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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178AB4 it is the complementary color #E8754B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178AB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #178AB4 shade: #1C8AAF, #2D9CC2, #3EAED5, #4FC0E8 and #60D2FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178AB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #178AB4 shade: #178AB4, #0678A1, #00668E, #00547B and #004268

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #178AB4 shade: #178AB4, #1760B4, #1735B4, #2317B4 and #4D17B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #178AB4 shade: #178AB4, #1760B4, #1735B4 and #1717B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #178AB4 shade matches the following richer shades: #178AB4 and #0692C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #178AB4 shade: #178AB4, #2782A4, #387B93, #487383 and #596B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #178AB4 shade: #17B48A, #17B4B4, #178AB4, #1760B4 and #1736B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #178AB4 shade: #0D526B, #126E90, #178AB4, #1CA6D9 and #39B7E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #178AB4 shade: #178AB4, #6017B4 and #B49F17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #178AB4 shade: #178AB4, #B4178A and #8AB417

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #178AB4 shade: #178AB4, #6017B4, #B44117 and #6BB417

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #178AB4 shade: #178AB4, #8F17B4, #B44117 and #3CB417

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

Complementary color

CMYK 0 / 50 / 68 / 9

HEX #E8754B

RGB 232 117 75

HSL 16.05, 0.77%, 0.6%

LAB 61.99, 41.37, 43.14

 

CMYK 84 / 21 / 0 / 31

HEX #1C8AAF

RGB 28 138 175

HSL 195.1, 0.72%, 0.4%

LAB 53.51, -16.24, -27.79

 

CMYK 77 / 20 / 0 / 24

HEX #2D9CC2

RGB 45 156 194

HSL 195.3, 0.62%, 0.47%

LAB 60.1, -17.74, -28.36

 

CMYK 71 / 18 / 0 / 16

HEX #3EAED5

RGB 62 174 213

HSL 195.5, 0.64%, 0.54%

LAB 66.6, -18.9, -28.87

 

CMYK 66 / 17 / 0 / 9

HEX #4FC0E8

RGB 79 192 232

HSL 195.69, 0.77%, 0.61%

LAB 73.02, -19.79, -29.32

 

CMYK 62 / 16 / 0 / 2

HEX #60D2FB

RGB 96 210 251

HSL 195.87, 0.95%, 0.68%

LAB 79.35, -20.5, -29.74

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 96 / 25 / 0 / 37

HEX #0678A1

RGB 6 120 161

HSL 195.87, 0.93%, 0.33%

LAB 47.03, -12.6, -29.77

 

CMYK 100 / 28 / 0 / 44

HEX #00668E

RGB 0 102 142

HSL 196.9, 1%, 0.28%

LAB 40.34, -9.71, -28.97

 

CMYK 100 / 32 / 0 / 52

HEX #00547B

RGB 0 84 123

HSL 199.02, 1%, 0.24%

LAB 33.5, -6.35, -28.12

 

CMYK 100 / 37 / 0 / 59

HEX #004268

RGB 0 66 104

HSL 201.92, 1%, 0.2%

LAB 26.44, -2.75, -27.31

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 87 / 47 / 0 / 29

HEX #1760B4

RGB 23 96 180

HSL 212.1, 0.77%, 0.4%

LAB 40.97, 10.57, -50.53

 

CMYK 87 / 71 / 0 / 29

HEX #1735B4

RGB 23 53 180

HSL 228.54, 0.77%, 0.4%

LAB 29.47, 38.97, -69.26

 

CMYK 81 / 87 / 0 / 29

HEX #2317B4

RGB 35 23 180

HSL 244.59, 0.77%, 0.4%

LAB 24.53, 55.19, -77.44

 

CMYK 57 / 87 / 0 / 29

HEX #4D17B4

RGB 77 23 180

HSL 260.64, 0.77%, 0.4%

LAB 28.08, 58.07, -71.45

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 87 / 47 / 0 / 29

HEX #1760B4

RGB 23 96 180

HSL 212.1, 0.77%, 0.4%

LAB 40.97, 10.57, -50.53

 

CMYK 87 / 71 / 0 / 29

HEX #1735B4

RGB 23 53 180

HSL 228.54, 0.77%, 0.4%

LAB 29.47, 38.97, -69.26

 

CMYK 87 / 87 / 0 / 29

HEX #1717B4

RGB 23 23 180

HSL 240, 0.77%, 0.4%

LAB 23.97, 54.76, -78.39

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 97 / 26 / 0 / 23

HEX #0692C5

RGB 6 146 197

HSL 196.02, 0.94%, 0.4%

LAB 56.71, -13.89, -35.35

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 76 / 21 / 0 / 36

HEX #2782A4

RGB 39 130 164

HSL 196.32, 0.62%, 0.4%

LAB 50.78, -14.54, -25.66

 

