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Color name
HEX #181D8B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #181D8B it is the complementary color #E7E274. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #181D8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #181D8B shade: #1D1D86, #2E2F99, #3F41AC, #5053BF and #6165D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #181D8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #181D8B shade: #181D8B, #070B78, #000065, #000052 and #00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #181D8B shade: #171C8B, #31178B, #51178B, #70178B and #8B1787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #181D8B shade: #171C8B and #17178B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #181D8B shade matches the following richer shades: #171C8B and #0A1098

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #181D8B shade: #171C8B, #24287E, #323471, #3F4063 and #4C4C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #181D8B shade: #175B8B, #173C8B, #171D8B, #30178B and #4F178B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #181D8B shade: #0B0E44, #111568, #171C8B, #1D23AE and #232BD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #181D8B shade: #181D8B, #8B177A and #4B8B17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #181D8B shade: #181D8B, #8B171D and #1D8B17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #181D8B shade: #181D8B, #8B177A, #8B8517 and #178B29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #181D8B shade: #181D8B, #8B1757, #8B8517 and #178B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 79 / 0 / 45

HEX #181D8B

RGB 24 29 139

HSL 237.39, 0.71%, 0.32%

LAB 19.79, 38.85, -60.28

 

Complementary color

CMYK 0 / 2 / 50 / 9

HEX #E7E274

RGB 231 226 116

HSL 57.39, 0.71%, 0.68%

LAB 88.28, -12.82, 53.82

 

CMYK 78 / 78 / 0 / 47

HEX #1D1D86

RGB 29 29 134

HSL 240, 0.64%, 0.32%

LAB 19.48, 37.48, -57.65

 

CMYK 70 / 69 / 0 / 40

HEX #2E2F99

RGB 46 47 153

HSL 239.44, 0.54%, 0.39%

LAB 26.49, 35, -57.85

 

CMYK 63 / 62 / 0 / 33

HEX #3F41AC

RGB 63 65 172

HSL 238.9, 0.46%, 0.46%

LAB 33.6, 32.71, -57.65

 

CMYK 58 / 57 / 0 / 25

HEX #5053BF

RGB 80 83 191

HSL 238.38, 0.46%, 0.53%

LAB 40.66, 30.73, -57.33

 

CMYK 54 / 52 / 0 / 18

HEX #6165D2

RGB 97 101 210

HSL 237.88, 0.56%, 0.6%

LAB 47.63, 29.05, -56.99

 

CMYK 83 / 79 / 0 / 45

HEX #181D8B

RGB 24 29 139

HSL 237.39, 0.71%, 0.32%

LAB 19.79, 38.85, -60.28

 

CMYK 94 / 91 / 0 / 53

HEX #070B78

RGB 7 11 120

HSL 237.88, 0.89%, 0.25%

LAB 13.48, 40.83, -58.74

 

CMYK 100 / 100 / 0 / 60

HEX #000065

RGB 0 0 101

HSL 240, 1%, 0.2%

LAB 8.48, 40.13, -54.66

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 100 / 100 / 0 / 75

HEX #00003F

RGB 0 0 63

HSL 240, 1%, 0.12%

LAB 3.24, 22.73, -37.1

 

CMYK 83 / 80 / 0 / 45

HEX #171C8B

RGB 23 28 139

HSL 237.41, 0.72%, 0.32%

LAB 19.54, 39.35, -60.69

 

CMYK 65 / 83 / 0 / 45

HEX #31178B

RGB 49 23 139

HSL 253.45, 0.72%, 0.32%

LAB 20.56, 44.06, -58.95

 

CMYK 42 / 83 / 0 / 45

HEX #51178B

RGB 81 23 139

HSL 270, 0.72%, 0.32%

LAB 24.41, 48.2, -52.48

 

CMYK 19 / 83 / 0 / 45

HEX #70178B

RGB 112 23 139

HSL 286.03, 0.72%, 0.32%

LAB 29.21, 53.47, -44.44

 

CMYK 0 / 83 / 3 / 45

HEX #8B1787

RGB 139 23 135

HSL 302.07, 0.72%, 0.32%

LAB 33.67, 58.05, -34.55

 

CMYK 83 / 80 / 0 / 45

HEX #171C8B

RGB 23 28 139

HSL 237.41, 0.72%, 0.32%

LAB 19.54, 39.35, -60.69

 

CMYK 83 / 83 / 0 / 45

HEX #17178B

RGB 23 23 139

HSL 240, 0.72%, 0.32%

LAB 18.62, 42.02, -62.21

 

CMYK 83 / 80 / 0 / 45

HEX #171C8B

RGB 23 28 139

HSL 237.41, 0.72%, 0.32%

LAB 19.54, 39.35, -60.69

 

CMYK 93 / 89 / 0 / 40

HEX #0A1098

RGB 10 16 152

HSL 237.46, 0.88%, 0.32%

LAB 18.81, 48.8, -70

 

CMYK 83 / 80 / 0 / 45

HEX #171C8B

RGB 23 28 139

HSL 237.41, 0.72%, 0.32%

LAB 19.54, 39.35, -60.69

 

CMYK 71 / 68 / 0 / 51

HEX #24287E

RGB 36 40 126

HSL 237.33, 0.56%, 0.32%

LAB 21.58, 28.48, -49.13

 

