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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17486F it is the complementary color #E8B790. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17486F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17486F shade: #1C486A, #2D5A7D, #3E6C90, #4F7EA3 and #6090B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17486F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17486F shade: #17486F, #06365C, #002449, #001236 and #000023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17486F shade: #16476E, #162F6E, #16186E, #2C166E and #44166E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17486F shade: #16476E, #162F6E, #16186E and #16166E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17486F shade matches the following richer shades: #16476E, #0B4878 and #014983

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17486F shade: #16476E, #214663, #2B4458, #36434D and #414243

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17486F shade: #166E65, #165F6E, #16486E, #16306E and #16196E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17486F shade: #081A29, #0F314B, #16476E, #1D5D90 and #2473B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17486F shade: #17486F, #4D166E and #6B6E16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17486F shade: #17486F, #6E1648 and #486E16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17486F shade: #17486F, #4D166E, #6E3C16 and #366E16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17486F shade: #17486F, #68166E, #6E3C16 and #1C6E16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 35 / 0 / 56

HEX #17486F

RGB 23 72 111

HSL 206.59, 0.66%, 0.26%

LAB 29.32, -1.5, -27.17

 

Complementary color

CMYK 0 / 21 / 38 / 9

HEX #E8B790

RGB 232 183 144

HSL 26.59, 0.66%, 0.74%

LAB 77.9, 12.55, 26.59

 

CMYK 74 / 32 / 0 / 58

HEX #1C486A

RGB 28 72 106

HSL 206.15, 0.58%, 0.26%

LAB 29.22, -2.7, -24.16

 

CMYK 64 / 28 / 0 / 51

HEX #2D5A7D

RGB 45 90 125

HSL 206.25, 0.47%, 0.33%

LAB 36.65, -3.88, -24.34

 

CMYK 57 / 25 / 0 / 44

HEX #3E6C90

RGB 62 108 144

HSL 206.34, 0.4%, 0.4%

LAB 43.89, -4.68, -24.51

 

CMYK 52 / 23 / 0 / 36

HEX #4F7EA3

RGB 79 126 163

HSL 206.43, 0.35%, 0.47%

LAB 50.95, -5.25, -24.69

 

CMYK 47 / 21 / 0 / 29

HEX #6090B6

RGB 96 144 182

HSL 206.51, 0.37%, 0.55%

LAB 57.86, -5.69, -24.89

 

CMYK 79 / 35 / 0 / 56

HEX #17486F

RGB 23 72 111

HSL 206.59, 0.66%, 0.26%

LAB 29.32, -1.5, -27.17

 

CMYK 93 / 41 / 0 / 64

HEX #06365C

RGB 6 54 92

HSL 206.51, 0.88%, 0.19%

LAB 21.76, 0.78, -26.94

 

CMYK 100 / 51 / 0 / 71

HEX #002449

RGB 0 36 73

HSL 210.41, 1%, 0.14%

LAB 14.08, 4.46, -26.48

 

CMYK 100 / 67 / 0 / 79

HEX #001236

RGB 0 18 54

HSL 220, 1%, 0.11%

LAB 6.31, 8.9, -25.59

 

CMYK 100 / 100 / 0 / 86

HEX #000023

RGB 0 0 35

HSL 240, 1%, 0.07%

LAB 1.1, 7.7, -19.49

 

CMYK 80 / 35 / 0 / 57

HEX #16476E

RGB 22 71 110

HSL 206.59, 0.67%, 0.26%

LAB 28.91, -1.38, -27.19

 

CMYK 80 / 57 / 0 / 57

HEX #162F6E

RGB 22 47 110

HSL 222.95, 0.67%, 0.26%

LAB 21.32, 15.38, -39.35

 

CMYK 80 / 78 / 0 / 57

HEX #16186E

RGB 22 24 110

HSL 238.64, 0.67%, 0.26%

LAB 15.22, 31.33, -49.34

 

CMYK 60 / 80 / 0 / 57

HEX #2C166E

RGB 44 22 110

HSL 255, 0.67%, 0.26%

LAB 16.68, 35.08, -46.88

 

CMYK 38 / 80 / 0 / 57

HEX #44166E

RGB 68 22 110

HSL 271.36, 0.67%, 0.26%

LAB 19.76, 39.1, -41.71

 

CMYK 80 / 35 / 0 / 57

HEX #16476E

RGB 22 71 110

HSL 206.59, 0.67%, 0.26%

LAB 28.91, -1.38, -27.19

 

CMYK 80 / 57 / 0 / 57

HEX #162F6E

RGB 22 47 110

HSL 222.95, 0.67%, 0.26%

LAB 21.32, 15.38, -39.35

 

CMYK 80 / 78 / 0 / 57

HEX #16186E

RGB 22 24 110

HSL 238.64, 0.67%, 0.26%

LAB 15.22, 31.33, -49.34

 

CMYK 80 / 80 / 0 / 57

HEX #16166E

RGB 22 22 110

HSL 240, 0.67%, 0.26%

LAB 14.79, 32.55, -50.05

 

CMYK 80 / 35 / 0 / 57

HEX #16476E

RGB 22 71 110

HSL 206.59, 0.67%, 0.26%

LAB 28.91, -1.38, -27.19

 

CMYK 91 / 40 / 0 / 53

HEX #0B4878

RGB 11 72 120

HSL 206.42, 0.83%, 0.26%

LAB 29.57, 0.95, -32.47

 

CMYK 99 / 44 / 0 / 49

HEX #014983

RGB 1 73 131

HSL 206.77, 0.98%, 0.26%

LAB 30.42, 4.28, -37.97

 

