33, -42.92, 66.93

 

CMYK 88 / 17 / 0 / 27

HEX #1699B9

RGB 22 153 185

HSL 191.78, 0.79%, 0.41%

LAB 58.47, -21.23, -25.83

 

CMYK 28 / 89 / 0 / 27

HEX #8615BB

RGB 134 21 187

HSL 280.84, 0.8%, 0.41%

LAB 36.35, 67.05, -61.72

 

CMYK 0 / 72 / 89 / 27

HEX #BB3415

RGB 187 52 21

HSL 11.2, 0.8%, 0.41%

LAB 42.88, 52.55, 48.04

 

CMYK 60 / 0 / 89 / 27

HEX #4ABB15

RGB 74 187 21

HSL 100.84, 0.8%, 0.41%

LAB 67.32, -58.15, 64.42

 

Description

Color code: HEX #1699B9 | qconv.com Color code: HEX #1699B9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 153 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 153 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 17 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 17% 0% 27% C M Y K

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Provide designers and agencies with accurate color values.

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