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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16C446 it is the complementary color #E93BB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16C446. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16C446 shade: #1BC441, #2CD654, #3DE867, #4EFA7A and #5FFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16C446. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16C446 shade: #16C446, #05B233, #00A020, #008E0D and #007C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16C446 shade: #15C546, #15C517, #44C515, #73C515 and #A2C515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16C446 shade: #15C546, #15C575, #15C5A4, #15B6C5 and #1587C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16C446 shade matches the following richer shades: #15C546 and #04D73E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16C446 shade: #15C546, #27B34E, #39A156, #4B905E and #5C7E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16C446 shade: #44C515, #15C515, #15C544, #15C573 and #15C5A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16C446 shade: #0D7B2B, #11A039, #15C546, #1EE655 and #43EA71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16C446 shade: #16C446, #1573C5 and #C5152D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16C446 shade: #16C446, #4415C5 and #C54415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16C446 shade: #16C446, #1573C5, #C51596 and #C56715

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16C446 shade: #16C446, #153EC5, #C51596 and #C59C15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 64 / 23

HEX #16C446

RGB 22 196 70

HSL 136.55, 0.8%, 0.43%

LAB 69.54, -65.57, 50.49

 

Complementary color

CMYK 0 / 75 / 21 / 9

HEX #E93BB9

RGB 233 59 185

HSL 316.55, 0.8%, 0.57%

LAB 56.04, 76.04, -28.22

 

CMYK 86 / 0 / 67 / 23

HEX #1BC441

RGB 27 196 65

HSL 133.49, 0.76%, 0.44%

LAB 69.54, -65.72, 52.6

 

CMYK 79 / 0 / 61 / 16

HEX #2CD654

RGB 44 214 84

HSL 134.12, 0.67%, 0.51%

LAB 75.62, -67.5, 51.35

 

CMYK 74 / 0 / 56 / 9

HEX #3DE867

RGB 61 232 103

HSL 134.74, 0.79%, 0.57%

LAB 81.67, -68.74, 49.97

 

CMYK 69 / 0 / 51 / 2

HEX #4EFA7A

RGB 78 250 122

HSL 135.35, 0.95%, 0.64%

LAB 87.68, -69.58, 48.55

 

CMYK 63 / 0 / 45 / 0

HEX #5FFF8D

RGB 95 255 141

HSL 137.25, 1%, 0.69%

LAB 89.8, -65.52, 42.28

 

CMYK 89 / 0 / 64 / 23

HEX #16C446

RGB 22 196 70

HSL 136.55, 0.8%, 0.43%

LAB 69.54, -65.57, 50.49

 

CMYK 97 / 0 / 71 / 30

HEX #05B233

RGB 5 178 51

HSL 135.95, 0.95%, 0.36%

LAB 63.44, -63.02, 51.63

 

CMYK 100 / 0 / 80 / 37

HEX #00A020

RGB 0 160 32

HSL 132, 1%, 0.31%

LAB 57.31, -59.51, 52.19

 

CMYK 100 / 0 / 91 / 44

HEX #008E0D

RGB 0 142 13

HSL 125.49, 1%, 0.28%

LAB 51.12, -55.3, 51.5

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 89 / 0 / 64 / 23

HEX #15C546

RGB 21 197 70

HSL 136.7, 0.81%, 0.43%

LAB 69.85, -65.95, 50.83

 

CMYK 89 / 0 / 88 / 23

HEX #15C517

RGB 21 197 23

HSL 120.68, 0.81%, 0.43%

LAB 69.58, -69.36, 65.62

 

CMYK 65 / 0 / 89 / 23

HEX #44C515

RGB 68 197 21

HSL 103.98, 0.81%, 0.43%

LAB 70.33, -62.86, 66.93

 

CMYK 42 / 0 / 89 / 23

HEX #73C515

RGB 115 197 21

HSL 87.95, 0.81%, 0.43%

LAB 71.98, -49.85, 68.99

 

CMYK 18 / 0 / 89 / 23

HEX #A2C515

RGB 162 197 21

HSL 71.93, 0.81%, 0.43%

LAB 74.62, -32.19, 72.24

 

CMYK 89 / 0 / 64 / 23

HEX #15C546

RGB 21 197 70

HSL 136.7, 0.81%, 0.43%

LAB 69.85, -65.95, 50.83

 

CMYK 89 / 0 / 41 / 23

HEX #15C575

RGB 21 197 117

HSL 152.73, 0.81%, 0.43%

LAB 70.44, -58.82, 28.93

 

CMYK 89 / 0 / 17 / 23

HEX #15C5A4

RGB 21 197 164

HSL 168.75, 0.81%, 0.43%

LAB 71.4, -48.14, 5.15

 

CMYK 89 / 8 / 0 / 23

HEX #15B6C5

RGB 21 182 197

HSL 185.11, 0.81%, 0.43%

LAB 67.76, -31.88, -18.33

 

CMYK 89 / 31 / 0 / 23

HEX #1587C5

RGB 21 135 197

HSL 201.14, 0.81%, 0.43%

LAB 53.51, -7.01, -40.37

 

CMYK 89 / 0 / 64 / 23

HEX #15C546

RGB 21 197 70

HSL 136.7, 0.81%, 0.43%

LAB 69.85, -65.95, 50.83

 

CMYK 98 / 0 / 71 / 16

HEX #04D73E

RGB 4 215 62

HSL 136.49, 0.96%, 0.43%

LAB 75.44, -72.82, 59.98

 

CMYK 89 / 0 / 64 / 23

HEX #15C546

RGB 21 197 70

HSL 136.7, 0.81%, 0.43%

LAB 69.85, -65.95, 50.83

 