CMYK 80 / 35 / 0 / 57

HEX #16476E

RGB 22 71 110

HSL 206.59, 0.67%, 0.26%

LAB 28.91, -1.38, -27.19

 

CMYK 67 / 29 / 0 / 61

HEX #214663

RGB 33 70 99

HSL 206.36, 0.5%, 0.26%

LAB 28.39, -3.13, -20.97

 

CMYK 51 / 23 / 0 / 65

HEX #2B4458

RGB 43 68 88

HSL 206.67, 0.34%, 0.26%

LAB 27.72, -3.3, -14.9

 

CMYK 30 / 13 / 0 / 70

HEX #36434D

RGB 54 67 77

HSL 206.09, 0.18%, 0.26%

LAB 27.67, -2.54, -7.75

 

CMYK 3 / 1 / 0 / 74

HEX #414243

RGB 65 66 67

HSL 210, 0.02%, 0.26%

LAB 27.91, -0.19, -0.76

 

CMYK 80 / 0 / 8 / 57

HEX #166E65

RGB 22 110 101

HSL 173.86, 0.67%, 0.26%

LAB 41.63, -26.97, -2.17

 

CMYK 80 / 14 / 0 / 57

HEX #165F6E

RGB 22 95 110

HSL 190.23, 0.67%, 0.26%

LAB 36.89, -16.06, -14.78

 

CMYK 80 / 35 / 0 / 57

HEX #16486E

RGB 22 72 110

HSL 205.91, 0.67%, 0.26%

LAB 29.24, -2.03, -26.68

 

CMYK 80 / 56 / 0 / 57

HEX #16306E

RGB 22 48 110

HSL 222.27, 0.67%, 0.26%

LAB 21.62, 14.66, -38.87

 

CMYK 80 / 77 / 0 / 57

HEX #16196E

RGB 22 25 110

HSL 237.95, 0.67%, 0.26%

LAB 15.44, 30.7, -48.97

 

CMYK 80 / 37 / 0 / 84

HEX #081A29

RGB 8 26 41

HSL 207.27, 0.67%, 0.1%

LAB 8.57, -1.33, -12.4

 

CMYK 80 / 35 / 0 / 71

HEX #0F314B

RGB 15 49 75

HSL 206, 0.67%, 0.18%

LAB 19.25, -1.96, -19.58

 

CMYK 80 / 35 / 0 / 57

HEX #16476E

RGB 22 71 110

HSL 206.59, 0.67%, 0.26%

LAB 28.91, -1.38, -27.19

 

CMYK 80 / 35 / 0 / 44

HEX #1D5D90

RGB 29 93 144

HSL 206.61, 0.66%, 0.34%

LAB 38.03, -1.2, -33.79

 

CMYK 80 / 35 / 0 / 30

HEX #2473B2

RGB 36 115 178

HSL 206.62, 0.66%, 0.42%

LAB 46.78, -1.03, -40.07

 

CMYK 79 / 35 / 0 / 56

HEX #17486F

RGB 23 72 111

HSL 206.59, 0.66%, 0.26%

LAB 29.32, -1.5, -27.17

 

CMYK 30 / 80 / 0 / 57

HEX #4D166E

RGB 77 22 110

HSL 277.5, 0.67%, 0.26%

LAB 21.12, 40.85, -39.43

 

CMYK 3 / 0 / 80 / 57

HEX #6B6E16

RGB 107 110 22

HSL 62.05, 0.67%, 0.26%

LAB 44.71, -12.36, 44.91

 

CMYK 79 / 35 / 0 / 56

HEX #17486F

RGB 23 72 111

HSL 206.59, 0.66%, 0.26%

LAB 29.32, -1.5, -27.17

 

CMYK 0 / 80 / 35 / 57

HEX #6E1648

RGB 110 22 72

HSL 325.91, 0.67%, 0.26%

LAB 24.82, 42.15, -8.02

 

CMYK 35 / 0 / 80 / 57

HEX #486E16

RGB 72 110 22

HSL 85.91, 0.67%, 0.26%

LAB 42.14, -27.93, 41.58

 

CMYK 79 / 35 / 0 / 56

HEX #17486F

RGB 23 72 111

HSL 206.59, 0.66%, 0.26%

LAB 29.32, -1.5, -27.17

 

CMYK 30 / 80 / 0 / 57

HEX #4D166E

RGB 77 22 110

HSL 277.5, 0.67%, 0.26%

LAB 21.12, 40.85, -39.43

 

CMYK 0 / 45 / 80 / 57

HEX #6E3C16

RGB 110 60 22

HSL 25.91, 0.67%, 0.26%

LAB 30.89, 18.74, 31.83

 

CMYK 51 / 0 / 80 / 57

HEX #366E16

RGB 54 110 22

HSL 98.18, 0.67%, 0.26%

LAB 41.21, -34.61, 40.36

 

CMYK 79 / 35 / 0 / 56

HEX #17486F

RGB 23 72 111

HSL 206.59, 0.66%, 0.26%

LAB 29.32, -1.5, -27.17

 

CMYK 5 / 80 / 0 / 57

HEX #68166E

RGB 104 22 110

HSL 295.91, 0.67%, 0.26%

LAB 25.69, 46.58, -31.83

 

CMYK 0 / 45 / 80 / 57

HEX #6E3C16

RGB 110 60 22

HSL 25.91, 0.67%, 0.26%

LAB 30.89, 18.74, 31.83

 

CMYK 75 / 0 / 80 / 57

HEX #1C6E16

RGB 28 110 22

HSL 115.91, 0.67%, 0.26%

LAB 40.34, -41.57, 39.22

 

Description

Color code: HEX #17486F | qconv.com Color code: HEX #17486F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 72 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 72 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 35 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 35% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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