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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #174671 it is the complementary color #E8B98E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #174671. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #174671 shade: #1C466C, #2D587F, #3E6A92, #4F7CA5 and #608EB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #174671. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #174671 shade: #174671, #06345E, #00224B, #001038 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #174671 shade: #174672, #172E72, #181772, #311772 and #491772

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #174671 shade: #174672, #172E72 and #171772

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #174671 shade matches the following richer shades: #174672, #0C477D and #014788

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #174671 shade: #174672, #224667, #2D455C, #384550 and #434445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #174671 shade: #17726C, #176072, #174772, #172F72 and #171772

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #174671 shade: #091C2D, #103150, #174672, #1E5C94 and #2571B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #174671 shade: #174671, #531772 and #6C7217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #174671 shade: #174671, #721747 and #477217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #174671 shade: #174671, #531772, #724117 and #357217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #174671 shade: #174671, #6F1772, #724117 and #1A7217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 38 / 0 / 56

HEX #174671

RGB 23 70 113

HSL 208.67, 0.66%, 0.27%

LAB 28.79, 0.64, -29.29

 

Complementary color

CMYK 0 / 20 / 39 / 9

HEX #E8B98E

RGB 232 185 142

HSL 28.67, 0.66%, 0.73%

LAB 78.35, 11.26, 28.26

 

CMYK 74 / 35 / 0 / 58

HEX #1C466C

RGB 28 70 108

HSL 208.5, 0.59%, 0.27%

LAB 28.67, -0.61, -26.29

 

CMYK 65 / 31 / 0 / 50

HEX #2D587F

RGB 45 88 127

HSL 208.54, 0.48%, 0.34%

LAB 36.12, -1.91, -26.4

 

CMYK 58 / 27 / 0 / 43

HEX #3E6A92

RGB 62 106 146

HSL 208.57, 0.4%, 0.41%

LAB 43.37, -2.81, -26.51

 

CMYK 52 / 25 / 0 / 35

HEX #4F7CA5

RGB 79 124 165

HSL 208.6, 0.35%, 0.48%

LAB 50.45, -3.46, -26.64

 

CMYK 48 / 23 / 0 / 28

HEX #608EB8

RGB 96 142 184

HSL 208.64, 0.38%, 0.55%

LAB 57.36, -3.96, -26.79

 

CMYK 80 / 38 / 0 / 56

HEX #174671

RGB 23 70 113

HSL 208.67, 0.66%, 0.27%

LAB 28.79, 0.64, -29.29

 

CMYK 94 / 45 / 0 / 63

HEX #06345E

RGB 6 52 94

HSL 208.64, 0.88%, 0.2%

LAB 21.22, 3.08, -29.13

 

CMYK 100 / 55 / 0 / 71

HEX #00224B

RGB 0 34 75

HSL 212.8, 1%, 0.15%

LAB 13.54, 6.96, -28.72

 

CMYK 100 / 71 / 0 / 78

HEX #001038

RGB 0 16 56

HSL 222.86, 1%, 0.11%

LAB 5.93, 11.23, -27.67

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 80 / 39 / 0 / 55

HEX #174672

RGB 23 70 114

HSL 209.01, 0.66%, 0.27%

LAB 28.84, 1.04, -29.83

 

CMYK 80 / 60 / 0 / 55

HEX #172E72

RGB 23 46 114

HSL 224.84, 0.66%, 0.27%

LAB 21.4, 17.89, -41.79

 

CMYK 79 / 80 / 0 / 55

HEX #181772

RGB 24 23 114

HSL 240.66, 0.66%, 0.27%

LAB 15.6, 33.55, -51.3

 

CMYK 57 / 80 / 0 / 55

HEX #311772

RGB 49 23 114

HSL 257.14, 0.66%, 0.27%

LAB 17.83, 36.52, -47.55

 

CMYK 36 / 80 / 0 / 55

HEX #491772

RGB 73 23 114

HSL 272.97, 0.66%, 0.27%

LAB 21, 40.62, -42.24

 

CMYK 80 / 39 / 0 / 55

HEX #174672

RGB 23 70 114

HSL 209.01, 0.66%, 0.27%

LAB 28.84, 1.04, -29.83

 

CMYK 80 / 60 / 0 / 55

HEX #172E72

RGB 23 46 114

HSL 224.84, 0.66%, 0.27%

LAB 21.4, 17.89, -41.79

 

CMYK 80 / 80 / 0 / 55

HEX #171772

RGB 23 23 114

HSL 240, 0.66%, 0.27%

LAB 15.54, 33.47, -51.41

 

CMYK 80 / 39 / 0 / 55

HEX #174672

RGB 23 70 114

HSL 209.01, 0.66%, 0.27%

LAB 28.84, 1.04, -29.83

 

CMYK 90 / 43 / 0 / 51

HEX #0C477D

RGB 12 71 125

HSL 208.67, 0.82%, 0.27%

LAB 29.58, 3.81, -35.58

 

CMYK 99 / 48 / 0 / 47

HEX #014788

RGB 1 71 136

HSL 208.89, 0.99%, 0.27%

LAB 30.13, 7.79, -41.53

 

CMYK 80 / 39 / 0 / 55

HEX #174672

RGB 23 70 114

HSL 209.01, 0.66%, 0.27%

LAB 28.84, 1.04, -29.83

 

