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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16CE9C it is the complementary color #E93163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16CE9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16CE9C shade: #1BCE97, #2CE0AA, #3DF2BD, #4EFFD0 and #5FFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16CE9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16CE9C shade: #16CE9C, #05BC89, #00AA76, #009863 and #008650

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16CE9C shade: #15CF9D, #15CF6B, #15CF38, #24CF15 and #56CF15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16CE9C shade: #15CF9D, #15CFCF, #159DCF, #156BCF and #1539CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16CE9C shade matches the following richer shades: #15CF9D and #03E2A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16CE9C shade: #15CF9D, #28BD94, #3AAA8C, #4D9783 and #60857B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16CE9C shade: #15CF37, #15CF69, #15CF9B, #15CFCC and #15A1CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16CE9C shade: #0D8564, #11AA80, #15CF9D, #26E8B3 and #4BECC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16CE9C shade: #16CE9C, #1525CF and #CF5015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16CE9C shade: #16CE9C, #9B15CF and #CF9B15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16CE9C shade: #16CE9C, #1525CF, #CF154A and #CFC015

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16CE9C shade: #16CE9C, #3E15CF, #CF154A and #A7CF15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 24 / 19

HEX #16CE9C

RGB 22 206 156

HSL 163.7, 0.81%, 0.45%

LAB 74.01, -53.68, 13.18

 

Complementary color

CMYK 0 / 79 / 58 / 9

HEX #E93163

RGB 233 49 99

HSL 343.7, 0.81%, 0.55%

LAB 52.31, 70.49, 17.32

 

CMYK 87 / 0 / 27 / 19

HEX #1BCE97

RGB 27 206 151

HSL 161.56, 0.77%, 0.46%

LAB 73.94, -54.55, 15.76

 

CMYK 80 / 0 / 24 / 12

HEX #2CE0AA

RGB 44 224 170

HSL 162, 0.74%, 0.53%

LAB 80.04, -55.75, 14.28

 

CMYK 75 / 0 / 22 / 5

HEX #3DF2BD

RGB 61 242 189

HSL 162.43, 0.87%, 0.59%

LAB 86.09, -56.62, 12.93

 

CMYK 69 / 0 / 18 / 0

HEX #4EFFD0

RGB 78 255 208

HSL 164.07, 1%, 0.65%

LAB 90.64, -55.26, 9.6

 

CMYK 63 / 0 / 11 / 0

HEX #5FFFE3

RGB 95 255 227

HSL 169.5, 1%, 0.69%

LAB 91.46, -48.19, 1.01

 

CMYK 89 / 0 / 24 / 19

HEX #16CE9C

RGB 22 206 156

HSL 163.7, 0.81%, 0.45%

LAB 74.01, -53.68, 13.18

 

CMYK 97 / 0 / 27 / 26

HEX #05BC89

RGB 5 188 137

HSL 163.28, 0.95%, 0.38%

LAB 67.88, -51.95, 14.8

 

CMYK 100 / 0 / 31 / 33

HEX #00AA76

RGB 0 170 118

HSL 161.65, 1%, 0.33%

LAB 61.7, -49.7, 16.59

 

CMYK 100 / 0 / 35 / 40

HEX #009863

RGB 0 152 99

HSL 159.08, 1%, 0.3%

LAB 55.44, -47.17, 18.51

 

CMYK 100 / 0 / 40 / 47

HEX #008650

RGB 0 134 80

HSL 155.82, 1%, 0.26%

LAB 49.04, -44.53, 20.53

 

CMYK 90 / 0 / 24 / 19

HEX #15CF9D

RGB 21 207 157

HSL 163.87, 0.82%, 0.45%

LAB 74.33, -53.88, 13.1

 

CMYK 90 / 0 / 48 / 19

HEX #15CF6B

RGB 21 207 107

HSL 147.74, 0.82%, 0.45%

LAB 73.45, -64.01, 37.89

 

