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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1786BE it is the complementary color #E87941. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1786BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1786BE shade: #1C86B9, #2D98CC, #3EAADF, #4FBCF2 and #60CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1786BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1786BE shade: #1786BE, #0674AB, #006298, #005085 and #003E72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1786BE shade: #1786BE, #1759BE, #172CBE, #2F17BE and #5C17BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1786BE shade: #1786BE, #1759BE, #172CBE and #1717BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1786BE shade matches the following richer shades: #1786BE and #068CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1786BE shade: #1786BE, #2880AD, #3A7B9B, #4B758A and #5C6F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1786BE shade: #17BE9D, #17B3BE, #1786BE, #175ABE and #172DBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1786BE shade: #0E5275, #136C99, #1786BE, #1CA0E3 and #41AFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1786BE shade: #1786BE, #7017BE and #BEB317

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1786BE shade: #1786BE, #BE1786 and #86BE17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1786BE shade: #1786BE, #7017BE, #BE4F17 and #65BE17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1786BE shade: #1786BE, #A217BE, #BE4F17 and #33BE17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

Complementary color

CMYK 0 / 48 / 72 / 9

HEX #E87941

RGB 232 121 65

HSL 20.12, 0.78%, 0.58%

LAB 62.69, 38.84, 49

 

CMYK 85 / 28 / 0 / 27

HEX #1C86B9

RGB 28 134 185

HSL 199.49, 0.74%, 0.42%

LAB 52.73, -10.39, -34.74

 

CMYK 78 / 25 / 0 / 20

HEX #2D98CC

RGB 45 152 204

HSL 199.62, 0.64%, 0.49%

LAB 59.32, -12.13, -35.18

 

CMYK 72 / 24 / 0 / 13

HEX #3EAADF

RGB 62 170 223

HSL 199.75, 0.72%, 0.56%

LAB 65.83, -13.48, -35.57

 

CMYK 67 / 22 / 0 / 5

HEX #4FBCF2

RGB 79 188 242

HSL 199.88, 0.86%, 0.63%

LAB 72.25, -14.56, -35.91

 

CMYK 62 / 19 / 0 / 0

HEX #60CEFF

RGB 96 206 255

HSL 198.49, 1%, 0.69%

LAB 78.37, -17.24, -33.38

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 96 / 32 / 0 / 33

HEX #0674AB

RGB 6 116 171

HSL 200, 0.93%, 0.35%

LAB 46.27, -6.43, -36.82

 

CMYK 100 / 36 / 0 / 40

HEX #006298

RGB 0 98 152

HSL 201.32, 1%, 0.3%

LAB 39.58, -3.27, -36.16

HEX #006298

CMYK 100 / 40 / 0 / 48

HEX #005085

RGB 0 80 133

HSL 203.91, 1%, 0.26%

LAB 32.77, 0.39, -35.46

HEX #005085

CMYK 100 / 46 / 0 / 55

HEX #003E72

RGB 0 62 114

HSL 207.37, 1%, 0.22%

LAB 25.74, 4.37, -34.8

HEX #003E72

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 88 / 53 / 0 / 25

HEX #1759BE

RGB 23 89 190

HSL 216.29, 0.78%, 0.42%

LAB 39.66, 19.17, -58.5

 

CMYK 88 / 77 / 0 / 25

HEX #172CBE

RGB 23 44 190

HSL 232.46, 0.78%, 0.42%

LAB 28.65, 47.84, -76.56

 

CMYK 75 / 88 / 0 / 25

HEX #2F17BE

RGB 47 23 190

HSL 248.62, 0.78%, 0.42%

LAB 26.55, 58.58, -80.01

 

CMYK 52 / 88 / 0 / 25

HEX #5C17BE

RGB 92 23 190

HSL 264.79, 0.78%, 0.42%

LAB 30.89, 62.03, -72.68

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 88 / 53 / 0 / 25

HEX #1759BE

RGB 23 89 190

HSL 216.29, 0.78%, 0.42%

LAB 39.66, 19.17, -58.5

 

CMYK 88 / 77 / 0 / 25

HEX #172CBE

RGB 23 44 190

HSL 232.46, 0.78%, 0.42%

LAB 28.65, 47.84, -76.56

 

