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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16CFB4 it is the complementary color #E9304B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16CFB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16CFB4 shade: #1BCFAF, #2CE1C2, #3DF3D5, #4EFFE8 and #5FFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16CFB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16CFB4 shade: #16CFB4, #05BDA1, #00AB8E, #00997B and #008768

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16CFB4 shade: #15CFB4, #15CF82, #15CF50, #15CF1E and #3FCF15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16CFB4 shade: #15CFB4, #15B8CF, #1586CF, #1554CF and #1522CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16CFB4 shade matches the following richer shades: #15CFB4 and #03E2C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16CFB4 shade: #15CFB4, #28BDA7, #3AAA9A, #4D978D and #60857F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16CFB4 shade: #15CF50, #15CF82, #15CFB3, #15BACF and #1588CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16CFB4 shade: #0D8573, #11AA94, #15CFB4, #26E8CB and #4BECD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16CFB4 shade: #16CFB4, #1F15CF and #CF6915

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16CFB4 shade: #16CFB4, #B315CF and #CFB315

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16CFB4 shade: #16CFB4, #1F15CF, #CF1531 and #C6CF15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16CFB4 shade: #16CFB4, #5615CF, #CF1531 and #8ECF15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 13 / 19

HEX #16CFB4

RGB 22 207 180

HSL 171.24, 0.81%, 0.45%

LAB 74.88, -48, 1.54

 

Complementary color

CMYK 0 / 79 / 68 / 9

HEX #E9304B

RGB 233 48 75

HSL 351.24, 0.81%, 0.55%

LAB 51.78, 69.4, 31

 

CMYK 87 / 0 / 15 / 19

HEX #1BCFAF

RGB 27 207 175

HSL 169.33, 0.77%, 0.46%

LAB 74.8, -49.04, 4.11

 

CMYK 80 / 0 / 14 / 12

HEX #2CE1C2

RGB 44 225 194

HSL 169.72, 0.75%, 0.53%

LAB 80.89, -50.27, 2.82

 

CMYK 75 / 0 / 12 / 5

HEX #3DF3D5

RGB 61 243 213

HSL 170.11, 0.88%, 0.6%

LAB 86.95, -51.21, 1.64

 

CMYK 69 / 0 / 9 / 0

HEX #4EFFE8

RGB 78 255 232

HSL 172.2, 1%, 0.65%

LAB 91.22, -49.4, -1.98

 

CMYK 63 / 0 / 2 / 0

HEX #5FFFFB

RGB 95 255 251

HSL 178.5, 1%, 0.69%

LAB 92.1, -42.09, -10.49

 

CMYK 89 / 0 / 13 / 19

HEX #16CFB4

RGB 22 207 180

HSL 171.24, 0.81%, 0.45%

LAB 74.88, -48, 1.54

 

CMYK 97 / 0 / 15 / 26

HEX #05BDA1

RGB 5 189 161

HSL 170.87, 0.95%, 0.38%

LAB 68.75, -46.27, 2.95

 

CMYK 100 / 0 / 17 / 33

HEX #00AB8E

RGB 0 171 142

HSL 169.82, 1%, 0.34%

LAB 62.57, -44.06, 4.52

HEX #00AB8E

CMYK 100 / 0 / 20 / 40

HEX #00997B

RGB 0 153 123

HSL 168.24, 1%, 0.3%

LAB 56.3, -41.64, 6.2

HEX #00997B

CMYK 100 / 0 / 23 / 47

HEX #008768

RGB 0 135 104

HSL 166.22, 1%, 0.26%

LAB 49.89, -39.15, 7.96

HEX #008768

CMYK 90 / 0 / 13 / 19

HEX #15CFB4

RGB 21 207 180

HSL 171.29, 0.82%, 0.45%

LAB 74.88, -48.05, 1.53

 

CMYK 90 / 0 / 37 / 19

HEX #15CF82

RGB 21 207 130

HSL 155.16, 0.82%, 0.45%

LAB 73.8, -59.82, 26.64

 

