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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #183157 it is the complementary color #E7CEA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #183157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #183157 shade: #1D3152, #2E4365, #3F5578, #50678B and #61799E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #183157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #183157 shade: #183157, #071F44, #000D31, #00001E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #183157 shade: #183158, #182058, #211858, #321858 and #431858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #183157 shade: #183158, #182058 and #181858

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #183157 shade matches the following richer shades: #183158, #0F2F61 and #052D6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #183157 shade: #183158, #21334F, #2A3545, #33373C and #3C3833

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #183157 shade: #185358, #184258, #183158, #182058 and #201858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #183157 shade: #060D17, #0F1F37, #183158, #204378 and #295598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #183157 shade: #183157, #4B1858 and #4B5818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #183157 shade: #183157, #581831 and #315818

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #183157 shade: #183157, #4B1858, #583E18 and #245818

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #183157 shade: #183157, #581851, #583E18 and #18581E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 44 / 0 / 66

HEX #183157

RGB 24 49 87

HSL 216.19, 0.57%, 0.22%

LAB 20.36, 4.66, -25.84

 

Complementary color

CMYK 0 / 11 / 27 / 9

HEX #E7CEA8

RGB 231 206 168

HSL 36.19, 0.57%, 0.78%

LAB 83.94, 3.06, 22.12

 

CMYK 65 / 40 / 0 / 68

HEX #1D3152

RGB 29 49 82

HSL 217.36, 0.48%, 0.22%

LAB 20.31, 3.72, -22.57

 

CMYK 54 / 34 / 0 / 60

HEX #2E4365

RGB 46 67 101

HSL 217.09, 0.37%, 0.29%

LAB 28.21, 2.65, -22.49

 

CMYK 48 / 29 / 0 / 53

HEX #3F5578

RGB 63 85 120

HSL 216.84, 0.31%, 0.36%

LAB 35.81, 1.92, -22.5

 

CMYK 42 / 26 / 0 / 45

HEX #50678B

RGB 80 103 139

HSL 216.61, 0.27%, 0.43%

LAB 43.17, 1.38, -22.56

 

CMYK 39 / 23 / 0 / 38

HEX #61799E

RGB 97 121 158

HSL 216.39, 0.24%, 0.5%

LAB 50.32, 0.96, -22.68

 

CMYK 72 / 44 / 0 / 66

HEX #183157

RGB 24 49 87

HSL 216.19, 0.57%, 0.22%

LAB 20.36, 4.66, -25.84

 

CMYK 90 / 54 / 0 / 73

HEX #071F44

RGB 7 31 68

HSL 216.39, 0.81%, 0.15%

LAB 12.24, 6.99, -25.96

 

CMYK 100 / 73 / 0 / 81

HEX #000D31

RGB 0 13 49

HSL 224.08, 1%, 0.1%

LAB 4.6, 8.76, -24.66

 

CMYK 100 / 100 / 0 / 88

HEX #00001E

RGB 0 0 30

HSL 240, 1%, 0.06%

LAB 0.85, 5.95, -15.88

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 73 / 44 / 0 / 65

HEX #183158

RGB 24 49 88

HSL 216.56, 0.57%, 0.22%

LAB 20.42, 5.07, -26.4

 

CMYK 73 / 64 / 0 / 65

HEX #182058

RGB 24 32 88

HSL 232.5, 0.57%, 0.22%

LAB 15.13, 17.54, -34.93

 

CMYK 63 / 73 / 0 / 65

HEX #211858

RGB 33 24 88

HSL 248.44, 0.57%, 0.22%

LAB 13.72, 24.76, -37.2

 

CMYK 43 / 73 / 0 / 65

HEX #321858

RGB 50 24 88

HSL 264.38, 0.57%, 0.22%

LAB 15.67, 28.27, -33.93

 

CMYK 24 / 73 / 0 / 65

HEX #431858

RGB 67 24 88

HSL 280.31, 0.57%, 0.22%

LAB 18.15, 32.38, -29.81

 

CMYK 73 / 44 / 0 / 65

HEX #183158

RGB 24 49 88

HSL 216.56, 0.57%, 0.22%

LAB 20.42, 5.07, -26.4

 

CMYK 73 / 64 / 0 / 65

HEX #182058

RGB 24 32 88

HSL 232.5, 0.57%, 0.22%

LAB 15.13, 17.54, -34.93

 

CMYK 73 / 73 / 0 / 65

HEX #181858

RGB 24 24 88

HSL 240, 0.57%, 0.22%

LAB 12.94, 23.28, -38.51

 

CMYK 73 / 44 / 0 / 65

HEX #183158

RGB 24 49 88

HSL 216.56, 0.57%, 0.22%

LAB 20.42, 5.07, -26.4

 

CMYK 85 / 52 / 0 / 62

HEX #0F2F61

RGB 15 47 97

HSL 216.59, 0.73%, 0.22%

LAB 20.03, 8.96, -32.98

 

CMYK 95 / 58 / 0 / 58

HEX #052D6A

RGB 5 45 106

HSL 216.24, 0.91%, 0.22%

LAB 19.84, 13.47, -39.19

 

CMYK 73 / 44 / 0 / 65

HEX #183158

RGB 24 49 88

HSL 216.56, 0.57%, 0.22%

LAB 20.42, 5.07, -26.4

 

