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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16B460 it is the complementary color #E94B9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16B460. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16B460 shade: #1BB45B, #2CC66E, #3DD881, #4EEA94 and #5FFCA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16B460. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16B460 shade: #16B460, #05A24D, #00903A, #007E27 and #006C14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16B460 shade: #16B560, #16B536, #21B516, #4CB516 and #77B516

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16B460 shade: #16B560, #16B58B, #16B4B5, #1689B5 and #165EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16B460 shade matches the following richer shades: #16B560 and #05C65F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16B460 shade: #16B560, #26A562, #379463, #478464 and #587365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16B460 shade: #21B516, #16B536, #16B560, #16B58B and #16B5B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16B460 shade: #0D6C39, #11904D, #16B560, #1ADA74 and #38E689

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16B460 shade: #16B460, #164BB5 and #B52116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16B460 shade: #16B460, #6016B5 and #B56016

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16B460 shade: #16B460, #164BB5, #B5166B and #B58016

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16B460 shade: #16B460, #161BB5, #B5166B and #B5B016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 47 / 29

HEX #16B460

RGB 22 180 96

HSL 148.1, 0.78%, 0.4%

LAB 64.69, -56.67, 32.33

 

Complementary color

CMYK 0 / 68 / 32 / 9

HEX #E94B9F

RGB 233 75 159

HSL 328.1, 0.78%, 0.6%

LAB 56.94, 67.59, -11.72

 

CMYK 85 / 0 / 49 / 29

HEX #1BB45B

RGB 27 180 91

HSL 145.1, 0.74%, 0.41%

LAB 64.67, -57.1, 34.87

 

CMYK 78 / 0 / 44 / 22

HEX #2CC66E

RGB 44 198 110

HSL 145.71, 0.64%, 0.47%

LAB 70.9, -58.35, 33.19

 

CMYK 72 / 0 / 40 / 15

HEX #3DD881

RGB 61 216 129

HSL 146.32, 0.67%, 0.54%

LAB 77.09, -59.17, 31.62

 

CMYK 67 / 0 / 37 / 8

HEX #4EEA94

RGB 78 234 148

HSL 146.92, 0.79%, 0.61%

LAB 83.23, -59.68, 30.15

 

CMYK 62 / 0 / 34 / 1

HEX #5FFCA7

RGB 95 252 167

HSL 147.52, 0.96%, 0.68%

LAB 89.32, -59.97, 28.79

 

CMYK 88 / 0 / 47 / 29

HEX #16B460

RGB 22 180 96

HSL 148.1, 0.78%, 0.4%

LAB 64.69, -56.67, 32.33

 

CMYK 97 / 0 / 52 / 36

HEX #05A24D

RGB 5 162 77

HSL 147.52, 0.94%, 0.33%

LAB 58.42, -54.72, 34.15

 

CMYK 100 / 0 / 60 / 44

HEX #00903A

RGB 0 144 58

HSL 144.17, 1%, 0.28%

LAB 52.12, -51.92, 36.03

 

CMYK 100 / 0 / 69 / 51

HEX #007E27

RGB 0 126 39

HSL 138.57, 1%, 0.25%

LAB 45.73, -48.53, 37.71

 

CMYK 100 / 0 / 81 / 58

HEX #006C14

RGB 0 108 20

HSL 131.11, 1%, 0.21%

LAB 39.2, -44.67, 38.69

 

CMYK 88 / 0 / 47 / 29

HEX #16B560

RGB 22 181 96

HSL 147.92, 0.78%, 0.4%

LAB 65.01, -57.01, 32.74

 

CMYK 88 / 0 / 70 / 29

HEX #16B536

RGB 22 181 54

HSL 132.08, 0.78%, 0.4%

LAB 64.55, -62.64, 51.66

 

CMYK 82 / 0 / 88 / 29

HEX #21B516

RGB 33 181 22

HSL 115.85, 0.78%, 0.4%

LAB 64.51, -63.67, 61.45

 

CMYK 58 / 0 / 88 / 29

HEX #4CB516

RGB 76 181 22

HSL 99.62, 0.78%, 0.4%

LAB 65.47, -55.51, 62.66

 

CMYK 34 / 0 / 88 / 29

HEX #77B516

RGB 119 181 22

HSL 83.4, 0.78%, 0.4%

LAB 67.3, -41.8, 64.95

 

CMYK 88 / 0 / 47 / 29

HEX #16B560

RGB 22 181 96

HSL 147.92, 0.78%, 0.4%

LAB 65.01, -57.01, 32.74

 

CMYK 88 / 0 / 23 / 29

HEX #16B58B

RGB 22 181 139

HSL 164.15, 0.78%, 0.4%

LAB 65.81, -47.92, 10.82

 

CMYK 88 / 1 / 0 / 29

HEX #16B4B5

RGB 22 180 181

HSL 180.38, 0.78%, 0.4%

LAB 66.63, -35.85, -11.18

 

CMYK 88 / 24 / 0 / 29

HEX #1689B5

RGB 22 137 181

HSL 196.6, 0.78%, 0.4%

LAB 53.38, -13.98, -31.44

 

CMYK 88 / 48 / 0 / 29

HEX #165EB5

RGB 22 94 181

HSL 212.83, 0.78%, 0.4%

LAB 40.43, 12.21, -51.98

 

CMYK 88 / 0 / 47 / 29

HEX #16B560

RGB 22 181 96

HSL 147.92, 0.78%, 0.4%

LAB 65.01, -57.01, 32.74

 

CMYK 97 / 0 / 52 / 22

HEX #05C65F

RGB 5 198 95

HSL 147.98, 0.95%, 0.4%

LAB 70.35, -63.7, 39.91

 

