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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #176D5F it is the complementary color #E892A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #176D5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #176D5F shade: #1C6D5A, #2D7F6D, #3E9180, #4FA393 and #60B5A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #176D5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #176D5F shade: #176D5F, #065B4C, #004939, #003726 and #002513

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #176D5F shade: #176D5F, #176D48, #176D30, #176D19 and #2C6D17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #176D5F shade: #176D5F, #17646D, #174C6D, #17356D and #171E6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #176D5F shade matches the following richer shades: #176D5F, #0C7866 and #01826D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #176D5F shade: #176D5F, #216258, #2C5750, #374D49 and #424242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #176D5F shade: #176D31, #176D48, #176D5F, #17646D and #174D6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #176D5F shade: #082924, #0F4B41, #176D5F, #1E8F7D and #25B19A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #176D5F shade: #176D5F, #1A176D and #6D3C17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #176D5F shade: #176D5F, #5F176D and #6D5F17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #176D5F shade: #176D5F, #1A176D, #6D1725 and #6A6D17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #176D5F shade: #176D5F, #33176D, #6D1725 and #506D17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

Complementary color

CMYK 0 / 37 / 31 / 9

HEX #E892A0

RGB 232 146 160

HSL 350.23, 0.65%, 0.74%

LAB 69.65, 34.19, 6.37

 

CMYK 74 / 0 / 17 / 57

HEX #1C6D5A

RGB 28 109 90

HSL 165.93, 0.59%, 0.27%

LAB 41.09, -28.87, 3.72

 

CMYK 65 / 0 / 14 / 50

HEX #2D7F6D

RGB 45 127 109

HSL 166.83, 0.48%, 0.34%

LAB 48.06, -29.31, 2.51

 

CMYK 57 / 0 / 12 / 43

HEX #3E9180

RGB 62 145 128

HSL 167.71, 0.4%, 0.41%

LAB 54.9, -29.48, 1.45

 

CMYK 52 / 0 / 10 / 36

HEX #4FA393

RGB 79 163 147

HSL 168.57, 0.35%, 0.47%

LAB 61.62, -29.51, 0.52

 

CMYK 47 / 0 / 8 / 29

HEX #60B5A6

RGB 96 181 166

HSL 169.41, 0.36%, 0.54%

LAB 68.23, -29.47, -0.34

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 93 / 0 / 16 / 64

HEX #065B4C

RGB 6 91 76

HSL 169.41, 0.88%, 0.19%

LAB 34.07, -26.98, 2.15

 

CMYK 100 / 0 / 22 / 71

HEX #004939

RGB 0 73 57

HSL 166.85, 1%, 0.14%

LAB 26.91, -24.83, 3.9

 

CMYK 100 / 0 / 31 / 78

HEX #003726

RGB 0 55 38

HSL 161.45, 1%, 0.11%

LAB 19.53, -21.96, 5.98

 

CMYK 100 / 0 / 49 / 85

HEX #002513

RGB 0 37 19

HSL 150.81, 1%, 0.07%

LAB 11.76, -18.76, 8.26

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 79 / 0 / 34 / 57

HEX #176D48

RGB 23 109 72

HSL 154.19, 0.65%, 0.26%

LAB 40.55, -34.26, 13.74

 

CMYK 79 / 0 / 56 / 57

HEX #176D30

RGB 23 109 48

HSL 137.44, 0.65%, 0.26%

LAB 40.14, -39.02, 26.88

 

CMYK 79 / 0 / 77 / 57

HEX #176D19

RGB 23 109 25

HSL 121.4, 0.65%, 0.26%

LAB 39.9, -41.88, 37.6

 

CMYK 60 / 0 / 79 / 57

HEX #2C6D17

RGB 44 109 23

HSL 105.35, 0.65%, 0.26%

LAB 40.47, -37.24, 39.14

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 79 / 8 / 0 / 57

HEX #17646D

RGB 23 100 109

HSL 186.28, 0.65%, 0.26%

LAB 38.55, -19.06, -11.64

 

CMYK 79 / 30 / 0 / 57

HEX #174C6D

RGB 23 76 109

HSL 203.02, 0.65%, 0.26%

LAB 30.53, -4.88, -24.01

 

CMYK 79 / 51 / 0 / 57

HEX #17356D

RGB 23 53 109

HSL 219.07, 0.65%, 0.26%

LAB 23.11, 10.78, -35.81

 

