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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #183951 it is the complementary color #E7C6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #183951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #183951 shade: #1D394C, #2E4B5F, #3F5D72, #506F85 and #618198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #183951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #183951 shade: #183951, #07273E, #00152B, #000318 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #183951 shade: #183A52, #182A52, #181A52, #251852 and #351852

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #183951 shade: #183A52, #182A52, #181A52 and #181852

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #183951 shade matches the following richer shades: #183A52, #0F3B5B and #073C63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #183951 shade: #183A52, #213849, #293741, #323638 and #3B342F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #183951 shade: #18524B, #184952, #183A52, #182A52 and #181B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #183951 shade: #050D12, #0F2332, #183A52, #225072 and #2B6692

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #183951 shade: #183951, #3C1852 and #515218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #183951 shade: #183951, #52183A and #3A5218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #183951 shade: #183951, #3C1852, #523018 and #2E5218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #183951 shade: #183951, #4D1852, #523018 and #1D5218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 30 / 0 / 68

HEX #183951

RGB 24 57 81

HSL 205.26, 0.54%, 0.21%

LAB 22.7, -3.3, -18.16

 

Complementary color

CMYK 0 / 14 / 25 / 9

HEX #E7C6AE

RGB 231 198 174

HSL 25.26, 0.54%, 0.79%

LAB 82.07, 8.06, 16.34

 

CMYK 62 / 25 / 0 / 70

HEX #1D394C

RGB 29 57 76

HSL 204.26, 0.45%, 0.21%

LAB 22.69, -4.06, -14.85

 

CMYK 52 / 21 / 0 / 63

HEX #2E4B5F

RGB 46 75 95

HSL 204.49, 0.35%, 0.28%

LAB 30.49, -4.6, -15.11

 

CMYK 45 / 18 / 0 / 55

HEX #3F5D72

RGB 63 93 114

HSL 204.71, 0.29%, 0.35%

LAB 38.02, -4.94, -15.38

 

CMYK 40 / 17 / 0 / 48

HEX #506F85

RGB 80 111 133

HSL 204.91, 0.25%, 0.42%

LAB 45.31, -5.18, -15.67

 

CMYK 36 / 15 / 0 / 40

HEX #618198

RGB 97 129 152

HSL 205.09, 0.22%, 0.49%

LAB 52.41, -5.37, -15.98

 

CMYK 70 / 30 / 0 / 68

HEX #183951

RGB 24 57 81

HSL 205.26, 0.54%, 0.21%

LAB 22.7, -3.3, -18.16

 

CMYK 89 / 37 / 0 / 76

HEX #07273E

RGB 7 39 62

HSL 205.09, 0.8%, 0.14%

LAB 14.65, -1.78, -17.93

 

CMYK 100 / 51 / 0 / 83

HEX #00152B

RGB 0 21 43

HSL 210.7, 1%, 0.08%

LAB 6.42, 1.17, -17.31

 

CMYK 100 / 88 / 0 / 91

HEX #000318

RGB 0 3 24

HSL 232.5, 1%, 0.05%

LAB 1.18, 2.98, -10.53

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 71 / 29 / 0 / 68

HEX #183A52

RGB 24 58 82

HSL 204.83, 0.55%, 0.21%

LAB 23.1, -3.58, -18.2

 

CMYK 71 / 49 / 0 / 68

HEX #182A52

RGB 24 42 82

HSL 221.38, 0.55%, 0.21%

LAB 17.73, 7.68, -26.69

 

CMYK 71 / 68 / 0 / 68

HEX #181A52

RGB 24 26 82

HSL 237.93, 0.55%, 0.21%

LAB 12.87, 19.51, -34.54

 

CMYK 55 / 71 / 0 / 68

HEX #251852

RGB 37 24 82

HSL 253.45, 0.55%, 0.21%

LAB 13.57, 23.46, -33.36

 

CMYK 35 / 71 / 0 / 68

HEX #351852

RGB 53 24 82

HSL 270, 0.55%, 0.21%

LAB 15.59, 27.25, -29.99

 

CMYK 71 / 29 / 0 / 68

HEX #183A52

RGB 24 58 82

HSL 204.83, 0.55%, 0.21%

LAB 23.1, -3.58, -18.2

 

CMYK 71 / 49 / 0 / 68

HEX #182A52

RGB 24 42 82

HSL 221.38, 0.55%, 0.21%

LAB 17.73, 7.68, -26.69

 

CMYK 71 / 68 / 0 / 68

HEX #181A52

RGB 24 26 82

HSL 237.93, 0.55%, 0.21%

LAB 12.87, 19.51, -34.54

 

CMYK 71 / 71 / 0 / 68

HEX #181852

RGB 24 24 82

HSL 240, 0.55%, 0.21%

LAB 12.33, 20.95, -35.43

 

CMYK 71 / 29 / 0 / 68

HEX #183A52

RGB 24 58 82

HSL 204.83, 0.55%, 0.21%

LAB 23.1, -3.58, -18.2

 

CMYK 84 / 35 / 0 / 64

HEX #0F3B5B

RGB 15 59 91

HSL 205.26, 0.72%, 0.21%

LAB 23.62, -2.1, -23.33

 

CMYK 93 / 39 / 0 / 61

HEX #073C63

RGB 7 60 99

HSL 205.43, 0.87%, 0.21%

LAB 24.25, -0.22, -27.55

 

CMYK 71 / 29 / 0 / 68

HEX #183A52

RGB 24 58 82

HSL 204.83, 0.55%, 0.21%

LAB 23.1, -3.58, -18.2

 

