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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178289 it is the complementary color #E87D76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178289. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #178289 shade: #1C8284, #2D9497, #3EA6AA, #4FB8BD and #60CAD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178289. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #178289 shade: #178289, #067076, #005E63, #004C50 and #003A3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #178289 shade: #168087, #166287, #164387, #162587 and #261687

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #178289 shade: #168087, #166287, #164387, #162587 and #161687

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #178289 shade matches the following richer shades: #168087 and #0A8B93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #178289 shade: #168087, #23757A, #30696D, #3D5E60 and #4A5354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #178289 shade: #168750, #16876E, #168187, #166387 and #164587

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #178289 shade: #0A3D40, #105E63, #168087, #1CA1AA and #22C3CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #178289 shade: #178289, #321687 and #875F16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #178289 shade: #178289, #871681 and #818716

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #178289 shade: #178289, #321687, #871C16 and #6B8716

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #178289 shade: #178289, #541687, #871C16 and #498716

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 5 / 0 / 46

HEX #178289

RGB 23 130 137

HSL 183.68, 0.71%, 0.31%

LAB 49.44, -25.44, -11.97

 

Complementary color

CMYK 0 / 46 / 49 / 9

HEX #E87D76

RGB 232 125 118

HSL 3.68, 0.71%, 0.69%

LAB 64.27, 40.47, 22.43

 

CMYK 79 / 2 / 0 / 48

HEX #1C8284

RGB 28 130 132

HSL 181.15, 0.65%, 0.31%

LAB 49.35, -26.55, -9.17

 

CMYK 70 / 2 / 0 / 41

HEX #2D9497

RGB 45 148 151

HSL 181.7, 0.54%, 0.38%

LAB 56.06, -27.47, -10.1

 

CMYK 64 / 2 / 0 / 33

HEX #3EA6AA

RGB 62 166 170

HSL 182.22, 0.47%, 0.45%

LAB 62.68, -28.09, -10.91

 

CMYK 58 / 3 / 0 / 26

HEX #4FB8BD

RGB 79 184 189

HSL 182.73, 0.45%, 0.53%

LAB 69.2, -28.5, -11.65

 

CMYK 54 / 3 / 0 / 18

HEX #60CAD0

RGB 96 202 208

HSL 183.21, 0.54%, 0.6%

LAB 75.63, -28.78, -12.32

 

CMYK 83 / 5 / 0 / 46

HEX #178289

RGB 23 130 137

HSL 183.68, 0.71%, 0.31%

LAB 49.44, -25.44, -11.97

 

CMYK 95 / 5 / 0 / 54

HEX #067076

RGB 6 112 118

HSL 183.21, 0.9%, 0.24%

LAB 42.67, -23.8, -10.92

 

CMYK 100 / 5 / 0 / 61

HEX #005E63

RGB 0 94 99

HSL 183.03, 1%, 0.19%

LAB 35.8, -21.42, -9.65

 

CMYK 100 / 5 / 0 / 69

HEX #004C50

RGB 0 76 80

HSL 183, 1%, 0.16%

LAB 28.77, -18.58, -8.25

 

CMYK 100 / 5 / 0 / 76

HEX #003A3D

RGB 0 58 61

HSL 182.95, 1%, 0.12%

LAB 21.44, -15.62, -6.78

 

CMYK 84 / 5 / 0 / 47

HEX #168087

RGB 22 128 135

HSL 183.72, 0.72%, 0.31%

LAB 48.71, -25.17, -11.9

 

CMYK 84 / 27 / 0 / 47

HEX #166287

RGB 22 98 135

HSL 199.65, 0.72%, 0.31%

LAB 38.99, -8.54, -26.83

 

CMYK 84 / 50 / 0 / 47

HEX #164387

RGB 22 67 135

HSL 216.11, 0.72%, 0.31%

LAB 29.25, 11.64, -42.32

 

CMYK 84 / 73 / 0 / 47

HEX #162587

RGB 22 37 135

HSL 232.04, 0.72%, 0.31%

LAB 20.99, 32.36, -55.79

 

CMYK 72 / 84 / 0 / 47

HEX #261687

RGB 38 22 135

HSL 248.5, 0.72%, 0.31%

LAB 18.95, 42.27, -59.13

 

CMYK 84 / 5 / 0 / 47

HEX #168087

RGB 22 128 135

HSL 183.72, 0.72%, 0.31%

LAB 48.71, -25.17, -11.9

 

CMYK 84 / 27 / 0 / 47

HEX #166287

RGB 22 98 135

HSL 199.65, 0.72%, 0.31%

LAB 38.99, -8.54, -26.83

 

CMYK 84 / 50 / 0 / 47

HEX #164387

RGB 22 67 135

HSL 216.11, 0.72%, 0.31%

LAB 29.25, 11.64, -42.32

 

CMYK 84 / 73 / 0 / 47

HEX #162587

RGB 22 37 135

HSL 232.04, 0.72%, 0.31%

LAB 20.99, 32.36, -55.79

 

CMYK 84 / 84 / 0 / 47

HEX #161687

RGB 22 22 135

HSL 240, 0.72%, 0.31%

LAB 17.89, 41.16, -60.92

 

CMYK 84 / 5 / 0 / 47

HEX #168087

RGB 22 128 135

HSL 183.72, 0.72%, 0.31%

LAB 48.71, -25.17, -11.9

 

CMYK 93 / 5 / 0 / 42

HEX #0A8B93

RGB 10 139 147

HSL 183.5, 0.87%, 0.31%

LAB 52.55, -27.54, -13.12

 