CMYK 67 / 32 / 0 / 60

HEX #224667

RGB 34 70 103

HSL 208.7, 0.5%, 0.27%

LAB 28.64, -1.42, -23.14

 

CMYK 51 / 25 / 0 / 64

HEX #2D455C

RGB 45 69 92

HSL 209.36, 0.34%, 0.27%

LAB 28.35, -2.04, -16.5

 

CMYK 30 / 14 / 0 / 69

HEX #384550

RGB 56 69 80

HSL 207.5, 0.18%, 0.27%

LAB 28.58, -2.26, -8.31

 

CMYK 3 / 1 / 0 / 73

HEX #434445

RGB 67 68 69

HSL 210, 0.01%, 0.27%

LAB 28.79, -0.19, -0.75

 

CMYK 80 / 0 / 5 / 55

HEX #17726C

RGB 23 114 108

HSL 176.04, 0.66%, 0.27%

LAB 43.21, -26.67, -4.06

 

CMYK 80 / 16 / 0 / 55

HEX #176072

RGB 23 96 114

HSL 191.87, 0.66%, 0.27%

LAB 37.41, -15.07, -16.45

 

CMYK 80 / 38 / 0 / 55

HEX #174772

RGB 23 71 114

HSL 208.35, 0.66%, 0.27%

LAB 29.17, 0.38, -29.31

 

CMYK 80 / 59 / 0 / 55

HEX #172F72

RGB 23 47 114

HSL 224.18, 0.66%, 0.27%

LAB 21.69, 17.17, -41.32

 

CMYK 80 / 80 / 0 / 55

HEX #171772

RGB 23 23 114

HSL 240, 0.66%, 0.27%

LAB 15.54, 33.47, -51.41

 

CMYK 80 / 38 / 0 / 82

HEX #091C2D

RGB 9 28 45

HSL 208.33, 0.67%, 0.11%

LAB 9.63, -0.84, -13.69

 

CMYK 80 / 39 / 0 / 69

HEX #103150

RGB 16 49 80

HSL 209.06, 0.67%, 0.19%

LAB 19.58, 0.32, -22.42

 

CMYK 80 / 39 / 0 / 55

HEX #174672

RGB 23 70 114

HSL 209.01, 0.66%, 0.27%

LAB 28.84, 1.04, -29.83

 

CMYK 80 / 38 / 0 / 42

HEX #1E5C94

RGB 30 92 148

HSL 208.47, 0.66%, 0.35%

LAB 37.96, 1.11, -36.3

 

CMYK 80 / 38 / 0 / 29

HEX #2571B6

RGB 37 113 182

HSL 208.55, 0.66%, 0.43%

LAB 46.42, 1.82, -42.96

 

CMYK 80 / 38 / 0 / 56

HEX #174671

RGB 23 70 113

HSL 208.67, 0.66%, 0.27%

LAB 28.79, 0.64, -29.29

 

CMYK 27 / 80 / 0 / 55

HEX #531772

RGB 83 23 114

HSL 279.56, 0.66%, 0.27%

LAB 22.54, 42.58, -39.67

 

CMYK 5 / 0 / 80 / 55

HEX #6C7217

RGB 108 114 23

HSL 63.96, 0.66%, 0.27%

LAB 46.02, -14.04, 45.8

 

CMYK 80 / 38 / 0 / 56

HEX #174671

RGB 23 70 113

HSL 208.67, 0.66%, 0.27%

LAB 28.79, 0.64, -29.29

 

CMYK 0 / 80 / 38 / 55

HEX #721747

RGB 114 23 71

HSL 328.35, 0.66%, 0.27%

LAB 25.7, 42.83, -5.93

 

CMYK 38 / 0 / 80 / 55

HEX #477217

RGB 71 114 23

HSL 88.35, 0.66%, 0.27%

LAB 43.41, -30.15, 42.42

 

CMYK 80 / 38 / 0 / 56

HEX #174671

RGB 23 70 113

HSL 208.67, 0.66%, 0.27%

LAB 28.79, 0.64, -29.29

 

CMYK 27 / 80 / 0 / 55

HEX #531772

RGB 83 23 114

HSL 279.56, 0.66%, 0.27%

LAB 22.54, 42.58, -39.67

 

CMYK 0 / 43 / 80 / 55

HEX #724117

RGB 114 65 23

HSL 27.69, 0.66%, 0.27%

LAB 32.74, 17.66, 33.38

 

CMYK 54 / 0 / 80 / 55

HEX #357217

RGB 53 114 23

HSL 100.22, 0.66%, 0.27%

LAB 42.54, -36.55, 41.28

 

CMYK 80 / 38 / 0 / 56

HEX #174671

RGB 23 70 113

HSL 208.67, 0.66%, 0.27%

LAB 28.79, 0.64, -29.29

 

CMYK 3 / 80 / 0 / 55

HEX #6F1772

RGB 111 23 114

HSL 298.02, 0.66%, 0.27%

LAB 27.32, 48.54, -31.73

 

CMYK 0 / 43 / 80 / 55

HEX #724117

RGB 114 65 23

HSL 27.69, 0.66%, 0.27%

LAB 32.74, 17.66, 33.38

 

CMYK 77 / 0 / 80 / 55

HEX #1A7217

RGB 26 114 23

HSL 118.02, 0.66%, 0.27%

LAB 41.71, -43.28, 40.19

 

Description

Color code: HEX #174671 | qconv.com Color code: HEX #174671 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 70 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 70 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 38 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 38% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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