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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16CF79 it is the complementary color #E93086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16CF79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16CF79 shade: #1BCF74, #2CE187, #3DF39A, #4EFFAD and #5FFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16CF79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16CF79 shade: #16CF79, #05BD66, #00AB53, #009940 and #00872D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16CF79 shade: #15CF79, #15CF47, #16CF15, #48CF15 and #7ACF15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16CF79 shade: #15CF79, #15CFAB, #15C1CF, #158FCF and #155DCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16CF79 shade matches the following richer shades: #15CF79 and #03E27A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16CF79 shade: #15CF79, #28BD77, #3AAA76, #4D9775 and #608574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16CF79 shade: #15CF15, #15CF47, #15CF78, #15CFAA and #15C3CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16CF79 shade: #0D854D, #11AA63, #15CF79, #26E88E and #4BECA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16CF79 shade: #16CF79, #1547CF and #CF2E15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16CF79 shade: #16CF79, #7815CF and #CF7815

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16CF79 shade: #16CF79, #1547CF, #CF156C and #CF9E15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16CF79 shade: #16CF79, #1B15CF, #CF156C and #C9CF15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 42 / 19

HEX #16CF79

RGB 22 207 121

HSL 152.11, 0.81%, 0.45%

LAB 73.66, -61.5, 31.1

 

Complementary color

CMYK 0 / 79 / 42 / 9

HEX #E93086

RGB 233 48 134

HSL 332.11, 0.81%, 0.55%

LAB 53.12, 73.49, -2.61

 

CMYK 87 / 0 / 44 / 19

HEX #1BCF74

RGB 27 207 116

HSL 149.67, 0.77%, 0.46%

LAB 73.62, -62.08, 33.61

 

CMYK 80 / 0 / 40 / 12

HEX #2CE187

RGB 44 225 135

HSL 150.17, 0.75%, 0.53%

LAB 79.69, -63.41, 31.94

 

CMYK 75 / 0 / 37 / 5

HEX #3DF39A

RGB 61 243 154

HSL 150.66, 0.88%, 0.6%

LAB 85.72, -64.35, 30.38

 

CMYK 69 / 0 / 32 / 0

HEX #4EFFAD

RGB 78 255 173

HSL 152.2, 1%, 0.65%

LAB 89.93, -62.78, 26.52

 

CMYK 63 / 0 / 25 / 0

HEX #5FFFC0

RGB 95 255 192

HSL 156.38, 1%, 0.69%

LAB 90.67, -56.17, 17.93

 

CMYK 89 / 0 / 42 / 19

HEX #16CF79

RGB 22 207 121

HSL 152.11, 0.81%, 0.45%

LAB 73.66, -61.5, 31.1

 

CMYK 97 / 0 / 46 / 26

HEX #05BD66

RGB 5 189 102

HSL 151.63, 0.95%, 0.38%

LAB 67.57, -59.58, 32.91

 

CMYK 100 / 0 / 51 / 33

HEX #00AB53

RGB 0 171 83

HSL 149.12, 1%, 0.34%

LAB 61.44, -57, 34.84

 

CMYK 100 / 0 / 58 / 40

HEX #009940

RGB 0 153 64

HSL 145.1, 1%, 0.3%

LAB 55.23, -54, 36.77

 

CMYK 100 / 0 / 67 / 47

HEX #00872D

RGB 0 135 45

HSL 140, 1%, 0.26%

LAB 48.91, -50.71, 38.51

 

CMYK 90 / 0 / 42 / 19

HEX #15CF79

RGB 21 207 121

HSL 152.26, 0.82%, 0.45%

LAB 73.65, -61.56, 31.09

 

CMYK 90 / 0 / 66 / 19

HEX #15CF47

RGB 21 207 71

HSL 136.13, 0.82%, 0.45%

LAB 73.05, -68.86, 53.95

 

