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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #179717 it is the complementary color #E868E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #179717. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #179717 shade: #1C9712, #2DA925, #3EBB38, #4FCD4B and #60DF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #179717. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #179717 shade: #179717, #068504, #007300, #006100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #179717 shade: #169616, #399616, #5B9616, #7E9616 and #968C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #179717 shade: #169616, #169639, #16965B, #16967E and #168C96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #179717 shade matches the following richer shades: #169616 and #08A408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #179717 shade: #169616, #248824, #327A32, #406C40 and #4E5E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #179717 shade: #5A9616, #389616, #169616, #169638 and #16965A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #179717 shade: #0B4F0B, #117211, #169616, #1BBA1B and #21DD21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #179717 shade: #179717, #167D96 and #961649

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #179717 shade: #179717, #161696 and #961616

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #179717 shade: #179717, #167D96, #961696 and #963016

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #179717 shade: #179717, #165696, #961696 and #965616

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 85 / 41

HEX #179717

RGB 23 151 23

HSL 120, 0.74%, 0.34%

LAB 54.42, -55.72, 52.17

 

Complementary color

CMYK 0 / 55 / 0 / 9

HEX #E868E8

RGB 232 104 232

HSL 300, 0.74%, 0.66%

LAB 64.07, 65.9, -42.36

 

CMYK 81 / 0 / 88 / 41

HEX #1C9712

RGB 28 151 18

HSL 115.49, 0.79%, 0.33%

LAB 54.47, -55.36, 53.47

 

CMYK 73 / 0 / 78 / 34

HEX #2DA925

RGB 45 169 37

HSL 116.36, 0.64%, 0.4%

LAB 60.84, -57.43, 54.17

 

CMYK 67 / 0 / 70 / 27

HEX #3EBB38

RGB 62 187 56

HSL 117.25, 0.54%, 0.48%

LAB 67.16, -58.76, 53.83

 

CMYK 61 / 0 / 63 / 20

HEX #4FCD4B

RGB 79 205 75

HSL 118.15, 0.57%, 0.55%

LAB 73.44, -59.58, 52.98

 

CMYK 57 / 0 / 58 / 13

HEX #60DF5E

RGB 96 223 94

HSL 119.07, 0.67%, 0.62%

LAB 79.65, -60.06, 51.88

 

CMYK 85 / 0 / 85 / 41

HEX #179717

RGB 23 151 23

HSL 120, 0.74%, 0.34%

LAB 54.42, -55.72, 52.17

 

CMYK 95 / 0 / 97 / 48

HEX #068504

RGB 6 133 4

HSL 119.07, 0.94%, 0.27%

LAB 48.04, -52.56, 50.58

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 85 / 0 / 85 / 41

HEX #169616

RGB 22 150 22

HSL 120, 0.74%, 0.34%

LAB 54.07, -55.58, 52.11

 

CMYK 62 / 0 / 85 / 41

HEX #399616

RGB 57 150 22

HSL 103.59, 0.74%, 0.34%

LAB 54.8, -49.31, 53.05

 

CMYK 39 / 0 / 85 / 41

HEX #5B9616

RGB 91 150 22

HSL 87.66, 0.74%, 0.34%

LAB 56.18, -38.75, 54.8

 

CMYK 16 / 0 / 85 / 41

HEX #7E9616

RGB 126 150 22

HSL 71.25, 0.74%, 0.34%

LAB 58.33, -24.7, 57.49

 

CMYK 0 / 7 / 85 / 41

HEX #968C16

RGB 150 140 22

HSL 55.31, 0.74%, 0.34%

LAB 57.36, -8.77, 57.46

 

CMYK 85 / 0 / 85 / 41

HEX #169616

RGB 22 150 22

HSL 120, 0.74%, 0.34%

LAB 54.07, -55.58, 52.11

 

CMYK 85 / 0 / 62 / 41

HEX #169639

RGB 22 150 57

HSL 136.41, 0.74%, 0.34%

LAB 54.32, -52.45, 39.11

 

CMYK 85 / 0 / 39 / 41

HEX #16965B

RGB 22 150 91

HSL 152.34, 0.74%, 0.34%

LAB 54.8, -46.74, 22.11

 

CMYK 85 / 0 / 16 / 41

HEX #16967E

RGB 22 150 126

HSL 168.75, 0.74%, 0.34%

LAB 55.57, -38.28, 3.46

 

CMYK 85 / 7 / 0 / 41

HEX #168C96

RGB 22 140 150

HSL 184.69, 0.74%, 0.34%

LAB 53.09, -26.32, -14.03

 

CMYK 85 / 0 / 85 / 41

HEX #169616

RGB 22 150 22

HSL 120, 0.74%, 0.34%

LAB 54.07, -55.58, 52.11

 

CMYK 95 / 0 / 95 / 36

HEX #08A408

RGB 8 164 8

HSL 120, 0.91%, 0.34%

LAB 58.62, -61.29, 58.7

 

CMYK 85 / 0 / 85 / 41

HEX #169616

RGB 22 150 22

HSL 120, 0.74%, 0.34%

LAB 54.07, -55.58, 52.11

 

CMYK 74 / 0 / 74 / 47

HEX #248824

RGB 36 136 36

HSL 120, 0.58%, 0.34%

LAB 49.63, -48.03, 43.27

 

