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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #175127 it is the complementary color #E8AED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #175127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #175127 shade: #1C5122, #2D6335, #3E7548, #4F875B and #60996E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #175127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #175127 shade: #175127, #063F14, #002D01, #001B00 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #175127 shade: #164F26, #164F16, #254F16, #344F16 and #444F16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #175127 shade: #164F26, #164F35, #164F45, #164A4F and #163B4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #175127 shade matches the following richer shades: #164F26, #0E5722 and #05601E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #175127 shade: #164F26, #1E4729, #263F2D, #2F3631 and #372E34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #175127 shade: #254F16, #164F16, #164F25, #164F34 and #164F44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #175127 shade: #040F07, #0D2F16, #164F26, #1F6F35 and #288F45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #175127 shade: #175127, #16344F and #4F161E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #175127 shade: #175127, #25164F and #4F2516

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #175127 shade: #175127, #16344F, #4F1640 and #4F3116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #175127 shade: #175127, #16234F, #4F1640 and #4F4216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 52 / 68

HEX #175127

RGB 23 81 39

HSL 136.55, 0.56%, 0.2%

LAB 29.94, -29.16, 19.31

 

Complementary color

CMYK 0 / 25 / 7 / 9

HEX #E8AED8

RGB 232 174 216

HSL 316.55, 0.56%, 0.8%

LAB 77.51, 27.77, -12.91

 

CMYK 65 / 0 / 58 / 68

HEX #1C5122

RGB 28 81 34

HSL 126.79, 0.49%, 0.21%

LAB 30.03, -28.79, 22.33

 

CMYK 55 / 0 / 46 / 61

HEX #2D6335

RGB 45 99 53

HSL 128.89, 0.38%, 0.28%

LAB 37.37, -28.91, 20.77

 

CMYK 47 / 0 / 38 / 54

HEX #3E7548

RGB 62 117 72

HSL 130.91, 0.31%, 0.35%

LAB 44.54, -28.76, 19.33

 

CMYK 41 / 0 / 33 / 47

HEX #4F875B

RGB 79 135 91

HSL 132.86, 0.26%, 0.42%

LAB 51.55, -28.51, 18.02

 

CMYK 37 / 0 / 28 / 40

HEX #60996E

RGB 96 153 110

HSL 134.74, 0.23%, 0.49%

LAB 58.41, -28.23, 16.84

 

CMYK 72 / 0 / 52 / 68

HEX #175127

RGB 23 81 39

HSL 136.55, 0.56%, 0.2%

LAB 29.94, -29.16, 19.31

 

CMYK 90 / 0 / 68 / 75

HEX #063F14

RGB 6 63 20

HSL 134.74, 0.83%, 0.14%

LAB 22.46, -28.22, 21.06

 

CMYK 100 / 0 / 98 / 82

HEX #002D01

RGB 0 45 1

HSL 121.33, 1%, 0.09%

LAB 14.84, -25.45, 20.7

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 72 / 0 / 52 / 69

HEX #164F26

RGB 22 79 38

HSL 136.84, 0.56%, 0.2%

LAB 29.17, -28.7, 18.91

 

CMYK 72 / 0 / 72 / 69

HEX #164F16

RGB 22 79 22

HSL 120, 0.56%, 0.2%

LAB 28.95, -31.12, 27.42

 

CMYK 53 / 0 / 72 / 69

HEX #254F16

RGB 37 79 22

HSL 104.21, 0.56%, 0.2%

LAB 29.52, -26.7, 28.2

 

CMYK 34 / 0 / 72 / 69

HEX #344F16

RGB 52 79 22

HSL 88.42, 0.56%, 0.2%

LAB 30.35, -20.85, 29.34

 

CMYK 14 / 0 / 72 / 69

HEX #444F16

RGB 68 79 22

HSL 71.58, 0.56%, 0.2%

LAB 31.53, -13.55, 30.94

 

CMYK 72 / 0 / 52 / 69

HEX #164F26

RGB 22 79 38

HSL 136.84, 0.56%, 0.2%

LAB 29.17, -28.7, 18.91

 

CMYK 72 / 0 / 33 / 69

HEX #164F35

RGB 22 79 53

HSL 152.63, 0.56%, 0.2%

LAB 29.46, -25.45, 10.11

 

CMYK 72 / 0 / 13 / 69

HEX #164F45

RGB 22 79 69

HSL 169.47, 0.56%, 0.2%

LAB 29.89, -21.03, 0.54

 

CMYK 72 / 6 / 0 / 69

HEX #164A4F

RGB 22 74 79

HSL 185.26, 0.56%, 0.2%

LAB 28.47, -15.02, -8.01

 

CMYK 72 / 25 / 0 / 69

HEX #163B4F

RGB 22 59 79

HSL 201.05, 0.56%, 0.2%

LAB 23.21, -5.81, -16.05

 

CMYK 72 / 0 / 52 / 69

HEX #164F26

RGB 22 79 38

HSL 136.84, 0.56%, 0.2%

LAB 29.17, -28.7, 18.91

 

CMYK 84 / 0 / 61 / 66

HEX #0E5722

RGB 14 87 34

HSL 136.44, 0.72%, 0.2%

LAB 31.86, -34.18, 24.46

 

CMYK 95 / 0 / 69 / 62

HEX #05601E

RGB 5 96 30

HSL 136.48, 0.9%, 0.2%

LAB 34.99, -39.16, 30.09

 

CMYK 72 / 0 / 52 / 69

HEX #164F26

RGB 22 79 38

HSL 136.84, 0.56%, 0.2%

LAB 29.17, -28.7, 18.91

 

