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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #173553 it is the complementary color #E8CAAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #173553. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #173553 shade: #1C354E, #2D4761, #3E5974, #4F6B87 and #607D9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #173553. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #173553 shade: #173553, #062340, #00112D, #00001A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #173553 shade: #173554, #172554, #191754, #291754 and #3A1754

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #173553 shade: #173554, #172554 and #171754

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #173553 shade matches the following richer shades: #173554, #0E355C and #053565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #173553 shade: #173554, #1F354B, #283542, #31353A and #393531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #173553 shade: #175452, #174554, #173554, #172554 and #191754

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #173553 shade: #050C13, #0E2033, #173554, #1F4A74 and #285E94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #173553 shade: #173553, #411754 and #4D5417

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #173553 shade: #173553, #541735 and #355417

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #173553 shade: #173553, #411754, #543517 and #295417

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #173553 shade: #173553, #541754, #543517 and #175417

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 36 / 0 / 67

HEX #173553

RGB 23 53 83

HSL 210, 0.57%, 0.21%

LAB 21.41, 0.02, -21.53

 

Complementary color

CMYK 0 / 13 / 26 / 9

HEX #E8CAAC

RGB 232 202 172

HSL 30, 0.57%, 0.79%

LAB 83.11, 6.06, 18.87

 

CMYK 64 / 32 / 0 / 69

HEX #1C354E

RGB 28 53 78

HSL 210, 0.47%, 0.21%

LAB 21.37, -0.86, -18.24

 

CMYK 54 / 27 / 0 / 62

HEX #2D4761

RGB 45 71 97

HSL 210, 0.37%, 0.28%

LAB 29.23, -1.64, -18.34

 

CMYK 47 / 23 / 0 / 55

HEX #3E5974

RGB 62 89 116

HSL 210, 0.3%, 0.35%

LAB 36.8, -2.15, -18.5

 

CMYK 41 / 21 / 0 / 47

HEX #4F6B87

RGB 79 107 135

HSL 210, 0.26%, 0.42%

LAB 44.13, -2.52, -18.69

 

CMYK 38 / 19 / 0 / 40

HEX #607D9A

RGB 96 125 154

HSL 210, 0.23%, 0.49%

LAB 51.25, -2.8, -18.91

 

CMYK 72 / 36 / 0 / 67

HEX #173553

RGB 23 53 83

HSL 210, 0.57%, 0.21%

LAB 21.41, 0.02, -21.53

 

CMYK 91 / 45 / 0 / 75

HEX #062340

RGB 6 35 64

HSL 210, 0.83%, 0.14%

LAB 13.3, 1.91, -21.47

 

CMYK 100 / 62 / 0 / 82

HEX #00112D

RGB 0 17 45

HSL 217.33, 1%, 0.09%

LAB 5.33, 4.63, -20.52

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 73 / 56 / 0 / 67

HEX #172554

RGB 23 37 84

HSL 226.23, 0.57%, 0.21%

LAB 16.23, 12.01, -30.45

 

CMYK 70 / 73 / 0 / 67

HEX #191754

RGB 25 23 84

HSL 241.97, 0.57%, 0.21%

LAB 12.35, 22.59, -36.76

 

CMYK 51 / 73 / 0 / 67

HEX #291754

RGB 41 23 84

HSL 257.7, 0.57%, 0.21%

LAB 13.97, 25.64, -34.05

 

CMYK 31 / 73 / 0 / 67

HEX #3A1754

RGB 58 23 84

HSL 274.43, 0.57%, 0.21%

LAB 16.27, 29.63, -30.21

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 73 / 56 / 0 / 67

HEX #172554

RGB 23 37 84

HSL 226.23, 0.57%, 0.21%

LAB 16.23, 12.01, -30.45

 

CMYK 73 / 73 / 0 / 67

HEX #171754

RGB 23 23 84

HSL 240, 0.57%, 0.21%

LAB 12.19, 22.27, -37.03

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 85 / 42 / 0 / 64

HEX #0E355C

RGB 14 53 92

HSL 210, 0.74%, 0.21%

LAB 21.62, 2.34, -27.15

 

CMYK 95 / 48 / 0 / 60

HEX #053565

RGB 5 53 101

HSL 210, 0.91%, 0.21%

LAB 22.01, 5.39, -32.43

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 59 / 29 / 0 / 71

HEX #1F354B

RGB 31 53 75

HSL 210, 0.42%, 0.21%

LAB 21.38, -1.22, -16.2

 

CMYK 39 / 20 / 0 / 74

HEX #283542

RGB 40 53 66

HSL 210, 0.25%, 0.21%

LAB 21.55, -1.54, -9.84

 