CMYK 90 / 0 / 73 / 19

HEX #15CF38

RGB 21 207 56

HSL 131.29, 0.82%, 0.45%

LAB 72.94, -70.27, 59.6

 

CMYK 83 / 0 / 90 / 19

HEX #24CF15

RGB 36 207 21

HSL 115.16, 0.82%, 0.45%

LAB 72.93, -70.94, 68.92

 

CMYK 58 / 0 / 90 / 19

HEX #56CF15

RGB 86 207 21

HSL 99.03, 0.82%, 0.45%

LAB 73.97, -62.04, 70.22

 

CMYK 90 / 0 / 24 / 19

HEX #15CF9D

RGB 21 207 157

HSL 163.87, 0.82%, 0.45%

LAB 74.33, -53.88, 13.1

 

CMYK 90 / 0 / 0 / 19

HEX #15CFCF

RGB 21 207 207

HSL 180, 0.82%, 0.45%

LAB 75.63, -40.43, -11.92

 

CMYK 90 / 24 / 0 / 19

HEX #159DCF

RGB 21 157 207

HSL 196.13, 0.82%, 0.45%

LAB 60.59, -15.72, -34.91

 

CMYK 90 / 48 / 0 / 19

HEX #156BCF

RGB 21 107 207

HSL 212.26, 0.82%, 0.45%

LAB 45.88, 14.05, -58.25

 

CMYK 90 / 72 / 0 / 19

HEX #1539CF

RGB 21 57 207

HSL 228.39, 0.82%, 0.45%

LAB 33.12, 46.14, -79.11

 

CMYK 90 / 0 / 24 / 19

HEX #15CF9D

RGB 21 207 157

HSL 163.87, 0.82%, 0.45%

LAB 74.33, -53.88, 13.1

 

CMYK 99 / 0 / 27 / 11

HEX #03E2A5

RGB 3 226 165

HSL 163.59, 0.97%, 0.45%

LAB 80.25, -59.85, 17.16

 

CMYK 90 / 0 / 24 / 19

HEX #15CF9D

RGB 21 207 157

HSL 163.87, 0.82%, 0.45%

LAB 74.33, -53.88, 13.1

 

CMYK 79 / 0 / 22 / 26

HEX #28BD94

RGB 40 189 148

HSL 163.49, 0.65%, 0.45%

LAB 68.74, -47.41, 10.08

 

CMYK 66 / 0 / 18 / 33

HEX #3AAA8C

RGB 58 170 140

HSL 163.93, 0.49%, 0.45%

LAB 62.96, -38.79, 6.29

 

CMYK 49 / 0 / 13 / 41

HEX #4D9783

RGB 77 151 131

HSL 163.78, 0.32%, 0.45%

LAB 57.41, -28.12, 3.45

 

CMYK 28 / 0 / 8 / 48

HEX #60857B

RGB 96 133 123

HSL 163.78, 0.16%, 0.45%

LAB 52.61, -15.21, 1.21

 

CMYK 90 / 0 / 73 / 19

HEX #15CF37

RGB 21 207 55

HSL 130.97, 0.82%, 0.45%

LAB 72.93, -70.35, 59.95

 

CMYK 90 / 0 / 49 / 19

HEX #15CF69

RGB 21 207 105

HSL 147.1, 0.82%, 0.45%

LAB 73.42, -64.33, 38.84

 

CMYK 90 / 0 / 25 / 19

HEX #15CF9B

RGB 21 207 155

HSL 163.23, 0.82%, 0.45%

LAB 74.29, -54.35, 14.11

 

CMYK 90 / 0 / 1 / 19

HEX #15CFCC

RGB 21 207 204

HSL 179.03, 0.82%, 0.45%

LAB 75.54, -41.31, -10.44

 

CMYK 90 / 22 / 0 / 19

HEX #15A1CF

RGB 21 161 207

HSL 194.84, 0.82%, 0.45%

LAB 61.79, -17.88, -33.04

 

