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Color name
HEX #174DD7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #174DD7 it is the complementary color #E8B228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #174DD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #174DD7 shade: #1C4DD2, #2D5FE5, #3E71F8, #4F83FF and #6095FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #174DD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #174DD7 shade: #174DD7, #063BC4, #0029B1, #00179E and #00058B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #174DD7 shade: #164DD8, #1619D8, #4816D8, #7D16D8 and #B116D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #174DD7 shade: #164DD8, #1619D8 and #1616D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #174DD7 shade matches the following richer shades: #164DD8 and #0344EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #174DD7 shade: #164DD8, #2A55C5, #3D5EB2, #50669E and #646F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #174DD7 shade: #16B5D8, #1681D8, #164DD8, #161AD8 and #4716D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #174DD7 shade: #0E328E, #1240B3, #164DD8, #2F63E9 and #557FED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #174DD7 shade: #174DD7, #C816D8 and #9BD816

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #174DD7 shade: #174DD7, #D8164D and #4DD816

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #174DD7 shade: #174DD7, #C816D8, #D8A116 and #26D816

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #174DD7 shade: #174DD7, #D816AE, #D8A116 and #16D840

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 64 / 0 / 16

HEX #174DD7

RGB 23 77 215

HSL 223.13, 0.81%, 0.47%

LAB 38.54, 36.73, -74.78

 

Complementary color

CMYK 0 / 23 / 83 / 9

HEX #E8B228

RGB 232 178 40

HSL 43.13, 0.81%, 0.53%

LAB 75.54, 7.91, 71.1

 

CMYK 87 / 63 / 0 / 18

HEX #1C4DD2

RGB 28 77 210

HSL 223.85, 0.76%, 0.47%

LAB 38.21, 35.11, -72.45

 

CMYK 80 / 59 / 0 / 10

HEX #2D5FE5

RGB 45 95 229

HSL 223.7, 0.78%, 0.54%

LAB 44.8, 31.9, -72.5

 

CMYK 75 / 54 / 0 / 3

HEX #3E71F8

RGB 62 113 248

HSL 223.55, 0.93%, 0.61%

LAB 51.4, 29.16, -72.39

 

CMYK 69 / 49 / 0 / 0

HEX #4F83FF

RGB 79 131 255

HSL 222.27, 1%, 0.65%

LAB 57.19, 22.65, -66.86

 

CMYK 62 / 42 / 0 / 0

HEX #6095FF

RGB 96 149 255

HSL 220, 1%, 0.69%

LAB 62.68, 14.49, -58.01

 

CMYK 89 / 64 / 0 / 16

HEX #174DD7

RGB 23 77 215

HSL 223.13, 0.81%, 0.47%

LAB 38.54, 36.73, -74.78

 

CMYK 97 / 70 / 0 / 23

HEX #063BC4

RGB 6 59 196

HSL 223.26, 0.94%, 0.4%

LAB 32.15, 40.49, -74.3

 

CMYK 100 / 77 / 0 / 31

HEX #0029B1

RGB 0 41 177

HSL 226.1, 1%, 0.35%

LAB 26.04, 44.38, -73.17

 

CMYK 100 / 85 / 0 / 38

HEX #00179E

RGB 0 23 158

HSL 231.27, 1%, 0.31%

LAB 20.37, 47.48, -71.1

 

CMYK 100 / 96 / 0 / 45

HEX #00058B

RGB 0 5 139

HSL 237.84, 1%, 0.27%

LAB 15.34, 48.61, -67.7

 

CMYK 90 / 64 / 0 / 15

HEX #164DD8

RGB 22 77 216

HSL 222.99, 0.82%, 0.47%

LAB 38.61, 37.05, -75.24

 

CMYK 90 / 88 / 0 / 15

HEX #1619D8

RGB 22 25 216

HSL 239.07, 0.82%, 0.47%

LAB 28.96, 64.29, -91.22

 

CMYK 67 / 90 / 0 / 15

HEX #4816D8

RGB 72 22 216

HSL 255.46, 0.82%, 0.47%

LAB 31.6, 67.14, -86.76

 

CMYK 42 / 90 / 0 / 15

HEX #7D16D8

RGB 125 22 216

HSL 271.86, 0.82%, 0.47%

LAB 37.65, 71.7, -76.56

 

CMYK 18 / 90 / 0 / 15

HEX #B116D8

RGB 177 22 216

HSL 287.94, 0.82%, 0.47%

LAB 45.47, 78.53, -63.46

 

CMYK 90 / 64 / 0 / 15

HEX #164DD8

RGB 22 77 216

HSL 222.99, 0.82%, 0.47%

LAB 38.61, 37.05, -75.24

 

CMYK 90 / 88 / 0 / 15

HEX #1619D8

RGB 22 25 216

HSL 239.07, 0.82%, 0.47%

LAB 28.96, 64.29, -91.22

 

CMYK 90 / 90 / 0 / 15

HEX #1616D8

RGB 22 22 216

HSL 240, 0.82%, 0.47%

LAB 28.65, 65.25, -91.75

 

CMYK 90 / 64 / 0 / 15

HEX #164DD8

RGB 22 77 216

HSL 222.99, 0.82%, 0.47%

LAB 38.61, 37.05, -75.24

 

CMYK 99 / 71 / 0 / 7

HEX #0344EC

RGB 3 68 236

HSL 223.26, 0.97%, 0.47%

LAB 38.22, 49.37, -87.31

 

CMYK 90 / 64 / 0 / 15

HEX #164DD8

RGB 22 77 216

HSL 222.99, 0.82%, 0.47%

LAB 38.61, 37.05, -75.24

 

