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Color name
HEX #16BD65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16BD65 it is the complementary color #E9429A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16BD65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16BD65 shade: #1BBD60, #2CCF73, #3DE186, #4EF399 and #5FFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16BD65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16BD65 shade: #16BD65, #05AB52, #00993F, #00872C and #007519

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16BD65 shade: #15BB64, #15BB37, #20BB15, #4DBB15 and #7ABB15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16BD65 shade: #15BB64, #15BB90, #15B9BB, #158CBB and #1560BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16BD65 shade matches the following richer shades: #15BB64 and #05CC63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16BD65 shade: #15BB64, #26AA65, #379965, #488866 and #597767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16BD65 shade: #20BB15, #15BB36, #15BB63, #15BB8F and #15BBBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16BD65 shade: #0D713C, #119650, #15BB64, #1AE077 and #3BE88D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16BD65 shade: #16BD65, #154DBB and #BB2015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16BD65 shade: #16BD65, #6315BB and #BB6315

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16BD65 shade: #16BD65, #154DBB, #BB156E and #BB8415

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16BD65 shade: #16BD65, #151BBB, #BB156E and #BBB515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 47 / 26

HEX #16BD65

RGB 22 189 101

HSL 148.38, 0.79%, 0.41%

LAB 67.65, -58.9, 33.56

 

Complementary color

CMYK 0 / 72 / 34 / 9

HEX #E9429A

RGB 233 66 154

HSL 328.38, 0.79%, 0.59%

LAB 55.64, 70.19, -10.74

 

CMYK 86 / 0 / 49 / 26

HEX #1BBD60

RGB 27 189 96

HSL 145.56, 0.75%, 0.42%

LAB 67.63, -59.36, 36.06

 

CMYK 79 / 0 / 44 / 19

HEX #2CCF73

RGB 44 207 115

HSL 146.13, 0.65%, 0.49%

LAB 73.8, -60.66, 34.39

 

CMYK 73 / 0 / 40 / 12

HEX #3DE186

RGB 61 225 134

HSL 146.71, 0.73%, 0.56%

LAB 79.93, -61.54, 32.81

 

CMYK 68 / 0 / 37 / 5

HEX #4EF399

RGB 78 243 153

HSL 147.27, 0.87%, 0.63%

LAB 86.02, -62.11, 31.34

 

CMYK 63 / 0 / 33 / 0

HEX #5FFFAC

RGB 95 255 172

HSL 148.88, 1%, 0.69%

LAB 90.29, -60.18, 27.58

 

CMYK 88 / 0 / 47 / 26

HEX #16BD65

RGB 22 189 101

HSL 148.38, 0.79%, 0.41%

LAB 67.65, -58.9, 33.56

 

CMYK 97 / 0 / 52 / 33

HEX #05AB52

RGB 5 171 82

HSL 147.83, 0.94%, 0.35%

LAB 61.45, -56.92, 35.37

 

CMYK 100 / 0 / 59 / 40

HEX #00993F

RGB 0 153 63

HSL 144.71, 1%, 0.3%

LAB 55.22, -54.15, 37.24

 

CMYK 100 / 0 / 67 / 47

HEX #00872C

RGB 0 135 44

HSL 139.56, 1%, 0.26%

LAB 48.9, -50.83, 38.95

 

CMYK 100 / 0 / 79 / 54

HEX #007519

RGB 0 117 25

HSL 132.82, 1%, 0.23%

LAB 42.45, -47.08, 40.07

 

CMYK 89 / 0 / 47 / 27

HEX #15BB64

RGB 21 187 100

HSL 148.55, 0.8%, 0.41%

LAB 66.99, -58.45, 33.22

 

CMYK 89 / 0 / 71 / 27

HEX #15BB37

RGB 21 187 55

HSL 132.29, 0.8%, 0.41%

LAB 66.5, -64.45, 53.32

 

