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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #177C1C it is the complementary color #E883E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #177C1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #177C1C shade: #1C7C17, #2D8E2A, #3EA03D, #4FB250 and #60C463

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #177C1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #177C1C shade: #177C1C, #066A09, #005800, #004600 and #003400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #177C1C shade: #167C1B, #2D7C16, #487C16, #647C16 and #7C7916

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #177C1C shade: #167C1B, #167C37, #167C53, #167C6E and #166F7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #177C1C shade matches the following richer shades: #167C1B and #0A8811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #177C1C shade: #167C1B, #227126, #2E6531, #3A593C and #464D47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #177C1C shade: #497C16, #2E7C16, #167C1A, #167C35 and #167C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #177C1C shade: #0A370C, #105A14, #167C1B, #1D9F23 and #23C22B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #177C1C shade: #177C1C, #16657C and #7C163C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #177C1C shade: #177C1C, #1A167C and #7C1A16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #177C1C shade: #177C1C, #16657C, #7C1679 and #7C2E16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #177C1C shade: #177C1C, #16467C, #7C1679 and #7C4D16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 77 / 51

HEX #177C1C

RGB 23 124 28

HSL 122.97, 0.69%, 0.29%

LAB 45.19, -46.76, 41.78

 

Complementary color

CMYK 0 / 44 / 2 / 9

HEX #E883E3

RGB 232 131 227

HSL 302.97, 0.69%, 0.71%

LAB 68.7, 52.21, -32.36

 

CMYK 77 / 0 / 81 / 51

HEX #1C7C17

RGB 28 124 23

HSL 117.03, 0.69%, 0.29%

LAB 45.25, -46.36, 43.64

 

CMYK 68 / 0 / 70 / 44

HEX #2D8E2A

RGB 45 142 42

HSL 118.2, 0.54%, 0.36%

LAB 51.92, -47.81, 43.28

 

CMYK 61 / 0 / 62 / 37

HEX #3EA03D

RGB 62 160 61

HSL 119.39, 0.45%, 0.43%

LAB 58.51, -48.59, 42.26

 

CMYK 56 / 0 / 55 / 30

HEX #4FB250

RGB 79 178 80

HSL 120.61, 0.39%, 0.5%

LAB 65.03, -48.95, 41.01

 

CMYK 51 / 0 / 49 / 23

HEX #60C463

RGB 96 196 99

HSL 121.8, 0.46%, 0.57%

LAB 71.46, -49.07, 39.7

 

CMYK 81 / 0 / 77 / 51

HEX #177C1C

RGB 23 124 28

HSL 122.97, 0.69%, 0.29%

LAB 45.19, -46.76, 41.78

 

CMYK 94 / 0 / 92 / 58

HEX #066A09

RGB 6 106 9

HSL 121.8, 0.89%, 0.22%

LAB 38.49, -44.12, 41.35

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 82 / 0 / 78 / 51

HEX #167C1B

RGB 22 124 27

HSL 122.94, 0.7%, 0.29%

LAB 45.17, -46.98, 42.12

 

CMYK 64 / 0 / 82 / 51

HEX #2D7C16

RGB 45 124 22

HSL 106.47, 0.7%, 0.29%

LAB 45.68, -42.83, 44.52

 

CMYK 42 / 0 / 82 / 51

HEX #487C16

RGB 72 124 22

HSL 90.59, 0.7%, 0.29%

LAB 46.78, -34.36, 45.94

 

CMYK 19 / 0 / 82 / 51

HEX #647C16

RGB 100 124 22

HSL 74.12, 0.7%, 0.29%

LAB 48.49, -22.97, 48.14

 

CMYK 0 / 2 / 82 / 51

HEX #7C7916

RGB 124 121 22

HSL 58.24, 0.7%, 0.29%

LAB 49.52, -10.45, 49.79

 

CMYK 82 / 0 / 78 / 51

HEX #167C1B

RGB 22 124 27

HSL 122.94, 0.7%, 0.29%

LAB 45.17, -46.98, 42.12

 

CMYK 82 / 0 / 56 / 51

HEX #167C37

RGB 22 124 55

HSL 139.41, 0.7%, 0.29%

LAB 45.44, -43.66, 29.62

 

CMYK 82 / 0 / 33 / 51

HEX #167C53

RGB 22 124 83

HSL 155.88, 0.7%, 0.29%

LAB 45.92, -38.16, 14.64

 

CMYK 82 / 0 / 11 / 51

HEX #167C6E

RGB 22 124 110

HSL 171.76, 0.7%, 0.29%

LAB 46.59, -31.01, -0.28

 

CMYK 82 / 10 / 0 / 51

HEX #166F7C

RGB 22 111 124

HSL 187.65, 0.7%, 0.29%

LAB 42.76, -19.97, -14.38

 

CMYK 82 / 0 / 78 / 51

HEX #167C1B

RGB 22 124 27

HSL 122.94, 0.7%, 0.29%

LAB 45.17, -46.98, 42.12

 

CMYK 93 / 0 / 88 / 47

HEX #0A8811

RGB 10 136 17

HSL 123.33, 0.86%, 0.29%

LAB 49.15, -52.65, 48.89

 

CMYK 82 / 0 / 78 / 51

HEX #167C1B

RGB 22 124 27

HSL 122.94, 0.7%, 0.29%

LAB 45.17, -46.98, 42.12

 

CMYK 70 / 0 / 66 / 56

HEX #227126

RGB 34 113 38

HSL 123.04, 0.54%, 0.29%

LAB 41.67, -39.87, 33.84

 