CMYK 79 / 57 / 0 / 23

HEX #2A55C5

RGB 42 85 197

HSL 223.35, 0.65%, 0.47%

LAB 39.61, 26.1, -62.62

 

CMYK 66 / 47 / 0 / 30

HEX #3D5EB2

RGB 61 94 178

HSL 223.08, 0.49%, 0.47%

LAB 41.55, 15.76, -48.35

 

CMYK 49 / 35 / 0 / 38

HEX #50669E

RGB 80 102 158

HSL 223.08, 0.33%, 0.47%

LAB 43.77, 7.89, -32.96

 

CMYK 28 / 20 / 0 / 45

HEX #646F8B

RGB 100 111 139

HSL 223.08, 0.16%, 0.47%

LAB 46.9, 2.64, -16.71

 

CMYK 90 / 16 / 0 / 15

HEX #16B5D8

RGB 22 181 216

HSL 190.82, 0.82%, 0.47%

LAB 68.15, -25.15, -28.18

 

CMYK 90 / 40 / 0 / 15

HEX #1681D8

RGB 22 129 216

HSL 206.91, 0.82%, 0.47%

LAB 52.76, 3.84, -52.32

 

CMYK 90 / 64 / 0 / 15

HEX #164DD8

RGB 22 77 216

HSL 222.99, 0.82%, 0.47%

LAB 38.61, 37.05, -75.24

 

CMYK 90 / 88 / 0 / 15

HEX #161AD8

RGB 22 26 216

HSL 238.76, 0.82%, 0.47%

LAB 29.07, 63.95, -91.04

 

CMYK 67 / 90 / 0 / 15

HEX #4716D8

RGB 71 22 216

HSL 255.15, 0.82%, 0.47%

LAB 31.51, 67.08, -86.9

 

CMYK 90 / 65 / 0 / 44

HEX #0E328E

RGB 14 50 142

HSL 223.13, 0.82%, 0.31%

LAB 24.73, 25.78, -54.02

 

CMYK 90 / 64 / 0 / 30

HEX #1240B3

RGB 18 64 179

HSL 222.86, 0.82%, 0.39%

LAB 31.92, 31.2, -64.65

 

CMYK 90 / 64 / 0 / 15

HEX #164DD8

RGB 22 77 216

HSL 222.99, 0.82%, 0.47%

LAB 38.61, 37.05, -75.24

 

CMYK 80 / 58 / 0 / 9

HEX #2F63E9

RGB 47 99 233

HSL 223.23, 0.81%, 0.55%

LAB 46.19, 31.01, -72.48

 

CMYK 64 / 46 / 0 / 7

HEX #557FED

RGB 85 127 237

HSL 223.42, 0.81%, 0.63%

LAB 55.3, 19.8, -59.91

 

CMYK 89 / 64 / 0 / 16

HEX #174DD7

RGB 23 77 215

HSL 223.13, 0.81%, 0.47%

LAB 38.54, 36.73, -74.78

 

CMYK 7 / 90 / 0 / 15

HEX #C816D8

RGB 200 22 216

HSL 295.05, 0.82%, 0.47%

LAB 49.27, 82.11, -57.14

 

CMYK 28 / 0 / 90 / 15

HEX #9BD816

RGB 155 216 22

HSL 78.87, 0.82%, 0.47%

LAB 79.69, -43.42, 76.03

 

CMYK 89 / 64 / 0 / 16

HEX #174DD7

RGB 23 77 215

HSL 223.13, 0.81%, 0.47%

LAB 38.54, 36.73, -74.78

 

CMYK 0 / 90 / 64 / 15

HEX #D8164D

RGB 216 22 77

HSL 342.99, 0.82%, 0.47%

LAB 46.59, 70.44, 22.52

 

CMYK 64 / 0 / 90 / 15

HEX #4DD816

RGB 77 216 22

HSL 102.99, 0.82%, 0.47%

LAB 76.53, -67.07, 72.11

 

CMYK 89 / 64 / 0 / 16

HEX #174DD7

RGB 23 77 215

HSL 223.13, 0.81%, 0.47%

LAB 38.54, 36.73, -74.78

 

CMYK 7 / 90 / 0 / 15

HEX #C816D8

RGB 200 22 216

HSL 295.05, 0.82%, 0.47%

LAB 49.27, 82.11, -57.14

 

CMYK 0 / 25 / 90 / 15

HEX #D8A116

RGB 216 161 22

HSL 42.99, 0.82%, 0.47%

LAB 69.57, 9.58, 70.04

 

CMYK 82 / 0 / 90 / 15

HEX #26D816

RGB 38 216 22

HSL 115.05, 0.82%, 0.47%

LAB 75.81, -73.26, 71.22

 

CMYK 89 / 64 / 0 / 16

HEX #174DD7

RGB 23 77 215

HSL 223.13, 0.81%, 0.47%

LAB 38.54, 36.73, -74.78

 

CMYK 0 / 90 / 19 / 15

HEX #D816AE

RGB 216 22 174

HSL 312.99, 0.82%, 0.47%

LAB 49.77, 79.08, -31.79

 

CMYK 0 / 25 / 90 / 15

HEX #D8A116

RGB 216 161 22

HSL 42.99, 0.82%, 0.47%

LAB 69.57, 9.58, 70.04

 

CMYK 90 / 0 / 70 / 15

HEX #16D840

RGB 22 216 64

HSL 132.99, 0.82%, 0.47%

LAB 75.86, -72.14, 59.7

 

Description

Color code: HEX #174DD7 | qconv.com Color code: HEX #174DD7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 77 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 77 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 64 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 64% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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