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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16D8C5 it is the complementary color #E9273A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16D8C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16D8C5 shade: #1BD8C0, #2CEAD3, #3DFCE6, #4EFFF9 and #5FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16D8C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16D8C5 shade: #16D8C5, #05C6B2, #00B49F, #00A28C and #009079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16D8C5 shade: #15DAC6, #15DA91, #15DA5C, #15DA27 and #38DA15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16D8C5 shade: #15DAC6, #15B8DA, #1583DA, #154EDA and #1519DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16D8C5 shade matches the following richer shades: #15DAC6 and #02EDD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16D8C5 shade: #15DAC6, #28C6B7, #3CB3A7, #4F9F98 and #638C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16D8C5 shade: #15DA5D, #15DA92, #15DAC6, #15B9DA and #1584DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16D8C5 shade: #0E8F82, #11B4A4, #15DAC6, #2EEAD7 and #54EEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16D8C5 shade: #16D8C5, #2915DA and #DA7715

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16D8C5 shade: #16D8C5, #C615DA and #DAC615

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16D8C5 shade: #16D8C5, #2915DA, #DA1529 and #C6DA15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16D8C5 shade: #16D8C5, #6415DA, #DA1529 and #8BDA15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 9 / 15

HEX #16D8C5

RGB 22 216 197

HSL 174.12, 0.82%, 0.47%

LAB 78.06, -47.17, -2.95

 

Complementary color

CMYK 0 / 83 / 75 / 9

HEX #E9273A

RGB 233 39 58

HSL 354.12, 0.82%, 0.53%

LAB 50.78, 70.85, 39.73

 

CMYK 88 / 0 / 11 / 15

HEX #1BD8C0

RGB 27 216 192

HSL 172.38, 0.78%, 0.48%

LAB 77.96, -48.27, -0.41

 

CMYK 81 / 0 / 10 / 8

HEX #2CEAD3

RGB 44 234 211

HSL 172.74, 0.82%, 0.55%

LAB 84.01, -49.58, -1.63

 

CMYK 76 / 0 / 9 / 1

HEX #3DFCE6

RGB 61 252 230

HSL 173.09, 0.97%, 0.61%

LAB 90.01, -50.59, -2.74

 

CMYK 69 / 0 / 2 / 0

HEX #4EFFF9

RGB 78 255 249

HSL 177.97, 1%, 0.65%

LAB 91.68, -44.95, -10.12

 

CMYK 63 / 0 / 0 / 0

HEX #5FFFFF

RGB 95 255 255

HSL 180, 1%, 0.69%

LAB 92.21, -41.03, -12.39

 

CMYK 90 / 0 / 9 / 15

HEX #16D8C5

RGB 22 216 197

HSL 174.12, 0.82%, 0.47%

LAB 78.06, -47.17, -2.95

 

CMYK 97 / 0 / 10 / 22

HEX #05C6B2

RGB 5 198 178

HSL 173.78, 0.95%, 0.4%

LAB 71.98, -45.39, -1.62

 

CMYK 100 / 0 / 12 / 29

HEX #00B49F

RGB 0 180 159

HSL 173, 1%, 0.35%

LAB 65.86, -43.19, -0.16

 

CMYK 100 / 0 / 14 / 36

HEX #00A28C

RGB 0 162 140

HSL 171.85, 1%, 0.32%

LAB 59.65, -40.79, 1.4

 

CMYK 100 / 0 / 16 / 44

HEX #009079

RGB 0 144 121

HSL 170.42, 1%, 0.28%

LAB 53.31, -38.34, 3.03

 

CMYK 90 / 0 / 9 / 15

HEX #15DAC6

RGB 21 218 198

HSL 173.91, 0.82%, 0.47%

LAB 78.68, -47.78, -2.57

 

CMYK 90 / 0 / 33 / 15

HEX #15DA91

RGB 21 218 145

HSL 157.77, 0.82%, 0.47%

LAB 77.49, -60.68, 23.81

 

