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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #179BC3 it is the complementary color #E8643C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #179BC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #179BC3 shade: #1C9BBE, #2DADD1, #3EBFE4, #4FD1F7 and #60E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #179BC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #179BC3 shade: #179BC3, #0689B0, #00779D, #00658A and #005377

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #179BC3 shade: #179BC4, #176DC4, #173EC4, #1E17C4 and #4C17C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #179BC3 shade: #179BC4, #176DC4, #173EC4 and #1717C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #179BC3 shade matches the following richer shades: #179BC4 and #05A5D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #179BC3 shade: #179BC4, #2892B2, #3A89A0, #4C7F8F and #5D767D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #179BC3 shade: #17C48D, #17C4BB, #179EC4, #1770C4 and #1742C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #179BC3 shade: #0E617A, #127E9F, #179BC4, #1FB6E4 and #44C2E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #179BC3 shade: #179BC3, #5F17C4 and #C4A417

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #179BC3 shade: #179BC3, #C4179E and #9EC417

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #179BC3 shade: #179BC3, #5F17C4, #C43C17 and #7CC417

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #179BC3 shade: #179BC3, #9317C4, #C43C17 and #48C417

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 21 / 0 / 24

HEX #179BC3

RGB 23 155 195

HSL 193.95, 0.79%, 0.43%

LAB 59.49, -18.76, -29.88

 

Complementary color

CMYK 0 / 57 / 74 / 9

HEX #E8643C

RGB 232 100 60

HSL 13.95, 0.79%, 0.57%

LAB 58.6, 48.89, 47.11

 

CMYK 85 / 18 / 0 / 25

HEX #1C9BBE

RGB 28 155 190

HSL 192.96, 0.74%, 0.43%

LAB 59.35, -20.16, -27.29

 

CMYK 78 / 17 / 0 / 18

HEX #2DADD1

RGB 45 173 209

HSL 193.17, 0.65%, 0.5%

LAB 65.79, -21.69, -27.94

 

CMYK 73 / 16 / 0 / 11

HEX #3EBFE4

RGB 62 191 228

HSL 193.37, 0.75%, 0.57%

LAB 72.15, -22.89, -28.52

 

CMYK 68 / 15 / 0 / 3

HEX #4FD1F7

RGB 79 209 247

HSL 193.57, 0.91%, 0.64%

LAB 78.45, -23.83, -29.04

 

CMYK 62 / 11 / 0 / 0

HEX #60E3FF

RGB 96 227 255

HSL 190.57, 1%, 0.69%

LAB 84.3, -27.78, -24.31

 

CMYK 88 / 21 / 0 / 24

HEX #179BC3

RGB 23 155 195

HSL 193.95, 0.79%, 0.43%

LAB 59.49, -18.76, -29.88

 

CMYK 97 / 22 / 0 / 31

HEX #0689B0

RGB 6 137 176

HSL 193.76, 0.93%, 0.36%

LAB 53.02, -16.58, -29.14

 

CMYK 100 / 24 / 0 / 38

HEX #00779D

RGB 0 119 157

HSL 194.52, 1%, 0.31%

LAB 46.48, -13.82, -28.28

 

CMYK 100 / 27 / 0 / 46

HEX #00658A

RGB 0 101 138

HSL 196.09, 1%, 0.27%

LAB 39.82, -10.69, -27.37

 

CMYK 100 / 30 / 0 / 53

HEX #005377

RGB 0 83 119

HSL 198.15, 1%, 0.23%

LAB 32.96, -7.37, -26.49

 

CMYK 88 / 21 / 0 / 23

HEX #179BC4

RGB 23 155 196

HSL 194.22, 0.79%, 0.43%

LAB 59.54, -18.41, -30.38

 

CMYK 88 / 44 / 0 / 23

HEX #176DC4

RGB 23 109 196

HSL 210.17, 0.79%, 0.43%

LAB 45.78, 8.56, -52.1

 

CMYK 88 / 68 / 0 / 23

HEX #173EC4

RGB 23 62 196

HSL 226.47, 0.79%, 0.43%

LAB 33.16, 39.2, -72.62

 

CMYK 85 / 88 / 0 / 23

HEX #1E17C4

RGB 30 23 196

HSL 242.43, 0.79%, 0.43%

LAB 26.37, 59.57, -83.87

 

CMYK 61 / 88 / 0 / 23

HEX #4C17C4

RGB 76 23 196

HSL 258.38, 0.79%, 0.43%

LAB 29.75, 62.06, -78.16

 

CMYK 88 / 21 / 0 / 23

HEX #179BC4

RGB 23 155 196

HSL 194.22, 0.79%, 0.43%

LAB 59.54, -18.41, -30.38

 

CMYK 88 / 44 / 0 / 23

HEX #176DC4

RGB 23 109 196

HSL 210.17, 0.79%, 0.43%

LAB 45.78, 8.56, -52.1

 

CMYK 88 / 68 / 0 / 23

HEX #173EC4

RGB 23 62 196

HSL 226.47, 0.79%, 0.43%

LAB 33.16, 39.2, -72.62

 

CMYK 88 / 88 / 0 / 23

HEX #1717C4

RGB 23 23 196

HSL 240, 0.79%, 0.43%

LAB 26.1, 59.38, -84.33

 

CMYK 88 / 21 / 0 / 23

HEX #179BC4

RGB 23 155 196

HSL 194.22, 0.79%, 0.43%

LAB 59.54, -18.41, -30.38

 

CMYK 98 / 23 / 0 / 16

HEX #05A5D6

RGB 5 165 214

HSL 194.07, 0.95%, 0.43%

LAB 63.18, -18.14, -34.78

 

