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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #173956 it is the complementary color #E8C6A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #173956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #173956 shade: #1C3951, #2D4B64, #3E5D77, #4F6F8A and #60819D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #173956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #173956 shade: #173956, #062743, #001530, #00031D and #00000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #173956 shade: #163854, #162754, #161654, #271654 and #371654

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #173956 shade: #163854, #162754, #161654 and #161654

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #173956 shade matches the following richer shades: #163854, #0D385D and #053965

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #173956 shade: #163854, #1F374B, #273643, #30353A and #393531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #173956 shade: #16544F, #164954, #163854, #162854 and #161754

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #173956 shade: #050C13, #0D2234, #163854, #1F4D75 and #276395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #173956 shade: #173956, #3E1654 and #515416

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #173956 shade: #173956, #541638 and #385416

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #173956 shade: #173956, #3E1654, #543216 and #2C5416

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #173956 shade: #173956, #511654, #543216 and #195416

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 34 / 0 / 66

HEX #173956

RGB 23 57 86

HSL 207.62, 0.58%, 0.21%

LAB 22.93, -1.52, -21.11

 

Complementary color

CMYK 0 / 15 / 27 / 9

HEX #E8C6A9

RGB 232 198 169

HSL 27.62, 0.58%, 0.79%

LAB 82.06, 7.75, 19

 

CMYK 65 / 30 / 0 / 68

HEX #1C3951

RGB 28 57 81

HSL 207.17, 0.49%, 0.21%

LAB 22.89, -2.43, -17.86

 

CMYK 55 / 25 / 0 / 61

HEX #2D4B64

RGB 45 75 100

HSL 207.27, 0.38%, 0.28%

LAB 30.66, -3.18, -18.03

 

CMYK 48 / 22 / 0 / 53

HEX #3E5D77

RGB 62 93 119

HSL 207.37, 0.31%, 0.35%

LAB 38.17, -3.67, -18.23

 

CMYK 43 / 20 / 0 / 46

HEX #4F6F8A

RGB 79 111 138

HSL 207.46, 0.27%, 0.43%

LAB 45.45, -4.02, -18.45

 

CMYK 39 / 18 / 0 / 38

HEX #60819D

RGB 96 129 157

HSL 207.54, 0.24%, 0.5%

LAB 52.53, -4.28, -18.7

 

CMYK 73 / 34 / 0 / 66

HEX #173956

RGB 23 57 86

HSL 207.62, 0.58%, 0.21%

LAB 22.93, -1.52, -21.11

 

CMYK 91 / 42 / 0 / 74

HEX #062743

RGB 6 39 67

HSL 207.54, 0.84%, 0.14%

LAB 14.93, 0.31, -20.97

 

CMYK 100 / 56 / 0 / 81

HEX #001530

RGB 0 21 48

HSL 213.75, 1%, 0.09%

LAB 6.77, 3.65, -20.46

 

CMYK 100 / 90 / 0 / 89

HEX #00031D

RGB 0 3 29

HSL 233.79, 1%, 0.06%

LAB 1.39, 4.43, -14.26

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 74 / 33 / 0 / 67

HEX #163854

RGB 22 56 84

HSL 207.1, 0.58%, 0.21%

LAB 22.44, -1.83, -20.57

 

CMYK 74 / 54 / 0 / 67

HEX #162754

RGB 22 39 84

HSL 223.55, 0.58%, 0.21%

LAB 16.8, 10.34, -29.53

 

CMYK 74 / 74 / 0 / 67

HEX #161654

RGB 22 22 84

HSL 240, 0.58%, 0.21%

LAB 11.85, 22.82, -37.58

 

CMYK 54 / 74 / 0 / 67

HEX #271654

RGB 39 22 84

HSL 256.45, 0.58%, 0.21%

LAB 13.5, 25.84, -34.82

 

CMYK 35 / 74 / 0 / 67

HEX #371654

RGB 55 22 84

HSL 271.94, 0.58%, 0.21%

LAB 15.62, 29.44, -31.27

 

CMYK 74 / 33 / 0 / 67

HEX #163854

RGB 22 56 84

HSL 207.1, 0.58%, 0.21%

LAB 22.44, -1.83, -20.57

 

CMYK 74 / 54 / 0 / 67

HEX #162754

RGB 22 39 84

HSL 223.55, 0.58%, 0.21%

LAB 16.8, 10.34, -29.53

 

CMYK 74 / 74 / 0 / 67

HEX #161654

RGB 22 22 84

HSL 240, 0.58%, 0.21%

LAB 11.85, 22.82, -37.58

 

CMYK 74 / 74 / 0 / 67

HEX #161654

RGB 22 22 84

HSL 240, 0.58%, 0.21%

LAB 11.85, 22.82, -37.58

 

CMYK 74 / 33 / 0 / 67

HEX #163854

RGB 22 56 84

HSL 207.1, 0.58%, 0.21%

LAB 22.44, -1.83, -20.57

 

CMYK 86 / 40 / 0 / 64

HEX #0D385D

RGB 13 56 93

HSL 207.75, 0.75%, 0.21%

LAB 22.67, 0.55, -26.15

 

CMYK 95 / 44 / 0 / 60

HEX #053965

RGB 5 57 101

HSL 207.5, 0.91%, 0.21%

LAB 23.33, 2.55, -30.31

 

CMYK 74 / 33 / 0 / 67

HEX #163854

RGB 22 56 84

HSL 207.1, 0.58%, 0.21%

LAB 22.44, -1.83, -20.57

 