CMYK 62 / 16 / 0 / 42

HEX #387B93

RGB 56 123 147

HSL 195.82, 0.45%, 0.4%

LAB 48.4, -13.66, -19.35

 

CMYK 45 / 12 / 0 / 49

HEX #487383

RGB 72 115 131

HSL 196.27, 0.29%, 0.4%

LAB 46.01, -10.34, -13.46

 

CMYK 22 / 6 / 0 / 55

HEX #596B72

RGB 89 107 114

HSL 196.8, 0.12%, 0.4%

LAB 44.02, -5.03, -6.15

 

CMYK 87 / 0 / 23 / 29

HEX #17B48A

RGB 23 180 138

HSL 163.95, 0.77%, 0.4%

LAB 65.48, -47.7, 10.91

 

CMYK 87 / 0 / 0 / 29

HEX #17B4B4

RGB 23 180 180

HSL 180, 0.77%, 0.4%

LAB 66.61, -36.1, -10.66

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 87 / 47 / 0 / 29

HEX #1760B4

RGB 23 96 180

HSL 212.1, 0.77%, 0.4%

LAB 40.97, 10.57, -50.53

 

CMYK 87 / 70 / 0 / 29

HEX #1736B4

RGB 23 54 180

HSL 228.15, 0.77%, 0.4%

LAB 29.7, 38.34, -68.88

 

CMYK 88 / 23 / 0 / 58

HEX #0D526B

RGB 13 82 107

HSL 195.96, 0.78%, 0.24%

LAB 32.22, -10.56, -20.13

 

CMYK 88 / 24 / 0 / 44

HEX #126E90

RGB 18 110 144

HSL 196.19, 0.78%, 0.32%

LAB 43.2, -12.57, -25.68

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 87 / 24 / 0 / 15

HEX #1CA6D9

RGB 28 166 217

HSL 196.19, 0.77%, 0.48%

LAB 63.78, -16.66, -35.49

 

CMYK 75 / 20 / 0 / 10

HEX #39B7E5

RGB 57 183 229

HSL 196.05, 0.77%, 0.56%

LAB 69.75, -19.03, -32.78

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 47 / 87 / 0 / 29

HEX #6017B4

RGB 96 23 180

HSL 267.9, 0.77%, 0.4%

LAB 30.39, 60.08, -67.56

 

CMYK 0 / 12 / 87 / 29

HEX #B49F17

RGB 180 159 23

HSL 51.97, 0.77%, 0.4%

LAB 65.41, -5.33, 64.98

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 0 / 87 / 23 / 29

HEX #B4178A

RGB 180 23 138

HSL 316.05, 0.77%, 0.4%

LAB 41.46, 67.13, -23.64

 

CMYK 23 / 0 / 87 / 29

HEX #8AB417

RGB 138 180 23

HSL 76.05, 0.77%, 0.4%

LAB 68.1, -33.99, 65.86

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 47 / 87 / 0 / 29

HEX #6017B4

RGB 96 23 180

HSL 267.9, 0.77%, 0.4%

LAB 30.39, 60.08, -67.56

 

CMYK 0 / 64 / 87 / 29

HEX #B44117

RGB 180 65 23

HSL 16.05, 0.77%, 0.4%

LAB 43.57, 44.85, 47.23

 

CMYK 41 / 0 / 87 / 29

HEX #6BB417

RGB 107 180 23

HSL 87.9, 0.77%, 0.4%

LAB 66.39, -45.65, 63.73

 

CMYK 87 / 23 / 0 / 29

HEX #178AB4

RGB 23 138 180

HSL 196.05, 0.77%, 0.4%

LAB 53.66, -14.83, -30.43

 

CMYK 21 / 87 / 0 / 29

HEX #8F17B4

RGB 143 23 180

HSL 285.86, 0.77%, 0.4%

LAB 37.39, 66.65, -55.83

 

CMYK 0 / 64 / 87 / 29

HEX #B44117

RGB 180 65 23

HSL 16.05, 0.77%, 0.4%

LAB 43.57, 44.85, 47.23

 

CMYK 67 / 0 / 87 / 29

HEX #3CB417

RGB 60 180 23

HSL 105.86, 0.77%, 0.4%

LAB 64.7, -58.9, 61.6

 

Description

Color code: HEX #178AB4 | qconv.com Color code: HEX #178AB4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 138 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 138 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 23 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 23% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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