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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16CE6B it is the complementary color #E93194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16CE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16CE6B shade: #1BCE66, #2CE079, #3DF28C, #4EFF9F and #5FFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16CE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16CE6B shade: #16CE6B, #05BC58, #00AA45, #009832 and #00861F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16CE6B shade: #15CF6B, #15CF39, #24CF15, #56CF15 and #88CF15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16CE6B shade: #15CF6B, #15CF9D, #15CFCF, #159DCF and #156BCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16CE6B shade matches the following richer shades: #15CF6B and #03E26A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16CE6B shade: #15CF6B, #28BD6D, #3AAA6E, #4D976F and #608571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16CE6B shade: #25CF15, #15CF37, #15CF69, #15CF9B and #15CFCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16CE6B shade: #0D8544, #11AA58, #15CF6B, #26E880 and #4BEC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16CE6B shade: #16CE6B, #1556CF and #CF1F15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16CE6B shade: #16CE6B, #6915CF and #CF6915

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16CE6B shade: #16CE6B, #1556CF, #CF157C and #CF8E15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16CE6B shade: #16CE6B, #151FCF, #CF157C and #CFC615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 48 / 19

HEX #16CE6B

RGB 22 206 107

HSL 147.72, 0.81%, 0.45%

LAB 73.14, -63.62, 37.5

 

Complementary color

CMYK 0 / 79 / 36 / 9

HEX #E93194

RGB 233 49 148

HSL 327.72, 0.81%, 0.55%

LAB 53.66, 74.57, -10.16

 

CMYK 87 / 0 / 50 / 19

HEX #1BCE66

RGB 27 206 102

HSL 145.14, 0.77%, 0.46%

LAB 73.11, -64.08, 39.94

 

CMYK 80 / 0 / 46 / 12

HEX #2CE079

RGB 44 224 121

HSL 145.67, 0.74%, 0.53%

LAB 79.17, -65.51, 38.27

 

CMYK 75 / 0 / 42 / 5

HEX #3DF28C

RGB 61 242 140

HSL 146.19, 0.87%, 0.59%

LAB 85.19, -66.52, 36.69

 

CMYK 69 / 0 / 38 / 0

HEX #4EFF9F

RGB 78 255 159

HSL 147.46, 1%, 0.65%

LAB 89.69, -65.42, 33.23

 

CMYK 63 / 0 / 30 / 0

HEX #5FFFB2

RGB 95 255 178

HSL 151.13, 1%, 0.69%

LAB 90.4, -59.02, 24.69

 

CMYK 89 / 0 / 48 / 19

HEX #16CE6B

RGB 22 206 107

HSL 147.72, 0.81%, 0.45%

LAB 73.14, -63.62, 37.5

 

CMYK 97 / 0 / 53 / 26

HEX #05BC58

RGB 5 188 88

HSL 147.21, 0.95%, 0.38%

LAB 67.05, -61.55, 39.28

 

CMYK 100 / 0 / 59 / 33

HEX #00AA45

RGB 0 170 69

HSL 144.35, 1%, 0.33%

LAB 60.94, -58.76, 41.09

 

CMYK 100 / 0 / 67 / 40

HEX #009832

RGB 0 152 50

HSL 139.74, 1%, 0.3%

LAB 54.75, -55.49, 42.73

 

CMYK 100 / 0 / 77 / 47

HEX #00861F

RGB 0 134 31

HSL 133.88, 1%, 0.26%

LAB 48.45, -51.83, 43.84

 

CMYK 90 / 0 / 48 / 19

HEX #15CF6B

RGB 21 207 107

HSL 147.74, 0.82%, 0.45%

LAB 73.45, -64.01, 37.89

 

CMYK 90 / 0 / 72 / 19

HEX #15CF39

RGB 21 207 57

HSL 131.61, 0.82%, 0.45%

LAB 72.94, -70.19, 59.25

 