CMYK 83 / 0 / 89 / 27

HEX #20BB15

RGB 32 187 21

HSL 116.02, 0.8%, 0.41%

LAB 66.44, -65.59, 63.33

 

CMYK 59 / 0 / 89 / 27

HEX #4DBB15

RGB 77 187 21

HSL 99.76, 0.8%, 0.41%

LAB 67.41, -57.4, 64.53

 

CMYK 35 / 0 / 89 / 27

HEX #7ABB15

RGB 122 187 21

HSL 83.49, 0.8%, 0.41%

LAB 69.28, -43.29, 66.87

 

CMYK 89 / 0 / 47 / 27

HEX #15BB64

RGB 21 187 100

HSL 148.55, 0.8%, 0.41%

LAB 66.99, -58.45, 33.22

 

CMYK 89 / 0 / 23 / 27

HEX #15BB90

RGB 21 187 144

HSL 164.46, 0.8%, 0.41%

LAB 67.81, -49.16, 10.91

 

CMYK 89 / 1 / 0 / 27

HEX #15B9BB

RGB 21 185 187

HSL 180.72, 0.8%, 0.41%

LAB 68.35, -36.4, -11.93

 

CMYK 89 / 25 / 0 / 27

HEX #158CBB

RGB 21 140 187

HSL 196.99, 0.8%, 0.41%

LAB 54.56, -13.54, -33.03

 

CMYK 89 / 49 / 0 / 27

HEX #1560BB

RGB 21 96 187

HSL 212.89, 0.8%, 0.41%

LAB 41.4, 13.24, -53.93

 

CMYK 89 / 0 / 47 / 27

HEX #15BB64

RGB 21 187 100

HSL 148.55, 0.8%, 0.41%

LAB 66.99, -58.45, 33.22

 

CMYK 98 / 0 / 51 / 20

HEX #05CC63

RGB 5 204 99

HSL 148.34, 0.95%, 0.41%

LAB 72.31, -65.01, 40.38

 

CMYK 89 / 0 / 47 / 27

HEX #15BB64

RGB 21 187 100

HSL 148.55, 0.8%, 0.41%

LAB 66.99, -58.45, 33.22

 

CMYK 78 / 0 / 41 / 33

HEX #26AA65

RGB 38 170 101

HSL 148.64, 0.63%, 0.41%

LAB 61.74, -50.52, 25.93

 

CMYK 64 / 0 / 34 / 40

HEX #379965

RGB 55 153 101

HSL 148.16, 0.47%, 0.41%

LAB 56.62, -40.93, 19.14

 

CMYK 47 / 0 / 25 / 47

HEX #488866

RGB 72 136 102

HSL 148.13, 0.31%, 0.41%

LAB 51.78, -28.87, 12

 

CMYK 25 / 0 / 13 / 53

HEX #597767

RGB 89 119 103

HSL 148, 0.14%, 0.41%

LAB 47.36, -14.41, 5.3

 

CMYK 83 / 0 / 89 / 27

HEX #20BB15

RGB 32 187 21

HSL 116.02, 0.8%, 0.41%

LAB 66.44, -65.59, 63.33

 

CMYK 89 / 0 / 71 / 27

HEX #15BB36

RGB 21 187 54

HSL 131.93, 0.8%, 0.41%

LAB 66.49, -64.54, 53.7

 

CMYK 89 / 0 / 47 / 27

HEX #15BB63

RGB 21 187 99

HSL 148.19, 0.8%, 0.41%

LAB 66.98, -58.63, 33.71

 

CMYK 89 / 0 / 24 / 27

HEX #15BB8F

RGB 21 187 143

HSL 164.1, 0.8%, 0.41%

LAB 67.79, -49.4, 11.42

 

CMYK 89 / 0 / 0 / 27

HEX #15BBBB

RGB 21 187 187

HSL 180, 0.8%, 0.41%

LAB 68.96, -37.32, -11.01

 