CMYK 16 / 9 / 0 / 77

HEX #31353A

RGB 49 53 58

HSL 213.33, 0.08%, 0.21%

LAB 21.96, -0.45, -3.73

 

CMYK 0 / 7 / 14 / 78

HEX #393531

RGB 57 53 49

HSL 30, 0.08%, 0.21%

LAB 22.44, 0.91, 3.15

 

CMYK 73 / 0 / 2 / 67

HEX #175452

RGB 23 84 82

HSL 178.03, 0.57%, 0.21%

LAB 32.11, -19.42, -4.48

 

CMYK 73 / 18 / 0 / 67

HEX #174554

RGB 23 69 84

HSL 194.75, 0.57%, 0.21%

LAB 26.96, -10.07, -13.55

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 73 / 56 / 0 / 67

HEX #172554

RGB 23 37 84

HSL 226.23, 0.57%, 0.21%

LAB 16.23, 12.01, -30.45

 

CMYK 70 / 73 / 0 / 67

HEX #191754

RGB 25 23 84

HSL 241.97, 0.57%, 0.21%

LAB 12.35, 22.59, -36.76

 

CMYK 74 / 37 / 0 / 93

HEX #050C13

RGB 5 12 19

HSL 210, 0.58%, 0.05%

LAB 3.09, -0.56, -4.19

 

CMYK 73 / 37 / 0 / 80

HEX #0E2033

RGB 14 32 51

HSL 210.81, 0.57%, 0.13%

LAB 11.73, -0.08, -14.73

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 73 / 36 / 0 / 55

HEX #1F4A74

RGB 31 74 116

HSL 209.65, 0.58%, 0.29%

LAB 30.52, 0.39, -28.41

 

CMYK 73 / 36 / 0 / 42

HEX #285E94

RGB 40 94 148

HSL 210, 0.57%, 0.37%

LAB 38.89, 1.19, -34.81

 

CMYK 72 / 36 / 0 / 67

HEX #173553

RGB 23 53 83

HSL 210, 0.57%, 0.21%

LAB 21.41, 0.02, -21.53

 

CMYK 23 / 73 / 0 / 67

HEX #411754

RGB 65 23 84

HSL 281.31, 0.57%, 0.21%

LAB 17.35, 31.41, -28.41

 

CMYK 8 / 0 / 73 / 67

HEX #4D5417

RGB 77 84 23

HSL 66.89, 0.57%, 0.21%

LAB 33.94, -12, 33.21

 

CMYK 72 / 36 / 0 / 67

HEX #173553

RGB 23 53 83

HSL 210, 0.57%, 0.21%

LAB 21.41, 0.02, -21.53

 

CMYK 0 / 73 / 37 / 67

HEX #541735

RGB 84 23 53

HSL 330.49, 0.57%, 0.21%

LAB 19.03, 31.27, -4.13

 

CMYK 37 / 0 / 73 / 67

HEX #355417

RGB 53 84 23

HSL 90.49, 0.57%, 0.21%

LAB 32.17, -22.89, 30.81

 

CMYK 72 / 36 / 0 / 67

HEX #173553

RGB 23 53 83

HSL 210, 0.57%, 0.21%

LAB 21.41, 0.02, -21.53

 

CMYK 23 / 73 / 0 / 67

HEX #411754

RGB 65 23 84

HSL 281.31, 0.57%, 0.21%

LAB 17.35, 31.41, -28.41

 

CMYK 0 / 37 / 73 / 67

HEX #543517

RGB 84 53 23

HSL 29.51, 0.57%, 0.21%

LAB 25.24, 10.64, 24.14

 

CMYK 51 / 0 / 73 / 67

HEX #295417

RGB 41 84 23

HSL 102.3, 0.57%, 0.21%

LAB 31.52, -27.5, 29.93

 

CMYK 72 / 36 / 0 / 67

HEX #173553

RGB 23 53 83

HSL 210, 0.57%, 0.21%

LAB 21.41, 0.02, -21.53

 

CMYK 0 / 73 / 0 / 67

HEX #541754

RGB 84 23 84

HSL 300, 0.57%, 0.21%

LAB 20.59, 36.42, -23.06

 

CMYK 0 / 37 / 73 / 67

HEX #543517

RGB 84 53 23

HSL 29.51, 0.57%, 0.21%

LAB 25.24, 10.64, 24.14

 

CMYK 73 / 0 / 73 / 67

HEX #175417

RGB 23 84 23

HSL 120, 0.57%, 0.21%

LAB 30.84, -32.78, 29

 

Description

Color code: HEX #173553 | qconv.com Color code: HEX #173553 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 53 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 53 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 36 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 36% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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