CMYK 89 / 0 / 90 / 19

HEX #16CF15

RGB 22 207 21

HSL 119.68, 0.82%, 0.45%

LAB 72.79, -72.15, 68.75

 

CMYK 65 / 0 / 90 / 19

HEX #48CF15

RGB 72 207 21

HSL 103.55, 0.82%, 0.45%

LAB 73.58, -65.26, 69.74

 

CMYK 41 / 0 / 90 / 19

HEX #7ACF15

RGB 122 207 21

HSL 87.42, 0.82%, 0.45%

LAB 75.34, -51.48, 71.91

 

CMYK 90 / 0 / 42 / 19

HEX #15CF79

RGB 21 207 121

HSL 152.26, 0.82%, 0.45%

LAB 73.65, -61.56, 31.09

 

CMYK 90 / 0 / 17 / 19

HEX #15CFAB

RGB 21 207 171

HSL 168.39, 0.82%, 0.45%

LAB 74.65, -50.41, 6.05

 

CMYK 90 / 7 / 0 / 19

HEX #15C1CF

RGB 21 193 207

HSL 184.52, 0.82%, 0.45%

LAB 71.42, -33.98, -18.26

 

CMYK 90 / 31 / 0 / 19

HEX #158FCF

RGB 21 143 207

HSL 200.65, 0.82%, 0.45%

LAB 56.4, -7.9, -41.48

 

CMYK 90 / 55 / 0 / 19

HEX #155DCF

RGB 21 93 207

HSL 216.77, 0.82%, 0.45%

LAB 41.99, 23.14, -64.56

 

CMYK 90 / 0 / 42 / 19

HEX #15CF79

RGB 21 207 121

HSL 152.26, 0.82%, 0.45%

LAB 73.65, -61.56, 31.09

 

CMYK 99 / 0 / 46 / 11

HEX #03E27A

RGB 3 226 122

HSL 152.02, 0.97%, 0.45%

LAB 79.51, -68.45, 38.15

 

CMYK 90 / 0 / 42 / 19

HEX #15CF79

RGB 21 207 121

HSL 152.26, 0.82%, 0.45%

LAB 73.65, -61.56, 31.09

 

CMYK 79 / 0 / 37 / 26

HEX #28BD77

RGB 40 189 119

HSL 151.81, 0.65%, 0.45%

LAB 68.15, -53.87, 24.88

 

CMYK 66 / 0 / 31 / 33

HEX #3AAA76

RGB 58 170 118

HSL 152.14, 0.49%, 0.45%

LAB 62.47, -43.9, 17.77

 

CMYK 49 / 0 / 23 / 41

HEX #4D9775

RGB 77 151 117

HSL 152.43, 0.32%, 0.45%

LAB 57.07, -31.39, 10.91

 

CMYK 28 / 0 / 13 / 48

HEX #608574

RGB 96 133 116

HSL 152.43, 0.16%, 0.45%

LAB 52.42, -16.77, 5

 

CMYK 90 / 0 / 90 / 19

HEX #15CF15

RGB 21 207 21

HSL 120, 0.82%, 0.45%

LAB 72.79, -72.22, 68.74

 

CMYK 90 / 0 / 66 / 19

HEX #15CF47

RGB 21 207 71

HSL 136.13, 0.82%, 0.45%

LAB 73.05, -68.86, 53.95

 

CMYK 90 / 0 / 42 / 19

HEX #15CF78

RGB 21 207 120

HSL 151.94, 0.82%, 0.45%

LAB 73.64, -61.74, 31.58

 

CMYK 90 / 0 / 18 / 19

HEX #15CFAA

RGB 21 207 170

HSL 168.06, 0.82%, 0.45%

LAB 74.63, -50.67, 6.55

 

CMYK 90 / 6 / 0 / 19

HEX #15C3CF

RGB 21 195 207

HSL 183.87, 0.82%, 0.45%

LAB 72.02, -34.92, -17.35

 