CMYK 55 / 23 / 0 / 71

HEX #213849

RGB 33 56 73

HSL 205.5, 0.38%, 0.21%

LAB 22.42, -3.41, -13.24

 

CMYK 37 / 15 / 0 / 75

HEX #293741

RGB 41 55 65

HSL 205, 0.23%, 0.21%

LAB 22.25, -2.84, -8.08

 

CMYK 11 / 4 / 0 / 78

HEX #323638

RGB 50 54 56

HSL 200, 0.06%, 0.21%

LAB 22.31, -1.22, -1.85

 

CMYK 0 / 12 / 20 / 77

HEX #3B342F

RGB 59 52 47

HSL 25, 0.11%, 0.21%

LAB 22.27, 2.09, 4.29

 

CMYK 71 / 0 / 9 / 68

HEX #18524B

RGB 24 82 75

HSL 172.76, 0.55%, 0.21%

LAB 31.2, -20.4, -1.37

 

CMYK 71 / 11 / 0 / 68

HEX #184952

RGB 24 73 82

HSL 189.31, 0.55%, 0.21%

LAB 28.3, -13.02, -10.2

 

CMYK 71 / 29 / 0 / 68

HEX #183A52

RGB 24 58 82

HSL 204.83, 0.55%, 0.21%

LAB 23.1, -3.58, -18.2

 

CMYK 71 / 49 / 0 / 68

HEX #182A52

RGB 24 42 82

HSL 221.38, 0.55%, 0.21%

LAB 17.73, 7.68, -26.69

 

CMYK 71 / 67 / 0 / 68

HEX #181B52

RGB 24 27 82

HSL 236.9, 0.55%, 0.21%

LAB 13.15, 18.79, -34.09

 

CMYK 72 / 28 / 0 / 93

HEX #050D12

RGB 5 13 18

HSL 203.08, 0.57%, 0.05%

LAB 3.29, -1.23, -3.29

 

CMYK 70 / 30 / 0 / 80

HEX #0F2332

RGB 15 35 50

HSL 205.71, 0.54%, 0.13%

LAB 12.82, -2.44, -12.29

 

CMYK 71 / 29 / 0 / 68

HEX #183A52

RGB 24 58 82

HSL 204.83, 0.55%, 0.21%

LAB 23.1, -3.58, -18.2

 

CMYK 70 / 30 / 0 / 55

HEX #225072

RGB 34 80 114

HSL 205.5, 0.54%, 0.29%

LAB 32.46, -3.74, -24.1

 

CMYK 71 / 30 / 0 / 43

HEX #2B6692

RGB 43 102 146

HSL 205.63, 0.54%, 0.37%

LAB 41.36, -4.06, -29.71

 

CMYK 70 / 30 / 0 / 68

HEX #183951

RGB 24 57 81

HSL 205.26, 0.54%, 0.21%

LAB 22.7, -3.3, -18.16

 

CMYK 27 / 71 / 0 / 68

HEX #3C1852

RGB 60 24 82

HSL 277.24, 0.55%, 0.21%

LAB 16.62, 29.07, -28.28

 

CMYK 1 / 0 / 71 / 68

HEX #515218

RGB 81 82 24

HSL 61.03, 0.55%, 0.21%

LAB 33.67, -8.83, 32.58

 

CMYK 70 / 30 / 0 / 68

HEX #183951

RGB 24 57 81

HSL 205.26, 0.54%, 0.21%

LAB 22.7, -3.3, -18.16

 

CMYK 0 / 71 / 29 / 68

HEX #52183A

RGB 82 24 58

HSL 324.83, 0.55%, 0.21%

LAB 19.02, 30.85, -7.69

 

CMYK 29 / 0 / 71 / 68

HEX #3A5218

RGB 58 82 24

HSL 84.83, 0.55%, 0.21%

LAB 31.81, -19.63, 30.05

 

CMYK 70 / 30 / 0 / 68

HEX #183951

RGB 24 57 81

HSL 205.26, 0.54%, 0.21%

LAB 22.7, -3.3, -18.16

 

CMYK 27 / 71 / 0 / 68

HEX #3C1852

RGB 60 24 82

HSL 277.24, 0.55%, 0.21%

LAB 16.62, 29.07, -28.28

 

CMYK 0 / 41 / 71 / 68

HEX #523018

RGB 82 48 24

HSL 24.83, 0.55%, 0.21%

LAB 23.58, 12.92, 21.58

 

CMYK 44 / 0 / 71 / 68

HEX #2E5218

RGB 46 82 24

HSL 97.24, 0.55%, 0.21%

LAB 31.07, -24.61, 29.04

 

CMYK 70 / 30 / 0 / 68

HEX #183951

RGB 24 57 81

HSL 205.26, 0.54%, 0.21%

LAB 22.7, -3.3, -18.16

 

CMYK 6 / 71 / 0 / 68

HEX #4D1852

RGB 77 24 82

HSL 294.83, 0.55%, 0.21%

LAB 19.39, 33.67, -23.68

 

CMYK 0 / 41 / 71 / 68

HEX #523018

RGB 82 48 24

HSL 24.83, 0.55%, 0.21%

LAB 23.58, 12.92, 21.58

 

CMYK 65 / 0 / 71 / 68

HEX #1D5218

RGB 29 82 24

HSL 114.83, 0.55%, 0.21%

LAB 30.31, -30.31, 27.99

 

Description

Color code: HEX #183951 | qconv.com Color code: HEX #183951 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 57 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 57 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 30 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 30% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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