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Color name
HEX #16B593

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16B593 it is the complementary color #E94A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16B593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16B593 shade: #1BB58E, #2CC7A1, #3DD9B4, #4EEBC7 and #5FFDDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16B593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16B593 shade: #16B593, #05A380, #00916D, #007F5A and #006D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16B593 shade: #16B593, #16B568, #16B53D, #1AB516 and #44B516

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16B593 shade: #16B593, #16ACB5, #1681B5, #1656B5 and #162BB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16B593 shade matches the following richer shades: #16B593 and #05C69C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16B593 shade: #16B593, #26A58A, #379480, #478477 and #58736D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16B593 shade: #16B53E, #16B568, #16B593, #16ADB5 and #1683B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16B593 shade: #0D6C57, #119075, #16B593, #1ADAB1 and #38E6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16B593 shade: #16B593, #1619B5 and #B55316

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16B593 shade: #16B593, #9316B5 and #B59316

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16B593 shade: #16B593, #1619B5, #B51638 and #B5B216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16B593 shade: #16B593, #4316B5, #B51638 and #88B516

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

Complementary color

CMYK 0 / 68 / 54 / 9

HEX #E94A6C

RGB 233 74 108

HSL 347.17, 0.78%, 0.6%

LAB 55.38, 63.09, 16.14

 

CMYK 85 / 0 / 22 / 29

HEX #1BB58E

RGB 27 181 142

HSL 164.81, 0.74%, 0.41%

LAB 65.93, -46.81, 9.35

 

CMYK 78 / 0 / 19 / 22

HEX #2CC7A1

RGB 44 199 161

HSL 165.29, 0.64%, 0.48%

LAB 72.2, -47.89, 7.96

 

CMYK 72 / 0 / 17 / 15

HEX #3DD9B4

RGB 61 217 180

HSL 165.77, 0.67%, 0.55%

LAB 78.41, -48.65, 6.7

 

CMYK 67 / 0 / 15 / 8

HEX #4EEBC7

RGB 78 235 199

HSL 166.24, 0.8%, 0.61%

LAB 84.57, -49.16, 5.56

 

CMYK 62 / 0 / 14 / 1

HEX #5FFDDA

RGB 95 253 218

HSL 166.71, 0.98%, 0.68%

LAB 90.66, -49.51, 4.51

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 97 / 0 / 21 / 36

HEX #05A380

RGB 5 163 128

HSL 166.71, 0.94%, 0.33%

LAB 59.69, -44.25, 8.23

 

CMYK 100 / 0 / 25 / 43

HEX #00916D

RGB 0 145 109

HSL 165.1, 1%, 0.28%

LAB 53.34, -42, 9.96

 

CMYK 100 / 0 / 29 / 50

HEX #007F5A

RGB 0 127 90

HSL 162.52, 1%, 0.25%

LAB 46.87, -39.46, 11.84

 

CMYK 100 / 0 / 35 / 57

HEX #006D47

RGB 0 109 71

HSL 159.08, 1%, 0.21%

LAB 40.23, -36.81, 13.85

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 88 / 0 / 43 / 29

HEX #16B568

RGB 22 181 104

HSL 150.94, 0.78%, 0.4%

LAB 65.14, -55.56, 28.75

 

CMYK 88 / 0 / 66 / 29

HEX #16B53D

RGB 22 181 61

HSL 134.72, 0.78%, 0.4%

LAB 64.61, -61.94, 48.87

 

CMYK 86 / 0 / 88 / 29

HEX #1AB516

RGB 26 181 22

HSL 118.49, 0.78%, 0.4%

LAB 64.42, -64.42, 61.34

 

CMYK 62 / 0 / 88 / 29

HEX #44B516

RGB 68 181 22

HSL 102.64, 0.78%, 0.4%

LAB 65.23, -57.49, 62.36

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 88 / 5 / 0 / 29

HEX #16ACB5

RGB 22 172 181

HSL 183.4, 0.78%, 0.4%

LAB 64.17, -32.08, -14.89

 

CMYK 88 / 29 / 0 / 29

HEX #1681B5

RGB 22 129 181

HSL 199.62, 0.78%, 0.4%

LAB 50.93, -9.44, -35.27

 

CMYK 88 / 52 / 0 / 29

HEX #1656B5

RGB 22 86 181

HSL 215.85, 0.78%, 0.4%

LAB 38.13, 17.5, -55.69

 