CMYK 59 / 27 / 0 / 71

HEX #1F374B

RGB 31 55 75

HSL 207.27, 0.42%, 0.21%

LAB 22.06, -2.57, -15.14

 

CMYK 42 / 19 / 0 / 74

HEX #273643

RGB 39 54 67

HSL 207.86, 0.26%, 0.21%

LAB 21.85, -2.23, -10.05

 

CMYK 17 / 9 / 0 / 77

HEX #30353A

RGB 48 53 58

HSL 210, 0.09%, 0.21%

LAB 21.87, -0.86, -3.87

 

CMYK 0 / 7 / 14 / 78

HEX #393531

RGB 57 53 49

HSL 30, 0.08%, 0.21%

LAB 22.44, 0.91, 3.15

 

CMYK 74 / 0 / 6 / 67

HEX #16544F

RGB 22 84 79

HSL 175.16, 0.58%, 0.21%

LAB 31.98, -20.56, -2.77

 

CMYK 74 / 13 / 0 / 67

HEX #164954

RGB 22 73 84

HSL 190.65, 0.58%, 0.21%

LAB 28.32, -12.67, -11.47

 

CMYK 74 / 33 / 0 / 67

HEX #163854

RGB 22 56 84

HSL 207.1, 0.58%, 0.21%

LAB 22.44, -1.83, -20.57

 

CMYK 74 / 52 / 0 / 67

HEX #162854

RGB 22 40 84

HSL 222.58, 0.58%, 0.21%

LAB 17.12, 9.6, -29.02

 

CMYK 74 / 73 / 0 / 67

HEX #161754

RGB 22 23 84

HSL 239.03, 0.58%, 0.21%

LAB 12.11, 22.12, -37.15

 

CMYK 74 / 37 / 0 / 93

HEX #050C13

RGB 5 12 19

HSL 210, 0.58%, 0.05%

LAB 3.09, -0.56, -4.19

 

CMYK 75 / 35 / 0 / 80

HEX #0D2234

RGB 13 34 52

HSL 207.69, 0.6%, 0.13%

LAB 12.46, -1.37, -14.29

 

CMYK 74 / 33 / 0 / 67

HEX #163854

RGB 22 56 84

HSL 207.1, 0.58%, 0.21%

LAB 22.44, -1.83, -20.57

 

CMYK 74 / 34 / 0 / 54

HEX #1F4D75

RGB 31 77 117

HSL 207.91, 0.58%, 0.29%

LAB 31.54, -1.18, -27.43

 

CMYK 74 / 34 / 0 / 42

HEX #276395

RGB 39 99 149

HSL 207.27, 0.59%, 0.37%

LAB 40.45, -1.72, -32.95

 

CMYK 73 / 34 / 0 / 66

HEX #173956

RGB 23 57 86

HSL 207.62, 0.58%, 0.21%

LAB 22.93, -1.52, -21.11

 

CMYK 26 / 74 / 0 / 67

HEX #3E1654

RGB 62 22 84

HSL 278.71, 0.58%, 0.21%

LAB 16.69, 31.16, -29.5

 

CMYK 4 / 0 / 74 / 67

HEX #515416

RGB 81 84 22

HSL 62.9, 0.58%, 0.21%

LAB 34.29, -10.13, 34.13

 

CMYK 73 / 34 / 0 / 66

HEX #173956

RGB 23 57 86

HSL 207.62, 0.58%, 0.21%

LAB 22.93, -1.52, -21.11

 

CMYK 0 / 74 / 33 / 67

HEX #541638

RGB 84 22 56

HSL 327.1, 0.58%, 0.21%

LAB 18.99, 32.15, -6.3

 

CMYK 33 / 0 / 74 / 67

HEX #385416

RGB 56 84 22

HSL 87.1, 0.58%, 0.21%

LAB 32.35, -21.72, 31.52

 

CMYK 73 / 34 / 0 / 66

HEX #173956

RGB 23 57 86

HSL 207.62, 0.58%, 0.21%

LAB 22.93, -1.52, -21.11

 

CMYK 26 / 74 / 0 / 67

HEX #3E1654

RGB 62 22 84

HSL 278.71, 0.58%, 0.21%

LAB 16.69, 31.16, -29.5

 

CMYK 0 / 40 / 74 / 67

HEX #543216

RGB 84 50 22

HSL 27.1, 0.58%, 0.21%

LAB 24.4, 12.48, 23.78

 

CMYK 48 / 0 / 74 / 67

HEX #2C5416

RGB 44 84 22

HSL 98.71, 0.58%, 0.21%

LAB 31.66, -26.51, 30.58

 

CMYK 73 / 34 / 0 / 66

HEX #173956

RGB 23 57 86

HSL 207.62, 0.58%, 0.21%

LAB 22.93, -1.52, -21.11

 

CMYK 4 / 74 / 0 / 67

HEX #511654

RGB 81 22 84

HSL 297.1, 0.58%, 0.21%

LAB 19.9, 36.06, -24.19

 

CMYK 0 / 40 / 74 / 67

HEX #543216

RGB 84 50 22

HSL 27.1, 0.58%, 0.21%

LAB 24.4, 12.48, 23.78

 

CMYK 70 / 0 / 74 / 67

HEX #195416

RGB 25 84 22

HSL 117.1, 0.58%, 0.21%

LAB 30.89, -32.41, 29.54

 

Description

Color code: HEX #173956 | qconv.com Color code: HEX #173956 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 57 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 57 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 34 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 34% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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