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Color name
HEX #16A789

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16A789 it is the complementary color #E95876. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16A789. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16A789 shade: #1BA784, #2CB997, #3DCBAA, #4EDDBD and #5FEFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16A789. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16A789 shade: #16A789, #059576, #008363, #007150 and #005F3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16A789 shade: #15A688, #15A661, #15A63A, #18A615 and #3FA615

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16A789 shade: #15A688, #159DA6, #1576A6, #154FA6 and #1528A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16A789 shade matches the following richer shades: #15A688 and #06B691

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16A789 shade: #15A688, #24977F, #348877, #43796E and #526965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16A789 shade: #15A63A, #15A660, #15A687, #159FA6 and #1578A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16A789 shade: #0C5D4D, #10826B, #15A688, #1ACBA6 and #2BE3BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16A789 shade: #16A789, #1518A6 and #A64D15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16A789 shade: #16A789, #8715A6 and #A68715

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16A789 shade: #16A789, #1518A6, #A61535 and #A6A415

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16A789 shade: #16A789, #3E15A6, #A61535 and #7DA615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 18 / 35

HEX #16A789

RGB 22 167 137

HSL 167.59, 0.77%, 0.37%

LAB 61.32, -42.65, 5.53

 

Complementary color

CMYK 0 / 62 / 49 / 9

HEX #E95876

RGB 233 88 118

HSL 347.59, 0.77%, 0.63%

LAB 57.67, 58.3, 13.41

 

CMYK 84 / 0 / 21 / 35

HEX #1BA784

RGB 27 167 132

HSL 165, 0.72%, 0.38%

LAB 61.25, -43.55, 8.23

 

CMYK 76 / 0 / 18 / 27

HEX #2CB997

RGB 44 185 151

HSL 165.53, 0.62%, 0.45%

LAB 67.63, -44.55, 6.86

 

CMYK 70 / 0 / 16 / 20

HEX #3DCBAA

RGB 61 203 170

HSL 166.06, 0.58%, 0.52%

LAB 73.94, -45.21, 5.63

 

CMYK 65 / 0 / 14 / 13

HEX #4EDDBD

RGB 78 221 189

HSL 166.57, 0.68%, 0.59%

LAB 80.18, -45.65, 4.52

 

CMYK 60 / 0 / 13 / 6

HEX #5FEFD0

RGB 95 239 208

HSL 167.08, 0.82%, 0.65%

LAB 86.37, -45.92, 3.5

 

CMYK 87 / 0 / 18 / 35

HEX #16A789

RGB 22 167 137

HSL 167.59, 0.77%, 0.37%

LAB 61.32, -42.65, 5.53

 

CMYK 97 / 0 / 21 / 42

HEX #059576

RGB 5 149 118

HSL 167.08, 0.94%, 0.3%

LAB 54.9, -41.05, 7.05

 

CMYK 100 / 0 / 24 / 49

HEX #008363

RGB 0 131 99

HSL 165.34, 1%, 0.26%

LAB 48.43, -38.8, 8.8

 

CMYK 100 / 0 / 29 / 56

HEX #007150

RGB 0 113 80

HSL 162.48, 1%, 0.22%

LAB 41.83, -36.21, 10.71

 

CMYK 100 / 0 / 36 / 63

HEX #005F3D

RGB 0 95 61

HSL 158.53, 1%, 0.19%

LAB 35.05, -33.5, 12.76

HEX #005F3D

CMYK 87 / 0 / 18 / 35

HEX #15A688

RGB 21 166 136

HSL 167.59, 0.78%, 0.37%

LAB 60.97, -42.56, 5.58

 

CMYK 87 / 0 / 42 / 35

HEX #15A661

RGB 21 166 97

HSL 151.45, 0.78%, 0.37%

LAB 60.15, -51.58, 25.93

 

CMYK 87 / 0 / 65 / 35

HEX #15A63A

RGB 21 166 58

HSL 135.31, 0.78%, 0.37%

LAB 59.65, -57.64, 44.68

 

CMYK 86 / 0 / 87 / 35

HEX #18A615

RGB 24 166 21

HSL 118.76, 0.78%, 0.37%

LAB 59.45, -60.24, 57.18

 

CMYK 62 / 0 / 87 / 35

HEX #3FA615

RGB 63 166 21

HSL 102.62, 0.78%, 0.37%

LAB 60.23, -53.55, 58.16

 

CMYK 87 / 0 / 18 / 35

HEX #15A688

RGB 21 166 136

HSL 167.59, 0.78%, 0.37%

LAB 60.97, -42.56, 5.58

 

CMYK 87 / 5 / 0 / 35

HEX #159DA6

RGB 21 157 166

HSL 183.72, 0.78%, 0.37%

LAB 59, -29.65, -14.26

 

CMYK 87 / 29 / 0 / 35

HEX #1576A6

RGB 21 118 166

HSL 199.86, 0.78%, 0.37%

LAB 46.8, -8.73, -33.05

 

CMYK 87 / 52 / 0 / 35

HEX #154FA6

RGB 21 79 166

HSL 216, 0.78%, 0.37%

LAB 35.01, 16.07, -51.85

 

CMYK 87 / 76 / 0 / 35

HEX #1528A6

RGB 21 40 166

HSL 232.14, 0.78%, 0.37%

LAB 25.05, 41.75, -68.18

 

CMYK 87 / 0 / 18 / 35

HEX #15A688

RGB 21 166 136

HSL 167.59, 0.78%, 0.37%

LAB 60.97, -42.56, 5.58

 

CMYK 97 / 0 / 20 / 29

HEX #06B691

RGB 6 182 145

HSL 167.39, 0.94%, 0.37%

LAB 66.17, -47.57, 8.01

 