CMYK 58 / 35 / 0 / 69

HEX #21334F

RGB 33 51 79

HSL 216.52, 0.41%, 0.22%

LAB 21.04, 2.17, -19.4

 

CMYK 39 / 23 / 0 / 73

HEX #2A3545

RGB 42 53 69

HSL 215.56, 0.24%, 0.22%

LAB 21.83, 0.1, -11.41

 

CMYK 15 / 8 / 0 / 76

HEX #33373C

RGB 51 55 60

HSL 213.33, 0.08%, 0.22%

LAB 22.87, -0.45, -3.7

 

CMYK 0 / 7 / 15 / 76

HEX #3C3833

RGB 60 56 51

HSL 33.33, 0.08%, 0.22%

LAB 23.76, 0.69, 3.75

 

CMYK 73 / 6 / 0 / 65

HEX #185358

RGB 24 83 88

HSL 184.69, 0.57%, 0.22%

LAB 32, -16.7, -8.44

 

CMYK 73 / 25 / 0 / 65

HEX #184258

RGB 24 66 88

HSL 200.63, 0.57%, 0.22%

LAB 26.14, -6.49, -17.4

 

CMYK 73 / 44 / 0 / 65

HEX #183158

RGB 24 49 88

HSL 216.56, 0.57%, 0.22%

LAB 20.42, 5.07, -26.4

 

CMYK 73 / 64 / 0 / 65

HEX #182058

RGB 24 32 88

HSL 232.5, 0.57%, 0.22%

LAB 15.13, 17.54, -34.93

 

CMYK 64 / 73 / 0 / 65

HEX #201858

RGB 32 24 88

HSL 247.5, 0.57%, 0.22%

LAB 13.62, 24.58, -37.36

 

CMYK 74 / 43 / 0 / 91

HEX #060D17

RGB 6 13 23

HSL 215.29, 0.59%, 0.06%

LAB 3.51, 0.18, -6.34

 

CMYK 73 / 44 / 0 / 78

HEX #0F1F37

RGB 15 31 55

HSL 216, 0.57%, 0.14%

LAB 11.67, 2.61, -17.67

 

CMYK 73 / 44 / 0 / 65

HEX #183158

RGB 24 49 88

HSL 216.56, 0.57%, 0.22%

LAB 20.42, 5.07, -26.4

 

CMYK 73 / 44 / 0 / 53

HEX #204378

RGB 32 67 120

HSL 216.14, 0.58%, 0.3%

LAB 28.58, 6.84, -34

 

CMYK 73 / 44 / 0 / 40

HEX #295598

RGB 41 85 152

HSL 216.22, 0.58%, 0.38%

LAB 36.43, 8.69, -41.13

 

CMYK 72 / 44 / 0 / 66

HEX #183157

RGB 24 49 87

HSL 216.19, 0.57%, 0.22%

LAB 20.36, 4.66, -25.84

 

CMYK 15 / 73 / 0 / 65

HEX #4B1858

RGB 75 24 88

HSL 287.81, 0.57%, 0.22%

LAB 19.45, 34.42, -27.65

 

CMYK 15 / 0 / 73 / 65

HEX #4B5818

RGB 75 88 24

HSL 72.19, 0.57%, 0.22%

LAB 35.09, -15.14, 33.88

 

CMYK 72 / 44 / 0 / 66

HEX #183157

RGB 24 49 87

HSL 216.19, 0.57%, 0.22%

LAB 20.36, 4.66, -25.84

 

CMYK 0 / 73 / 44 / 65

HEX #581831

RGB 88 24 49

HSL 336.56, 0.57%, 0.22%

LAB 19.84, 31.67, -0.03

 

CMYK 44 / 0 / 73 / 65

HEX #315818

RGB 49 88 24

HSL 96.56, 0.57%, 0.22%

LAB 33.35, -26.34, 31.52

 

CMYK 72 / 44 / 0 / 66

HEX #183157

RGB 24 49 87

HSL 216.19, 0.57%, 0.22%

LAB 20.36, 4.66, -25.84

 

CMYK 15 / 73 / 0 / 65

HEX #4B1858

RGB 75 24 88

HSL 287.81, 0.57%, 0.22%

LAB 19.45, 34.42, -27.65

 

CMYK 0 / 30 / 73 / 65

HEX #583E18

RGB 88 62 24

HSL 35.63, 0.57%, 0.22%

LAB 28.34, 6.98, 27.15

 

CMYK 59 / 0 / 73 / 65

HEX #245818

RGB 36 88 24

HSL 108.75, 0.57%, 0.22%

LAB 32.75, -30.82, 30.7

 

CMYK 72 / 44 / 0 / 66

HEX #183157

RGB 24 49 87

HSL 216.19, 0.57%, 0.22%

LAB 20.36, 4.66, -25.84

 

CMYK 0 / 73 / 8 / 65

HEX #581851

RGB 88 24 81

HSL 306.56, 0.57%, 0.22%

LAB 21.29, 36.53, -19.88

 

CMYK 0 / 30 / 73 / 65

HEX #583E18

RGB 88 62 24

HSL 35.63, 0.57%, 0.22%

LAB 28.34, 6.98, 27.15

 

CMYK 73 / 0 / 66 / 65

HEX #18581E

RGB 24 88 30

HSL 125.63, 0.57%, 0.22%

LAB 32.41, -33.29, 27.27

 

Description

Color code: HEX #183157 | qconv.com Color code: HEX #183157 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 49 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 49 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 44 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 44% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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