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Color name
HEX #1811A0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1811A0 it is the complementary color #E7EE5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1811A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1811A0 shade: #1D119B, #2E23AE, #3F35C1, #5047D4 and #6159E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1811A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1811A0 shade: #1811A0, #07008D, #00007A, #000067 and #000054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1811A0 shade: #1810A1, #3F10A1, #6610A1, #8D10A1 and #A1108F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1811A0 shade: #1810A1 and #1010A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1811A0 shade matches the following richer shades: #1810A1 and #0B02AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1811A0 shade: #1810A1, #251F93, #322D84, #3F3C76 and #4C4A67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1811A0 shade: #1059A1, #1032A1, #1510A1, #3C10A1 and #6210A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1811A0 shade: #0C0956, #120D7C, #1810A1, #1D14C6 and #271DE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1811A0 shade: #1811A0, #A1107F and #45A110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1811A0 shade: #1811A0, #A11510 and #10A115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1811A0 shade: #1811A0, #A1107F, #9CA110 and #10A132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1811A0 shade: #1811A0, #A11054, #9CA110 and #10A15E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 89 / 0 / 37

HEX #1811A0

RGB 24 17 160

HSL 242.94, 0.81%, 0.35%

LAB 20.57, 51.18, -71.96

 

Complementary color

CMYK 3 / 0 / 60 / 7

HEX #E7EE5F

RGB 231 238 95

HSL 62.94, 0.81%, 0.65%

LAB 91.22, -20.29, 66.42

 

CMYK 81 / 89 / 0 / 39

HEX #1D119B

RGB 29 17 155

HSL 245.22, 0.8%, 0.34%

LAB 20.16, 49.9, -69.58

 

CMYK 74 / 80 / 0 / 32

HEX #2E23AE

RGB 46 35 174

HSL 244.75, 0.67%, 0.41%

LAB 26.27, 48.76, -70.94

 

CMYK 67 / 73 / 0 / 24

HEX #3F35C1

RGB 63 53 193

HSL 244.29, 0.57%, 0.48%

LAB 32.82, 46.86, -71.37

 

CMYK 62 / 67 / 0 / 17

HEX #5047D4

RGB 80 71 212

HSL 243.83, 0.62%, 0.55%

LAB 39.52, 44.83, -71.36

 

CMYK 58 / 61 / 0 / 9

HEX #6159E7

RGB 97 89 231

HSL 243.38, 0.75%, 0.63%

LAB 46.25, 42.92, -71.14

 

CMYK 85 / 89 / 0 / 37

HEX #1811A0

RGB 24 17 160

HSL 242.94, 0.81%, 0.35%

LAB 20.57, 51.18, -71.96

 

CMYK 95 / 100 / 0 / 45

HEX #07008D

RGB 7 0 141

HSL 242.98, 1%, 0.28%

LAB 15.32, 51.03, -68.99

 

CMYK 100 / 100 / 0 / 52

HEX #00007A

RGB 0 0 122

HSL 240, 1%, 0.24%

LAB 11.99, 45.9, -62.51

 

CMYK 100 / 100 / 0 / 60

HEX #000067

RGB 0 0 103

HSL 240, 1%, 0.2%

LAB 8.82, 40.69, -55.42

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 85 / 90 / 0 / 37

HEX #1810A1

RGB 24 16 161

HSL 243.31, 0.82%, 0.35%

LAB 20.59, 51.83, -72.54

 

CMYK 61 / 90 / 0 / 37

HEX #3F10A1

RGB 63 16 161

HSL 259.45, 0.82%, 0.35%

LAB 23.67, 54.06, -67.33

 

CMYK 37 / 90 / 0 / 37

HEX #6610A1

RGB 102 16 161

HSL 275.59, 0.82%, 0.35%

LAB 28.82, 58.32, -58.67

 

CMYK 12 / 90 / 0 / 37

HEX #8D10A1

RGB 141 16 161

HSL 291.72, 0.82%, 0.35%

LAB 35.22, 64.25, -47.98

 

CMYK 0 / 90 / 11 / 37

HEX #A1108F

RGB 161 16 143

HSL 307.45, 0.82%, 0.35%

LAB 37.72, 65.06, -32.81

 

CMYK 85 / 90 / 0 / 37

HEX #1810A1

RGB 24 16 161

HSL 243.31, 0.82%, 0.35%

LAB 20.59, 51.83, -72.54

 

CMYK 90 / 90 / 0 / 37

HEX #1010A1

RGB 16 16 161

HSL 240, 0.82%, 0.35%

LAB 20.26, 51.61, -73.1

 

CMYK 85 / 90 / 0 / 37

HEX #1810A1

RGB 24 16 161

HSL 243.31, 0.82%, 0.35%

LAB 20.59, 51.83, -72.54

 

CMYK 94 / 99 / 0 / 31

HEX #0B02AF

RGB 11 2 175

HSL 243.12, 0.98%, 0.35%

LAB 20.86, 59.28, -80.58

 

CMYK 85 / 90 / 0 / 37

HEX #1810A1

RGB 24 16 161

HSL 243.31, 0.82%, 0.35%

LAB 20.59, 51.83, -72.54

 

CMYK 75 / 79 / 0 / 42

HEX #251F93

RGB 37 31 147

HSL 243.1, 0.65%, 0.35%

LAB 21.87, 41.43, -61.78

 

