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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #183048 it is the complementary color #E7CFB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #183048. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #183048 shade: #1D3043, #2E4256, #3F5469, #50667C and #61788F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #183048. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #183048 shade: #183048, #071E35, #000C22 and #00000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #183048 shade: #183048, #182348, #1A1848, #271848 and #341848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #183048 shade: #183048, #182348 and #181848

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #183048 shade matches the following richer shades: #183048, #103050, #083058 and #003060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #183048 shade: #183048, #203040, #273038, #2F3031 and #373029

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #183048 shade: #184847, #183D48, #183048, #182348 and #191848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #183048 shade: #03070A, #0D1B29, #183048, #224567 and #2C5986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #183048 shade: #183048, #3A1848 and #434818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #183048 shade: #183048, #481830 and #304818

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #183048 shade: #183048, #3A1848, #483018 and #264818

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #183048 shade: #183048, #481848, #483018 and #184818

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

Complementary color

CMYK 0 / 10 / 21 / 9

HEX #E7CFB7

RGB 231 207 183

HSL 30, 0.5%, 0.81%

LAB 84.5, 4.63, 14.98

 

CMYK 57 / 28 / 0 / 74

HEX #1D3043

RGB 29 48 67

HSL 210, 0.4%, 0.19%

LAB 19.14, -1.27, -14.28

 

CMYK 47 / 23 / 0 / 66

HEX #2E4256

RGB 46 66 86

HSL 210, 0.3%, 0.26%

LAB 27.16, -1.78, -14.45

 

CMYK 40 / 20 / 0 / 59

HEX #3F5469

RGB 63 84 105

HSL 210, 0.25%, 0.33%

LAB 34.84, -2.12, -14.67

 

CMYK 35 / 18 / 0 / 51

HEX #50667C

RGB 80 102 124

HSL 210, 0.22%, 0.4%

LAB 42.25, -2.38, -14.93

 

CMYK 32 / 16 / 0 / 44

HEX #61788F

RGB 97 120 143

HSL 210, 0.19%, 0.47%

LAB 49.44, -2.58, -15.22

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 87 / 43 / 0 / 79

HEX #071E35

RGB 7 30 53

HSL 210, 0.77%, 0.12%

LAB 10.78, 0.81, -17.67

 

CMYK 100 / 65 / 0 / 87

HEX #000C22

RGB 0 12 34

HSL 218.82, 1%, 0.07%

LAB 3.42, 2.48, -15.14

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 67 / 51 / 0 / 72

HEX #182348

RGB 24 35 72

HSL 226.25, 0.5%, 0.19%

LAB 14.76, 8.77, -24.64

 

CMYK 64 / 67 / 0 / 72

HEX #1A1848

RGB 26 24 72

HSL 242.5, 0.5%, 0.19%

LAB 11.56, 17.45, -29.79

 

CMYK 46 / 67 / 0 / 72

HEX #271848

RGB 39 24 72

HSL 258.75, 0.5%, 0.19%

LAB 12.94, 20.58, -27.49

 

CMYK 28 / 67 / 0 / 72

HEX #341848

RGB 52 24 72

HSL 275, 0.5%, 0.19%

LAB 14.69, 24.2, -24.59

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 67 / 51 / 0 / 72

HEX #182348

RGB 24 35 72

HSL 226.25, 0.5%, 0.19%

LAB 14.76, 8.77, -24.64

 

CMYK 67 / 67 / 0 / 72

HEX #181848

RGB 24 24 72

HSL 240, 0.5%, 0.19%

LAB 11.38, 17.03, -30.09

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 80 / 40 / 0 / 69

HEX #103050

RGB 16 48 80

HSL 210, 0.67%, 0.19%

LAB 19.24, 1.02, -22.97

 

CMYK 91 / 45 / 0 / 65

HEX #083058

RGB 8 48 88

HSL 210, 0.83%, 0.19%

LAB 19.52, 3.49, -27.88

 

CMYK 100 / 50 / 0 / 62

HEX #003060

RGB 0 48 96

HSL 210, 1%, 0.19%

LAB 19.88, 6.27, -32.6

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 50 / 25 / 0 / 75

HEX #203040

RGB 32 48 64

HSL 210, 0.33%, 0.19%

LAB 19.19, -1.44, -12.14

 

