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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16ED79 it is the complementary color #E91286. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16ED79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16ED79 shade: #1BED74, #2CFF87, #3DFF9A, #4EFFAD and #5FFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16ED79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16ED79 shade: #16ED79, #05DB66, #00C953, #00B740 and #00A52D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16ED79 shade: #16ED79, #16ED3F, #27ED16, #61ED16 and #9BED16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16ED79 shade: #16ED79, #16EDB3, #16EDED, #16B3ED and #1679ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16ED79 shade matches the following richer shades: #16ED79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16ED79 shade: #16ED79, #2AD97B, #3FC57C, #53B07E and #679C7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16ED79 shade: #28ED16, #16ED3D, #16ED77, #16EDB0 and #16EDE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16ED79 shade: #0CA552, #0FCB65, #16ED79, #3CF08F and #63F3A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16ED79 shade: #16ED79, #1661ED and #ED2116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16ED79 shade: #16ED79, #7716ED and #ED7716

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16ED79 shade: #16ED79, #1661ED, #ED168C and #EDA216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16ED79 shade: #16ED79, #1621ED, #ED168C and #EDE216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

Complementary color

CMYK 0 / 92 / 42 / 9

HEX #E91286

RGB 233 18 134

HSL 327.63, 0.86%, 0.49%

LAB 51.24, 78.91, -5.39

 

CMYK 89 / 0 / 51 / 7

HEX #1BED74

RGB 27 237 116

HSL 145.43, 0.85%, 0.52%

LAB 82.95, -71.95, 45.39

 

CMYK 83 / 0 / 47 / 0

HEX #2CFF87

RGB 44 255 135

HSL 145.88, 1%, 0.59%

LAB 88.83, -73.54, 43.74

 

CMYK 76 / 0 / 40 / 0

HEX #3DFF9A

RGB 61 255 154

HSL 148.76, 1%, 0.62%

LAB 89.32, -68.6, 35.17

 

CMYK 69 / 0 / 32 / 0

HEX #4EFFAD

RGB 78 255 173

HSL 152.2, 1%, 0.65%

LAB 89.93, -62.78, 26.52

 

CMYK 63 / 0 / 25 / 0

HEX #5FFFC0

RGB 95 255 192

HSL 156.38, 1%, 0.69%

LAB 90.67, -56.17, 17.93

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 98 / 0 / 53 / 14

HEX #05DB66

RGB 5 219 102

HSL 147.2, 0.96%, 0.44%

LAB 77.07, -69.31, 44.78

 

CMYK 100 / 0 / 59 / 21

HEX #00C953

RGB 0 201 83

HSL 144.78, 1%, 0.39%

LAB 71.14, -66.56, 46.53

 

CMYK 100 / 0 / 65 / 28

HEX #00B740

RGB 0 183 64

HSL 140.98, 1%, 0.36%

LAB 65.15, -63.41, 48.15

 

CMYK 100 / 0 / 73 / 35

HEX #00A52D

RGB 0 165 45

HSL 136.36, 1%, 0.32%

LAB 59.07, -59.95, 49.38

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 91 / 0 / 73 / 7

HEX #16ED3F

RGB 22 237 63

HSL 131.44, 0.86%, 0.51%

LAB 82.43, -78.21, 66.8

 

CMYK 84 / 0 / 91 / 7

HEX #27ED16

RGB 39 237 22

HSL 115.26, 0.86%, 0.51%

LAB 82.41, -79.03, 76.82

 

CMYK 59 / 0 / 91 / 7

HEX #61ED16

RGB 97 237 22

HSL 99.07, 0.86%, 0.51%

LAB 83.53, -69.41, 78.21

 

CMYK 35 / 0 / 91 / 7

HEX #9BED16

RGB 155 237 22

HSL 82.88, 0.86%, 0.51%

LAB 85.8, -52.18, 81.01

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 91 / 0 / 24 / 7

HEX #16EDB3

RGB 22 237 179

HSL 163.81, 0.86%, 0.51%

LAB 83.96, -60.12, 15.06

 

CMYK 91 / 0 / 0 / 7

HEX #16EDED

RGB 22 237 237

HSL 180, 0.86%, 0.51%

LAB 85.43, -44.92, -13.24

 

CMYK 91 / 24 / 0 / 7

HEX #16B3ED

RGB 22 179 237

HSL 196.19, 0.86%, 0.51%

LAB 68.41, -16.94, -39.26

 

CMYK 91 / 49 / 0 / 7

HEX #1679ED

RGB 22 121 237

HSL 212.37, 0.86%, 0.51%

LAB 51.79, 16.89, -65.66

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 81 / 0 / 43 / 15

HEX #2AD97B

RGB 42 217 123

HSL 147.77, 0.7%, 0.51%

LAB 77.01, -62.98, 34.49

 