CMYK 83 / 0 / 90 / 19

HEX #24CF15

RGB 36 207 21

HSL 115.16, 0.82%, 0.45%

LAB 72.93, -70.94, 68.92

 

CMYK 58 / 0 / 90 / 19

HEX #56CF15

RGB 86 207 21

HSL 99.03, 0.82%, 0.45%

LAB 73.97, -62.04, 70.22

 

CMYK 34 / 0 / 90 / 19

HEX #88CF15

RGB 136 207 21

HSL 82.9, 0.82%, 0.45%

LAB 76.02, -46.62, 72.75

 

CMYK 90 / 0 / 48 / 19

HEX #15CF6B

RGB 21 207 107

HSL 147.74, 0.82%, 0.45%

LAB 73.45, -64.01, 37.89

 

CMYK 90 / 0 / 24 / 19

HEX #15CF9D

RGB 21 207 157

HSL 163.87, 0.82%, 0.45%

LAB 74.33, -53.88, 13.1

 

CMYK 90 / 0 / 0 / 19

HEX #15CFCF

RGB 21 207 207

HSL 180, 0.82%, 0.45%

LAB 75.63, -40.43, -11.92

 

CMYK 90 / 24 / 0 / 19

HEX #159DCF

RGB 21 157 207

HSL 196.13, 0.82%, 0.45%

LAB 60.59, -15.72, -34.91

 

CMYK 90 / 48 / 0 / 19

HEX #156BCF

RGB 21 107 207

HSL 212.26, 0.82%, 0.45%

LAB 45.88, 14.05, -58.25

 

CMYK 90 / 0 / 48 / 19

HEX #15CF6B

RGB 21 207 107

HSL 147.74, 0.82%, 0.45%

LAB 73.45, -64.01, 37.89

 

CMYK 99 / 0 / 53 / 11

HEX #03E26A

RGB 3 226 106

HSL 147.71, 0.97%, 0.45%

LAB 79.3, -70.97, 45.61

 

CMYK 90 / 0 / 48 / 19

HEX #15CF6B

RGB 21 207 107

HSL 147.74, 0.82%, 0.45%

LAB 73.45, -64.01, 37.89

 

CMYK 79 / 0 / 42 / 26

HEX #28BD6D

RGB 40 189 109

HSL 147.79, 0.65%, 0.45%

LAB 67.98, -55.78, 29.91

 

CMYK 66 / 0 / 35 / 33

HEX #3AAA6E

RGB 58 170 110

HSL 147.86, 0.49%, 0.45%

LAB 62.32, -45.56, 21.92

 

CMYK 49 / 0 / 26 / 41

HEX #4D976F

RGB 77 151 111

HSL 147.57, 0.32%, 0.45%

LAB 56.94, -32.69, 14.11

 

CMYK 28 / 0 / 15 / 48

HEX #608571

RGB 96 133 113

HSL 147.57, 0.16%, 0.45%

LAB 52.35, -17.42, 6.63

 

CMYK 82 / 0 / 90 / 19

HEX #25CF15

RGB 37 207 21

HSL 114.84, 0.82%, 0.45%

LAB 72.94, -70.83, 68.93

 

CMYK 90 / 0 / 73 / 19

HEX #15CF37

RGB 21 207 55

HSL 130.97, 0.82%, 0.45%

LAB 72.93, -70.35, 59.95

 

CMYK 90 / 0 / 49 / 19

HEX #15CF69

RGB 21 207 105

HSL 147.1, 0.82%, 0.45%

LAB 73.42, -64.33, 38.84

 

CMYK 90 / 0 / 25 / 19

HEX #15CF9B

RGB 21 207 155

HSL 163.23, 0.82%, 0.45%

LAB 74.29, -54.35, 14.11

 

CMYK 90 / 0 / 1 / 19

HEX #15CFCC

RGB 21 207 204

HSL 179.03, 0.82%, 0.45%

LAB 75.54, -41.31, -10.44

 