CMYK 56 / 54 / 0 / 56

HEX #323471

RGB 50 52 113

HSL 238.1, 0.39%, 0.32%

LAB 24.72, 18.15, -35.69

 

CMYK 36 / 35 / 0 / 61

HEX #3F4063

RGB 63 64 99

HSL 238.33, 0.22%, 0.32%

LAB 28.44, 9, -20.75

 

CMYK 12 / 12 / 0 / 66

HEX #4C4C56

RGB 76 76 86

HSL 240, 0.06%, 0.32%

LAB 32.65, 2.3, -5.89

 

CMYK 83 / 35 / 0 / 45

HEX #175B8B

RGB 23 91 139

HSL 204.83, 0.72%, 0.32%

LAB 36.98, -2.57, -32.42

 

CMYK 83 / 57 / 0 / 45

HEX #173C8B

RGB 23 60 139

HSL 220.86, 0.72%, 0.32%

LAB 27.51, 18.26, -47.6

 

CMYK 83 / 79 / 0 / 45

HEX #171D8B

RGB 23 29 139

HSL 236.9, 0.72%, 0.32%

LAB 19.74, 38.79, -60.36

 

CMYK 65 / 83 / 0 / 45

HEX #30178B

RGB 48 23 139

HSL 252.93, 0.72%, 0.32%

LAB 20.46, 43.96, -59.11

 

CMYK 43 / 83 / 0 / 45

HEX #4F178B

RGB 79 23 139

HSL 268.97, 0.72%, 0.32%

LAB 24.13, 47.9, -52.95

 

CMYK 84 / 79 / 0 / 73

HEX #0B0E44

RGB 11 14 68

HSL 236.84, 0.72%, 0.15%

LAB 7.25, 20.53, -34.08

 

CMYK 84 / 80 / 0 / 59

HEX #111568

RGB 17 21 104

HSL 237.24, 0.72%, 0.24%

LAB 13.56, 30.56, -48.16

 

CMYK 83 / 80 / 0 / 45

HEX #171C8B

RGB 23 28 139

HSL 237.41, 0.72%, 0.32%

LAB 19.54, 39.35, -60.69

 

CMYK 83 / 80 / 0 / 32

HEX #1D23AE

RGB 29 35 174

HSL 237.52, 0.71%, 0.4%

LAB 25.32, 47.65, -72.54

 

CMYK 83 / 80 / 0 / 18

HEX #232BD2

RGB 35 43 210

HSL 237.26, 0.71%, 0.48%

LAB 31.2, 55.4, -84.01

 

CMYK 83 / 79 / 0 / 45

HEX #181D8B

RGB 24 29 139

HSL 237.39, 0.71%, 0.32%

LAB 19.79, 38.85, -60.28

 

CMYK 0 / 83 / 12 / 45

HEX #8B177A

RGB 139 23 122

HSL 308.79, 0.72%, 0.32%

LAB 32.93, 56.04, -27.59

 

CMYK 46 / 0 / 83 / 45

HEX #4B8B17

RGB 75 139 23

HSL 93.1, 0.72%, 0.32%

LAB 51.86, -39.68, 50.37

 

CMYK 83 / 79 / 0 / 45

HEX #181D8B

RGB 24 29 139

HSL 237.39, 0.71%, 0.32%

LAB 19.79, 38.85, -60.28

 

CMYK 0 / 83 / 79 / 45

HEX #8B171D

RGB 139 23 29

HSL 356.9, 0.72%, 0.32%

LAB 29.89, 47.16, 28.47

 

CMYK 79 / 0 / 83 / 45

HEX #1D8B17

RGB 29 139 23

HSL 116.9, 0.72%, 0.32%

LAB 50.44, -51.17, 48.53

 

CMYK 83 / 79 / 0 / 45

HEX #181D8B

RGB 24 29 139

HSL 237.39, 0.71%, 0.32%

LAB 19.79, 38.85, -60.28

 

CMYK 0 / 83 / 12 / 45

HEX #8B177A

RGB 139 23 122

HSL 308.79, 0.72%, 0.32%

LAB 32.93, 56.04, -27.59

 

CMYK 0 / 4 / 83 / 45

HEX #8B8517

RGB 139 133 23

HSL 56.9, 0.72%, 0.32%

LAB 54.37, -10, 54.25

 

CMYK 83 / 0 / 71 / 45

HEX #178B29

RGB 23 139 41

HSL 129.31, 0.72%, 0.32%

LAB 50.46, -50.54, 42.02

 

CMYK 83 / 79 / 0 / 45

HEX #181D8B

RGB 24 29 139

HSL 237.39, 0.71%, 0.32%

LAB 19.79, 38.85, -60.28

 

CMYK 0 / 83 / 37 / 45

HEX #8B1757

RGB 139 23 87

HSL 326.9, 0.72%, 0.32%

LAB 31.32, 51.46, -7.61

 

CMYK 0 / 4 / 83 / 45

HEX #8B8517

RGB 139 133 23

HSL 56.9, 0.72%, 0.32%

LAB 54.37, -10, 54.25

 

CMYK 83 / 0 / 46 / 45

HEX #178B4B

RGB 23 139 75

HSL 146.9, 0.72%, 0.32%

LAB 50.87, -45.63, 25.72

 

Description

Color code: HEX #181D8B | qconv.com Color code: HEX #181D8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 29 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 29 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 79 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 79% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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