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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #169259 it is the complementary color #E96DA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #169259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #169259 shade: #1B9254, #2CA467, #3DB67A, #4EC88D and #5FDAA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #169259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #169259 shade: #169259, #058046, #006E33, #005C20 and #004A0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #169259 shade: #159259, #159237, #159216, #379215 and #589215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #169259 shade: #159259, #15927A, #158892, #156692 and #154592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #169259 shade matches the following richer shades: #159259 and #08A05A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #169259 shade: #159259, #238458, #317756, #3E6955 and #4C5B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #169259 shade: #159215, #159237, #159258, #159279 and #158A92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #169259 shade: #0B4A2D, #106E43, #159259, #1BB66F and #20DA84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #169259 shade: #169259, #153792 and #922615

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #169259 shade: #169259, #581592 and #925815

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #169259 shade: #169259, #153792, #92154F and #927115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #169259 shade: #169259, #1A1592, #92154F and #8E9215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 39 / 43

HEX #169259

RGB 22 146 89

HSL 152.42, 0.74%, 0.33%

LAB 53.44, -45.62, 21.4

 

Complementary color

CMYK 0 / 53 / 29 / 9

HEX #E96DA6

RGB 233 109 166

HSL 332.42, 0.74%, 0.67%

LAB 62.52, 53.99, -7.43

 

CMYK 82 / 0 / 42 / 43

HEX #1B9254

RGB 27 146 84

HSL 148.74, 0.69%, 0.34%

LAB 53.42, -46.1, 24.13

 

CMYK 73 / 0 / 37 / 36

HEX #2CA467

RGB 44 164 103

HSL 149.5, 0.58%, 0.41%

LAB 59.95, -46.97, 22.48

 

CMYK 66 / 0 / 33 / 29

HEX #3DB67A

RGB 61 182 122

HSL 150.25, 0.5%, 0.48%

LAB 66.41, -47.44, 20.99

 

CMYK 61 / 0 / 30 / 22

HEX #4EC88D

RGB 78 200 141

HSL 150.98, 0.53%, 0.55%

LAB 72.79, -47.66, 19.64

 

CMYK 56 / 0 / 27 / 15

HEX #5FDAA0

RGB 95 218 160

HSL 151.71, 0.62%, 0.61%

LAB 79.11, -47.72, 18.4

 

CMYK 85 / 0 / 39 / 43

HEX #169259

RGB 22 146 89

HSL 152.42, 0.74%, 0.33%

LAB 53.44, -45.62, 21.4

 

CMYK 96 / 0 / 45 / 50

HEX #058046

RGB 5 128 70

HSL 151.71, 0.92%, 0.26%

LAB 46.86, -44.01, 23.25

 

CMYK 100 / 0 / 54 / 57

HEX #006E33

RGB 0 110 51

HSL 147.82, 1%, 0.22%

LAB 40.23, -41.39, 25.31

 

CMYK 100 / 0 / 65 / 64

HEX #005C20

RGB 0 92 32

HSL 140.87, 1%, 0.18%

LAB 33.47, -38.07, 27.35

 

CMYK 100 / 0 / 82 / 71

HEX #004A0D

RGB 0 74 13

HSL 130.54, 1%, 0.15%

LAB 26.52, -34.17, 28.83

 

CMYK 86 / 0 / 39 / 43

HEX #159259

RGB 21 146 89

HSL 152.64, 0.75%, 0.33%

LAB 53.43, -45.72, 21.38

 

CMYK 86 / 0 / 62 / 43

HEX #159237

RGB 21 146 55

HSL 136.32, 0.75%, 0.33%

LAB 52.94, -51.47, 38.47

 

CMYK 86 / 0 / 85 / 43

HEX #159216

RGB 21 146 22

HSL 120.48, 0.75%, 0.33%

LAB 52.7, -54.46, 50.86

 

CMYK 62 / 0 / 86 / 43

HEX #379215

RGB 55 146 21

HSL 103.68, 0.75%, 0.33%

LAB 53.41, -48.42, 52.03

 

CMYK 40 / 0 / 86 / 43

HEX #589215

RGB 88 146 21

HSL 87.84, 0.75%, 0.33%

LAB 54.75, -38.16, 53.73

 

CMYK 86 / 0 / 39 / 43

HEX #159259

RGB 21 146 89

HSL 152.64, 0.75%, 0.33%

LAB 53.43, -45.72, 21.38

 

CMYK 86 / 0 / 16 / 43

HEX #15927A

RGB 21 146 122

HSL 168.48, 0.75%, 0.33%

LAB 54.16, -37.71, 3.71

 

CMYK 86 / 7 / 0 / 43

HEX #158892

RGB 21 136 146

HSL 184.8, 0.75%, 0.33%

LAB 51.66, -25.69, -13.88

 

CMYK 86 / 30 / 0 / 43

HEX #156692

RGB 21 102 146

HSL 201.12, 0.75%, 0.33%

LAB 40.8, -6.82, -30.64

 

CMYK 86 / 53 / 0 / 43

HEX #154592

RGB 21 69 146

HSL 216.96, 0.75%, 0.33%

LAB 30.62, 14.71, -46.87

 

CMYK 86 / 0 / 39 / 43

HEX #159259

RGB 21 146 89

HSL 152.64, 0.75%, 0.33%

LAB 53.43, -45.72, 21.38

 

CMYK 95 / 0 / 44 / 37

HEX #08A05A

RGB 8 160 90

HSL 152.37, 0.9%, 0.33%

LAB 57.97, -51.58, 26.8

 

