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Color name
HEX #174F3B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #174F3B it is the complementary color #E8B0C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #174F3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #174F3B shade: #1C4F36, #2D6149, #3E735C, #4F856F and #609782

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #174F3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #174F3B shade: #174F3B, #063D28, #002B15, #001902 and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #174F3B shade: #164F3B, #164F2B, #164F1C, #204F16 and #2F4F16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #174F3B shade: #164F3B, #164F4A, #16444F, #16354F and #16264F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #174F3B shade matches the following richer shades: #164F3B, #0E573D and #065F3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #174F3B shade: #164F3B, #1F4638, #273E36, #2F3633 and #372E31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #174F3B shade: #164F1C, #164F2B, #164F3A, #164F49 and #16454F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #174F3B shade: #040F0B, #0D2F23, #164F3B, #206F52 and #298F6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #174F3B shade: #174F3B, #16204F and #4F2416

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #174F3B shade: #174F3B, #3A164F and #4F3A16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #174F3B shade: #174F3B, #16204F, #4F162B and #4F4516

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #174F3B shade: #174F3B, #1E164F, #4F162B and #474F16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 25 / 69

HEX #174F3B

RGB 23 79 59

HSL 158.57, 0.55%, 0.2%

LAB 29.64, -23.69, 6.57

 

Complementary color

CMYK 0 / 24 / 16 / 9

HEX #E8B0C4

RGB 232 176 196

HSL 338.57, 0.55%, 0.8%

LAB 77.4, 23.39, -2.21

 

CMYK 65 / 0 / 32 / 69

HEX #1C4F36

RGB 28 79 54

HSL 150.59, 0.48%, 0.21%

LAB 29.68, -23.83, 9.81

 

CMYK 54 / 0 / 25 / 62

HEX #2D6149

RGB 45 97 73

HSL 152.31, 0.37%, 0.28%

LAB 37.09, -23.76, 8.45

 

CMYK 46 / 0 / 20 / 55

HEX #3E735C

RGB 62 115 92

HSL 153.96, 0.3%, 0.35%

LAB 44.32, -23.56, 7.29

 

CMYK 41 / 0 / 17 / 48

HEX #4F856F

RGB 79 133 111

HSL 155.56, 0.25%, 0.42%

LAB 51.36, -23.32, 6.27

 

CMYK 36 / 0 / 14 / 41

HEX #609782

RGB 96 151 130

HSL 157.09, 0.22%, 0.48%

LAB 58.26, -23.07, 5.34

 

CMYK 71 / 0 / 25 / 69

HEX #174F3B

RGB 23 79 59

HSL 158.57, 0.55%, 0.2%

LAB 29.64, -23.69, 6.57

 

CMYK 90 / 0 / 34 / 76

HEX #063D28

RGB 6 61 40

HSL 157.09, 0.82%, 0.13%

LAB 22.05, -23.11, 8.18

 

CMYK 100 / 0 / 51 / 83

HEX #002B15

RGB 0 43 21

HSL 149.3, 1%, 0.08%

LAB 14.3, -21.06, 10.34

 

CMYK 100 / 0 / 92 / 90

HEX #001902

RGB 0 25 2

HSL 124.8, 1%, 0.05%

LAB 6.32, -12.55, 8.41

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 72 / 0 / 25 / 69

HEX #164F3B

RGB 22 79 59

HSL 158.95, 0.56%, 0.2%

LAB 29.61, -23.9, 6.52

 

CMYK 72 / 0 / 46 / 69

HEX #164F2B

RGB 22 79 43

HSL 142.11, 0.56%, 0.2%

LAB 29.25, -27.72, 16.02

 

CMYK 72 / 0 / 65 / 69

HEX #164F1C

RGB 22 79 28

HSL 126.32, 0.56%, 0.2%

LAB 29.02, -30.34, 24.41

 