CMYK 90 / 0 / 42 / 48

HEX #0D854D

RGB 13 133 77

HSL 152, 0.82%, 0.29%

LAB 48.76, -43.92, 21.84

 

CMYK 90 / 0 / 42 / 33

HEX #11AA63

RGB 17 170 99

HSL 152.16, 0.82%, 0.37%

LAB 61.45, -52.93, 26.57

 

CMYK 90 / 0 / 42 / 19

HEX #15CF79

RGB 21 207 121

HSL 152.26, 0.82%, 0.45%

LAB 73.65, -61.56, 31.09

 

CMYK 84 / 0 / 39 / 9

HEX #26E88E

RGB 38 232 142

HSL 152.16, 0.81%, 0.53%

LAB 81.88, -65.1, 31.28

 

CMYK 68 / 0 / 32 / 7

HEX #4BECA1

RGB 75 236 161

HSL 152.05, 0.81%, 0.61%

LAB 84, -58.43, 24.53

 

CMYK 89 / 0 / 42 / 19

HEX #16CF79

RGB 22 207 121

HSL 152.11, 0.81%, 0.45%

LAB 73.66, -61.5, 31.1

 

CMYK 90 / 66 / 0 / 19

HEX #1547CF

RGB 21 71 207

HSL 223.87, 0.82%, 0.45%

LAB 36.31, 37.47, -73.84

 

CMYK 0 / 78 / 90 / 19

HEX #CF2E15

RGB 207 46 21

HSL 8.06, 0.82%, 0.45%

LAB 46.01, 60.78, 52.08

 

CMYK 89 / 0 / 42 / 19

HEX #16CF79

RGB 22 207 121

HSL 152.11, 0.81%, 0.45%

LAB 73.66, -61.5, 31.1

 

CMYK 42 / 90 / 0 / 19

HEX #7815CF

RGB 120 21 207

HSL 271.94, 0.82%, 0.45%

LAB 36.05, 69.41, -74.01

 

CMYK 0 / 42 / 90 / 19

HEX #CF7815

RGB 207 120 21

HSL 31.94, 0.82%, 0.45%

LAB 58.74, 27.76, 61.53

 

CMYK 89 / 0 / 42 / 19

HEX #16CF79

RGB 22 207 121

HSL 152.11, 0.81%, 0.45%

LAB 73.66, -61.5, 31.1

 

CMYK 90 / 66 / 0 / 19

HEX #1547CF

RGB 21 71 207

HSL 223.87, 0.82%, 0.45%

LAB 36.31, 37.47, -73.84

 

CMYK 0 / 90 / 48 / 19

HEX #CF156C

RGB 207 21 108

HSL 331.94, 0.82%, 0.45%

LAB 45.48, 70.49, 1.46

 

CMYK 0 / 24 / 90 / 19

HEX #CF9E15

RGB 207 158 21

HSL 44.19, 0.82%, 0.45%

LAB 67.85, 7.21, 68.5

 

CMYK 89 / 0 / 42 / 19

HEX #16CF79

RGB 22 207 121

HSL 152.11, 0.81%, 0.45%

LAB 73.66, -61.5, 31.1

 

CMYK 87 / 90 / 0 / 19

HEX #1B15CF

RGB 27 21 207

HSL 241.94, 0.82%, 0.45%

LAB 27.5, 63.2, -88.43

 

CMYK 0 / 90 / 48 / 19

HEX #CF156C

RGB 207 21 108

HSL 331.94, 0.82%, 0.45%

LAB 45.48, 70.49, 1.46

 

CMYK 3 / 0 / 90 / 19

HEX #C9CF15

RGB 201 207 21

HSL 61.94, 0.82%, 0.45%

LAB 80.23, -20.72, 77.91

 

Description

Color code: HEX #16CF79 | qconv.com Color code: HEX #16CF79 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 207 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 207 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 42 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 42% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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