CMYK 86 / 0 / 39 / 43

HEX #159259

RGB 21 146 89

HSL 152.64, 0.75%, 0.33%

LAB 53.43, -45.72, 21.38

 

CMYK 73 / 0 / 33 / 48

HEX #238458

RGB 35 132 88

HSL 152.78, 0.58%, 0.33%

LAB 48.96, -38.54, 15.96

 

CMYK 59 / 0 / 28 / 53

HEX #317756

RGB 49 119 86

HSL 151.71, 0.42%, 0.33%

LAB 44.97, -30.4, 11.68

 

CMYK 41 / 0 / 19 / 59

HEX #3E6955

RGB 62 105 85

HSL 152.09, 0.26%, 0.33%

LAB 40.87, -19.98, 6.59

 

CMYK 16 / 0 / 8 / 64

HEX #4C5B54

RGB 76 91 84

HSL 152, 0.09%, 0.33%

LAB 37.22, -7.39, 2.09

 

CMYK 86 / 0 / 86 / 43

HEX #159215

RGB 21 146 21

HSL 120, 0.75%, 0.33%

LAB 52.7, -54.51, 51.12

 

CMYK 86 / 0 / 62 / 43

HEX #159237

RGB 21 146 55

HSL 136.32, 0.75%, 0.33%

LAB 52.94, -51.47, 38.47

 

CMYK 86 / 0 / 40 / 43

HEX #159258

RGB 21 146 88

HSL 152.16, 0.75%, 0.33%

LAB 53.41, -45.93, 21.91

 

CMYK 86 / 0 / 17 / 43

HEX #159279

RGB 21 146 121

HSL 168, 0.75%, 0.33%

LAB 54.13, -37.98, 4.24

 

CMYK 86 / 5 / 0 / 43

HEX #158A92

RGB 21 138 146

HSL 183.84, 0.75%, 0.33%

LAB 52.3, -26.7, -12.91

 

CMYK 85 / 0 / 39 / 71

HEX #0B4A2D

RGB 11 74 45

HSL 152.38, 0.74%, 0.17%

LAB 27.18, -27.05, 11.99

 

CMYK 85 / 0 / 39 / 57

HEX #106E43

RGB 16 110 67

HSL 152.55, 0.75%, 0.25%

LAB 40.68, -36.72, 16.84

 

CMYK 86 / 0 / 39 / 43

HEX #159259

RGB 21 146 89

HSL 152.64, 0.75%, 0.33%

LAB 53.43, -45.72, 21.38

 

CMYK 85 / 0 / 39 / 29

HEX #1BB66F

RGB 27 182 111

HSL 152.52, 0.74%, 0.41%

LAB 65.62, -54.18, 25.71

 

CMYK 85 / 0 / 39 / 15

HEX #20DA84

RGB 32 218 132

HSL 152.26, 0.74%, 0.49%

LAB 77.35, -62.58, 30.35

 

CMYK 85 / 0 / 39 / 43

HEX #169259

RGB 22 146 89

HSL 152.42, 0.74%, 0.33%

LAB 53.44, -45.62, 21.4

 

CMYK 86 / 62 / 0 / 43

HEX #153792

RGB 21 55 146

HSL 223.68, 0.75%, 0.33%

LAB 26.64, 24.42, -53.35

 

CMYK 0 / 74 / 86 / 43

HEX #922615

RGB 146 38 21

HSL 8.16, 0.75%, 0.33%

LAB 33.03, 44.16, 36.61

 

CMYK 85 / 0 / 39 / 43

HEX #169259

RGB 22 146 89

HSL 152.42, 0.74%, 0.33%

LAB 53.44, -45.62, 21.4

 

CMYK 40 / 86 / 0 / 43

HEX #581592

RGB 88 21 146

HSL 272.16, 0.75%, 0.33%

LAB 25.82, 51.62, -54.47

 

CMYK 0 / 40 / 86 / 43

HEX #925815

RGB 146 88 21

HSL 32.16, 0.75%, 0.33%

LAB 42.98, 18.82, 45.37

 

CMYK 85 / 0 / 39 / 43

HEX #169259

RGB 22 146 89

HSL 152.42, 0.74%, 0.33%

LAB 53.44, -45.62, 21.4

 

CMYK 86 / 62 / 0 / 43

HEX #153792

RGB 21 55 146

HSL 223.68, 0.75%, 0.33%

LAB 26.64, 24.42, -53.35

 

CMYK 0 / 86 / 46 / 43

HEX #92154F

RGB 146 21 79

HSL 332.16, 0.75%, 0.33%

LAB 32.28, 52.97, -0.78

 

CMYK 0 / 23 / 86 / 43

HEX #927115

RGB 146 113 21

HSL 44.16, 0.75%, 0.33%

LAB 49.47, 4.39, 50.92

 

CMYK 85 / 0 / 39 / 43

HEX #169259

RGB 22 146 89

HSL 152.42, 0.74%, 0.33%

LAB 53.44, -45.62, 21.4

 

CMYK 82 / 86 / 0 / 43

HEX #1A1592

RGB 26 21 146

HSL 242.4, 0.75%, 0.33%

LAB 19.36, 45.39, -65.36

 

CMYK 0 / 86 / 46 / 43

HEX #92154F

RGB 146 21 79

HSL 332.16, 0.75%, 0.33%

LAB 32.28, 52.97, -0.78

 

CMYK 3 / 0 / 86 / 43

HEX #8E9215

RGB 142 146 21

HSL 61.92, 0.75%, 0.33%

LAB 58.38, -15.62, 58.28

 

Description

Color code: HEX #169259 | qconv.com Color code: HEX #169259 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 146 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 146 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 39 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 39% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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