CMYK 59 / 0 / 72 / 69

HEX #204F16

RGB 32 79 22

HSL 109.47, 0.56%, 0.2%

LAB 29.3, -28.35, 27.9

 

CMYK 41 / 0 / 72 / 69

HEX #2F4F16

RGB 47 79 22

HSL 93.68, 0.56%, 0.2%

LAB 30.05, -22.93, 28.92

 

CMYK 72 / 0 / 25 / 69

HEX #164F3B

RGB 22 79 59

HSL 158.95, 0.56%, 0.2%

LAB 29.61, -23.9, 6.52

 

CMYK 72 / 0 / 6 / 69

HEX #164F4A

RGB 22 79 74

HSL 174.74, 0.56%, 0.2%

LAB 30.05, -19.47, -2.43

 

CMYK 72 / 14 / 0 / 69

HEX #16444F

RGB 22 68 79

HSL 191.58, 0.56%, 0.2%

LAB 26.36, -11.47, -11.21

 

CMYK 72 / 33 / 0 / 69

HEX #16354F

RGB 22 53 79

HSL 207.37, 0.56%, 0.2%

LAB 21.14, -1.79, -19.29

 

CMYK 72 / 52 / 0 / 69

HEX #16264F

RGB 22 38 79

HSL 223.16, 0.56%, 0.2%

LAB 16.11, 8.99, -27.26

 

CMYK 72 / 0 / 25 / 69

HEX #164F3B

RGB 22 79 59

HSL 158.95, 0.56%, 0.2%

LAB 29.61, -23.9, 6.52

 

CMYK 84 / 0 / 30 / 66

HEX #0E573D

RGB 14 87 61

HSL 158.63, 0.72%, 0.2%

LAB 32.36, -28.5, 9.09

 

CMYK 94 / 0 / 34 / 63

HEX #065F3F

RGB 6 95 63

HSL 158.43, 0.88%, 0.2%

LAB 35.17, -32.4, 11.72

 

CMYK 72 / 0 / 25 / 69

HEX #164F3B

RGB 22 79 59

HSL 158.95, 0.56%, 0.2%

LAB 29.61, -23.9, 6.52

 

CMYK 56 / 0 / 20 / 73

HEX #1F4638

RGB 31 70 56

HSL 158.46, 0.39%, 0.2%

LAB 26.61, -17.82, 4.24

 

CMYK 37 / 0 / 13 / 76

HEX #273E36

RGB 39 62 54

HSL 159.13, 0.23%, 0.2%

LAB 24.14, -11.14, 2.06

 

CMYK 13 / 0 / 6 / 79

HEX #2F3633

RGB 47 54 51

HSL 154.29, 0.07%, 0.2%

LAB 21.88, -3.71, 0.87

 

CMYK 0 / 16 / 11 / 78

HEX #372E31

RGB 55 46 49

HSL 340, 0.09%, 0.2%

LAB 20, 4.72, -0.41

 

CMYK 72 / 0 / 65 / 69

HEX #164F1C

RGB 22 79 28

HSL 126.32, 0.56%, 0.2%

LAB 29.02, -30.34, 24.41

 

CMYK 72 / 0 / 46 / 69

HEX #164F2B

RGB 22 79 43

HSL 142.11, 0.56%, 0.2%

LAB 29.25, -27.72, 16.02

 

CMYK 72 / 0 / 27 / 69

HEX #164F3A

RGB 22 79 58

HSL 157.89, 0.56%, 0.2%

LAB 29.58, -24.16, 7.12

 

CMYK 72 / 0 / 8 / 69

HEX #164F49

RGB 22 79 73

HSL 173.68, 0.56%, 0.2%

LAB 30.02, -19.79, -1.83

 

CMYK 72 / 13 / 0 / 69

HEX #16454F

RGB 22 69 79

HSL 190.53, 0.56%, 0.2%

LAB 26.71, -12.08, -10.67

 