CMYK 88 / 0 / 47 / 56

HEX #0D713C

RGB 13 113 60

HSL 148.2, 0.79%, 0.25%

LAB 41.57, -39.69, 22.02

 

CMYK 89 / 0 / 47 / 41

HEX #119650

RGB 17 150 80

HSL 148.42, 0.8%, 0.33%

LAB 54.57, -49.31, 27.76

 

CMYK 89 / 0 / 47 / 27

HEX #15BB64

RGB 21 187 100

HSL 148.55, 0.8%, 0.41%

LAB 66.99, -58.45, 33.22

 

CMYK 88 / 0 / 47 / 12

HEX #1AE077

RGB 26 224 119

HSL 148.18, 0.79%, 0.49%

LAB 78.96, -67.34, 38.95

 

CMYK 75 / 0 / 39 / 9

HEX #3BE88D

RGB 59 232 141

HSL 148.44, 0.79%, 0.57%

LAB 82.14, -63.07, 32.19

 

CMYK 88 / 0 / 47 / 26

HEX #16BD65

RGB 22 189 101

HSL 148.38, 0.79%, 0.41%

LAB 67.65, -58.9, 33.56

 

CMYK 89 / 59 / 0 / 27

HEX #154DBB

RGB 21 77 187

HSL 219.76, 0.8%, 0.41%

LAB 36.09, 25.84, -62.54

 

CMYK 0 / 83 / 89 / 27

HEX #BB2015

RGB 187 32 21

HSL 3.98, 0.8%, 0.41%

LAB 40.66, 58.75, 46.32

 

CMYK 88 / 0 / 47 / 26

HEX #16BD65

RGB 22 189 101

HSL 148.38, 0.79%, 0.41%

LAB 67.65, -58.9, 33.56

 

CMYK 47 / 89 / 0 / 27

HEX #6315BB

RGB 99 21 187

HSL 268.19, 0.8%, 0.41%

LAB 31.29, 62.6, -70.21

 

CMYK 0 / 47 / 89 / 27

HEX #BB6315

RGB 187 99 21

HSL 28.19, 0.8%, 0.41%

LAB 51.32, 30.59, 54.61

 

CMYK 88 / 0 / 47 / 26

HEX #16BD65

RGB 22 189 101

HSL 148.38, 0.79%, 0.41%

LAB 67.65, -58.9, 33.56

 

CMYK 89 / 59 / 0 / 27

HEX #154DBB

RGB 21 77 187

HSL 219.76, 0.8%, 0.41%

LAB 36.09, 25.84, -62.54

 

CMYK 0 / 89 / 41 / 27

HEX #BB156E

RGB 187 21 110

HSL 327.83, 0.8%, 0.41%

LAB 41.57, 65.99, -5.99

 

CMYK 0 / 29 / 89 / 27

HEX #BB8415

RGB 187 132 21

HSL 40.12, 0.8%, 0.41%

LAB 59.09, 12.49, 60.71

 

CMYK 88 / 0 / 47 / 26

HEX #16BD65

RGB 22 189 101

HSL 148.38, 0.79%, 0.41%

LAB 67.65, -58.9, 33.56

 

CMYK 89 / 86 / 0 / 27

HEX #151BBB

RGB 21 27 187

HSL 237.83, 0.8%, 0.41%

LAB 25.35, 55.17, -80.25

 

CMYK 0 / 89 / 41 / 27

HEX #BB156E

RGB 187 21 110

HSL 327.83, 0.8%, 0.41%

LAB 41.57, 65.99, -5.99

 

CMYK 0 / 3 / 89 / 27

HEX #BBB515

RGB 187 181 21

HSL 57.83, 0.8%, 0.41%

LAB 72.01, -13.75, 70.93

 

Description

Color code: HEX #16BD65 | qconv.com Color code: HEX #16BD65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 189 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 189 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 47 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 47% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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