CMYK 90 / 0 / 25 / 48

HEX #0D8564

RGB 13 133 100

HSL 163.5, 0.82%, 0.29%

LAB 49.23, -38.58, 9.36

 

CMYK 90 / 0 / 25 / 33

HEX #11AA80

RGB 17 170 128

HSL 163.53, 0.82%, 0.37%

LAB 62.02, -46.52, 11.53

 

CMYK 90 / 0 / 24 / 19

HEX #15CF9D

RGB 21 207 157

HSL 163.87, 0.82%, 0.45%

LAB 74.33, -53.88, 13.1

 

CMYK 84 / 0 / 23 / 9

HEX #26E8B3

RGB 38 232 179

HSL 163.61, 0.81%, 0.53%

LAB 82.58, -57.25, 13.14

 

CMYK 68 / 0 / 19 / 7

HEX #4BECC0

RGB 75 236 192

HSL 163.6, 0.81%, 0.61%

LAB 84.63, -51.69, 9.32

 

CMYK 89 / 0 / 24 / 19

HEX #16CE9C

RGB 22 206 156

HSL 163.7, 0.81%, 0.45%

LAB 74.01, -53.68, 13.18

 

CMYK 90 / 82 / 0 / 19

HEX #1525CF

RGB 21 37 207

HSL 234.84, 0.82%, 0.45%

LAB 29.38, 56.84, -85.31

 

CMYK 0 / 61 / 90 / 19

HEX #CF5015

RGB 207 80 21

HSL 19.03, 0.82%, 0.45%

LAB 50.75, 47.85, 55.55

 

CMYK 89 / 0 / 24 / 19

HEX #16CE9C

RGB 22 206 156

HSL 163.7, 0.81%, 0.45%

LAB 74.01, -53.68, 13.18

 

CMYK 25 / 90 / 0 / 19

HEX #9B15CF

RGB 155 21 207

HSL 283.23, 0.82%, 0.45%

LAB 41.23, 73.88, -65.32

 

CMYK 0 / 25 / 90 / 19

HEX #CF9B15

RGB 207 155 21

HSL 43.23, 0.82%, 0.45%

LAB 67.1, 8.83, 67.92

 

CMYK 89 / 0 / 24 / 19

HEX #16CE9C

RGB 22 206 156

HSL 163.7, 0.81%, 0.45%

LAB 74.01, -53.68, 13.18

 

CMYK 90 / 82 / 0 / 19

HEX #1525CF

RGB 21 37 207

HSL 234.84, 0.82%, 0.45%

LAB 29.38, 56.84, -85.31

 

CMYK 0 / 90 / 64 / 19

HEX #CF154A

RGB 207 21 74

HSL 342.9, 0.82%, 0.45%

LAB 44.65, 68.2, 21.51

 

CMYK 0 / 7 / 90 / 19

HEX #CFC015

RGB 207 192 21

HSL 55.16, 0.82%, 0.45%

LAB 76.69, -10.65, 75.35

 

CMYK 89 / 0 / 24 / 19

HEX #16CE9C

RGB 22 206 156

HSL 163.7, 0.81%, 0.45%

LAB 74.01, -53.68, 13.18

 

CMYK 70 / 90 / 0 / 19

HEX #3E15CF

RGB 62 21 207

HSL 253.23, 0.82%, 0.45%

LAB 29.58, 64.54, -84.92

 

CMYK 0 / 90 / 64 / 19

HEX #CF154A

RGB 207 21 74

HSL 342.9, 0.82%, 0.45%

LAB 44.65, 68.2, 21.51

 

CMYK 19 / 0 / 90 / 19

HEX #A7CF15

RGB 167 207 21

HSL 72.9, 0.82%, 0.45%

LAB 77.81, -34.79, 74.96

 

Description

Color code: HEX #16CE9C | qconv.com Color code: HEX #16CE9C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 206 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 206 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 24 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 24% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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