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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #177E5E it is the complementary color #E881A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #177E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #177E5E shade: #1C7E59, #2D906C, #3EA27F, #4FB492 and #60C6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #177E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #177E5E shade: #177E5E, #066C4B, #005A38, #004825 and #003612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #177E5E shade: #167C5D, #167C41, #167C26, #237C16 and #3E7C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #177E5E shade: #167C5D, #167C78, #16657C, #164A7C and #162E7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #177E5E shade matches the following richer shades: #167C5D and #0A8861

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #177E5E shade: #167C5D, #227158, #2E6554, #3A594F and #464D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #177E5E shade: #167C26, #167C41, #167C5C, #167C77 and #16667C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #177E5E shade: #0A3729, #105A43, #167C5D, #1D9F77 and #23C291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #177E5E shade: #177E5E, #16227C and #7C3316

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #177E5E shade: #177E5E, #5C167C and #7C5C16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #177E5E shade: #177E5E, #16227C, #7C1637 and #7C7116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #177E5E shade: #177E5E, #29167C, #7C1637 and #6A7C16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 25 / 51

HEX #177E5E

RGB 23 126 94

HSL 161.36, 0.69%, 0.29%

LAB 46.86, -36.21, 9.54

 

Complementary color

CMYK 0 / 44 / 31 / 9

HEX #E881A1

RGB 232 129 161

HSL 341.36, 0.69%, 0.71%

LAB 66.08, 43.16, 0.65

 

CMYK 78 / 0 / 29 / 51

HEX #1C7E59

RGB 28 126 89

HSL 157.35, 0.64%, 0.3%

LAB 46.83, -36.82, 12.43

 

CMYK 69 / 0 / 25 / 44

HEX #2D906C

RGB 45 144 108

HSL 158.18, 0.52%, 0.37%

LAB 53.59, -37.39, 10.97

 

CMYK 62 / 0 / 22 / 36

HEX #3EA27F

RGB 62 162 127

HSL 159, 0.45%, 0.44%

LAB 60.25, -37.64, 9.69

 

CMYK 56 / 0 / 19 / 29

HEX #4FB492

RGB 79 180 146

HSL 159.8, 0.4%, 0.51%

LAB 66.81, -37.72, 8.55

 

CMYK 52 / 0 / 17 / 22

HEX #60C6A5

RGB 96 198 165

HSL 160.59, 0.47%, 0.58%

LAB 73.28, -37.68, 7.51

 

CMYK 82 / 0 / 25 / 51

HEX #177E5E

RGB 23 126 94

HSL 161.36, 0.69%, 0.29%

LAB 46.86, -36.21, 9.54

 

CMYK 94 / 0 / 31 / 58

HEX #066C4B

RGB 6 108 75

HSL 160.59, 0.89%, 0.22%

LAB 40.03, -34.9, 11.21

 

CMYK 100 / 0 / 38 / 65

HEX #005A38

RGB 0 90 56

HSL 157.33, 1%, 0.18%

LAB 33.13, -32.65, 13.2

 

CMYK 100 / 0 / 49 / 72

HEX #004825

RGB 0 72 37

HSL 150.83, 1%, 0.14%

LAB 26.06, -29.67, 15.45

 

CMYK 100 / 0 / 67 / 79

HEX #003612

RGB 0 54 18

HSL 140, 1%, 0.11%

LAB 18.72, -26.28, 17.78

 

CMYK 82 / 0 / 25 / 51

HEX #167C5D

RGB 22 124 93

HSL 161.76, 0.7%, 0.29%

LAB 46.15, -35.71, 9.12

 

CMYK 82 / 0 / 48 / 51

HEX #167C41

RGB 22 124 65

HSL 145.29, 0.7%, 0.29%

LAB 45.59, -41.94, 24.42

 

CMYK 82 / 0 / 69 / 51

HEX #167C26

RGB 22 124 38

HSL 129.41, 0.7%, 0.29%

LAB 45.26, -45.94, 37.72

 

CMYK 72 / 0 / 82 / 51

HEX #237C16

RGB 35 124 22

HSL 112.35, 0.7%, 0.29%

LAB 45.4, -45.12, 44.16

 

CMYK 50 / 0 / 82 / 51

HEX #3E7C16

RGB 62 124 22

HSL 96.47, 0.7%, 0.29%

LAB 46.31, -37.85, 45.34

 

CMYK 82 / 0 / 25 / 51

HEX #167C5D

RGB 22 124 93

HSL 161.76, 0.7%, 0.29%

LAB 46.15, -35.71, 9.12

 

CMYK 82 / 0 / 3 / 51

HEX #167C78

RGB 22 124 120

HSL 177.65, 0.7%, 0.29%

LAB 46.9, -27.98, -5.75

 

CMYK 82 / 19 / 0 / 51

HEX #16657C

RGB 22 101 124

HSL 193.53, 0.7%, 0.29%

LAB 39.47, -14.42, -19.41

 

CMYK 82 / 40 / 0 / 51

HEX #164A7C

RGB 22 74 124

HSL 209.41, 0.7%, 0.29%

LAB 30.7, 2.33, -33.16

 

CMYK 82 / 63 / 0 / 51

HEX #162E7C

RGB 22 46 124

HSL 225.88, 0.7%, 0.29%

LAB 22.23, 21.88, -46.82

 

CMYK 82 / 0 / 25 / 51

HEX #167C5D

RGB 22 124 93

HSL 161.76, 0.7%, 0.29%

LAB 46.15, -35.71, 9.12

 

CMYK 93 / 0 / 29 / 47

HEX #0A8861

RGB 10 136 97

HSL 161.43, 0.86%, 0.29%

LAB 50.14, -40.78, 12.37

 