CMYK 88 / 76 / 0 / 29

HEX #162BB5

RGB 22 43 181

HSL 232.08, 0.78%, 0.4%

LAB 27.39, 45.29, -73.3

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 97 / 0 / 21 / 22

HEX #05C69C

RGB 5 198 156

HSL 166.94, 0.95%, 0.4%

LAB 71.43, -51.22, 9.52

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 77 / 0 / 16 / 35

HEX #26A58A

RGB 38 165 138

HSL 167.24, 0.63%, 0.4%

LAB 60.92, -40.01, 4.42

 

CMYK 63 / 0 / 14 / 42

HEX #379480

RGB 55 148 128

HSL 167.1, 0.46%, 0.4%

LAB 55.63, -32.34, 2.49

 

CMYK 46 / 0 / 10 / 48

HEX #478477

RGB 71 132 119

HSL 167.21, 0.3%, 0.4%

LAB 50.89, -23.14, 0.87

 

CMYK 23 / 0 / 5 / 55

HEX #58736D

RGB 88 115 109

HSL 166.67, 0.13%, 0.4%

LAB 46.23, -11.18, 0.09

 

CMYK 88 / 0 / 66 / 29

HEX #16B53E

RGB 22 181 62

HSL 135.09, 0.78%, 0.4%

LAB 64.62, -61.83, 48.45

 

CMYK 88 / 0 / 43 / 29

HEX #16B568

RGB 22 181 104

HSL 150.94, 0.78%, 0.4%

LAB 65.14, -55.56, 28.75

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 88 / 4 / 0 / 29

HEX #16ADB5

RGB 22 173 181

HSL 183.02, 0.78%, 0.4%

LAB 64.48, -32.56, -14.42

 

CMYK 88 / 28 / 0 / 29

HEX #1683B5

RGB 22 131 181

HSL 198.87, 0.78%, 0.4%

LAB 51.54, -10.59, -34.31

 

CMYK 88 / 0 / 19 / 58

HEX #0D6C57

RGB 13 108 87

HSL 166.74, 0.79%, 0.24%

LAB 40.41, -31.1, 4.52

 

CMYK 88 / 0 / 19 / 44

HEX #119075

RGB 17 144 117

HSL 167.24, 0.79%, 0.32%

LAB 53.33, -38.51, 5.39

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 88 / 0 / 19 / 15

HEX #1ADAB1

RGB 26 218 177

HSL 167.19, 0.79%, 0.48%

LAB 78.19, -53.04, 7.93

 

CMYK 76 / 0 / 16 / 10

HEX #38E6C1

RGB 56 230 193

HSL 167.24, 0.78%, 0.56%

LAB 82.53, -51.41, 5.73

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 88 / 86 / 0 / 29

HEX #1619B5

RGB 22 25 181

HSL 238.87, 0.78%, 0.4%

LAB 24.33, 54.23, -78.39

 

CMYK 0 / 54 / 88 / 29

HEX #B55316

RGB 181 83 22

HSL 23.02, 0.78%, 0.4%

LAB 47.06, 36.53, 50.51

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 19 / 88 / 0 / 29

HEX #9316B5

RGB 147 22 181

HSL 287.17, 0.78%, 0.4%

LAB 38.04, 67.68, -55.33

 

CMYK 0 / 19 / 88 / 29

HEX #B59316

RGB 181 147 22

HSL 47.17, 0.78%, 0.4%

LAB 62.3, 1.56, 62.75

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 88 / 86 / 0 / 29

HEX #1619B5

RGB 22 25 181

HSL 238.87, 0.78%, 0.4%

LAB 24.33, 54.23, -78.39

 

CMYK 0 / 88 / 69 / 29

HEX #B51638

RGB 181 22 56

HSL 347.17, 0.78%, 0.4%

LAB 39.04, 60.43, 24.51

 

CMYK 0 / 2 / 88 / 29

HEX #B5B216

RGB 181 178 22

HSL 58.87, 0.78%, 0.4%

LAB 70.68, -14.82, 69.47

 

CMYK 88 / 0 / 19 / 29

HEX #16B593

RGB 22 181 147

HSL 167.17, 0.78%, 0.4%

LAB 66, -45.89, 6.69

 

CMYK 63 / 88 / 0 / 29

HEX #4316B5

RGB 67 22 181

HSL 256.98, 0.78%, 0.4%

LAB 27.03, 57.77, -73.82

 

CMYK 0 / 88 / 69 / 29

HEX #B51638

RGB 181 22 56

HSL 347.17, 0.78%, 0.4%

LAB 39.04, 60.43, 24.51

 

CMYK 25 / 0 / 88 / 29

HEX #88B516

RGB 136 181 22

HSL 76.98, 0.78%, 0.4%

LAB 68.27, -35.27, 66.16

 

Description

Color code: HEX #16B593 | qconv.com Color code: HEX #16B593 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 181 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 181 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 19 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 19% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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