CMYK 62 / 66 / 0 / 48

HEX #322D84

RGB 50 45 132

HSL 243.45, 0.49%, 0.35%

LAB 24.39, 29.52, -48.27

 

CMYK 47 / 49 / 0 / 54

HEX #3F3C76

RGB 63 60 118

HSL 243.1, 0.33%, 0.35%

LAB 28.37, 17.69, -32.97

 

CMYK 26 / 28 / 0 / 60

HEX #4C4A67

RGB 76 74 103

HSL 244.14, 0.16%, 0.35%

LAB 32.73, 7.96, -16.56

 

CMYK 90 / 45 / 0 / 37

HEX #1059A1

RGB 16 89 161

HSL 209.79, 0.82%, 0.35%

LAB 37.53, 7.01, -44.81

 

CMYK 90 / 69 / 0 / 37

HEX #1032A1

RGB 16 50 161

HSL 225.93, 0.82%, 0.35%

LAB 26.63, 33.4, -62.53

 

CMYK 87 / 90 / 0 / 37

HEX #1510A1

RGB 21 16 161

HSL 242.07, 0.82%, 0.35%

LAB 20.45, 51.73, -72.77

 

CMYK 63 / 90 / 0 / 37

HEX #3C10A1

RGB 60 16 161

HSL 258.21, 0.82%, 0.35%

LAB 23.35, 53.81, -67.87

 

CMYK 39 / 90 / 0 / 37

HEX #6210A1

RGB 98 16 161

HSL 273.93, 0.82%, 0.35%

LAB 28.22, 57.8, -59.67

 

CMYK 86 / 90 / 0 / 66

HEX #0C0956

RGB 12 9 86

HSL 242.34, 0.81%, 0.19%

LAB 8.53, 30.66, -44.46

 

CMYK 85 / 90 / 0 / 51

HEX #120D7C

RGB 18 13 124

HSL 242.7, 0.81%, 0.27%

LAB 14.8, 41.62, -59.09

 

CMYK 85 / 90 / 0 / 37

HEX #1810A1

RGB 24 16 161

HSL 243.31, 0.82%, 0.35%

LAB 20.59, 51.83, -72.54

 

CMYK 85 / 90 / 0 / 22

HEX #1D14C6

RGB 29 20 198

HSL 243.03, 0.82%, 0.43%

LAB 26.27, 61.09, -85.22

 

CMYK 83 / 87 / 0 / 9

HEX #271DE7

RGB 39 29 231

HSL 242.97, 0.81%, 0.51%

LAB 31.99, 67.5, -94.78

 

CMYK 85 / 89 / 0 / 37

HEX #1811A0

RGB 24 17 160

HSL 242.94, 0.81%, 0.35%

LAB 20.57, 51.18, -71.96

 

CMYK 0 / 90 / 21 / 37

HEX #A1107F

RGB 161 16 127

HSL 314.07, 0.82%, 0.35%

LAB 36.89, 62.89, -24.22

 

CMYK 57 / 0 / 90 / 37

HEX #45A110

RGB 69 161 16

HSL 98.07, 0.82%, 0.35%

LAB 58.78, -50.39, 58.01

 

CMYK 85 / 89 / 0 / 37

HEX #1811A0

RGB 24 17 160

HSL 242.94, 0.81%, 0.35%

LAB 20.57, 51.18, -71.96

 

CMYK 0 / 87 / 90 / 37

HEX #A11510

RGB 161 21 16

HSL 2.07, 0.82%, 0.35%

LAB 34.3, 53.77, 41.36

 

CMYK 90 / 0 / 87 / 37

HEX #10A115

RGB 16 161 21

HSL 122.07, 0.82%, 0.35%

LAB 57.71, -59.47, 55.6

 

CMYK 85 / 89 / 0 / 37

HEX #1811A0

RGB 24 17 160

HSL 242.94, 0.81%, 0.35%

LAB 20.57, 51.18, -71.96

 

CMYK 0 / 90 / 21 / 37

HEX #A1107F

RGB 161 16 127

HSL 314.07, 0.82%, 0.35%

LAB 36.89, 62.89, -24.22

 

CMYK 3 / 0 / 90 / 37

HEX #9CA110

RGB 156 161 16

HSL 62.07, 0.82%, 0.35%

LAB 63.83, -17.26, 64.24

 

CMYK 90 / 0 / 69 / 37

HEX #10A132

RGB 16 161 50

HSL 134.07, 0.82%, 0.35%

LAB 57.88, -57.33, 46.16

 

CMYK 85 / 89 / 0 / 37

HEX #1811A0

RGB 24 17 160

HSL 242.94, 0.81%, 0.35%

LAB 20.57, 51.18, -71.96

 

CMYK 0 / 90 / 48 / 37

HEX #A11054

RGB 161 16 84

HSL 331.86, 0.82%, 0.35%

LAB 35.18, 58.24, 0.55

 

CMYK 3 / 0 / 90 / 37

HEX #9CA110

RGB 156 161 16

HSL 62.07, 0.82%, 0.35%

LAB 63.83, -17.26, 64.24

 

CMYK 90 / 0 / 42 / 37

HEX #10A15E

RGB 16 161 94

HSL 152.28, 0.82%, 0.35%

LAB 58.42, -50.71, 25.26

 

Description

Color code: HEX #1811A0 | qconv.com Color code: HEX #1811A0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 17 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 17 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 89 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 89% 0% 37% C M Y K

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Provide designers and agencies with accurate color values.

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