CMYK 82 / 0 / 25 / 51

HEX #167C5D

RGB 22 124 93

HSL 161.76, 0.7%, 0.29%

LAB 46.15, -35.71, 9.12

 

CMYK 70 / 0 / 22 / 56

HEX #227158

RGB 34 113 88

HSL 161.01, 0.54%, 0.29%

LAB 42.54, -30.28, 7.02

 

CMYK 54 / 0 / 17 / 60

HEX #2E6554

RGB 46 101 84

HSL 161.45, 0.37%, 0.29%

LAB 38.77, -22.78, 4.11

 

CMYK 35 / 0 / 11 / 65

HEX #3A594F

RGB 58 89 79

HSL 160.65, 0.21%, 0.29%

LAB 35.22, -13.94, 2.15

 

CMYK 9 / 0 / 3 / 70

HEX #464D4B

RGB 70 77 75

HSL 162.86, 0.05%, 0.29%

LAB 32.07, -3.27, 0.21

 

CMYK 82 / 0 / 69 / 51

HEX #167C26

RGB 22 124 38

HSL 129.41, 0.7%, 0.29%

LAB 45.26, -45.94, 37.72

 

CMYK 82 / 0 / 48 / 51

HEX #167C41

RGB 22 124 65

HSL 145.29, 0.7%, 0.29%

LAB 45.59, -41.94, 24.42

 

CMYK 82 / 0 / 26 / 51

HEX #167C5C

RGB 22 124 92

HSL 161.18, 0.7%, 0.29%

LAB 46.12, -35.97, 9.67

 

CMYK 82 / 0 / 4 / 51

HEX #167C77

RGB 22 124 119

HSL 177.06, 0.7%, 0.29%

LAB 46.87, -28.29, -5.21

 

CMYK 82 / 18 / 0 / 51

HEX #16667C

RGB 22 102 124

HSL 192.94, 0.7%, 0.29%

LAB 39.8, -14.99, -18.91

 

CMYK 82 / 0 / 25 / 78

HEX #0A3729

RGB 10 55 41

HSL 161.33, 0.69%, 0.13%

LAB 19.87, -19.12, 4.48

 

CMYK 82 / 0 / 26 / 65

HEX #105A43

RGB 16 90 67

HSL 161.35, 0.7%, 0.21%

LAB 33.62, -28.01, 7.13

 

CMYK 82 / 0 / 25 / 51

HEX #167C5D

RGB 22 124 93

HSL 161.76, 0.7%, 0.29%

LAB 46.15, -35.71, 9.12

 

CMYK 82 / 0 / 25 / 38

HEX #1D9F77

RGB 29 159 119

HSL 161.54, 0.69%, 0.37%

LAB 58.4, -43.29, 11.48

 

CMYK 82 / 0 / 25 / 24

HEX #23C291

RGB 35 194 145

HSL 161.51, 0.69%, 0.45%

LAB 70.17, -50.64, 13.71

 

CMYK 82 / 0 / 25 / 51

HEX #177E5E

RGB 23 126 94

HSL 161.36, 0.69%, 0.29%

LAB 46.86, -36.21, 9.54

 

CMYK 82 / 73 / 0 / 51

HEX #16227C

RGB 22 34 124

HSL 232.94, 0.7%, 0.29%

LAB 19.1, 30.15, -51.96

 

CMYK 0 / 59 / 82 / 51

HEX #7C3316

RGB 124 51 22

HSL 17.06, 0.7%, 0.29%

LAB 31.14, 30, 32.84

 

CMYK 82 / 0 / 25 / 51

HEX #177E5E

RGB 23 126 94

HSL 161.36, 0.69%, 0.29%

LAB 46.86, -36.21, 9.54

 

CMYK 26 / 82 / 0 / 51

HEX #5C167C

RGB 92 22 124

HSL 281.18, 0.7%, 0.29%

LAB 24.65, 46.94, -42.57

 

CMYK 0 / 26 / 82 / 51

HEX #7C5C16

RGB 124 92 22

HSL 41.18, 0.7%, 0.29%

LAB 41.21, 6.19, 42.35

 

CMYK 82 / 0 / 25 / 51

HEX #177E5E

RGB 23 126 94

HSL 161.36, 0.69%, 0.29%

LAB 46.86, -36.21, 9.54

 

CMYK 82 / 73 / 0 / 51

HEX #16227C

RGB 22 34 124

HSL 232.94, 0.7%, 0.29%

LAB 19.1, 30.15, -51.96

 

CMYK 0 / 82 / 56 / 51

HEX #7C1637

RGB 124 22 55

HSL 340.59, 0.7%, 0.29%

LAB 27.12, 44.47, 7.21

 

CMYK 0 / 9 / 82 / 51

HEX #7C7116

RGB 124 113 22

HSL 53.53, 0.7%, 0.29%

LAB 47.17, -5.99, 47.72

 

CMYK 82 / 0 / 25 / 51

HEX #177E5E

RGB 23 126 94

HSL 161.36, 0.69%, 0.29%

LAB 46.86, -36.21, 9.54

 

CMYK 67 / 82 / 0 / 51

HEX #29167C

RGB 41 22 124

HSL 251.18, 0.7%, 0.29%

LAB 17.92, 39.11, -53.86

 

CMYK 0 / 82 / 56 / 51

HEX #7C1637

RGB 124 22 55

HSL 340.59, 0.7%, 0.29%

LAB 27.12, 44.47, 7.21

 

CMYK 15 / 0 / 82 / 51

HEX #6A7C16

RGB 106 124 22

HSL 70.59, 0.7%, 0.29%

LAB 48.93, -20.31, 48.7

 

Description

Color code: HEX #177E5E | qconv.com Color code: HEX #177E5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 126 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 126 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 25 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 25% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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