CMYK 78 / 0 / 56 / 30

HEX #27B34E

RGB 39 179 78

HSL 136.71, 0.64%, 0.43%

LAB 64.34, -57.41, 40.92

 

CMYK 65 / 0 / 47 / 37

HEX #39A156

RGB 57 161 86

HSL 136.73, 0.48%, 0.43%

LAB 59, -46.57, 30.4

 

CMYK 48 / 0 / 35 / 44

HEX #4B905E

RGB 75 144 94

HSL 136.52, 0.32%, 0.43%

LAB 54.29, -33.41, 20.01

 

CMYK 27 / 0 / 19 / 51

HEX #5C7E66

RGB 92 126 102

HSL 137.65, 0.16%, 0.43%

LAB 49.69, -17.36, 9.22

 

CMYK 65 / 0 / 89 / 23

HEX #44C515

RGB 68 197 21

HSL 103.98, 0.81%, 0.43%

LAB 70.33, -62.86, 66.93

 

CMYK 89 / 0 / 89 / 23

HEX #15C515

RGB 21 197 21

HSL 120, 0.81%, 0.43%

LAB 69.57, -69.43, 65.99

 

CMYK 89 / 0 / 65 / 23

HEX #15C544

RGB 21 197 68

HSL 136.02, 0.81%, 0.43%

LAB 69.83, -66.17, 51.66

 

CMYK 89 / 0 / 42 / 23

HEX #15C573

RGB 21 197 115

HSL 152.05, 0.81%, 0.43%

LAB 70.41, -59.2, 29.93

 

CMYK 89 / 0 / 18 / 23

HEX #15C5A2

RGB 21 197 162

HSL 168.07, 0.81%, 0.43%

LAB 71.35, -48.66, 6.17

 

CMYK 89 / 0 / 65 / 52

HEX #0D7B2B

RGB 13 123 43

HSL 136.36, 0.81%, 0.27%

LAB 44.84, -46.02, 34.91

 

CMYK 89 / 0 / 64 / 37

HEX #11A039

RGB 17 160 57

HSL 136.78, 0.81%, 0.35%

LAB 57.61, -56.16, 42.84

 

CMYK 89 / 0 / 64 / 23

HEX #15C546

RGB 21 197 70

HSL 136.7, 0.81%, 0.43%

LAB 69.85, -65.95, 50.83

 

CMYK 87 / 0 / 63 / 10

HEX #1EE655

RGB 30 230 85

HSL 136.5, 0.8%, 0.51%

LAB 80.47, -73.63, 56.38

 

CMYK 71 / 0 / 52 / 8

HEX #43EA71

RGB 67 234 113

HSL 136.53, 0.8%, 0.59%

LAB 82.5, -67.16, 46.37

 

CMYK 89 / 0 / 64 / 23

HEX #16C446

RGB 22 196 70

HSL 136.55, 0.8%, 0.43%

LAB 69.54, -65.57, 50.49

 

CMYK 89 / 42 / 0 / 23

HEX #1573C5

RGB 21 115 197

HSL 207.95, 0.81%, 0.43%

LAB 47.56, 5.05, -49.81

 

CMYK 0 / 89 / 77 / 23

HEX #C5152D

RGB 197 21 45

HSL 351.82, 0.81%, 0.43%

LAB 42.15, 64.37, 35.7

 

CMYK 89 / 0 / 64 / 23

HEX #16C446

RGB 22 196 70

HSL 136.55, 0.8%, 0.43%

LAB 69.54, -65.57, 50.49

 

CMYK 65 / 89 / 0 / 23

HEX #4415C5

RGB 68 21 197

HSL 256.02, 0.81%, 0.43%

LAB 28.89, 62.32, -80.19

 

CMYK 0 / 65 / 89 / 23

HEX #C54415

RGB 197 68 21

HSL 16.02, 0.81%, 0.43%

LAB 47.05, 49.56, 52.02

 

CMYK 89 / 0 / 64 / 23

HEX #16C446

RGB 22 196 70

HSL 136.55, 0.8%, 0.43%

LAB 69.54, -65.57, 50.49

 

CMYK 89 / 42 / 0 / 23

HEX #1573C5

RGB 21 115 197

HSL 207.95, 0.81%, 0.43%

LAB 47.56, 5.05, -49.81

 

CMYK 0 / 89 / 24 / 23

HEX #C51596

RGB 197 21 150

HSL 316.02, 0.81%, 0.43%

LAB 45.09, 72.49, -25.03

 

CMYK 0 / 48 / 89 / 23

HEX #C56715

RGB 197 103 21

HSL 27.95, 0.81%, 0.43%

LAB 53.63, 32.62, 57.02

 

CMYK 89 / 0 / 64 / 23

HEX #16C446

RGB 22 196 70

HSL 136.55, 0.8%, 0.43%

LAB 69.54, -65.57, 50.49

 

CMYK 89 / 69 / 0 / 23

HEX #153EC5

RGB 21 62 197

HSL 226.02, 0.81%, 0.43%

LAB 33.21, 39.47, -73.13

 

CMYK 0 / 89 / 24 / 23

HEX #C51596

RGB 197 21 150

HSL 316.02, 0.81%, 0.43%

LAB 45.09, 72.49, -25.03

 

CMYK 0 / 21 / 89 / 23

HEX #C59C15

RGB 197 156 21

HSL 46.02, 0.81%, 0.43%

LAB 66.29, 3.85, 66.83

 

Description

Color code: HEX #16C446 | qconv.com Color code: HEX #16C446 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 196 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 196 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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