CMYK 58 / 0 / 42 / 72

HEX #1E4729

RGB 30 71 41

HSL 136.1, 0.41%, 0.2%

LAB 26.57, -22.23, 13.78

 

CMYK 40 / 0 / 29 / 75

HEX #263F2D

RGB 38 63 45

HSL 136.8, 0.25%, 0.2%

LAB 24.18, -14.3, 8.05

 

CMYK 13 / 0 / 9 / 79

HEX #2F3631

RGB 47 54 49

HSL 137.14, 0.07%, 0.2%

LAB 21.82, -4.18, 2.13

 

CMYK 0 / 16 / 5 / 78

HEX #372E34

RGB 55 46 52

HSL 320, 0.09%, 0.2%

LAB 20.1, 5.38, -2.32

 

CMYK 53 / 0 / 72 / 69

HEX #254F16

RGB 37 79 22

HSL 104.21, 0.56%, 0.2%

LAB 29.52, -26.7, 28.2

 

CMYK 72 / 0 / 72 / 69

HEX #164F16

RGB 22 79 22

HSL 120, 0.56%, 0.2%

LAB 28.95, -31.12, 27.42

 

CMYK 72 / 0 / 53 / 69

HEX #164F25

RGB 22 79 37

HSL 135.79, 0.56%, 0.2%

LAB 29.15, -28.88, 19.48

 

CMYK 72 / 0 / 34 / 69

HEX #164F34

RGB 22 79 52

HSL 151.58, 0.56%, 0.2%

LAB 29.44, -25.69, 10.71

 

CMYK 72 / 0 / 14 / 69

HEX #164F44

RGB 22 79 68

HSL 168.42, 0.56%, 0.2%

LAB 29.86, -21.33, 1.14

 

CMYK 73 / 0 / 53 / 94

HEX #040F07

RGB 4 15 7

HSL 136.36, 0.58%, 0.04%

LAB 3.46, -4.28, 2.23

 

CMYK 72 / 0 / 53 / 82

HEX #0D2F16

RGB 13 47 22

HSL 135.88, 0.57%, 0.12%

LAB 16.39, -19.2, 12.48

 

CMYK 72 / 0 / 52 / 69

HEX #164F26

RGB 22 79 38

HSL 136.84, 0.56%, 0.2%

LAB 29.17, -28.7, 18.91

 

CMYK 72 / 0 / 52 / 56

HEX #1F6F35

RGB 31 111 53

HSL 136.5, 0.56%, 0.28%

LAB 41.08, -37.55, 25.37

 

CMYK 72 / 0 / 52 / 44

HEX #288F45

RGB 40 143 69

HSL 136.89, 0.56%, 0.36%

LAB 52.43, -45.71, 30.95

 

CMYK 72 / 0 / 52 / 68

HEX #175127

RGB 23 81 39

HSL 136.55, 0.56%, 0.2%

LAB 29.94, -29.16, 19.31

 

CMYK 72 / 34 / 0 / 69

HEX #16344F

RGB 22 52 79

HSL 208.42, 0.56%, 0.2%

LAB 20.79, -1.1, -19.83

 

CMYK 0 / 72 / 62 / 69

HEX #4F161E

RGB 79 22 30

HSL 351.58, 0.56%, 0.2%

LAB 17.13, 27.35, 9.39

 

CMYK 72 / 0 / 52 / 68

HEX #175127

RGB 23 81 39

HSL 136.55, 0.56%, 0.2%

LAB 29.94, -29.16, 19.31

 

CMYK 53 / 72 / 0 / 69

HEX #25164F

RGB 37 22 79

HSL 255.79, 0.56%, 0.2%

LAB 12.81, 23.75, -32.54

 

CMYK 0 / 53 / 72 / 69

HEX #4F2516

RGB 79 37 22

HSL 15.79, 0.56%, 0.2%

LAB 20.22, 18.26, 18.77

 

CMYK 72 / 0 / 52 / 68

HEX #175127

RGB 23 81 39

HSL 136.55, 0.56%, 0.2%

LAB 29.94, -29.16, 19.31

 

CMYK 72 / 34 / 0 / 69

HEX #16344F

RGB 22 52 79

HSL 208.42, 0.56%, 0.2%

LAB 20.79, -1.1, -19.83

 

CMYK 0 / 72 / 19 / 69

HEX #4F1640

RGB 79 22 64

HSL 315.79, 0.56%, 0.2%

LAB 18.39, 31.79, -12.89

 

CMYK 0 / 38 / 72 / 69

HEX #4F3116

RGB 79 49 22

HSL 28.42, 0.56%, 0.2%

LAB 23.39, 10.64, 22.45

 

CMYK 72 / 0 / 52 / 68

HEX #175127

RGB 23 81 39

HSL 136.55, 0.56%, 0.2%

LAB 29.94, -29.16, 19.31

 

CMYK 72 / 56 / 0 / 69

HEX #16234F

RGB 22 35 79

HSL 226.32, 0.56%, 0.2%

LAB 15.15, 11.24, -28.8

 

CMYK 0 / 72 / 19 / 69

HEX #4F1640

RGB 79 22 64

HSL 315.79, 0.56%, 0.2%

LAB 18.39, 31.79, -12.89

 

CMYK 0 / 16 / 72 / 69

HEX #4F4216

RGB 79 66 22

HSL 46.32, 0.56%, 0.2%

LAB 28.42, -0.25, 27.99

 

Description

Color code: HEX #175127 | qconv.com Color code: HEX #175127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 81 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 81 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 52 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 52% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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