CMYK 90 / 0 / 58 / 15

HEX #15DA5C

RGB 21 218 92

HSL 141.62, 0.82%, 0.47%

LAB 76.72, -69.73, 49.01

 

CMYK 90 / 0 / 82 / 15

HEX #15DA27

RGB 21 218 39

HSL 125.48, 0.82%, 0.47%

LAB 76.34, -74.52, 68.08

 

CMYK 74 / 0 / 90 / 15

HEX #38DA15

RGB 56 218 21

HSL 109.34, 0.82%, 0.47%

LAB 76.7, -71.55, 72.24

 

CMYK 90 / 0 / 9 / 15

HEX #15DAC6

RGB 21 218 198

HSL 173.91, 0.82%, 0.47%

LAB 78.68, -47.78, -2.57

 

CMYK 90 / 16 / 0 / 15

HEX #15B8DA

RGB 21 184 218

HSL 190.36, 0.82%, 0.47%

LAB 69.11, -26.04, -27.79

 

CMYK 90 / 40 / 0 / 15

HEX #1583DA

RGB 21 131 218

HSL 206.5, 0.82%, 0.47%

LAB 53.44, 3.33, -52.36

 

CMYK 90 / 64 / 0 / 15

HEX #154EDA

RGB 21 78 218

HSL 222.64, 0.82%, 0.47%

LAB 39.02, 37.12, -75.73

 

CMYK 90 / 89 / 0 / 15

HEX #1519DA

RGB 21 25 218

HSL 238.78, 0.82%, 0.47%

LAB 29.2, 64.83, -91.98

 

CMYK 90 / 0 / 9 / 15

HEX #15DAC6

RGB 21 218 198

HSL 173.91, 0.82%, 0.47%

LAB 78.68, -47.78, -2.57

 

CMYK 99 / 0 / 10 / 7

HEX #02EDD6

RGB 2 237 214

HSL 174.13, 0.98%, 0.47%

LAB 84.71, -51.9, -2.22

 

CMYK 90 / 0 / 9 / 15

HEX #15DAC6

RGB 21 218 198

HSL 173.91, 0.82%, 0.47%

LAB 78.68, -47.78, -2.57

 

CMYK 80 / 0 / 8 / 22

HEX #28C6B7

RGB 40 198 183

HSL 174.3, 0.66%, 0.47%

LAB 72.4, -42.06, -3.7

 

CMYK 66 / 0 / 7 / 30

HEX #3CB3A7

RGB 60 179 167

HSL 173.95, 0.5%, 0.47%

LAB 66.51, -35.48, -3.54

 

CMYK 50 / 0 / 4 / 38

HEX #4F9F98

RGB 79 159 152

HSL 174.75, 0.34%, 0.47%

LAB 60.54, -26.25, -3.89

 

CMYK 29 / 0 / 3 / 45

HEX #638C88

RGB 99 140 136

HSL 174.15, 0.17%, 0.47%

LAB 55.26, -14.98, -2.42

 

CMYK 90 / 0 / 57 / 15

HEX #15DA5D

RGB 21 218 93

HSL 141.93, 0.82%, 0.47%

LAB 76.74, -69.6, 48.57

 

CMYK 90 / 0 / 33 / 15

HEX #15DA92

RGB 21 218 146

HSL 158.07, 0.82%, 0.47%

LAB 77.51, -60.47, 23.32

 

CMYK 90 / 0 / 9 / 15

HEX #15DAC6

RGB 21 218 198

HSL 173.91, 0.82%, 0.47%

LAB 78.68, -47.78, -2.57

 

CMYK 90 / 15 / 0 / 15

HEX #15B9DA

RGB 21 185 218

HSL 190.05, 0.82%, 0.47%

LAB 69.41, -26.54, -27.33

 

CMYK 90 / 39 / 0 / 15

HEX #1584DA

RGB 21 132 218

HSL 206.19, 0.82%, 0.47%

LAB 53.73, 2.73, -51.89

 