CMYK 54 / 0 / 51 / 60

HEX #2E6531

RGB 46 101 49

HSL 123.27, 0.37%, 0.29%

LAB 38.04, -30.2, 23.9

 

CMYK 35 / 0 / 33 / 65

HEX #3A593C

RGB 58 89 60

HSL 123.87, 0.21%, 0.29%

LAB 34.74, -18.17, 13.26

 

CMYK 9 / 0 / 8 / 70

HEX #464D47

RGB 70 77 71

HSL 128.57, 0.05%, 0.29%

LAB 31.95, -4.17, 2.59

 

CMYK 41 / 0 / 82 / 51

HEX #497C16

RGB 73 124 22

HSL 90, 0.7%, 0.29%

LAB 46.83, -33.99, 46.01

 

CMYK 63 / 0 / 82 / 51

HEX #2E7C16

RGB 46 124 22

HSL 105.88, 0.7%, 0.29%

LAB 45.71, -42.57, 44.56

 

CMYK 82 / 0 / 79 / 51

HEX #167C1A

RGB 22 124 26

HSL 122.35, 0.7%, 0.29%

LAB 45.17, -47.06, 42.48

 

CMYK 82 / 0 / 57 / 51

HEX #167C35

RGB 22 124 53

HSL 138.24, 0.7%, 0.29%

LAB 45.42, -43.97, 30.63

 

CMYK 82 / 0 / 35 / 51

HEX #167C50

RGB 22 124 80

HSL 154.12, 0.7%, 0.29%

LAB 45.86, -38.85, 16.29

 

CMYK 82 / 0 / 78 / 78

HEX #0A370C

RGB 10 55 12

HSL 122.67, 0.69%, 0.13%

LAB 19.32, -25.25, 21.72

 

CMYK 82 / 0 / 78 / 65

HEX #105A14

RGB 16 90 20

HSL 123.24, 0.7%, 0.21%

LAB 32.86, -36.74, 32.42

 

CMYK 82 / 0 / 78 / 51

HEX #167C1B

RGB 22 124 27

HSL 122.94, 0.7%, 0.29%

LAB 45.17, -46.98, 42.12

 

CMYK 82 / 0 / 78 / 38

HEX #1D9F23

RGB 29 159 35

HSL 122.77, 0.69%, 0.37%

LAB 57.25, -56.75, 51.24

 

CMYK 82 / 0 / 78 / 24

HEX #23C22B

RGB 35 194 43

HSL 123.02, 0.69%, 0.45%

LAB 68.83, -66.2, 59.93

 

CMYK 81 / 0 / 77 / 51

HEX #177C1C

RGB 23 124 28

HSL 122.97, 0.69%, 0.29%

LAB 45.19, -46.76, 41.78

 

CMYK 82 / 19 / 0 / 51

HEX #16657C

RGB 22 101 124

HSL 193.53, 0.7%, 0.29%

LAB 39.47, -14.42, -19.41

 

CMYK 0 / 82 / 52 / 51

HEX #7C163C

RGB 124 22 60

HSL 337.65, 0.7%, 0.29%

LAB 27.26, 44.9, 4.03

 

CMYK 81 / 0 / 77 / 51

HEX #177C1C

RGB 23 124 28

HSL 122.97, 0.69%, 0.29%

LAB 45.19, -46.76, 41.78

 

CMYK 79 / 82 / 0 / 51

HEX #1A167C

RGB 26 22 124

HSL 242.35, 0.7%, 0.29%

LAB 16.74, 37.74, -55.84

 

CMYK 0 / 79 / 82 / 51

HEX #7C1A16

RGB 124 26 22

HSL 2.35, 0.7%, 0.29%

LAB 26.97, 41.22, 28.67

 

CMYK 81 / 0 / 77 / 51

HEX #177C1C

RGB 23 124 28

HSL 122.97, 0.69%, 0.29%

LAB 45.19, -46.76, 41.78

 

CMYK 82 / 19 / 0 / 51

HEX #16657C

RGB 22 101 124

HSL 193.53, 0.7%, 0.29%

LAB 39.47, -14.42, -19.41

 

CMYK 0 / 82 / 2 / 51

HEX #7C1679

RGB 124 22 121

HSL 301.76, 0.7%, 0.29%

LAB 30.01, 52.87, -31.76

 

CMYK 0 / 63 / 82 / 51

HEX #7C2E16

RGB 124 46 22

HSL 14.12, 0.7%, 0.29%

LAB 30.15, 32.58, 31.87

 

CMYK 81 / 0 / 77 / 51

HEX #177C1C

RGB 23 124 28

HSL 122.97, 0.69%, 0.29%

LAB 45.19, -46.76, 41.78

 

CMYK 82 / 44 / 0 / 51

HEX #16467C

RGB 22 70 124

HSL 211.76, 0.7%, 0.29%

LAB 29.43, 5.02, -35.18

 

CMYK 0 / 82 / 2 / 51

HEX #7C1679

RGB 124 22 121

HSL 301.76, 0.7%, 0.29%

LAB 30.01, 52.87, -31.76

 

CMYK 0 / 38 / 82 / 51

HEX #7C4D16

RGB 124 77 22

HSL 32.35, 0.7%, 0.29%

LAB 37.21, 15.13, 38.65

 

Description

Color code: HEX #177C1C | qconv.com Color code: HEX #177C1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 124 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 124 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 77 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 77% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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