CMYK 73 / 0 / 27 / 94

HEX #040F0B

RGB 4 15 11

HSL 158.18, 0.58%, 0.04%

LAB 3.54, -3.72, 0.7

 

CMYK 72 / 0 / 26 / 82

HEX #0D2F23

RGB 13 47 35

HSL 158.82, 0.57%, 0.12%

LAB 16.7, -15.92, 4.1

 

CMYK 72 / 0 / 25 / 69

HEX #164F3B

RGB 22 79 59

HSL 158.95, 0.56%, 0.2%

LAB 29.61, -23.9, 6.52

 

CMYK 71 / 0 / 26 / 56

HEX #206F52

RGB 32 111 82

HSL 157.97, 0.55%, 0.28%

LAB 41.67, -31.25, 9.36

 

CMYK 71 / 0 / 26 / 44

HEX #298F6A

RGB 41 143 106

HSL 158.24, 0.55%, 0.36%

LAB 53.12, -38.1, 11.44

 

CMYK 71 / 0 / 25 / 69

HEX #174F3B

RGB 23 79 59

HSL 158.57, 0.55%, 0.2%

LAB 29.64, -23.69, 6.57

 

CMYK 72 / 59 / 0 / 69

HEX #16204F

RGB 22 32 79

HSL 229.47, 0.56%, 0.2%

LAB 14.22, 13.49, -30.31

 

CMYK 0 / 54 / 72 / 69

HEX #4F2416

RGB 79 36 22

HSL 14.74, 0.56%, 0.2%

LAB 19.97, 18.87, 18.47

 

CMYK 71 / 0 / 25 / 69

HEX #174F3B

RGB 23 79 59

HSL 158.57, 0.55%, 0.2%

LAB 29.64, -23.69, 6.57

 

CMYK 27 / 72 / 0 / 69

HEX #3A164F

RGB 58 22 79

HSL 277.89, 0.56%, 0.2%

LAB 15.68, 28.87, -27.75

 

CMYK 0 / 27 / 72 / 69

HEX #4F3A16

RGB 79 58 22

HSL 37.89, 0.56%, 0.2%

LAB 26, 4.83, 25.36

 

CMYK 71 / 0 / 25 / 69

HEX #174F3B

RGB 23 79 59

HSL 158.57, 0.55%, 0.2%

LAB 29.64, -23.69, 6.57

 

CMYK 72 / 59 / 0 / 69

HEX #16204F

RGB 22 32 79

HSL 229.47, 0.56%, 0.2%

LAB 14.22, 13.49, -30.31

 

CMYK 0 / 72 / 46 / 69

HEX #4F162B

RGB 79 22 43

HSL 337.89, 0.56%, 0.2%

LAB 17.51, 28.72, 0.61

 

CMYK 0 / 13 / 72 / 69

HEX #4F4516

RGB 79 69 22

HSL 49.47, 0.56%, 0.2%

LAB 29.35, -2.12, 28.98

 

CMYK 71 / 0 / 25 / 69

HEX #174F3B

RGB 23 79 59

HSL 158.57, 0.55%, 0.2%

LAB 29.64, -23.69, 6.57

 

CMYK 62 / 72 / 0 / 69

HEX #1E164F

RGB 30 22 79

HSL 248.42, 0.56%, 0.2%

LAB 12.05, 22.3, -33.81

 

CMYK 0 / 72 / 46 / 69

HEX #4F162B

RGB 79 22 43

HSL 337.89, 0.56%, 0.2%

LAB 17.51, 28.72, 0.61

 

CMYK 10 / 0 / 72 / 69

HEX #474F16

RGB 71 79 22

HSL 68.42, 0.56%, 0.2%

LAB 31.78, -12.11, 31.28

 

Description

Color code: HEX #174F3B | qconv.com Color code: HEX #174F3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 79 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 79 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 25 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 25% 69% C M Y K

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Provide designers and agencies with accurate color values.

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