CMYK 90 / 0 / 61 / 19

HEX #15CF50

RGB 21 207 80

HSL 139.03, 0.82%, 0.45%

LAB 73.13, -67.85, 50.2

 

CMYK 90 / 0 / 86 / 19

HEX #15CF1E

RGB 21 207 30

HSL 122.9, 0.82%, 0.45%

LAB 72.81, -71.88, 67.03

 

CMYK 70 / 0 / 90 / 19

HEX #3FCF15

RGB 63 207 21

HSL 106.45, 0.82%, 0.45%

LAB 73.37, -67.03, 69.48

 

CMYK 90 / 0 / 13 / 19

HEX #15CFB4

RGB 21 207 180

HSL 171.29, 0.82%, 0.45%

LAB 74.88, -48.05, 1.53

 

CMYK 90 / 11 / 0 / 19

HEX #15B8CF

RGB 21 184 207

HSL 187.42, 0.82%, 0.45%

LAB 68.71, -29.65, -22.38

 

CMYK 90 / 35 / 0 / 19

HEX #1586CF

RGB 21 134 207

HSL 203.55, 0.82%, 0.45%

LAB 53.72, -2.66, -45.7

 

CMYK 90 / 59 / 0 / 19

HEX #1554CF

RGB 21 84 207

HSL 219.68, 0.82%, 0.45%

LAB 39.59, 29.04, -68.47

 

CMYK 90 / 84 / 0 / 19

HEX #1522CF

RGB 21 34 207

HSL 235.81, 0.82%, 0.45%

LAB 28.92, 58.19, -86.07

 

CMYK 90 / 0 / 13 / 19

HEX #15CFB4

RGB 21 207 180

HSL 171.29, 0.82%, 0.45%

LAB 74.88, -48.05, 1.53

 

CMYK 99 / 0 / 15 / 11

HEX #03E2C1

RGB 3 226 193

HSL 171.12, 0.97%, 0.45%

LAB 80.88, -52.99, 3.3

 

CMYK 90 / 0 / 13 / 19

HEX #15CFB4

RGB 21 207 180

HSL 171.29, 0.82%, 0.45%

LAB 74.88, -48.05, 1.53

 

CMYK 79 / 0 / 12 / 26

HEX #28BDA7

RGB 40 189 167

HSL 171.14, 0.65%, 0.45%

LAB 69.21, -42.51, 0.36

 

CMYK 66 / 0 / 9 / 33

HEX #3AAA9A

RGB 58 170 154

HSL 171.43, 0.49%, 0.45%

LAB 63.33, -35.16, -0.99

 

CMYK 49 / 0 / 7 / 41

HEX #4D978D

RGB 77 151 141

HSL 171.89, 0.32%, 0.45%

LAB 57.69, -25.6, -1.85

 

CMYK 28 / 0 / 5 / 48

HEX #60857F

RGB 96 133 127

HSL 170.27, 0.16%, 0.45%

LAB 52.72, -14.28, -0.96

 

CMYK 90 / 0 / 61 / 19

HEX #15CF50

RGB 21 207 80

HSL 139.03, 0.82%, 0.45%

LAB 73.13, -67.85, 50.2

 

CMYK 90 / 0 / 37 / 19

HEX #15CF82

RGB 21 207 130

HSL 155.16, 0.82%, 0.45%

LAB 73.8, -59.82, 26.64

 

CMYK 90 / 0 / 14 / 19

HEX #15CFB3

RGB 21 207 179

HSL 170.97, 0.82%, 0.45%

LAB 74.85, -48.32, 2.03

 

CMYK 90 / 10 / 0 / 19

HEX #15BACF

RGB 21 186 207

HSL 186.77, 0.82%, 0.45%

LAB 69.31, -30.62, -21.46

 

CMYK 90 / 34 / 0 / 19

HEX #1588CF

RGB 21 136 207

HSL 202.9, 0.82%, 0.45%

LAB 54.32, -3.84, -44.77

 

