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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #182F13 it is the complementary color #E7D0EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #182F13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #182F13 shade: #1D2F0E, #2E4121, #3F5334, #506547 and #61775A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #182F13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #182F13 shade: #182F13, #071D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #182F13 shade: #182F13, #1F2F13, #272F13, #2E2F13 and #2F2713

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #182F13 shade: #182F13, #132F15, #132F1D, #132F24 and #132F2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #182F13 shade matches the following richer shades: #182F13, #14340D, #113908 and #0D3F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #182F13 shade: #182F13, #1B2918, #1F241D, #221E23 and #251928

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #182F13 shade: #272F13, #1F2F13, #182F13, #132F15 and #132F1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #182F13 shade: #182F13, #132E2F and #2F1323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #182F13 shade: #182F13, #13182F and #2F1318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #182F13 shade: #182F13, #132E2F, #29132F and #2F1313

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #182F13 shade: #182F13, #13262F, #29132F and #2F1C13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

Complementary color

CMYK 2 / 12 / 0 / 7

HEX #E7D0EC

RGB 231 208 236

HSL 289.29, 0.42%, 0.87%

LAB 86.08, 12.91, -10.84

 

CMYK 38 / 0 / 70 / 82

HEX #1D2F0E

RGB 29 47 14

HSL 92.73, 0.54%, 0.12%

LAB 17.11, -14.52, 18.35

 

CMYK 29 / 0 / 49 / 75

HEX #2E4121

RGB 46 65 33

HSL 95.63, 0.33%, 0.19%

LAB 25.17, -14.49, 17.11

 

CMYK 24 / 0 / 37 / 67

HEX #3F5334

RGB 63 83 52

HSL 98.71, 0.23%, 0.26%

LAB 32.9, -14.35, 15.72

 

CMYK 21 / 0 / 30 / 60

HEX #506547

RGB 80 101 71

HSL 102, 0.17%, 0.34%

LAB 40.36, -14.19, 14.48

 

CMYK 18 / 0 / 24 / 53

HEX #61775A

RGB 97 119 90

HSL 105.52, 0.14%, 0.41%

LAB 47.59, -14.04, 13.36

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 76 / 0 / 100 / 89

HEX #071D00

RGB 7 29 0

HSL 105.52, 1%, 0.06%

LAB 8.34, -14.36, 12.23

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 34 / 0 / 60 / 82

HEX #1F2F13

RGB 31 47 19

HSL 94.29, 0.42%, 0.13%

LAB 17.33, -12.91, 15.8

 

CMYK 17 / 0 / 60 / 82

HEX #272F13

RGB 39 47 19

HSL 77.14, 0.42%, 0.13%

LAB 17.97, -9.06, 16.73

 

CMYK 2 / 0 / 60 / 82

HEX #2E2F13

RGB 46 47 19

HSL 62.14, 0.42%, 0.13%

LAB 18.63, -5.48, 17.68

 

CMYK 0 / 17 / 60 / 82

HEX #2F2713

RGB 47 39 19

HSL 42.86, 0.42%, 0.13%

LAB 16.02, 0.39, 14.52

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 60 / 0 / 55 / 82

HEX #132F15

RGB 19 47 21

HSL 124.29, 0.42%, 0.13%

LAB 16.63, -17.49, 13.5

 

CMYK 60 / 0 / 38 / 82

HEX #132F1D

RGB 19 47 29

HSL 141.43, 0.42%, 0.13%

LAB 16.8, -15.76, 8.4

 

CMYK 60 / 0 / 23 / 82

HEX #132F24

RGB 19 47 36

HSL 156.43, 0.42%, 0.13%

LAB 16.98, -13.93, 3.85

 

CMYK 60 / 0 / 6 / 82

HEX #132F2C

RGB 19 47 44

HSL 173.57, 0.42%, 0.13%

LAB 17.24, -11.51, -1.33

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 62 / 0 / 75 / 80

HEX #14340D

RGB 20 52 13

HSL 109.23, 0.6%, 0.13%

LAB 18.51, -20.91, 20.4

 