CMYK 59 / 0 / 59 / 52

HEX #327A32

RGB 50 122 50

HSL 120, 0.42%, 0.34%

LAB 45.4, -38.01, 32.32

 

CMYK 41 / 0 / 41 / 58

HEX #406C40

RGB 64 108 64

HSL 120, 0.26%, 0.34%

LAB 41.51, -25.15, 19.96

 

CMYK 17 / 0 / 17 / 63

HEX #4E5E4E

RGB 78 94 78

HSL 120, 0.09%, 0.34%

LAB 38.15, -9.66, 7.15

 

CMYK 40 / 0 / 85 / 41

HEX #5A9616

RGB 90 150 22

HSL 88.13, 0.74%, 0.34%

LAB 56.13, -39.12, 54.73

 

CMYK 63 / 0 / 85 / 41

HEX #389616

RGB 56 150 22

HSL 104.06, 0.74%, 0.34%

LAB 54.77, -49.56, 53.01

 

CMYK 85 / 0 / 85 / 41

HEX #169616

RGB 22 150 22

HSL 120, 0.74%, 0.34%

LAB 54.07, -55.58, 52.11

 

CMYK 85 / 0 / 63 / 41

HEX #169638

RGB 22 150 56

HSL 135.94, 0.74%, 0.34%

LAB 54.31, -52.57, 39.57

 

CMYK 85 / 0 / 40 / 41

HEX #16965A

RGB 22 150 90

HSL 151.88, 0.74%, 0.34%

LAB 54.78, -46.94, 22.64

 

CMYK 86 / 0 / 86 / 69

HEX #0B4F0B

RGB 11 79 11

HSL 120, 0.76%, 0.18%

LAB 28.61, -34.37, 31.72

 

CMYK 85 / 0 / 85 / 55

HEX #117211

RGB 17 114 17

HSL 120, 0.74%, 0.26%

LAB 41.52, -45.06, 41.96

 

CMYK 85 / 0 / 85 / 41

HEX #169616

RGB 22 150 22

HSL 120, 0.74%, 0.34%

LAB 54.07, -55.58, 52.11

 

CMYK 85 / 0 / 85 / 27

HEX #1BBA1B

RGB 27 186 27

HSL 120, 0.75%, 0.42%

LAB 66.08, -65.56, 61.72

 

CMYK 85 / 0 / 85 / 13

HEX #21DD21

RGB 33 221 33

HSL 120, 0.74%, 0.5%

LAB 77.37, -74.75, 70.46

 

CMYK 85 / 0 / 85 / 41

HEX #179717

RGB 23 151 23

HSL 120, 0.74%, 0.34%

LAB 54.42, -55.72, 52.17

 

CMYK 85 / 17 / 0 / 41

HEX #167D96

RGB 22 125 150

HSL 191.72, 0.74%, 0.34%

LAB 48.31, -18.47, -21.32

 

CMYK 0 / 85 / 51 / 41

HEX #961649

RGB 150 22 73

HSL 336.09, 0.74%, 0.34%

LAB 33, 53.26, 4.3

 

CMYK 85 / 0 / 85 / 41

HEX #179717

RGB 23 151 23

HSL 120, 0.74%, 0.34%

LAB 54.42, -55.72, 52.17

 

CMYK 85 / 85 / 0 / 41

HEX #161696

RGB 22 22 150

HSL 240, 0.74%, 0.34%

LAB 19.83, 46, -67.06

 

CMYK 0 / 85 / 85 / 41

HEX #961616

RGB 150 22 22

HSL 0, 0.74%, 0.34%

LAB 32.07, 50.48, 35.51

 

CMYK 85 / 0 / 85 / 41

HEX #179717

RGB 23 151 23

HSL 120, 0.74%, 0.34%

LAB 54.42, -55.72, 52.17

 

CMYK 85 / 17 / 0 / 41

HEX #167D96

RGB 22 125 150

HSL 191.72, 0.74%, 0.34%

LAB 48.31, -18.47, -21.32

 

CMYK 0 / 85 / 0 / 41

HEX #961696

RGB 150 22 150

HSL 300, 0.74%, 0.34%

LAB 36.48, 62.88, -39.19

 

CMYK 0 / 68 / 85 / 41

HEX #963016

RGB 150 48 22

HSL 12.19, 0.74%, 0.34%

LAB 35.31, 41.49, 38.45

 

CMYK 85 / 0 / 85 / 41

HEX #179717

RGB 23 151 23

HSL 120, 0.74%, 0.34%

LAB 54.42, -55.72, 52.17

 

CMYK 85 / 43 / 0 / 41

HEX #165696

RGB 22 86 150

HSL 210, 0.74%, 0.34%

LAB 36.04, 4.97, -40.58

 

CMYK 0 / 85 / 0 / 41

HEX #961696

RGB 150 22 150

HSL 300, 0.74%, 0.34%

LAB 36.48, 62.88, -39.19

 

CMYK 0 / 43 / 85 / 41

HEX #965616

RGB 150 86 22

HSL 30, 0.74%, 0.34%

LAB 43.06, 21.8, 45.28

 

Description

Color code: HEX #179717 | qconv.com Color code: HEX #179717 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 151 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 151 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 85 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 85% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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