CMYK 88 / 88 / 0 / 25

HEX #1717BE

RGB 23 23 190

HSL 240, 0.78%, 0.42%

LAB 25.3, 57.67, -82.12

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 97 / 32 / 0 / 19

HEX #068CCF

RGB 6 140 207

HSL 200, 0.94%, 0.42%

LAB 55.38, -6.77, -43.09

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 77 / 26 / 0 / 32

HEX #2880AD

RGB 40 128 173

HSL 200.3, 0.62%, 0.42%

LAB 50.58, -10.11, -31.18

 

CMYK 63 / 21 / 0 / 39

HEX #3A7B9B

RGB 58 123 155

HSL 199.79, 0.46%, 0.42%

LAB 48.8, -10.65, -23.43

 

CMYK 46 / 15 / 0 / 46

HEX #4B758A

RGB 75 117 138

HSL 200, 0.3%, 0.42%

LAB 47.04, -8.63, -16.04

 

CMYK 24 / 8 / 0 / 53

HEX #5C6F79

RGB 92 111 121

HSL 200.69, 0.14%, 0.42%

LAB 45.67, -4.62, -7.88

 

CMYK 88 / 0 / 17 / 25

HEX #17BE9D

RGB 23 190 157

HSL 168.14, 0.78%, 0.42%

LAB 69.07, -46.96, 5.61

 

CMYK 88 / 6 / 0 / 25

HEX #17B3BE

RGB 23 179 190

HSL 183.95, 0.78%, 0.42%

LAB 66.63, -32.54, -16.17

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 88 / 53 / 0 / 25

HEX #175ABE

RGB 23 90 190

HSL 215.93, 0.78%, 0.42%

LAB 39.94, 18.5, -58.04

 

CMYK 88 / 76 / 0 / 25

HEX #172DBE

RGB 23 45 190

HSL 232.1, 0.78%, 0.42%

LAB 28.84, 47.28, -76.23

 

CMYK 88 / 30 / 0 / 54

HEX #0E5275

RGB 14 82 117

HSL 200.39, 0.79%, 0.26%

LAB 32.73, -6.52, -25.59

 

CMYK 88 / 29 / 0 / 40

HEX #136C99

RGB 19 108 153

HSL 200.15, 0.78%, 0.34%

LAB 43.01, -7.9, -31.34

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 88 / 30 / 0 / 11

HEX #1CA0E3

RGB 28 160 227

HSL 200.2, 0.78%, 0.5%

LAB 62.45, -9.82, -43.1

 

CMYK 72 / 24 / 0 / 9

HEX #41AFE7

RGB 65 175 231

HSL 200.24, 0.78%, 0.58%

LAB 67.69, -13.14, -37.05

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 41 / 88 / 0 / 25

HEX #7017BE

RGB 112 23 190

HSL 271.98, 0.78%, 0.42%

LAB 33.51, 64.29, -68.27

 

CMYK 0 / 6 / 88 / 25

HEX #BEB317

RGB 190 179 23

HSL 56.05, 0.78%, 0.42%

LAB 71.72, -11.37, 70.44

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 0 / 88 / 29 / 25

HEX #BE1786

RGB 190 23 134

HSL 320.12, 0.78%, 0.42%

LAB 43.18, 68.82, -18.36

 

CMYK 29 / 0 / 88 / 25

HEX #86BE17

RGB 134 190 23

HSL 80.12, 0.78%, 0.42%

LAB 70.84, -40.05, 68.06

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 41 / 88 / 0 / 25

HEX #7017BE

RGB 112 23 190

HSL 271.98, 0.78%, 0.42%

LAB 33.51, 64.29, -68.27

 

CMYK 0 / 58 / 88 / 25

HEX #BE4F17

RGB 190 79 23

HSL 20.12, 0.78%, 0.42%

LAB 47.75, 42.04, 51.31

 

CMYK 47 / 0 / 88 / 25

HEX #65BE17

RGB 101 190 23

HSL 91.98, 0.78%, 0.42%

LAB 69.22, -51.6, 66.05

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 15 / 88 / 0 / 25

HEX #A217BE

RGB 162 23 190

HSL 289.94, 0.78%, 0.42%

LAB 41.23, 71.51, -55.35

 

CMYK 0 / 58 / 88 / 25

HEX #BE4F17

RGB 190 79 23

HSL 20.12, 0.78%, 0.42%

LAB 47.75, 42.04, 51.31

 

CMYK 73 / 0 / 88 / 25

HEX #33BE17

RGB 51 190 23

HSL 109.94, 0.78%, 0.42%

LAB 67.72, -63.79, 64.16

 

Description

Color code: HEX #1786BE | qconv.com Color code: HEX #1786BE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 134 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 134 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 29 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 29% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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