CMYK 70 / 0 / 86 / 78

HEX #113908

RGB 17 57 8

HSL 108.98, 0.75%, 0.13%

LAB 20.29, -24.71, 24.56

 

CMYK 79 / 0 / 95 / 75

HEX #0D3F03

RGB 13 63 3

HSL 110, 0.91%, 0.13%

LAB 22.47, -28.7, 28.92

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 34 / 0 / 41 / 84

HEX #1B2918

RGB 27 41 24

HSL 109.41, 0.26%, 0.13%

LAB 14.87, -10.21, 9.3

 

CMYK 14 / 0 / 19 / 86

HEX #1F241D

RGB 31 36 29

HSL 102.86, 0.11%, 0.13%

LAB 13.48, -4, 3.93

 

CMYK 3 / 14 / 0 / 86

HEX #221E23

RGB 34 30 35

HSL 288, 0.08%, 0.13%

LAB 11.89, 3.14, -2.7

 

CMYK 7 / 38 / 0 / 84

HEX #251928

RGB 37 25 40

HSL 288, 0.23%, 0.13%

LAB 10.86, 9.45, -7.9

 

CMYK 17 / 0 / 60 / 82

HEX #272F13

RGB 39 47 19

HSL 77.14, 0.42%, 0.13%

LAB 17.97, -9.06, 16.73

 

CMYK 34 / 0 / 60 / 82

HEX #1F2F13

RGB 31 47 19

HSL 94.29, 0.42%, 0.13%

LAB 17.33, -12.91, 15.8

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 60 / 0 / 55 / 82

HEX #132F15

RGB 19 47 21

HSL 124.29, 0.42%, 0.13%

LAB 16.63, -17.49, 13.5

 

CMYK 60 / 0 / 40 / 82

HEX #132F1C

RGB 19 47 28

HSL 139.29, 0.42%, 0.13%

LAB 16.77, -16, 9.04

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 60 / 2 / 0 / 82

HEX #132E2F

RGB 19 46 47

HSL 182.14, 0.42%, 0.13%

LAB 16.98, -9.9, -3.82

 

CMYK 0 / 60 / 26 / 82

HEX #2F1323

RGB 47 19 35

HSL 325.71, 0.42%, 0.13%

LAB 10.49, 16.78, -4.6

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 60 / 49 / 0 / 82

HEX #13182F

RGB 19 24 47

HSL 229.29, 0.42%, 0.13%

LAB 8.97, 5.77, -16.15

 

CMYK 0 / 60 / 49 / 82

HEX #2F1318

RGB 47 19 24

HSL 349.29, 0.42%, 0.13%

LAB 10.08, 14.94, 3.07

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 60 / 2 / 0 / 82

HEX #132E2F

RGB 19 46 47

HSL 182.14, 0.42%, 0.13%

LAB 16.98, -9.9, -3.82

 

CMYK 13 / 60 / 0 / 82

HEX #29132F

RGB 41 19 47

HSL 287.14, 0.42%, 0.13%

LAB 10.13, 17.13, -14.15

 

CMYK 0 / 60 / 60 / 82

HEX #2F1313

RGB 47 19 19

HSL 0, 0.42%, 0.13%

LAB 9.93, 14.27, 6.37

 

CMYK 49 / 0 / 60 / 82

HEX #182F13

RGB 24 47 19

HSL 109.29, 0.42%, 0.13%

LAB 16.87, -15.95, 15.13

 

CMYK 60 / 19 / 0 / 82

HEX #13262F

RGB 19 38 47

HSL 199.29, 0.42%, 0.13%

LAB 14, -4.6, -8.31

 

CMYK 13 / 60 / 0 / 82

HEX #29132F

RGB 41 19 47

HSL 287.14, 0.42%, 0.13%

LAB 10.13, 17.13, -14.15

 

CMYK 0 / 40 / 60 / 82

HEX #2F1C13

RGB 47 28 19

HSL 19.29, 0.42%, 0.13%

LAB 12.49, 8.08, 9.92

 

Description

Color code: HEX #182F13 | qconv.com Color code: HEX #182F13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 47 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 47 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 60 yellow and 82 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 60% 82% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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