CMYK 90 / 0 / 9 / 44

HEX #0E8F82

RGB 14 143 130

HSL 173.95, 0.82%, 0.31%

LAB 53.33, -34.57, -2.11

 

CMYK 91 / 0 / 9 / 29

HEX #11B4A4

RGB 17 180 164

HSL 174.11, 0.83%, 0.39%

LAB 66.09, -41.12, -2.58

 

CMYK 90 / 0 / 9 / 15

HEX #15DAC6

RGB 21 218 198

HSL 173.91, 0.82%, 0.47%

LAB 78.68, -47.78, -2.57

 

CMYK 80 / 0 / 8 / 8

HEX #2EEAD7

RGB 46 234 215

HSL 173.94, 0.82%, 0.55%

LAB 84.14, -48.35, -3.54

 

CMYK 65 / 0 / 6 / 7

HEX #54EEDF

RGB 84 238 223

HSL 174.16, 0.82%, 0.63%

LAB 86.19, -43.54, -4.66

 

CMYK 90 / 0 / 9 / 15

HEX #16D8C5

RGB 22 216 197

HSL 174.12, 0.82%, 0.47%

LAB 78.06, -47.17, -2.95

 

CMYK 81 / 90 / 0 / 15

HEX #2915DA

RGB 41 21 218

HSL 246.09, 0.82%, 0.47%

LAB 29.59, 66.53, -91.32

 

CMYK 0 / 45 / 90 / 15

HEX #DA7715

RGB 218 119 21

HSL 29.85, 0.82%, 0.47%

LAB 60.03, 32.87, 63.16

 

CMYK 90 / 0 / 9 / 15

HEX #16D8C5

RGB 22 216 197

HSL 174.12, 0.82%, 0.47%

LAB 78.06, -47.17, -2.95

 

CMYK 9 / 90 / 0 / 15

HEX #C615DA

RGB 198 21 218

HSL 293.91, 0.82%, 0.47%

LAB 49.01, 82.25, -58.71

 

CMYK 0 / 9 / 90 / 15

HEX #DAC615

RGB 218 198 21

HSL 53.91, 0.82%, 0.47%

LAB 79.24, -8.94, 77.75

 

CMYK 90 / 0 / 9 / 15

HEX #16D8C5

RGB 22 216 197

HSL 174.12, 0.82%, 0.47%

LAB 78.06, -47.17, -2.95

 

CMYK 81 / 90 / 0 / 15

HEX #2915DA

RGB 41 21 218

HSL 246.09, 0.82%, 0.47%

LAB 29.59, 66.53, -91.32

 

CMYK 0 / 90 / 81 / 15

HEX #DA1529

RGB 218 21 41

HSL 353.91, 0.82%, 0.47%

LAB 46.45, 69.67, 43.77

 

CMYK 9 / 0 / 90 / 15

HEX #C6DA15

RGB 198 218 21

HSL 66.09, 0.82%, 0.47%

LAB 83.02, -27.28, 80.01

 

CMYK 90 / 0 / 9 / 15

HEX #16D8C5

RGB 22 216 197

HSL 174.12, 0.82%, 0.47%

LAB 78.06, -47.17, -2.95

 

CMYK 54 / 90 / 0 / 15

HEX #6415DA

RGB 100 21 218

HSL 264.06, 0.82%, 0.47%

LAB 34.62, 69.91, -82.82

 

CMYK 0 / 90 / 81 / 15

HEX #DA1529

RGB 218 21 41

HSL 353.91, 0.82%, 0.47%

LAB 46.45, 69.67, 43.77

 

CMYK 36 / 0 / 90 / 15

HEX #8BDA15

RGB 139 218 21

HSL 84.06, 0.82%, 0.47%

LAB 79.43, -50.08, 75.63

 

Description

Color code: HEX #16D8C5 | qconv.com Color code: HEX #16D8C5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 216 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 216 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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