CMYK 84 / 5 / 0 / 47

HEX #168087

RGB 22 128 135

HSL 183.72, 0.72%, 0.31%

LAB 48.71, -25.17, -11.9

 

CMYK 71 / 4 / 0 / 52

HEX #23757A

RGB 35 117 122

HSL 183.45, 0.55%, 0.31%

LAB 44.92, -22.16, -9.87

 

CMYK 56 / 4 / 0 / 57

HEX #30696D

RGB 48 105 109

HSL 183.93, 0.39%, 0.31%

LAB 40.95, -17.33, -7.95

 

CMYK 36 / 2 / 0 / 62

HEX #3D5E60

RGB 61 94 96

HSL 183.43, 0.22%, 0.31%

LAB 37.56, -11.38, -4.97

 

CMYK 12 / 1 / 0 / 67

HEX #4A5354

RGB 74 83 84

HSL 186, 0.06%, 0.31%

LAB 34.56, -3.32, -1.8

 

CMYK 84 / 0 / 41 / 47

HEX #168750

RGB 22 135 80

HSL 150.8, 0.72%, 0.31%

LAB 49.59, -43.24, 21.29

 

CMYK 84 / 0 / 19 / 47

HEX #16876E

RGB 22 135 110

HSL 166.73, 0.72%, 0.31%

LAB 50.24, -36.04, 5.01

 

CMYK 84 / 4 / 0 / 47

HEX #168187

RGB 22 129 135

HSL 183.19, 0.72%, 0.31%

LAB 49.03, -25.67, -11.41

 

CMYK 84 / 27 / 0 / 47

HEX #166387

RGB 22 99 135

HSL 199.12, 0.72%, 0.31%

LAB 39.32, -9.14, -26.33

 

CMYK 84 / 49 / 0 / 47

HEX #164587

RGB 22 69 135

HSL 215.04, 0.72%, 0.31%

LAB 29.85, 10.25, -41.34

 

CMYK 84 / 5 / 0 / 75

HEX #0A3D40

RGB 10 61 64

HSL 183.33, 0.73%, 0.15%

LAB 22.9, -14.76, -6.57

 

CMYK 84 / 5 / 0 / 61

HEX #105E63

RGB 16 94 99

HSL 183.61, 0.72%, 0.23%

LAB 36.02, -20.07, -9.31

 

CMYK 84 / 5 / 0 / 47

HEX #168087

RGB 22 128 135

HSL 183.72, 0.72%, 0.31%

LAB 48.71, -25.17, -11.9

 

CMYK 84 / 5 / 0 / 33

HEX #1CA1AA

RGB 28 161 170

HSL 183.8, 0.72%, 0.39%

LAB 60.46, -29.82, -14.31

 

CMYK 83 / 5 / 0 / 20

HEX #22C3CD

RGB 34 195 205

HSL 183.51, 0.72%, 0.47%

LAB 72.08, -34.76, -16.16

 

CMYK 83 / 5 / 0 / 46

HEX #178289

RGB 23 130 137

HSL 183.68, 0.71%, 0.31%

LAB 49.44, -25.44, -11.97

 

CMYK 63 / 84 / 0 / 47

HEX #321687

RGB 50 22 135

HSL 254.87, 0.72%, 0.31%

LAB 20.05, 43.43, -57.28

 

CMYK 0 / 30 / 84 / 47

HEX #875F16

RGB 135 95 22

HSL 38.76, 0.72%, 0.31%

LAB 43.35, 9.67, 44.78

 

CMYK 83 / 5 / 0 / 46

HEX #178289

RGB 23 130 137

HSL 183.68, 0.71%, 0.31%

LAB 49.44, -25.44, -11.97

 

CMYK 0 / 84 / 4 / 47

HEX #871681

RGB 135 22 129

HSL 303.19, 0.72%, 0.31%

LAB 32.5, 56.51, -32.71

 

CMYK 4 / 0 / 84 / 47

HEX #818716

RGB 129 135 22

HSL 63.19, 0.72%, 0.31%

LAB 54.08, -15.69, 53.94

 

CMYK 83 / 5 / 0 / 46

HEX #178289

RGB 23 130 137

HSL 183.68, 0.71%, 0.31%

LAB 49.44, -25.44, -11.97

 

CMYK 63 / 84 / 0 / 47

HEX #321687

RGB 50 22 135

HSL 254.87, 0.72%, 0.31%

LAB 20.05, 43.43, -57.28

 

CMYK 0 / 79 / 84 / 47

HEX #871C16

RGB 135 28 22

HSL 3.19, 0.72%, 0.31%

LAB 29.51, 44.14, 31.97

 

CMYK 21 / 0 / 84 / 47

HEX #6B8716

RGB 107 135 22

HSL 74.87, 0.72%, 0.31%

LAB 52.41, -25.44, 51.83

 

CMYK 83 / 5 / 0 / 46

HEX #178289

RGB 23 130 137

HSL 183.68, 0.71%, 0.31%

LAB 49.44, -25.44, -11.97

 

CMYK 38 / 84 / 0 / 47

HEX #541687

RGB 84 22 135

HSL 272.92, 0.72%, 0.31%

LAB 24.35, 48.06, -50.06

 

CMYK 0 / 79 / 84 / 47

HEX #871C16

RGB 135 28 22

HSL 3.19, 0.72%, 0.31%

LAB 29.51, 44.14, 31.97

 

CMYK 46 / 0 / 84 / 47

HEX #498716

RGB 73 135 22

HSL 92.92, 0.72%, 0.31%

LAB 50.46, -38.74, 49.34

 

Description

Color code: HEX #178289 | qconv.com Color code: HEX #178289 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 130 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 130 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 5 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 5% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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