CMYK 68 / 0 / 37 / 23

HEX #3FC57C

RGB 63 197 124

HSL 147.31, 0.54%, 0.51%

LAB 71.18, -52.63, 26.37

 

CMYK 53 / 0 / 28 / 31

HEX #53B07E

RGB 83 176 126

HSL 147.74, 0.37%, 0.51%

LAB 65.28, -39.39, 17.38

 

CMYK 34 / 0 / 19 / 39

HEX #679C7F

RGB 103 156 127

HSL 147.17, 0.21%, 0.51%

LAB 60.06, -24.09, 9.67

 

CMYK 83 / 0 / 91 / 7

HEX #28ED16

RGB 40 237 22

HSL 114.98, 0.86%, 0.51%

LAB 82.42, -78.93, 76.83

 

CMYK 91 / 0 / 74 / 7

HEX #16ED3D

RGB 22 237 61

HSL 130.88, 0.86%, 0.51%

LAB 82.42, -78.36, 67.45

 

CMYK 91 / 0 / 50 / 7

HEX #16ED77

RGB 22 237 119

HSL 147.07, 0.86%, 0.51%

LAB 82.95, -71.77, 43.96

 

CMYK 91 / 0 / 26 / 7

HEX #16EDB0

RGB 22 237 176

HSL 162.98, 0.86%, 0.51%

LAB 83.9, -60.81, 16.54

 

CMYK 91 / 0 / 2 / 7

HEX #16EDE9

RGB 22 237 233

HSL 178.88, 0.86%, 0.51%

LAB 85.31, -46.06, -11.31

 

CMYK 93 / 0 / 50 / 35

HEX #0CA552

RGB 12 165 82

HSL 147.45, 0.86%, 0.35%

LAB 59.52, -54.55, 32.98

 

CMYK 93 / 0 / 50 / 20

HEX #0FCB65

RGB 15 203 101

HSL 147.45, 0.86%, 0.43%

LAB 72.06, -63.98, 39.1

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 75 / 0 / 40 / 6

HEX #3CF08F

RGB 60 240 143

HSL 147.67, 0.86%, 0.59%

LAB 84.62, -65.42, 34.44

 

CMYK 59 / 0 / 32 / 5

HEX #63F3A5

RGB 99 243 165

HSL 147.5, 0.86%, 0.67%

LAB 86.74, -56.08, 26.32

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 91 / 59 / 0 / 7

HEX #1661ED

RGB 22 97 237

HSL 219.07, 0.86%, 0.51%

LAB 45.41, 32.17, -76.04

 

CMYK 0 / 86 / 91 / 7

HEX #ED2116

RGB 237 33 22

HSL 3.07, 0.86%, 0.51%

LAB 50.86, 72.26, 57.85

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 50 / 91 / 0 / 7

HEX #7716ED

RGB 119 22 237

HSL 267.07, 0.86%, 0.51%

LAB 38.92, 75.68, -86.5

 

CMYK 0 / 50 / 91 / 7

HEX #ED7716

RGB 237 119 22

HSL 27.07, 0.86%, 0.51%

LAB 62.72, 40.5, 66.09

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 91 / 59 / 0 / 7

HEX #1661ED

RGB 22 97 237

HSL 219.07, 0.86%, 0.51%

LAB 45.41, 32.17, -76.04

 

CMYK 0 / 91 / 41 / 7

HEX #ED168C

RGB 237 22 140

HSL 327.07, 0.86%, 0.51%

LAB 52.37, 79.84, -7.24

 

CMYK 0 / 32 / 91 / 7

HEX #EDA216

RGB 237 162 22

HSL 39.07, 0.86%, 0.51%

LAB 72.16, 18.13, 73.03

 

CMYK 91 / 0 / 49 / 7

HEX #16ED79

RGB 22 237 121

HSL 147.63, 0.86%, 0.51%

LAB 82.98, -71.46, 43.04

 

CMYK 91 / 86 / 0 / 7

HEX #1621ED

RGB 22 33 237

HSL 236.93, 0.86%, 0.51%

LAB 32.64, 67.34, -97.13

 

CMYK 0 / 91 / 41 / 7

HEX #ED168C

RGB 237 22 140

HSL 327.07, 0.86%, 0.51%

LAB 52.37, 79.84, -7.24

 

CMYK 0 / 5 / 91 / 7

HEX #EDE216

RGB 237 226 22

HSL 56.93, 0.86%, 0.51%

LAB 88.19, -14.83, 85.2

 

Description

Color code: HEX #16ED79 | qconv.com Color code: HEX #16ED79 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 237 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 237 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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