CMYK 88 / 0 / 47 / 29

HEX #16B560

RGB 22 181 96

HSL 147.92, 0.78%, 0.4%

LAB 65.01, -57.01, 32.74

 

CMYK 77 / 0 / 41 / 35

HEX #26A562

RGB 38 165 98

HSL 148.35, 0.63%, 0.4%

LAB 60.07, -49.21, 25.33

 

CMYK 63 / 0 / 33 / 42

HEX #379463

RGB 55 148 99

HSL 148.39, 0.46%, 0.4%

LAB 54.96, -39.21, 18

 

CMYK 46 / 0 / 24 / 48

HEX #478464

RGB 71 132 100

HSL 148.52, 0.3%, 0.4%

LAB 50.41, -27.64, 11.24

 

CMYK 23 / 0 / 12 / 55

HEX #587365

RGB 88 115 101

HSL 148.89, 0.13%, 0.4%

LAB 46.01, -12.99, 4.54

 

CMYK 82 / 0 / 88 / 29

HEX #21B516

RGB 33 181 22

HSL 115.85, 0.78%, 0.4%

LAB 64.51, -63.67, 61.45

 

CMYK 88 / 0 / 70 / 29

HEX #16B536

RGB 22 181 54

HSL 132.08, 0.78%, 0.4%

LAB 64.55, -62.64, 51.66

 

CMYK 88 / 0 / 47 / 29

HEX #16B560

RGB 22 181 96

HSL 147.92, 0.78%, 0.4%

LAB 65.01, -57.01, 32.74

 

CMYK 88 / 0 / 23 / 29

HEX #16B58B

RGB 22 181 139

HSL 164.15, 0.78%, 0.4%

LAB 65.81, -47.92, 10.82

 

CMYK 88 / 0 / 0 / 29

HEX #16B5B5

RGB 22 181 181

HSL 180, 0.78%, 0.4%

LAB 66.94, -36.32, -10.72

 

CMYK 88 / 0 / 47 / 58

HEX #0D6C39

RGB 13 108 57

HSL 147.79, 0.79%, 0.24%

LAB 39.76, -38.34, 21.39

 

CMYK 88 / 0 / 47 / 44

HEX #11904D

RGB 17 144 77

HSL 148.35, 0.79%, 0.32%

LAB 52.51, -47.69, 26.73

 

CMYK 88 / 0 / 47 / 29

HEX #16B560

RGB 22 181 96

HSL 147.92, 0.78%, 0.4%

LAB 65.01, -57.01, 32.74

 

CMYK 88 / 0 / 47 / 15

HEX #1ADA74

RGB 26 218 116

HSL 148.13, 0.79%, 0.48%

LAB 77.06, -65.85, 38.01

 

CMYK 76 / 0 / 40 / 10

HEX #38E689

RGB 56 230 137

HSL 147.93, 0.78%, 0.56%

LAB 81.42, -63.46, 33.24

 

CMYK 88 / 0 / 47 / 29

HEX #16B460

RGB 22 180 96

HSL 148.1, 0.78%, 0.4%

LAB 64.69, -56.67, 32.33

 

CMYK 88 / 59 / 0 / 29

HEX #164BB5

RGB 22 75 181

HSL 220, 0.78%, 0.4%

LAB 35.08, 24.86, -60.66

 

CMYK 0 / 82 / 88 / 29

HEX #B52116

RGB 181 33 22

HSL 4.15, 0.78%, 0.4%

LAB 39.53, 56.78, 44.46

 

CMYK 88 / 0 / 47 / 29

HEX #16B460

RGB 22 180 96

HSL 148.1, 0.78%, 0.4%

LAB 64.69, -56.67, 32.33

 

CMYK 47 / 88 / 0 / 29

HEX #6016B5

RGB 96 22 181

HSL 267.92, 0.78%, 0.4%

LAB 30.39, 60.6, -68.15

 

CMYK 0 / 47 / 88 / 29

HEX #B56016

RGB 181 96 22

HSL 27.92, 0.78%, 0.4%

LAB 49.79, 29.7, 52.71

 

CMYK 88 / 0 / 47 / 29

HEX #16B460

RGB 22 180 96

HSL 148.1, 0.78%, 0.4%

LAB 64.69, -56.67, 32.33

 

CMYK 88 / 59 / 0 / 29

HEX #164BB5

RGB 22 75 181

HSL 220, 0.78%, 0.4%

LAB 35.08, 24.86, -60.66

 

CMYK 0 / 88 / 41 / 29

HEX #B5166B

RGB 181 22 107

HSL 327.92, 0.78%, 0.4%

LAB 40.34, 64.12, -6.06

 

CMYK 0 / 29 / 88 / 29

HEX #B58016

RGB 181 128 22

HSL 40, 0.78%, 0.4%

LAB 57.39, 12.04, 58.8

 

CMYK 88 / 0 / 47 / 29

HEX #16B460

RGB 22 180 96

HSL 148.1, 0.78%, 0.4%

LAB 64.69, -56.67, 32.33

 

CMYK 88 / 85 / 0 / 29

HEX #161BB5

RGB 22 27 181

HSL 238.11, 0.78%, 0.4%

LAB 24.61, 53.39, -77.92

 

CMYK 0 / 88 / 41 / 29

HEX #B5166B

RGB 181 22 107

HSL 327.92, 0.78%, 0.4%

LAB 40.34, 64.12, -6.06

 

CMYK 0 / 3 / 88 / 29

HEX #B5B016

RGB 181 176 22

HSL 58.11, 0.78%, 0.4%

LAB 70.13, -13.8, 69.03

 

Description

Color code: HEX #16B460 | qconv.com Color code: HEX #16B460 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 180 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 180 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 47 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 47% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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