CMYK 87 / 0 / 18 / 35

HEX #15A688

RGB 21 166 136

HSL 167.59, 0.78%, 0.37%

LAB 60.97, -42.56, 5.58

 

CMYK 76 / 0 / 16 / 41

HEX #24977F

RGB 36 151 127

HSL 167.48, 0.61%, 0.37%

LAB 56.13, -37, 3.72

 

CMYK 62 / 0 / 13 / 47

HEX #348877

RGB 52 136 119

HSL 167.86, 0.45%, 0.37%

LAB 51.46, -29.59, 1.62

 

CMYK 45 / 0 / 9 / 53

HEX #43796E

RGB 67 121 110

HSL 167.78, 0.29%, 0.37%

LAB 46.97, -20.81, 0.43

 

CMYK 22 / 0 / 4 / 59

HEX #526965

RGB 82 105 101

HSL 169.57, 0.12%, 0.37%

LAB 42.52, -9.45, -0.57

 

CMYK 87 / 0 / 65 / 35

HEX #15A63A

RGB 21 166 58

HSL 135.31, 0.78%, 0.37%

LAB 59.65, -57.64, 44.68

 

CMYK 87 / 0 / 42 / 35

HEX #15A660

RGB 21 166 96

HSL 151.03, 0.78%, 0.37%

LAB 60.14, -51.78, 26.44

 

CMYK 87 / 0 / 19 / 35

HEX #15A687

RGB 21 166 135

HSL 167.17, 0.78%, 0.37%

LAB 60.94, -42.83, 6.1

 

CMYK 87 / 4 / 0 / 35

HEX #159FA6

RGB 21 159 166

HSL 182.9, 0.78%, 0.37%

LAB 59.62, -30.62, -13.32

 

CMYK 87 / 28 / 0 / 35

HEX #1578A6

RGB 21 120 166

HSL 199.03, 0.78%, 0.37%

LAB 47.42, -9.9, -32.07

 

CMYK 87 / 0 / 17 / 64

HEX #0C5D4D

RGB 12 93 77

HSL 168.15, 0.77%, 0.21%

LAB 34.89, -27.07, 2.71

 

CMYK 88 / 0 / 18 / 49

HEX #10826B

RGB 16 130 107

HSL 167.89, 0.78%, 0.29%

LAB 48.43, -35.17, 4.15

 

CMYK 87 / 0 / 18 / 35

HEX #15A688

RGB 21 166 136

HSL 167.59, 0.78%, 0.37%

LAB 60.97, -42.56, 5.58

 

CMYK 87 / 0 / 18 / 20

HEX #1ACBA6

RGB 26 203 166

HSL 167.46, 0.77%, 0.45%

LAB 73.34, -49.78, 6.87

 

CMYK 81 / 0 / 17 / 11

HEX #2BE3BD

RGB 43 227 189

HSL 167.61, 0.77%, 0.53%

LAB 81.36, -52.45, 6.14

 

CMYK 87 / 0 / 18 / 35

HEX #16A789

RGB 22 167 137

HSL 167.59, 0.77%, 0.37%

LAB 61.32, -42.65, 5.53

 

CMYK 87 / 86 / 0 / 35

HEX #1518A6

RGB 21 24 166

HSL 238.76, 0.78%, 0.37%

LAB 22.18, 50.07, -72.94

 

CMYK 0 / 54 / 87 / 35

HEX #A64D15

RGB 166 77 21

HSL 23.17, 0.78%, 0.37%

LAB 43.46, 33.55, 46.97

 

CMYK 87 / 0 / 18 / 35

HEX #16A789

RGB 22 167 137

HSL 167.59, 0.77%, 0.37%

LAB 61.32, -42.65, 5.53

 

CMYK 19 / 87 / 0 / 35

HEX #8715A6

RGB 135 21 166

HSL 287.17, 0.78%, 0.37%

LAB 34.88, 63.17, -51.59

 

CMYK 0 / 19 / 87 / 35

HEX #A68715

RGB 166 135 21

HSL 47.17, 0.78%, 0.37%

LAB 57.55, 1.3, 58.51

 

CMYK 87 / 0 / 18 / 35

HEX #16A789

RGB 22 167 137

HSL 167.59, 0.77%, 0.37%

LAB 61.32, -42.65, 5.53

 

CMYK 87 / 86 / 0 / 35

HEX #1518A6

RGB 21 24 166

HSL 238.76, 0.78%, 0.37%

LAB 22.18, 50.07, -72.94

 

CMYK 0 / 87 / 68 / 35

HEX #A61535

RGB 166 21 53

HSL 346.76, 0.78%, 0.37%

LAB 35.79, 56.45, 21.67

 

CMYK 0 / 1 / 87 / 35

HEX #A6A415

RGB 166 164 21

HSL 59.17, 0.78%, 0.37%

LAB 65.52, -14.26, 64.99

 

CMYK 87 / 0 / 18 / 35

HEX #16A789

RGB 22 167 137

HSL 167.59, 0.77%, 0.37%

LAB 61.32, -42.65, 5.53

 

CMYK 63 / 87 / 0 / 35

HEX #3E15A6

RGB 62 21 166

HSL 256.97, 0.78%, 0.37%

LAB 24.68, 53.7, -68.7

 

CMYK 0 / 87 / 68 / 35

HEX #A61535

RGB 166 21 53

HSL 346.76, 0.78%, 0.37%

LAB 35.79, 56.45, 21.67

 

CMYK 25 / 0 / 87 / 35

HEX #7DA615

RGB 125 166 21

HSL 76.97, 0.78%, 0.37%

LAB 63.08, -32.82, 61.73

 

Description

Color code: HEX #16A789 | qconv.com Color code: HEX #16A789 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 167 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 167 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 18 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 18% 35% C M Y K

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