CMYK 90 / 0 / 14 / 48

HEX #0D8573

RGB 13 133 115

HSL 171, 0.82%, 0.29%

LAB 49.62, -34.47, 1.17

 

CMYK 90 / 0 / 13 / 33

HEX #11AA94

RGB 17 170 148

HSL 171.37, 0.82%, 0.37%

LAB 62.51, -41.27, 1.09

 

CMYK 90 / 0 / 13 / 19

HEX #15CFB4

RGB 21 207 180

HSL 171.29, 0.82%, 0.45%

LAB 74.88, -48.05, 1.53

 

CMYK 84 / 0 / 13 / 9

HEX #26E8CB

RGB 38 232 203

HSL 171.03, 0.81%, 0.53%

LAB 83.15, -51.3, 1.32

 

CMYK 68 / 0 / 10 / 7

HEX #4BECD4

RGB 75 236 212

HSL 171.06, 0.81%, 0.61%

LAB 85.12, -46.79, -0.47

 

CMYK 89 / 0 / 13 / 19

HEX #16CFB4

RGB 22 207 180

HSL 171.24, 0.81%, 0.45%

LAB 74.88, -48, 1.54

 

CMYK 85 / 90 / 0 / 19

HEX #1F15CF

RGB 31 21 207

HSL 243.23, 0.82%, 0.45%

LAB 27.66, 63.3, -88.16

 

CMYK 0 / 49 / 90 / 19

HEX #CF6915

RGB 207 105 21

HSL 27.1, 0.82%, 0.45%

LAB 55.51, 35.66, 59.09

 

CMYK 89 / 0 / 13 / 19

HEX #16CFB4

RGB 22 207 180

HSL 171.24, 0.81%, 0.45%

LAB 74.88, -48, 1.54

 

CMYK 14 / 90 / 0 / 19

HEX #B315CF

RGB 179 21 207

HSL 290.97, 0.82%, 0.45%

LAB 45.12, 77.46, -58.84

 

CMYK 0 / 14 / 90 / 19

HEX #CFB315

RGB 207 179 21

HSL 50.97, 0.82%, 0.45%

LAB 73.26, -3.94, 72.68

 

CMYK 89 / 0 / 13 / 19

HEX #16CFB4

RGB 22 207 180

HSL 171.24, 0.81%, 0.45%

LAB 74.88, -48, 1.54

 

CMYK 85 / 90 / 0 / 19

HEX #1F15CF

RGB 31 21 207

HSL 243.23, 0.82%, 0.45%

LAB 27.66, 63.3, -88.16

 

CMYK 0 / 90 / 76 / 19

HEX #CF1531

RGB 207 21 49

HSL 350.97, 0.82%, 0.45%

LAB 44.27, 67.1, 36.26

 

CMYK 4 / 0 / 90 / 19

HEX #C6CF15

RGB 198 207 21

HSL 62.9, 0.82%, 0.45%

LAB 80, -21.99, 77.63

 

CMYK 89 / 0 / 13 / 19

HEX #16CFB4

RGB 22 207 180

HSL 171.24, 0.81%, 0.45%

LAB 74.88, -48, 1.54

 

CMYK 58 / 90 / 0 / 19

HEX #5615CF

RGB 86 21 207

HSL 260.97, 0.82%, 0.45%

LAB 31.85, 66.14, -81.08

 

CMYK 0 / 90 / 76 / 19

HEX #CF1531

RGB 207 21 49

HSL 350.97, 0.82%, 0.45%

LAB 44.27, 67.1, 36.26

 

CMYK 31 / 0 / 90 / 19

HEX #8ECF15

RGB 142 207 21

HSL 80.97, 0.82%, 0.45%

LAB 76.33, -44.44, 73.14

 

Description

Color code: HEX #16CFB4 | qconv.com Color code: HEX #16CFB4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 207 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 207 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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