CMYK 79 / 72 / 0 / 57

HEX #171E6D

RGB 23 30 109

HSL 235.12, 0.65%, 0.26%

LAB 16.58, 27.16, -46.45

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 90 / 0 / 15 / 53

HEX #0C7866

RGB 12 120 102

HSL 170, 0.82%, 0.26%

LAB 44.9, -32.38, 1.99

 

CMYK 99 / 0 / 16 / 49

HEX #01826D

RGB 1 130 109

HSL 170.23, 0.98%, 0.26%

LAB 48.36, -35.55, 2.85

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 66 / 0 / 10 / 62

HEX #216258

RGB 33 98 88

HSL 170.77, 0.5%, 0.26%

LAB 37.41, -23.11, -0.37

 

CMYK 49 / 0 / 8 / 66

HEX #2C5750

RGB 44 87 80

HSL 170.23, 0.33%, 0.26%

LAB 33.84, -16.91, -0.57

 

CMYK 29 / 0 / 5 / 70

HEX #374D49

RGB 55 77 73

HSL 169.09, 0.17%, 0.26%

LAB 30.88, -9.48, -0.39

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 79 / 0 / 55 / 57

HEX #176D31

RGB 23 109 49

HSL 138.14, 0.65%, 0.26%

LAB 40.15, -38.86, 26.36

 

CMYK 79 / 0 / 34 / 57

HEX #176D48

RGB 23 109 72

HSL 154.19, 0.65%, 0.26%

LAB 40.55, -34.26, 13.74

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 79 / 8 / 0 / 57

HEX #17646D

RGB 23 100 109

HSL 186.28, 0.65%, 0.26%

LAB 38.55, -19.06, -11.64

 

CMYK 79 / 29 / 0 / 57

HEX #174D6D

RGB 23 77 109

HSL 202.33, 0.65%, 0.26%

LAB 30.86, -5.52, -23.49

 

CMYK 80 / 0 / 12 / 84

HEX #082924

RGB 8 41 36

HSL 170.91, 0.67%, 0.1%

LAB 14.2, -13.38, -0.22

 

CMYK 80 / 0 / 13 / 71

HEX #0F4B41

RGB 15 75 65

HSL 170, 0.67%, 0.18%

LAB 28.16, -21.37, 0.57

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 79 / 0 / 13 / 44

HEX #1E8F7D

RGB 30 143 125

HSL 170.44, 0.65%, 0.34%

LAB 53.39, -34.65, 0.88

 

CMYK 79 / 0 / 13 / 31

HEX #25B19A

RGB 37 177 154

HSL 170.14, 0.65%, 0.42%

LAB 65.1, -41.09, 1.54

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 76 / 79 / 0 / 57

HEX #1A176D

RGB 26 23 109

HSL 242.09, 0.65%, 0.26%

LAB 15.15, 31.96, -48.79

 

CMYK 0 / 45 / 79 / 57

HEX #6D3C17

RGB 109 60 23

HSL 25.81, 0.65%, 0.26%

LAB 30.75, 18.33, 31.12

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 13 / 79 / 0 / 57

HEX #5F176D

RGB 95 23 109

HSL 290.23, 0.65%, 0.26%

LAB 24.16, 44.05, -33.73

 

CMYK 0 / 13 / 79 / 57

HEX #6D5F17

RGB 109 95 23

HSL 50.23, 0.65%, 0.26%

LAB 40.41, -2.81, 40.61

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 76 / 79 / 0 / 57

HEX #1A176D

RGB 26 23 109

HSL 242.09, 0.65%, 0.26%

LAB 15.15, 31.96, -48.79

 

CMYK 0 / 79 / 66 / 57

HEX #6D1725

RGB 109 23 37

HSL 350.23, 0.65%, 0.26%

LAB 23.66, 38.09, 14.28

 

CMYK 3 / 0 / 79 / 57

HEX #6A6D17

RGB 106 109 23

HSL 62.09, 0.65%, 0.26%

LAB 44.32, -12.24, 44.17

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 53 / 79 / 0 / 57

HEX #33176D

RGB 51 23 109

HSL 259.53, 0.65%, 0.26%

LAB 17.56, 35.33, -44.75

 

CMYK 0 / 79 / 66 / 57

HEX #6D1725

RGB 109 23 37

HSL 350.23, 0.65%, 0.26%

LAB 23.66, 38.09, 14.28

 

CMYK 27 / 0 / 79 / 57

HEX #506D17

RGB 80 109 23

HSL 80.23, 0.65%, 0.26%

LAB 42.31, -24.04, 41.57

 

Description

Color code: HEX #176D5F | qconv.com Color code: HEX #176D5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 109 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 109 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 13 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 13% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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