CMYK 90 / 0 / 49 / 48

HEX #0D8544

RGB 13 133 68

HSL 147.5, 0.82%, 0.29%

LAB 48.61, -45.66, 26.6

 

CMYK 90 / 0 / 48 / 33

HEX #11AA58

RGB 17 170 88

HSL 147.84, 0.82%, 0.37%

LAB 61.28, -54.95, 32.12

 

CMYK 90 / 0 / 48 / 19

HEX #15CF6B

RGB 21 207 107

HSL 147.74, 0.82%, 0.45%

LAB 73.45, -64.01, 37.89

 

CMYK 84 / 0 / 45 / 9

HEX #26E880

RGB 38 232 128

HSL 147.84, 0.81%, 0.53%

LAB 81.67, -67.6, 38

 

CMYK 68 / 0 / 37 / 7

HEX #4BEC95

RGB 75 236 149

HSL 147.58, 0.81%, 0.61%

LAB 83.79, -60.74, 30.37

 

CMYK 89 / 0 / 48 / 19

HEX #16CE6B

RGB 22 206 107

HSL 147.72, 0.81%, 0.45%

LAB 73.14, -63.62, 37.5

 

CMYK 90 / 58 / 0 / 19

HEX #1556CF

RGB 21 86 207

HSL 219.03, 0.82%, 0.45%

LAB 40.11, 27.72, -67.61

 

CMYK 0 / 85 / 90 / 19

HEX #CF1F15

RGB 207 31 21

HSL 3.23, 0.82%, 0.45%

LAB 44.66, 64.59, 51.12

 

CMYK 89 / 0 / 48 / 19

HEX #16CE6B

RGB 22 206 107

HSL 147.72, 0.81%, 0.45%

LAB 73.14, -63.62, 37.5

 

CMYK 49 / 90 / 0 / 19

HEX #6915CF

RGB 105 21 207

HSL 267.1, 0.82%, 0.45%

LAB 34.08, 67.82, -77.33

 

CMYK 0 / 49 / 90 / 19

HEX #CF6915

RGB 207 105 21

HSL 27.1, 0.82%, 0.45%

LAB 55.51, 35.66, 59.09

 

CMYK 89 / 0 / 48 / 19

HEX #16CE6B

RGB 22 206 107

HSL 147.72, 0.81%, 0.45%

LAB 73.14, -63.62, 37.5

 

CMYK 90 / 58 / 0 / 19

HEX #1556CF

RGB 21 86 207

HSL 219.03, 0.82%, 0.45%

LAB 40.11, 27.72, -67.61

 

CMYK 0 / 90 / 40 / 19

HEX #CF157C

RGB 207 21 124

HSL 326.77, 0.82%, 0.45%

LAB 45.98, 71.89, -7.67

 

CMYK 0 / 31 / 90 / 19

HEX #CF8E15

RGB 207 142 21

HSL 39.03, 0.82%, 0.45%

LAB 63.89, 15.87, 65.45

 

CMYK 89 / 0 / 48 / 19

HEX #16CE6B

RGB 22 206 107

HSL 147.72, 0.81%, 0.45%

LAB 73.14, -63.62, 37.5

 

CMYK 90 / 85 / 0 / 19

HEX #151FCF

RGB 21 31 207

HSL 236.77, 0.82%, 0.45%

LAB 28.5, 59.46, -86.78

 

CMYK 0 / 90 / 40 / 19

HEX #CF157C

RGB 207 21 124

HSL 326.77, 0.82%, 0.45%

LAB 45.98, 71.89, -7.67

 

CMYK 0 / 4 / 90 / 19

HEX #CFC615

RGB 207 198 21

HSL 57.1, 0.82%, 0.45%

LAB 78.29, -13.69, 76.6

 

Description

Color code: HEX #16CE6B | qconv.com Color code: HEX #16CE6B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 206 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 206 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 48 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 48% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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