CMYK 30 / 14 / 0 / 78

HEX #273038

RGB 39 48 56

HSL 208.24, 0.18%, 0.19%

LAB 19.35, -1.59, -6.36

 

CMYK 4 / 2 / 0 / 81

HEX #2F3031

RGB 47 48 49

HSL 210, 0.02%, 0.19%

LAB 19.8, -0.2, -0.8

 

CMYK 0 / 13 / 25 / 78

HEX #373029

RGB 55 48 41

HSL 30, 0.15%, 0.19%

LAB 20.39, 1.75, 5.64

 

CMYK 67 / 0 / 1 / 72

HEX #184847

RGB 24 72 71

HSL 178.75, 0.5%, 0.19%

LAB 27.53, -16.18, -4.22

 

CMYK 67 / 15 / 0 / 72

HEX #183D48

RGB 24 61 72

HSL 193.75, 0.5%, 0.19%

LAB 23.67, -9.29, -10.69

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 67 / 51 / 0 / 72

HEX #182348

RGB 24 35 72

HSL 226.25, 0.5%, 0.19%

LAB 14.76, 8.77, -24.64

 

CMYK 65 / 67 / 0 / 72

HEX #191848

RGB 25 24 72

HSL 241.25, 0.5%, 0.19%

LAB 11.47, 17.23, -29.94

 

CMYK 70 / 30 / 0 / 96

HEX #03070A

RGB 3 7 10

HSL 205.71, 0.54%, 0.03%

LAB 1.75, -0.63, -1.5

 

CMYK 68 / 34 / 0 / 84

HEX #0D1B29

RGB 13 27 41

HSL 210, 0.52%, 0.11%

LAB 9.24, -0.76, -11.34

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 67 / 33 / 0 / 60

HEX #224567

RGB 34 69 103

HSL 209.57, 0.5%, 0.27%

LAB 28.32, -0.77, -23.65

 

CMYK 67 / 34 / 0 / 47

HEX #2C5986

RGB 44 89 134

HSL 210, 0.51%, 0.35%

LAB 36.75, -0.18, -29.7

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 19 / 67 / 0 / 72

HEX #3A1848

RGB 58 24 72

HSL 282.5, 0.5%, 0.19%

LAB 15.6, 25.95, -23.08

 

CMYK 7 / 0 / 67 / 72

HEX #434818

RGB 67 72 24

HSL 66.25, 0.5%, 0.19%

LAB 29.14, -9.81, 27.37

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 0 / 67 / 33 / 72

HEX #481830

RGB 72 24 48

HSL 330, 0.5%, 0.19%

LAB 16.72, 25.82, -4.28

 

CMYK 33 / 0 / 67 / 72

HEX #304818

RGB 48 72 24

HSL 90, 0.5%, 0.19%

LAB 27.65, -18.68, 25.3

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 19 / 67 / 0 / 72

HEX #3A1848

RGB 58 24 72

HSL 282.5, 0.5%, 0.19%

LAB 15.6, 25.95, -23.08

 

CMYK 0 / 33 / 67 / 72

HEX #483018

RGB 72 48 24

HSL 30, 0.5%, 0.19%

LAB 22.15, 7.93, 19.54

 

CMYK 47 / 0 / 67 / 72

HEX #264818

RGB 38 72 24

HSL 102.5, 0.5%, 0.19%

LAB 27.05, -22.76, 24.46

 

CMYK 67 / 33 / 0 / 72

HEX #183048

RGB 24 48 72

HSL 210, 0.5%, 0.19%

LAB 19.12, -0.68, -17.73

 

CMYK 0 / 67 / 0 / 72

HEX #481848

RGB 72 24 72

HSL 300, 0.5%, 0.19%

LAB 17.91, 30.15, -19.26

 

CMYK 0 / 33 / 67 / 72

HEX #483018

RGB 72 48 24

HSL 30, 0.5%, 0.19%

LAB 22.15, 7.93, 19.54

 

CMYK 67 / 0 / 67 / 72

HEX #184818

RGB 24 72 24

HSL 120, 0.5%, 0.19%

LAB 26.43, -27.4, 23.59

 

Description

Color code: HEX #183048 | qconv.com Color code: HEX #183048 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 48 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 48 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 33 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 33% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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