CMYK 88 / 21 / 0 / 23

HEX #179BC4

RGB 23 155 196

HSL 194.22, 0.79%, 0.43%

LAB 59.54, -18.41, -30.38

 

CMYK 78 / 18 / 0 / 30

HEX #2892B2

RGB 40 146 178

HSL 193.91, 0.63%, 0.43%

LAB 56.31, -18.36, -25.16

 

CMYK 64 / 14 / 0 / 37

HEX #3A89A0

RGB 58 137 160

HSL 193.53, 0.47%, 0.43%

LAB 53.31, -16.83, -19.41

 

CMYK 47 / 11 / 0 / 44

HEX #4C7F8F

RGB 76 127 143

HSL 194.33, 0.31%, 0.43%

LAB 50.33, -12.58, -13.98

 

CMYK 26 / 6 / 0 / 51

HEX #5D767D

RGB 93 118 125

HSL 193.13, 0.15%, 0.43%

LAB 47.96, -7.35, -6.84

 

CMYK 88 / 0 / 28 / 23

HEX #17C48D

RGB 23 196 141

HSL 160.92, 0.79%, 0.43%

LAB 70.58, -53.27, 16.43

 

CMYK 88 / 0 / 5 / 23

HEX #17C4BB

RGB 23 196 187

HSL 176.88, 0.79%, 0.43%

LAB 71.72, -41.27, -6.89

 

CMYK 88 / 19 / 0 / 23

HEX #179EC4

RGB 23 158 196

HSL 193.18, 0.79%, 0.43%

LAB 60.45, -20, -28.97

 

CMYK 88 / 43 / 0 / 23

HEX #1770C4

RGB 23 112 196

HSL 209.13, 0.79%, 0.43%

LAB 46.65, 6.66, -50.69

 

CMYK 88 / 66 / 0 / 23

HEX #1742C4

RGB 23 66 196

HSL 225.09, 0.79%, 0.43%

LAB 34.12, 36.65, -71.05

 

CMYK 89 / 20 / 0 / 52

HEX #0E617A

RGB 14 97 122

HSL 193.89, 0.79%, 0.27%

LAB 37.93, -13.61, -20.58

 

CMYK 89 / 21 / 0 / 38

HEX #127E9F

RGB 18 126 159

HSL 194.04, 0.8%, 0.35%

LAB 48.95, -16.1, -25.61

 

CMYK 88 / 21 / 0 / 23

HEX #179BC4

RGB 23 155 196

HSL 194.22, 0.79%, 0.43%

LAB 59.54, -18.41, -30.38

 

CMYK 86 / 20 / 0 / 11

HEX #1FB6E4

RGB 31 182 228

HSL 194.01, 0.78%, 0.51%

LAB 69, -21.12, -33.42

 

CMYK 71 / 17 / 0 / 9

HEX #44C2E9

RGB 68 194 233

HSL 194.18, 0.79%, 0.59%

LAB 73.35, -22.08, -29.38

 

CMYK 88 / 21 / 0 / 24

HEX #179BC3

RGB 23 155 195

HSL 193.95, 0.79%, 0.43%

LAB 59.49, -18.76, -29.88

 

CMYK 52 / 88 / 0 / 23

HEX #5F17C4

RGB 95 23 196

HSL 264.97, 0.79%, 0.43%

LAB 31.88, 63.77, -74.57

 

CMYK 0 / 16 / 88 / 23

HEX #C4A417

RGB 196 164 23

HSL 48.9, 0.79%, 0.43%

LAB 68.28, -0.85, 67.93

 

CMYK 88 / 21 / 0 / 24

HEX #179BC3

RGB 23 155 195

HSL 193.95, 0.79%, 0.43%

LAB 59.49, -18.76, -29.88

 

CMYK 0 / 88 / 19 / 23

HEX #C4179E

RGB 196 23 158

HSL 313.18, 0.79%, 0.43%

LAB 45.38, 72.96, -29.41

 

CMYK 19 / 0 / 88 / 23

HEX #9EC417

RGB 158 196 23

HSL 73.18, 0.79%, 0.43%

LAB 74.07, -33.31, 71.33

 

CMYK 88 / 21 / 0 / 24

HEX #179BC3

RGB 23 155 195

HSL 193.95, 0.79%, 0.43%

LAB 59.49, -18.76, -29.88

 

CMYK 52 / 88 / 0 / 23

HEX #5F17C4

RGB 95 23 196

HSL 264.97, 0.79%, 0.43%

LAB 31.88, 63.77, -74.57

 

CMYK 0 / 69 / 88 / 23

HEX #C43C17

RGB 196 60 23

HSL 12.83, 0.79%, 0.43%

LAB 45.67, 52.52, 50.12

 

CMYK 37 / 0 / 88 / 23

HEX #7CC417

RGB 124 196 23

HSL 84.97, 0.79%, 0.43%

LAB 72.11, -46.29, 68.91

 

CMYK 88 / 21 / 0 / 24

HEX #179BC3

RGB 23 155 195

HSL 193.95, 0.79%, 0.43%

LAB 59.49, -18.76, -29.88

 

CMYK 25 / 88 / 0 / 23

HEX #9317C4

RGB 147 23 196

HSL 283.01, 0.79%, 0.43%

LAB 39.24, 70.28, -62.21

 

CMYK 0 / 69 / 88 / 23

HEX #C43C17

RGB 196 60 23

HSL 12.83, 0.79%, 0.43%

LAB 45.67, 52.52, 50.12

 

CMYK 63 / 0 / 88 / 23

HEX #48C417

RGB 72 196 23

HSL 103.01, 0.79%, 0.43%

LAB 70.12, -61.59, 66.43

 

Description

Color code: HEX #179BC3 | qconv.com Color code: HEX #179BC3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 155 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 155 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 21 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 21% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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